The Rudolf Steiner Archive

The battle against occult endeavors is greater today than ever before. It's true that people always fought against them with blood and fire, but never as much as today. You brothers and sisters can help to mitigate this battle that's only brought about by envy You can do a lot by not referring to me as a leader, as so often happens. You can be certain in your hearts and know where you stand, but you shouldn't speak about this publicly.

One can observe a certain periodicity in human life, just as one perceives a periodicity in the outer world. Say that we have an event in our life. This event passes. Things go on for a while, and then there's a repetition of the event. On the schema one sees that the circles get bigger each time. In ordinary human life one can observe that one tries to discard ambition and vanity, also love of ease and laziness. One may have won a certain victory over these defects in ordinary life. When one has gone through an esoteric development for awhile, these defects suddenly stand before us again, and as one can see from the schema, they're much worse than the first time. Now one can try to overcome this vanity, ambition, etc., again, until they approach us again in ever worse forms. But one can also stand still, not overcome, and then one will bring this vanity, etc., into one's esoteric life as poison. The following threefold force will be a good way to overcome these defects.

When our ego and astral body slip into our etheric and physical bodies again in the morning, consciousness arises through the shock of this slipping-in process. There would be no consciousness in this world without the etheric and physical bodies. These two parts that we need for consciousness don't belong to us—we inherited them from our ancestors. It might occur to us on waking that these parts that we got for nothing could also be taken way from us someday then we can understand what sages always said in the morn: “I thank you God that you enabled me to wake up again,” and so on. It's the Father God who enables us to dive down into the physical body again in the morn. When we say the words: It weaves me, we have force that enables us to feel thankfulness for this submersion in the physical body. We have a very powerful mantra in these words. A great feeling of thankfulness must go through us with these words: It weaves me. We have a great source of strength every time we say them. One who can't generate a great feeling of thankfulness shouldn't say them. Our first thought on awakening in the morn will be a prayer of thanks to the Father God who enables us to return to this physical body.

When a man has a life behind him, something will meet him in the spiritual world. What met him in BC times was different from what meets him now. A shock is experienced when one slips into the physical body, which awakens consciousness. After death, we have no physical body, and without this, an I has no consciousness today. What preserves consciousness for the I is the power of the Son, whom we can meet in the spiritual world after death. Here, too, we have a powerful mantra And that is: It works me. We should say it with devotion and reverence and thereby get a preservation of consciousness between death and a new life.

What must also come about is that we go over into spiritual worlds, that we wake up through the Holy spirit, who leads us over there. Here we have the mantra: It thinks me. This must be said with piety. And so we have hope, love and faith. Then threefold love will awaken in man—love of truth, life and creativity. We often run into love of truth, but love of life not so often. Love of life will put every man in the right position to other men. For how can one love life rightly without loving other men? Giving in to someone in everything out of passion isn't a love of life. It's only love of life if one does not excuse all wrongs out of kindness; sometimes it's love if one doesn't give in. The third love, of creativity, is hard to find. We should love all creativity and work. But look at how men turn against anything creative.

Vanity hinders us in the love of truth. And who can still be vain if he cultivates the love of truth. We must increasingly cultivate the love of truth.

Through the love of life we develop sympathy for all life. Egoism is melted by this love. One who has the right love of all life can't remain in egoism.

The love of creativity eliminates all laziness and love of ease.

And so we can say: I love the truth through the Holy Spirit who thinks in me. I love life through the Son who works in me. I love creativity through the Father who weaves in me. Or we can say: We're born in the Father God. We die in Christ, and we'll be resurrected through the Holy Spirit. E D N, I C M, P S S R. We were born in this physical body through the Father Sprit, we die through the Son, and the Holy Spirit gives us the certainty of a resurrection.

And so we'll say the words that were us out of the truth:

In the spirit lay the germ of my body.
And the spirit has imprinted in my body
The eyes of sense,
That through them I may see
The lights of bodies.
And the spirit has imprinted in my body
Reason and sensation
And feeling and will,
That through them I may perceive bodies
And act upon them.
In the spirit lay the germ of my body.
In my body lies the germ of the spirit.
And I will incorporate into my spirit
The super-sensible eyes
That through them I may behold the light of spirits.
And I will imprint in my spirit
Wisdom and power and love,
So that through me the spirits may act
And I become a self-conscious organ
Of their deeds.
In my body lies the germ of the spirit.

Before we begin our actual esoteric study we should say that we in our esoteric stream must separate ourselves completely from the other one that goes through the world and that's promoted by Ms. Besant. For reasons of truthfulness we can separate ourselves from the deeds of a personality, but we must not change our love for the personality and should direct even more sympathy towards her, precisely because we must reject her deeds. As Ms. Besant wrote in 1906: “Judge has fallen on this perilous path of occultism, Leadbeater has fallen on it, very likely I too shall fall ... If the day of my fall should come I ask those who love me not to shrink from condemning my fault, not to attenuate it, or say that black is white; but rather let them lighten my heavy karma as I am trying to lighten that of my friend and brother ...” For occultism is indeed a perilous path, and everyone should consider that forces can slumber in the depths of the human soul that may not appear in ordinary life, but that come to light if one treads the perilous path. That's why one should constantly watch one's own soul and remember the words: “Watch and pray.”

