14. Four Mystery Plays: The Guardian of the Threshold: Scene 2
Translated by Harry Collison Rudolf Steiner |
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I used to think it so, when first I heard The word by which I came to understand That ye would take my work beneath your care And open gateways to me, which before Only initiates could e'er approach. |
Before I took this work in hand, I gave Myself to Lucifer, because I wished To learn to know and understand his realm. Now know I, what I could not see before When I was lost entirely in my work, That he it was who wove around my thought Those beauteous pictures, while within my soul He planted wild desires, which silent now Will surely one day gain control of me. |
Henceforward thou must not rely upon That understanding which thou hast till now. |
14. Four Mystery Plays: The Guardian of the Threshold: Scene 2
Translated by Harry Collison Rudolf Steiner |
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The same. The persons who were at first assembled have left, with the exception of Felix Balde and Dr. Strader, who remain with Hilary True-to-God, the Grand Master; Magnus Bellicosus, the Second Preceptor; Albertus Torquatus, the First Master of the Ceremonies; Frederick Trustworthy, the Second Master of the Ceremonies; Maria; and Johannes Thomasius. Hilary: Bellicosus: Felix Balde (to Thomasius): Strader (to Thomasius): Thomasius: Trustworthy: Thomasius: Trustworthy: Thomasius: (Pause, during which Thomasius meditates deeply.) If all alone I could encounter this, Hilary: (Hilary leaves the hall with Bellicosus, Torquatus, and Trustworthy. Doctor Strader and Felix Balde also leave. Only Maria and Thomasius are left.) The hall grows dark. After a short pause the three Spirit forms Philia, Astrid, and Luna appear in a cloud of light, and group themselves so that they completely hide Maria. The following is a spirit-experience of Thomasius.) Philia: Astrid: Luna: The Voice of Conscience (invisible): (The last words run straight on into the following ones spoken by Maria, who is still hidden by the Spirit forms and cannot be seen. She speaks at first in a ghostly inward voice.) Maria: (The Spirit forms vanish with the cloud of light. Maria becomes visible in her old place. Maria and Thomasius are alone, standing opposite each other. From now onwards the experiences are on the physical plane.) Thomasius (rousing himself from deep meditation): Maria: |
14. Four Mystery Plays: The Guardian of the Threshold: Scene 3
Translated by Harry Collison Rudolf Steiner |
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What thus he came to know about those powers He tried to keep deep fastened in his soul. Now only in this realm one understands To judge aright the knowledge he pursued. He thought the pictures he possessed were true And could reveal to him reality; But, viewed from here, they clearly show themselves As naught but empty dreams, which Spirit-hands Have woven round about weak men of Earth. |
At times he feels aware of human souls, But what they say he cannot understand; He only catches some especial words Which lift themselves from out the general talk, And bring remembrance of the loveliness Which he can gaze on in the Spirit-realms. |
Thomasius: O mine own Likeness, up till now thou hast Shown thyself to me only that I might Be frightened at the sight of mine own self. I cannot understand thee much as yet; I only know that thou dost guide my soul. 'Tis thou then who dost baulk me of free life And dost prevent me from due cognizance Of what I really am. |
14. Four Mystery Plays: The Guardian of the Threshold: Scene 3
Translated by Harry Collison Rudolf Steiner |
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In Lucifer's kingdom. A space which is not enclosed by artificial walls, but by fantastic forms which resemble plants, animals, etc. All in various brilliant shades of red. In the background are arranged three transparencies showing the top of Raphael's ‘Disputa,’ Leonardo's ‘Last Supper,’ and Raphael's ‘School of Athens.’ These are illuminated from the back of the stage whenever Maria or Benedictus challenges Lucifer. At other times they are invisible. On the right, Lucifer's throne. At first only the souls of Capesius and Maria are present. After a time Lucifer appears, and later on Benedictus and Thomasius, with his etheric counterpart or ‘double,’ and lastly, Theodora. Maria: Capesius (in astral garb): Maria: Capesius: Maria: Capesius: Maria: Capesius: Maria: Capesius: Maria: Capesius: (Lucifer appears and, in the course of his speech, Benedictus.) Lucifer: Benedictus: Maria: Lucifer: (Enter Johannes Thomasius and his Etheric Counterpart from different sides of the stage at the same moment, and meet face to face.) Thomasius: Thomasius' Double: Lucifer: Benedictus: Maria: Benedictus: Lucifer: (Theodora appears.) Theodora: Thomasius' Double: Benedictus: Maria: Lucifer: Benedictus: Curtain |