Anyone who wants to enter spiritual worlds must practice strict self-knowledge. The Essene order, whose teachers also taught the Jesus of the Luke Gospel, had two rules that can show us how far away moderns are from spiritual things. One rule said that no Essene should speak about worldly things before the sun rose or after it set. And for those who had gone up to higher grades this rule was reinforced by one that forbade one to even think profane things at the indicated times. Another rule said that before the sun comes up every Essene should ask that this might happen and that the sun's power might shine over mankind every day ... These rules show us how important the connection of our being is with the events in the spiritual world from which we emerge in the morn, and in which we submerge when we go to sleep in the eve.

How little moderns live in accordance with these laws of outer and inner cycles is no doubt shown by an outer cycle like the transition of New Year's Eve into the new year. Everything that people do there and undertake before going to sleep seems to be designed to connect oneself particularly deeply with material things, whereas people should be doing a retrospect at this moment. Corresponding to this outer cycle is an inner one in man: that of waking and sleeping. In the eve a man draws his astral body and ego out of the physical and etheric bodies and lives in a purely spiritual world. Let's take a look at the moment of going to sleep, until unconsciousness gradually sets in. An ordinary man has no consciousness in the spiritual world at night. It may happen that clairvoyant moments occur and he then sees pictures of what he's left lying behind. What he sees will depend on his temperament and character. A man who feels that his stay in his bodies is like living in a house will see the physical and etheric bodies as a house with a portal through which he has to go when he wakes up. A melancholic who experiences the perishable side of earthly existence will see the image of a coffin in which a dead man lies. One who has a strong feeling that Gods built the house of his body during the old Saturn and Sun periods may see an angel or light form that hands him a chalice, representing an ancient, primal word of mankind: We're born from God.

What the Essenes did in the morn before sunrise can't be done any more today, so when a modern esoteric comes back into his physical and etheric bodies he should permeate himself with the holy feeling that sublime Gods prepared and built up these bodies during Saturn and Sun evolution so that we can develop consciousness in them. With this consciousness an esoteric will ask the God—the spiritual sun that the physical sun represents—to maintain and leave him this physical and etheric body each morn when he steps out of the spiritual world, to develop consciousness in the physical world. For where would we be if someone would take away this physical and etheric body overnight? We would then be overpowered by a feeling of unconsciousness. If we permeate ourselves with the fact that the Gods have built us this physical and etheric body we'll then have the experience that our brain, or any other organ, is not just bound to our physical body, but that it expands to a hollow sphere in which stars are imbedded that run in their orbits, and that these stars that are travelling in orbit are our thoughts. Thereby the microcosm becomes the macrocosm. The mighty forces of the whole cosmos are compressed in our brain, and we feel their connection with us. We can describe everything that led us through Saturn, Sun and through the hereditary line to our present birth with the saying: We are born from the Gods.

Just as we would have to remain unconscious if we couldn't dive down into our physical and etheric body in the morning, so passage through the portal of death extinguishes all conscious life. Before the Mystery of Golgotha a man received a consciousness after death from reserve forces that were given to men on their way that gave him consciousness in the spiritual world. But this gift of the Gods had gradually been used up, and a Greek knew that it was his lot to live in the realm of the shades after death. This was in accordance with the will of the Gods. Consciousness was shadowy and dim, and that's why Greeks had one of their greatest men say: Better to be a beggar in the upper world than a king in the realm of the shades.

A new substance was created through the Mystery of Golgotha that could give consciousness to men when they were in the spiritual world after death. This substance flowed out of the Mystery of Golgotha. A man can develop consciousness in the spiritual world after death through an immersion in this Christ substance. That's why every evening when we go to sleep and into the spiritual world we should remind ourselves of this and permeate ourselves with the feeling: We die in Christ.—For only the Christ impulse can keep us conscious in the spiritual world after death through its death-overcoming vital force. But there's nothing in the physical world that's great and holy enough to enable one to understand this Mystery that was given through Christ Jesus, so one shouldn't use anything that belongs to the world, not even the words of language in order to refer to this Mystery, the great unfathomable secret that's contained in what flows out from the Mystery of Golgotha. That's why an esoteric is silent in word and thought at the place where the sacred, unspeakable name would have to be said. He just feels the sacredness of this moment: In ... morimur.

But even if a man has consciousness after death, he doesn't have self-consciousness yet, that through which he recognizes himself as an individual being in the spiritual world and finds himself together again with the brothers and sisters he was with in the physical world. The only thing that can help us to find our being again and to awaken with self-consciousness after we were immersed in Christ substance is our experience of our higher I that's given to us by the Holy Spirit, through whom we have to hope: We'll be resurrected in the Holy Spirit and will awaken to self-conscious life.

My dear sisters and brothers! If we heed and do everything that's been given till now in the Mystery dramas and esoteric lessons, if we really do all of this in complete devotion, then we can already get very, very far into high spiritual worlds. Moderns don't need anything more to get into very high spiritual worlds. We must live entirely in meditation, concentration and contemplation, and leave everything else outside. One can only attain something by sticking strictly to the prescribed rules. Meditation time must be looked upon as something beautiful and elevated in our esoteric life. During meditation one should first immerse oneself completely in the content of the exercises. So one must empty the soul of all everyday thoughts and feelings and must live in the content of the given exercises. And then make the consciousness devoid of content—also of the meditation material – and listen while one is awake. It's true that this is quite difficult. Some say that they hear their blood pulsing, and that this disturbs them. That's all right—let them hear the blood pulse. Then they'll sense the life in blood and thereby become aware of a piece of inner life.

Exoteric life takes place in the world of cognition. We know something because we confront an object, look at it and make mental images of it. This changes the moment we meditate. Through meditation we enter another world where we have our ideas, thoughts and concepts before us, outside us: we know that we're connected with them. But we can't get rid of them, we run after them. Thoughts ascend from the soul's depths. We see beings like carnivorous animals that devour them. We connect ourselves completely with the thoughts, etc. So we experience things here, whereas in exoteric life we know them. In meditation we're in a world of experience. We shouldn't immediately make ideas about what approaches us in this world. We should just open ourselves, listen and feel what wants to stream into our soul. This develops the lotus flowers so that they can become active. Further on we arrive at the world of bliss or shapes. But only one who has prepared himself for this world experiences it as a world of bliss. For an immature person it's full of terrifying things and it tears him apart. For him love turns into hate there, beautiful into ugly and he now likes what was disgusting to him before, and so on. Everything is in reverse. One only becomes really mature enough for a correct experience of this world of shapes if one goes through a training in self-discipline. What did the Gods do to protect us from an experience of this world of shapes before we're mature? They gave us pleasure, the enjoyment of creative activity here in the physical world. The beauty that we feel in a work of art, in a Raphael, in a Leonardo, such as were shown in scene three of Guardian of the Threshold isn't the permanent thing, also not the art work itself, but what's eternal is the spiritual part—what went on in the artist's soul as he worked, from which the work of art was created.

What is God in maya? What has to be said now must sound rather paradoxical. God is not what we experience in the spring in up-building forces, in shooting, sprouting things, in all beautiful and luminous things—God is real and active where we see destructive powers of nature; God is in autumn storms, in all shattering, disintegrating and crushing things. It sounds horrible and shocking, but it's a fact: God is most active in all destructive and disintegrating things. We're given pleasure from work with physical things to protect us from entering the world of shapes, of bliss too soon. In waking day consciousness we're separated from it as by a thin layer of ice. While we're in esoteric training we shouldn't bring these esoteric teachings into exoteric life or want to regulate exoteric life in accordance with these teachings. That could only lead to folly. Our education in exoteric life must result from exoteric pedagogical principles. One could set it up as an ideal that esoteric life should run completely independently. We must preserve absolute equanimity with respect to spiritual experiences, just as we should remain calm in everyday life with respect to all events, ideas, etc., so that we don't get excited or upset. One attains this equanimity by reverently thinking, feeling and living oneself into the three mantras, It thinks me—It works me—It weaves me, by letting these 3 sentences go through one's soul over and over again. And then we'll also understand our rosicrucian verse in the right way:

Ex Deo nascimur
In Christo morimur
Per Spiritum Sanctum reviviscimus.

The way we say “I think,” “I feel,” “I will” in ordinary life is really maya. It's only with “I am” that we're saying something that's true. Regarding our thoughts we can often notice that they press in from all sides when we would really like to exclude them. This shows that we don't think ourselves, but that beings are thinking in us. If only the progressive, good Gods had worked in us we would never have been under the illusion that it's we who think. Instead of falling into a deep, dreamless sleep at night we would have seen a big Imagination of our thoughts and ideas around us, permeated completely by the life and substance of higher beings. We would then have remembered this during the day and we'd always know that higher beings' life is in our thoughts. But Lucifer worked and wove himself completely into our thought life. If this imagination would appear it would show us that almost all of our thought life has become luciferic. And during the day we would constantly feel how terrible it is that Lucifer thinks in me. To protect us from this unconscious sleep comes over us at night, and we live in the maya idea that we think ourselves. But we esoterics must learn to face the truth. We get the strength to bear the thought that Lucifer thinks in us if we often meditate on the mantric statement, It thinks me, while we're completely permeated by piety.

It's easier to see that we're not masters of our feeling life. Feelings storm up in us, and we often can't control them very much. If our development had remained connected with progressive powers only here, then nocturnal Imaginations would have shown us that our feelings are of the same substance as the life that weaves through nature's great life realm. We would see plants' etheric archetypes, that are quite different from physical plants, and we would know that what pulses through the etheric life realm is also in our feelings. We would then remember this during the day as we looked at outer nature. But Ahriman has worked into all of this, and so we can say that in favourable cases he lives in maybe two thirds of our feelings, but most often it's more like three quarters of them, and the good Gods only live in a very small part of them. And we would see this in an Imagination at night because we would remain conscious, and during the day when we looked at nature outside we would know that Ahriman lives in our feelings that are related to weaving in the life realm. And we would think that it's terrible that Ahriman feels in us. To get the strength to bear this truth we must meditate on the sentence: It weaves me—with intense thankfulness to the good Gods who haven't left us completely yet. As far as our will impulses go it's very clear that our will is almost always determined by causes outside us, that the outer world's attractions and stimulations drive us to our actions. Here too, if Lucifer and Ahriman hadn't intervened we would have seen the working of spiritual beings at night, and we would have felt that they were united with this. And during the day we would have known nothing else than a working in agreement with what is willed by the good Gods. Our will would be the will of the spiritual world. But Ahriman's influence has also worked into this, and we should also see and know this during the day and we get the strength to bear this by meditating: It works me—with deep reverence for high spiritual beings.