14. Four Mystery Plays: The Guardian of the Threshold: Scene 4
Translated by Harry Collison Rudolf Steiner |
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I felt the constant strengthening at that time Within me of the power which made my soul Able for knowledge from the spirit-worlds. And under Felix Balde's noble lead This power grew on thenceforward to that height At which it stood just seven years ago. |
14. Four Mystery Plays: The Guardian of the Threshold: Scene 4
Translated by Harry Collison Rudolf Steiner |
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A cheerful pink room in the home of Strader and his wife Theodora. One notices by the arrangement that they use it as a room in common, where they carry on their various work. On his table there are mechanical models; on hers things to do with mystic studies. The two are holding a conversation which shows that they are absorbed in the fact that it is the seventh anniversary of their wedding day. Strader: Theodora: Strader: Theodora: Strader: Theodora: Strader: Theodora (in a broken sentence, as if meditating deeply): Strader: Theodora: Strader: Theodora: Strader: Theodora (painfully, slowly, as if reflecting): (Now follow in broken words): Strader (painfully, overcome by the quick inrush of feelings): (Pause, then meditating painfully) When I again recall before my soul (Theodora is lost in contemplation, and stares blankly into space, as if her spirit were absent.) O Theodora ... what dost thou ... see now? ... Curtain |
14. Four Mystery Plays: The Guardian of the Threshold: Scene 5
Translated by Harry Collison Rudolf Steiner |
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Felix Balde: We both, my wife Felicia, and myself, Loved her indeed from out our inmost soul, So can we share and understand thy grief. Strader: Dear Theodora, she so often spoke Throughout the last hours of her life on earth Of Dame Felicia and of Felix too; She was so closely intimate with all That life brought to you here from day to day. |
Felix Balde: Dear Strader, thou must now be calm and still; She wants to speak to thee; I understand The signs she gives to us: so now attend. Theodora (after making a movement with her hand towards Strader): Thomasius hath powers of seership, And he will find me in the spirit-realms. |
14. Four Mystery Plays: The Guardian of the Threshold: Scene 5
Translated by Harry Collison Rudolf Steiner |
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A round room in the little house in the wood, described in the “Soul's Probation,” as Felix Balde's home. Dame Balde, Felix Balde, Capesius, Strader, are seen seated at a table on the left of the stage. Later appears the Soul of Theodora. The room is the natural colour of the wood and has two pretty arched windows. Dame Balde: Felix Balde: Strader: Now must I grope my further path alone. Felix Balde: Strader: Capesius (spoken as in a trance): Strader: Felix Balde: Dame Balde: Strader: (Theodora's Soul appears.) Theodora's Soul: Felix Balde: Theodora (after making a movement with her hand towards Strader): Strader: (Theodora makes a sign towards Capesius.) Felix Balde: (Theodora vanishes.) Capesius (as in a trance): (Pause.) Strader (to Felix Balde): Felix Balde: Dame Balde: Capesius: Dame Balde: Curtain |
14. Four Mystery Plays: The Guardian of the Threshold: Scene 6
Translated by Harry Collison Rudolf Steiner |
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Capesius (in astral garb): There echoes Benedictus' noble voice; His words are ringing in the spirit here, And are the same as in the book of life Are written down to aid his pupils' work, Which souls on earth find hard to understand And which are even harder to fulfil. What part of spirit-land is this, where sound The words which serve to test the souls on Earth? |
14. Four Mystery Plays: The Guardian of the Threshold: Scene 6
Translated by Harry Collison Rudolf Steiner |
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A space not circumscribed by artificial walls but enclosed by intertwined plants like trees and structures which spread out and send shoots into the interior. Owing to natural phenomena the whole is moving violently and is sometimes filled with storm. The stage is divided into two groves, separated for a short distance by a row of trees. The grove on right of stage is red, that on the left is blue, the former is appropriated later by Lucifer and his Spirits, and the latter by Ahriman and his Spirits. The dance movements are set to music. Maria and Capesius are on the stage as the curtain rises; then Benedictus, Philia, Astrid, Luna, the Other Philia, Lucifer, Ahriman, and Creatures which move in a dancing fashion and which represent thoughts, lastly the Soul of Dame Balde. Benedictus (only audible, not yet visible): Capesius (in astral garb): Maria: Capesius: Benedictus (still invisible): Capesius: Maria: Benedictus (appears from the background): Capesius: Benedictus: Capesius: Benedictus: (A cheerful subdued light diffuses itself. Philia, Astrid, and Luna appear in glowing clouds.) (Exeunt Capesius and Maria.) Voices (which sound together, spoken by Philia, Astrid, and Luna.): (While this sounds, Lucifer approaches from one side, and Ahriman from the other. They go to their thrones raised on each side at the back of the stage, facing the audience; Lucifer on the right of the stage, Ahriman on the left.) Lucifer (in a loud voice, emphasising every word): (On Lucifer's side, beings with golden hair, dressed in crimson and radiantly beautiful representing thoughts, begin to move. These carry out, in a dancing fashion, movements which represent the forms of thought corresponding to Lucifer's words.) Ahriman (speaking in a loud, hoarse voice): (After these words Lucifer's group is still and the thought-beings on Ahriman's side move and carry out dancing movements which make forms corresponding to his words. They have grey hair and are clad in indigo blue, being square in build, and in appearance distinguished more by force than beauty. After this the movement from both groups is carried on together.) Lucifer: (The thought-beings on Lucifer's side repeat their movements.) Ahriman: (The thought-beings on Ahriman's side repeat their movements, then again both together.) Lucifer: (Repetition of the movements in Lucifer's group.) Ahriman: (Repetition of the movement in Ahriman's group.) (The movements of each group are then repeated four times separately and thrice together.) (The thought-beings vanish left and right; Lucifer and Ahriman remain: Philia, Luna, and Astrid advance from the background, and speak together the words they spoke before with the following alteration.) Philia, etc.: (Philia, Astrid, and Luna vanish. Enter Capesius in astral garb, and after he has spoken a few words Maria joins him, though at first he cannot see her.) Capesius: Maria: Capesius: Maria: Capesius (hesitatingly): Maria: Lucifer: Maria: Ahriman: (As Ahriman finishes speaking, Benedictus appears.) Capesius: Benedictus: Capesius: Benedictus: (Dame Balde in her ordinary dress appears in the background beside Benedictus.) Dame Balde (in a meditative voice suitable for fairy tales): (Philia, Astrid, Luna, and the Other Philia appear in a cloud of light.) Philia: Astrid: Luna: The Other Philia: Curtain falls whilst Benedictus, Capesius, Maria, Dame Balde, Lucifer, and Ahriman, and the four Soul-forms, are still in their places |
14. Four Mystery Plays: The Guardian of the Threshold: Scene 8
Translated by Harry Collison Rudolf Steiner |
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Ahriman (audible only to Strader): So too with souls: they find it good to talk As voicing the well-being of their mind, But underneath they fail in constancy. Such are for me quite unapproachable, And yet they will in future much achieve From which I'll reap a harvest of good fruit. |
Ferdinand Fox: He who would cosmic riddles rightly read Must wait till understanding and right thought Reveal themselves through powers within his life, And he who fain would find his way aright Must seize all he can use that gives him joy. |
) (Enter Maria and Thomasius both fully conscious, so that they can hear and understand all that goes on, and speak about it.) Thomasius: Maria, terror reigns on every side, It closeth in and presseth on my soul; Whence shall come inward strength to conquer it? |
14. Four Mystery Plays: The Guardian of the Threshold: Scene 8
Translated by Harry Collison Rudolf Steiner |
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Ahriman's Kingdom. No sky is visible. A dark en-closure like a mountain gorge whose black masses of rock tower up in fantastic forms, divided by streams of fire. Skeletons are visible everywhere; they appear to be crystallized out of the mountain, but are white. Their attitude suggests the habitual egoism of their last life. Prominent on one side is a miser and on the other a massive glutton, etc., etc. Ahriman is seated on a rock. Hilary, Frederick Trustworthy, then the Twelve who were gathered together in the first scene; then Strader; later on Thomasius and Maria; last of all Thomasius' Double. Trustworthy: Hilary: Trustworthy: Hilary: Ahriman (in a feigned voice, sardonically): I know why ye are gathered here again. (Ahriman becomes invisible.) Trustworthy (after a pause, during which he has with-drawn into himself): Hilary: (Exeunt Hilary and Trustworthy.) Ahriman (who has re-appeared): (All the persons who at the beginning of the play were assembled in the ante-room of the mystic league now appear on the scene; they are blindfolded to show their ignorance of the fact that they are in Ahriman's kingdom. The words they speak live in their souls, but they know nothing of them. They