So we see that the above mentioned “I think,” “I feel,” “I will” is really given to us in ordinary life as maya, since we can't bear the truth. Meditation on the mantra: It thinks me—It weaves me—It works me—can give a man a mighty push forwards into the spiritual world all by itself without other meditations.

The following about the letters in these mantras is also of importance.

It thinks me, Es denkt mich = e e i is getting close to another being with shyness and reverence; i is the union with this being whom we're approaching. But the d t indicates a feeling of still being reverentially separated. In It weaves me, Es webt michwe have the same e e i but w instead of d, a much more intimate approach. One weaves and waves completely into the other being; the waviness of the w carries us over all by itself. Everything is completely reversed in It works me, Es wirkt mich: e i i. One is entirely in the other being and works from there; one has united with it completely.

The ten words of the rosicrucian verse are arranged in such a way that the letters are also of importance. In Ex Deo nascimur we have the mood that we can feel on awaking with respect to our body, e e o a i u. In e we have a shyness to approach our physical and etheric bodies that the Gods built up during long world periods, o is a wanting to embrace, a is a stepping back with tremendous reverence, i is a wanting to unite, and u holds all of this together. In ... morimur—the statement in which we have this unspeakable word. We can call this a post-mortem mood, dying in Christ, i i o o i u: being one, embracing, becoming completely united, all of this summarized. Per Spiritum Sanctum reviviscimus. This expresses the attainment of self-consciousness in the spheres we enter after death. Here the consonants are more important; p r = feeling that one is placed in something, i stands for the I-feeling, the realizing oneself as an I, self-consciousness in the post-mortem state, s is the spinal column's form. Thus the masters have placed the secrets of the creative word in here, and ever more secrets can be found in it. Ten words: the ten-fold being of man, of which the fifth is the unspeakable name.

Our study today will be devoted to how a soul can raise itself into spiritual worlds. One who does his exercises regularly with patience and enthusiasm must also make progress; it's just a matter of him becoming aware of his progress.

After the meditation it's good to begin a rest period, to make the soul quite empty, to just wait and see what Imaginations come to us from higher worlds. Much also depends on the mood or attitude of our soul; we should always approach our exercises with the greatest devotion. The experiences that set in depend upon the meditator's individuality and karma. I'd like to pick out two of them from a large number. One is of being lifted out into space, into endlessness. One feels as if one were expanded and lifted up; of course a leaving of one's body is connected with this. This experience gives rise to a feeling of bliss and happiness. While one is raised one sees a reddening; yellowish red clouds come towards us from which Shapes gradually crystallize. Then there's a second experience of diving down, of sinking into the depths, accompanied by a feeling of constriction and choking. The spiritual beings one feels in this immersion appear to one in blue-violet gleams. They give a man a feeling of reverent, shuddering fear and induce him to take a look at himself. They show a man what he's really like, all of his defects and mistakes and moral weaknesses in their whole magnitude and abominable nature. It's true that we're already pointed in this direction by the retrospect that we do every evening, but a man can't see things as clearly with his physical consciousness. These beings who emerge from the depths get us to see plainly what habitual mistakes and wrong thinking produce in us. The beings who appear to us in a bluish violet light and show us our errors belong to the angels, whereas the upper, reddish yellow light figures that pronounce their judgment like punishing justice belong to the archangels. These experiences can also approach a man in a different way, namely through sounds. When his judgment is pronounced by an archangel with a thunderous voice it's much more scary, much harder to bear. But when a man has come to this hour that sets in after he's experienced the Guardian of the Threshold then he must have gotten rid of the habit of being afraid.

Just to be understood, let's mention an example, though the Imagination could just as easily take on another form. A man can see the figures that ascend from the depths in blue-violet colour tones with sorrowful, pain-filled faces. These high beings feel sad about us and our mistakes; this arouses a feeling of boundless shame in us. If a man sees his errors and regrets his mistakes he will see that these beings' faces radiate joyfully. A man must feel this connection between the microcosm and the macrocosm. The beings who sink down on man as punishing justice and sometimes surround him evoke fear in him. But a feeling of joy can be added to this if these beings show him the possibilities that are in him and that he can develop. We can arrive at these experiences if we meditate it thinks me in the right way. But when a man sees how these figures out of balled-together reddish clouds try to join the bluish violet figures that are striving up from the depths, something like a conflict arises in him. He distinctly hears a voice that says: Don't believe that, believe what comes out of your own soul. That has the same value as what you see out in the cosmos.

That's Lucifer's voice, and this is the greatest temptation that a man can have, since Lucifer outshines all other beings in beauty, cunning and seduction. Like the blue-violet beings he climbs out of the depths. We should also realize that form is no longer of importance in these regions. The Spirits of Form who are called Elohim in the Bible are of importance on the earth. In spiritual worlds we find that we lift ourselves above them and can approach the Spirits of Movement.

One thing we should never forget: a feeling of deepest thankfulness towards higher beings and spiritual worlds. Just as an Essene saw the day-star approaching every morning full of thankfulness and prayed that it might appear, so we should return to the temple of our physical body every morning with reverent thanks to the spiritual beings who built it up so cleverly during the Saturn, Sun, Moon and earth periods, and in which alone we can acquire earth consciousness: Ex Deo nascimur. And then with this feeling of reverence and thankfulness that we've gained we become familiar with the spiritual, Godly element, with what frees us from the fetters of corporeality, brings us into the spiritual, super-sensible world and gets us into a blissfulness that's so great and tremendous that an esoteric doesn't dare to say the name of the very highest being: In ... morimur. And what's expressed in the last part of our rosicrucian verse: Per Spiritum Sanctum reviviscimus is the self-consciousness that brings a man over into a new incarnation. But a living in the vowels and consonants of this wonderful verse will bring us much further than meditation on the three parts that consist of 2x3 and 1x4 words.

Our meditations should gradually bring it about that we press into higher worlds body-free and learn to know and see things there. It's not just a matter of getting into higher worlds but of how we do this—the attitude with which we enter higher worlds must be a good and moral one. Now to begin with it's the case that a man as a sensory-physical being on earth is abandoned by good. He doesn't feel the moral element, the good that could and should speak to him out of the whole of creation any more. To give man freedom Lucifer has as it were pulled the moral element out; a man must now awaken it in himself, find it again and then bring it back to the spiritual, divine worlds.

When a man looks at the sun rising and setting today he doesn't feel any moral impulses streaming to him from it. If it wasn't for Lucifer he would feel: forces flow from the sun that pulse through me in such a way that I know and feel that I'm an I. If a man looks at the moon with what astronomy gives him he then knows that in the time from new moon to full moon and back again there are certain equilibrium constellations, where one first sees a quarter, then a half and then a whole illumined surface. What a man no longer feels is that if the constellations were completely different, if the moon would change its position very slightly beings like men would no longer be able to live in their physical bodies; for reproductive forces flow from the moon. If a man stares at Mercury he can no longer see that without Mercury no connection between sun and moon forces, between ego and reproductive forces would be made. Likewise with Venus he does not feel that without its mild light none of the love relations that make him happy would exist.

Lucifer has completely permeated man's astral body with egoism. This is necessary for the sake of a development towards freedom and independence of the individual. But things should not go so far that a man becomes insensitive to moral things. However this is the case with respect to nature, to the elements, for instance. A man would have to feel from air, fire, water, earth that they're there to create a punishing adjustment for human sins, that living in elemental forces there's a sickening force that we should and must let work on us in order to purify ourselves.-The same words are true or false depending on whose mouth they come from. In Lucifer's mouth “nature is sin, spirit is devil” is mockery. But it's true in the sense developed above, that material nature is supposed to punish us for our sins and that we should feel the spirit in nature as something that makes us sick and brings us suffering. For pains, suffering is the God-given means to recognize egoism and to overcome it. In Lucifer's mouth the word “Ye shall be as Gods” is a lie, but understood correctly it's true. Christ says: “Ye are Gods”—sons of the Godhead. A man is called upon to become a God. What does a modern materialist who divides the world into physical, material atoms want to do? He wants to perpetuate forces of sin. For matter is condensed injustice. Matter must dissolve into spirit again through spiritual development. We must wrest the morality that's placed in nature by divine, world wisdom from it again. Rosicrucian wisdom saw this whole materialistic development coming and so it gave means and showed ways to a heightened morality without which one shouldn't enter higher worlds, for one's own good. Otherwise one might get in, but then one doesn't find Lucifer there as he should approach one as a guide in knowledge of higher worlds, but all the more as a seducer who shows and simulates all kinds of divine spiritual things to one that don't really exist.

We should say Ex Deo nascimur and look up to the moon with an elevated soul, as to the giver of the opportunity to incarnate repeatedly and to perfect oneself on earth in a physical body. In Christo morimur, while looking up to the sun in order to feel oneself as an ego-being, as a spiritual-divine being through Christ, the spirit who is connected with the sun. Per Spiritum Sanctum reviviscimus, while looking up to Mercury and Venus that don't appear in physical copies but become manifest purely spiritually. Because the power of the spirit that teaches men about spiritual love is divided between them and the other planets. Plato still felt as an echo that man is abandoned by the good, that the good lives withdrawn in the deep lap of the Gods when he said: God is good. Christ Jesus said: No one is good except God.

We want to strive ceaselessly towards higher morality so that we become capable of feeling moral impulses out of nature, sun, moon, stars and of bringing the moral element back to the spiritual world, that was taken out of it by Lucifer for the sake of our freedom.

Verse for Wednesday. All esoteric life consists in taking in what we can understand and grasp exoterically with the soul with our hearty feelings. We must get to know the realms of Lucifer and Ahriman so we can protect ourselves against attacks. We must especially watch that we don't take concepts that we formed here in the physical-and that rightly exist for this world—with us into the spiritual when we cross the threshold.