are experiencing during sleep unconscious dreams which are audible in Ahriman's kingdom. Strader, who also appears, is however semi-conscious with regard to all that he experiences, so that later on he will be able to recollect it.) Strader: Ahriman: Strader: Ahriman: Strader: Ahriman: Louisa Fear-God: Ahriman (audible only to Strader): Frederick Clear-Mind: Michael Nobleman: George Candid: Ahriman (audible only to Strader): Mary Steadfast: Ahriman (audible only to Strader): Francesca Humble: Katharine Counsel: Ahriman (audible only to Strader): Bernard Straight: Erminia Stay-at-Home: Casper Hotspur: Mary Dauntless: Ahriman (audible only to Strader): Ferdinand Fox: Ahriman (audible only to Strader): (To himself holding his hands over Strader's ears so that he shall not hear.) True, none of this have I achieved as yet, (The following so that it is again audible to Strader): Strader: (Exit quickly.) (Enter Maria and Thomasius both fully conscious, so that they can hear and understand all that goes on, and speak about it.) Thomasius: Maria: Ahriman (to himself): (He speaks the rest so that Thomasius and Maria can hear.) Thomasius, the Guardian did direct Thomasius: Ahriman: Maria: (The Guardian appears upon the Threshold.) Ahriman: Thomasius: The Guardian: Thomasius: (As Thomasius begins the name Theodora, his Double appears.) His Double (coming close up to Thomasius) Perceive me—and then know thyself in me. Maria: (Peals of thunder, and increasing darkness.) Curtain
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14. Four Mystery Plays: The Guardian of the Threshold: Scene 9
Translated by Harry Collison Rudolf Steiner |
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I, too, may now behold the happiness Which through his words doth reach the heart of man. Since he in love hath underta'en the task Of guiding me within the spirit-world: And now when I may feel that he is near I shall again discover mine own self. |
14. Four Mystery Plays: The Guardian of the Threshold: Scene 9
Translated by Harry Collison Rudolf Steiner |
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A pleasant, sunny morning landscape, in a terraced garden overlooking a town with many factories. Benedictus, Capesius, Maria, Thomasius, and Strader are discovered walking up and down and engaged in leisurely conversation. Benedictus wears a white biretta and is in his white robe, but without the golden stole. Capesius: Benedictus: Capesius: Benedictus: Capesius: (He pauses meditatively.) How wonderfully hast thou led me on: Benedictus: (During the last words Strader walks up to Capesius and the three go away together: after a short time Benedictus returns with Strader.) Strader: Benedictus: Strader: Benedictus: Strader: Benedictus: (Exeunt Benedictus and Strader. Maria and Thomasius appear from the other side.) Maria: Thomasius: Maria: Thomasius: Maria: |
14. Four Mystery Plays: The Guardian of the Threshold: Scene 10
Translated by Harry Collison Rudolf Steiner |
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He who would to the spirit sacrifice With understanding of the mystic work, Must needs face dangers here, for Lucifer Can in this place draw near with secret tread To whomsoever faithfully doth try To carry out the spirit-service here, And on each word he can impress the seal That marks the adversary of the gods. |
Capesius: He who hath viewed the adversary's realm As powers of fate permitted me to do, He knows that ‘good’ and ‘evil’ are but words Which mankind scarce can understand aright. Who speaks of Lucifer as wholly bad Might also say that fire is evil too, Because it hath a power that can kill life; He might call water evil, since a man Might in the water easily be drowned. |
14. Four Mystery Plays: The Guardian of the Threshold: Scene 10
Translated by Harry Collison Rudolf Steiner |
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The Temple of the Mystic League mentioned in the first and second scenes. Here Benedictus, Torquatus, and Trustworthy have the robes and insignia of their office of Hierophant as described in the ‘Portal of Initiation.’ The Eastern altar supports a golden sphere; a blue sphere rests upon the Southern altar; whilst the sphere upon the altar of the West is red. As the scene opens Benedictus and Hilary are standing at the altar in the East; Bellicosus and Torquatus at the altar in the South; Trustworthy at the altar in the West; then enter Thomasius, Capesius, Strader then Maria, Felix Balde, and Dame Balde, and later on the Soul of Theodora; and last of all the four Soul-Forces. [East is here at right of stage, West at left.] Benedictus: Hilary: (Hilary knocks within the Temple; then enter Thomasius, Capesius, Maria, Felix Balde, Dame Balde, and Strader. Trustworthy and Torquatus so guide their entrance that when they come to the middle of the Temple, Thomasius is standing in front of Benedictus