Philosophy is something that some of you aren't very interested in, but you all know that philosophy tries to give men views about the world and life. In philosophy one mainly speaks about two things. Firstly about multiplicity, where everything is led back to the smallest parts, atoms, monads. For instance Leibniz's philosophy is a monadological-spiritual world view, and Haeckel's materialism is an atomistic one. The second thing that is spoken about in philosophy is unity. Spinoza's philosophy belongs here and Hegel's world view can be put here also. But multiplicity and unity are concepts that are only valid on the physical plane and in the elemental world to some extent, but are of no importance for the spiritual world. Anyone who worships unity and takes these concepts into the spiritual, succumbs to Lucifer. One who looks upon multiplicity as the only right thing falls prey to Ahriman. One who becomes conscious in the spiritual—and that's the main requirement for an advanced esoteric, that he's conscious outside of his body during meditation—first sees himself. He has himself before him as the main impression—his physical body and his relation to his physical being. Here in the physical world one feels that one is a unity with respect to one's surroundings that one looks upon as a multiplicity. One sees clouds, trees, mountains or the various kingdoms of nature around one. If we wanted to think that the clouds up there are part of us, like a finger is a part of us, we'd be making a big mistake. In the spirit one becomes aware of oneself as a multiplicity; we see all the forces and beings that work on our physical body in the elemental world as a multiplicity there. We see this like a hundred thousand fools there, like legions. But if we would only see these hundred thousand fools as a multiplicity and wouldn't say: All you little fellows there altogether are only I myself, all you together in your many-fellowedness only form me as a unity—if we wouldn't say this with all force and energy and self-contemplation, we would fall prey to Ahriman. And we shouldn't just tell ourselves that theoretically—which wouldn't be so difficult—but we must really experience this conviction that many are one in spiritual realms. If we did not do that, if we didn't strengthen our soul to have these feelings, and we looked upon these hundred thousand fools as just that, then pieces would fly out of us and we would be torn into multiplicity. Ahrimanic beings would take pieces of our being and disguise themselves with them and delude us with errors and lies.

Some African people only know lions as a multiplicity. They can't think of them as a unity, as a genus. One must grasp the concepts of unity and multiplicity really correctly and must leave ones that are only suitable for the physical plane behind when one crosses the threshold.

We must strengthen our soul through meditation to such an extent that when beings approach it in the spiritual world it immediately knows whether they want to lead it astray. The soul must be able to say: You (elemental beings) are the builders of my physical body. We often find schemata set up in theosophical literature that are somewhat useful. One starts with a unity which then forks and multiplies. Or one starts with many things and goes up to unity. And even if these things aren't quite right it doesn't harm anything too much as long as it stays on the physical plane. But it can become terrible if one wants to cross the threshold with this concept of a schema. The latter can be instructive if it only serves as a symbol, if one remains aware that one can portray the same thing in a hundred ways; if one isn't aware of this one has fallen prey to Ahriman.

Of course feelings and emotions play into all descriptions and explanations. One has to say things to one person in a vivid way, to another in a quite different way that would arouse antipathy in the first one. It has to be like that. But one must never force an esoteric truth on an esoteric by eloquent means, for then Lucifer would be at work. A pupil must be able to take things in freely.

So one has to keep life on the physical plane apart from the one in spiritual worlds. One must not take concepts that are valid in the physical realm with one when one crosses the threshold.

The working of ahrimanic and luciferic beings is necessary for the world order as long as they stay in their proper boundaries. An esoteric must strengthen his soul so that he recognizes the attacks of these beings and can protect himself from them. A man will only gain self-assurance in the spiritual world if he can keep a balance between Lucifer and Ahriman in physical life, if he knows from where everything that he encounters is coming.

An esoteric is supposed to acquire a different feeling from the one an exoteric has through what's given in esoteric classes and through his meditative life. He must let his entire life and actions be illuminated by spirituality so that quarrelling would be an impossibility in our ranks. That's really possible. In exoteric life an esoteric must behave like an exoteric. But his feeling about exoterics must be like adults' about children, quite objective, without arrogance or feelings of superiority. It's often quite painful to see how disputes, ambition and petty rivalries are present among esoterics also. This is just as if a 40 year old man were playing with children and he wanted to hit the bowling ball or pin that mashed his finger or blackened his eye. This way of expressing one's displeasure would be quite natural in a child. As an adult one can play better than children, but one accompanies this with other feelings; one stands above the play, whereas a child is completely engrossed in his play.

Some of our dear friends told me that my book Theosophy is very hard to understand, couldn't it be written in an easier way. I even lifted my pen several times to do this, but don't think that it's easy to write Theosophy in a popular way. But I always put the pen aside again. If one wanted to take in Theosophy without thought difficulties one would give Lucifer points of attack. It's quite good to torture oneself a little with it.

The idea that light is only based on waves is wrong. And it's quite wrong to speak of waves, oscillations and vibrations in connection with spiritual things. Some people like to talk about the good vibrations in an esoteric class, but one shouldn't do that.

Recently much has been said about the dangers that a pupil is exposed to on the way into the spiritual world. Now if someone wanted to say I don't want to go on this path, I don't want to develop myself into a spirit-bearer because it's too dangerous—then that's just as if someone would say: I'd like to live in a house that will soon collapse—I just don't want to know anything about the collapse. Everyone will have to go on this path sooner or later, and so it's necessary to become acquainted with the dangers. Man must go on this path into the spiritual realm because otherwise he'll dry out and atrophy. And here it's an esoteric's task to strengthen his soul to rightly recognize all of the difficulties—Lucifer and Ahriman and the Guardian of the Threshold—and to look them in the face and not fall prey to the hindering forces but to conquer them in order to show mankind the way. In the spirit lay the germ of my body .. In my body lies the spirit's germ ...

A number of changes take place in our soul life when we esoterics move up from one step to the next. For one thing, one can no longer think the robust thoughts that an exoteric can. I'll give you an example. William Crookes thought a lot in his life. He may have accomplished more in the spiritist realm than others. No doubt one of his most interesting problems is that of microscopic man. He imagines how a man shrinks to a kind of a homunculus. Finally he's only as big as a beetle who crawls around on a cabbage leaf. This cabbage leaf is the world and the leaf's edges are like high mountains for him. They seem higher than the Himalayas are for ordinary men. People also imagined a man who lives very fast, whose life span—that's about 75 years today—is only two months. The world view of such a man must be quite different, since everything an ordinary man experiences in many years is compressed into 2 months. He doesn't get to know the transition from one season to another at all. He would see the sun like a fiery circle, [about] as if someone swung a glowing coal and saw a closed circle. Flowers shoot out of the earth for him and disappear again immediately. People also imagined a man with an 80,000 year life span. For him flower growth is like a modern investigation of geological evolution and the sun hardly seems to move from its place. Such images are of interest to an esoteric, to the extent that they show him how wild moderns' exoteric thinking can get. Of the three soul forces it's thinking that can go wild the most. An esoteric can't copy this; he lacks robustness for this kind of thinking. Why? Because images like those of microscopic man and the man who lives fast don't lie within the necessities and lawfulness's of world existence. The good Gods were certainly more concerned about a man's life than he is himself, but they created him not as a microcosmic man but as a macrocosmic one, for this alone fitted in the world existence that the Gods created. Now if Crookes could have become a God he might have created such a microscopic man—the good Gods didn't do it, they were too weak. But a modern exoteric is strong. He paints a thought picture like the one of a microscopic man. He's stronger in his thinking than angels are—of whom an ancient document says: And they covered their faces. Why do they do that? Out of embarrassment for men's errors. The Gods created man as a thinking being and the whole world is arranged the way it is because he's supposed to be a thinking being. But if a man believes that thinking could exist by itself when he lets it run wild, he must then fall prey to errors and lose the connection with universal thinking, the primal source of thinking. Then the angels cover their faces. That's how profound these old religious documents are. That's why the exercises that were given to you contain thought pictures like the ones that're contained in the great world plan. And an esoteric will reject ideas like the ones about microscopic or slow or fast-living men. Such thoughts give him a pain, because he feels that they're unhealthy and that they don't lie in the necessity of world existence. He feels something like a burning sensation with respect to microscopic man; he gets hot—as if everything streamed together into a point. Whereas a feeling of coldness comes over him, he freezes from everything that wants to spread out far into the world when he's supposed to imagine a man who gets to be 80,000 years old.

One can also have such a cold feeling with respect to various philosophers. One gets an icy feeling from Anaxagoras and to a lesser extent from Empedocles. Leibniz gives one a feeling of agreeable warmth. He's a pleasant philosopher if his way of expressing himself is understood properly. One also has a burning, hot feeling if one meditates on a point. This is also a good test for esoteric development. If it's easy for me to imagine a point, as it's taught to children today, then it's still not the right thing. But if an esoteric finds it hard to do this, if he has a hot, burning feeling, then this shows that he's making progress in his training.

An image that's good to meditate on is a bowl filled with oil in which a flame is burning and shining. The bowl stands there, the oil is consumed. This gives one a true image of a human being. The bowl is the physical body, the oil is the etheric body, the flame that consumes the oil is the astral body, the shining light is man's ego. This human being varies a great deal depending on climate and location. A man's etheric body expands if he travels to the northeast, as to Finland and it contracts on the way down to Sicily. Strong healing forces can be unleashed thereby, karma permitting.

Goethe's “Faust” undoubtedly belongs to one of those works in world literature to which one can, decade after decade, return to and find within it ever again, something new. This ever fresh insight may bring about the belief that we can benefit fundamentally ever more from the work than had been obtained on a previous occasion. Maturing with age this experience is indeed possible involving other works of world literature—however, with Goethe's “Faust” one has the impression, that ever new experiences of life are needed, as are offered by approaching age, in order to fully absorb certain secrets and inner aspects found within these works.

Discoveries made by delving ever deeper into Goethe's “Faust,” within the work itself, prompting a decisive wish to turn to Goethe's biography, to explore his life ever anew, because through the observation of Goethe's “Faust” one realizes that these rightful insights will enlighten this work. An objection is only natural that such a reference of the poet to his work begs incompletion. One may say a work of art must be grasped, as it stands, independent of the personality of its creator. One can also put aside some more or less pedantic tendencies and through the observation of Goethe's relation to his work hold him to it, that out of such a flood of power something higher must appear, more significant than each impression and suchlike. These are the thoughts from which this theme of today's lecture has grown.

I wish to speak now about the personal relationship of Goethe to his “Faust,” not in the narrow personal sense but regarding the relationship of the spiritual character of Goethe to his “Faust.” One could easily come to the conclusion, that by studying these relationships of Goethe's personality to his “Faust”—what Goethe mentioned about himself, regarding his life, his striving, his manner and way, his attitude to knowledge and questions about art—that these details could be particularly useful. Yet as one enters deeper and deeper into Goethe's life, one notices this is actually not so. Here exactly lie difficulties within the observation regarding Goethe's spiritual character. On the other hand there is something which penetrates not only into peculiarities of Goethe, but within one's soul life itself. One goes along with the idea of being convinced, through Goethe's statements, as expressed in letters directed to one or other individual, that these are useless in relation to the consideration just mentioned. One discovers, on looking at the way Goethe considered himself, that one can't really get the key to exactly that which had depth in the most meaningful work of Goethe, in “Faust.” When clearly stated riddles need truthful answers out of Goethe's work, from observation of his life, about that which lived in his soul, which he expressed in his work and particularly in his “Faust,” one realises that there was something so huge, so all-encompassing and with expansive enlightenment that Goethe himself, in his personal consciousness, within his knowledge, couldn't grasp what really was working in his soul. If not so much misuse of the expression “unconscious—subconscious” has been used during the last decades, I wish to apply it to Goethe with the eminent sense that that which is found within Goethe's creation, streams so gradually into our soul, that it becomes larger than all which Goethe can utter about it prosaically.