and Hilary, Capesius in front of Bellicosus and Torquatus, Strader in front of Trust-worthy, whilst Maria is with Felix and Dame Balde.) My son, the words man utters in this place Thomasius: Torquatus (in the South, to Capesius): Capesius: Torquatus: Capesius: Torquatus: Benedictus (in the East): Maria: Benedictus (turning to Maria): Magnus Bellicosus (speaking to Hilary and Benedictus, but frequently turning to Felix Balde and Dame Balde): Dame Balde: Felix Balde: Trustworthy (in the West, to Strader): Strader: Theodora (becoming visible, as a spirit-being, at Strader's side): Strader: (Philia, Astrid, Luna, and the Other Philia appear in a glowing cloud of light.) The Other Philia: Philia: Astrid: Luna: Curtain falls while all the characters, including Theodora, Philia, Astrid, Luna, and the Other Philia are still inside the Temple |
14. Four Mystery Plays: Persons, Figures and Events
Rudolf Steiner |
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REPRESENTATIVES OF THE ELEMENT OF WILL: Romanus who is here re-introduced under the same name used for him in ‘The Portal of Initiation’ because it expresses the inner state of being to which he has worked upwards during the years which elapse between ‘The Portal of Initiation’ and the ‘Awakening.’ |
In ‘The Portal of Initiation’ she is known as ‘The Other Maria’ because the imaginative perception of Johannes Thomasius constructs, under her guise, an imaginative picture of certain nature-forces. Her individuality appears in ‘The Soul's Probation’ as Bertha, Keane's daughter. |
14. Four Mystery Plays: Persons, Figures and Events
Rudolf Steiner |
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The experiences of soul and spirit portrayed in this play are to be conceived as following, at about a year's interval, those delineated in ‘The Guardian of the Threshold.’
In connection with ‘The Soul's Awakening’ it is advisable again to draw attention to a point already made with reference to the preceding soul-pictures. Neither the events of soul and spirit nor the spiritual beings are intended to be mere symbols or allegories. Anyone interpreting them in this manner would quite misconceive the real being of the spiritual world. Even in the mental experiences which are shown (in the second, third, and tenth scenes) nothing merely symbolical is portrayed. They are genuine experiences of the soul, as real for a person who has access to the spirit world as are persons and events in the world of the senses. Such a person will find ‘The Awakening’ a thoroughly realistic soul-picture. Were the case one of mere symbolism or allegory, I should certainly have left these scenes unwritten. In response to various questions, I had once more attempted to add a few ‘supplementary remarks’ in explanation of this ‘soul-picture’; but as on former occasions, I again suppress the attempt. I feel averse to adding material of this kind to a picture intended to speak for itself. Such abstract considerations have no part to play in the conception and working-out of the picture, and would only be a discordant element. The spiritual realities, here set forth, present themselves to the soul as convincingly as physical things present themselves to our bodily perception. Yet, as is natural, an unclouded spiritual vision views the beings and events shown in pictures painted by spiritual perception otherwise than the physical perceptions would behold the same beings and events. On the other hand, it must be said that the manner in which spiritual events array themselves before the perception of the soul determines alike the tendency and construction of such pictures. |
14. Four Mystery Plays: The Soul's Awakening: Scene 1
Translated by Harry Collison Rudolf Steiner |
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Manager: I cannot lend my strength to fashion deeds Whose processes I do not understand. Those men whom thou didst trust still seem to me Misled by the illusion I have named: And others too, who listen to their words, Will victims to that same illusion fall Which doth o'erpower all thought that knows its goal. |
14. Four Mystery Plays: The Soul's Awakening: Scene 1
Translated by Harry Collison Rudolf Steiner |
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Hilary's office. Fittings not very modern. He is a manufacturer of sawn woodwork. Secretary: Manager: Secretary: Manager: (Enter Hilary.) (To the Secretary): (Exit Secretary.) Anxiety it is that bids me seek Hilary: Manager: Hilary: Manager (after long reflection): Hilary: Manager (surprised): Hilary: Manager: Hilary: Manager: Hilary: Manager: Hilary: Manager: Hilary: Manager: Hilary: (Enter Strader, left.) Dear Strader, I have long expected thee. Strader: Manager: Strader: Manager: Strader: (After a period of quiet meditation.) Yet that which must will surely come to pass. Curtain whilst all three are sunk in reflection |