Exactly that which I express now, applies in a particular degree to the relationship of Goethe to his “Faust.” I can't allow myself, due to a time constraint, to closely discuss Goethe's relationship within the folk tradition in which appears the “Puppet Show” and such-like. I wish to restrict myself to the discussion regarding the relationship of Goethe to his “Faust” itself.

Before all else, it is necessary to enter into Faust as boldly as possible. Precisely out of Faust himself the insight is revealed related to Goethe and his “Faust.” What is most admirably Goetheanistic within this which is revealed through a lengthy observation of Goethe within it? What is Goethean in “Faust”? When looking at Faust—we see from the Prologue a tendency which doesn't exist at first—starting with the Monologue: “Philosophy—I have digested ...” the contemplation of “Faust,” then one usually gets involved in the following: within this lives Goethe's attitude against outer knowledge, against the drive for external knowledge. One sees the larger reference within the opening which leads Faust towards despair in the power of his four faculties and so on; it is noticeable then, how Faust, doubtful in the power of all four faculties, gropes towards magic, and so forth. However, working at length with “Faust,” one doesn't get the feeling that already within this Monologue specific Goetheanistic ideas are presented. That begins at a specific point. In this rebellion against the four faculties, this grope towards magic, Goethe opposes the Faust-tradition; it was not in this which Goethe's soul, in essence, wanted to reveal himself through Faust. The part of Goethe's soul revealing itself for the first time in “Faust,” encounters an opposition, where Faust, after he opened the Nostradamus book and the sign of the macrocosm, turns away towards the other sign which brings him to conjuring up of the Earth Spirit. Here unfolds, as Goethe writes this scene in his “Faust,” that which lives in Goethe's soul in a quite unique form, the world riddle. What is this, however? Goethe allows his Faust to open up a book on magic, called the Book of Nostradamus, at the sign of the macrocosm—expressing the connection between humanity and the almighty world powers. The sign of the macrocosm expresses the world as three-fold; that the earthly and heavenly separations are threefold, and that within the threefold world stands the occult connection with the threefold human being of body soul and spirit.

Upon this relationship Goethe arrived momentarily in his life. It dawned on him in such a way, that he allowed Faust to strive towards the revelation, and through the images of these signs, find the connection between humanity and the entire world. During this time Goethe was not tempted to consider that something acquired in this manner from spiritual knowledge, was satisfactory. Deeply, decisively we heard Goethe's words as he turned away from the sign of the macrocosm: “What spectacle! But oh! Only a spectacle, no more!” Within this lies Goethe's entire withdrawal during the seventies of the 18^th century, from what was generally recognised as the connection of humanity with the entire world, the universe. Goethe believed he had reached clarity in the thought that everything within imagination—acquired through ideas—was nothing other than a mirror-image of reality. Thus Faust turned away from the symbol and its revelation to another sign, which directed him to reveal the Earth Spirit. Look closely now within the depths of Goethe to understand why he turned away from the macrocosm and towards the microcosm. Goethe already belonged to the world view of those who didn't in the ordinary sense relate to the history of specific knowledge, constructed from an accumulation of ideas about the laws of nature and of humanity. No, in fact Goethe didn't strive in this sense for knowledge, he strived for knowledge in so far as the result of this knowledge would empower the human soul, in order that each human being's striving in his becoming, may result in crystallization. Goethe also belonged to those in spirit who, to a certain sense, I might say, in order not to be misunderstood, harbour a particular nervousness, a fear for that which is taken up by the soul in the form of conceptual knowledge. By this is meant: whoever has really struggled once with conceptual knowledge, with an idea through which one in reality can penetrate into the world, would know how unsatisfactory the result can be, that one can't thus, through this idea, express everything which has been thus penetrated and which had been revealed in the depths. One wants to always, when one has acquired knowledge, say to oneself: yes, you have brought about this or that in your thoughts, you know however, what lives in the soul and is revealed from the depth of the soul world is only partly incorporated in these ideas. There is a worry that something had been lost along the way between life and this knowledge. One has a constricted feeling in this situation. Once a conceptual idea is taken up, there is the possibility to regain, later, through the spirit, that which had been lost. One must doubt, when one has once had an idea which was not fully expressed, to once again bring it into a lively representation. This worry lay in Goethe's soul. With this he was always occupied—with world riddles rather than expressing riddles in a pure and strong way and thereby giving a superficial elucidation and satisfaction. He had a shyness, a respect for knowledge. He said to himself: that which you entreat as knowledge to the human soul, can only be a spectacle, only a spectacle ... oh, only a spectacle!—thus Goethe turned away from that which the universe revealed to him, and allowed himself to turn to the sign which is not revealed by the universe but that which rises from the depths of the soul itself.

Thus Goethe allows Faust to doubt that within the immense universe he may perceive the manifestation of reality, and thus turns him to search for a revelation from the depths. Goethe's Faust encounters the Earth Spirit in such a form as it appears in the hidden depths of the human being, in the subsoil of the human soul as the case may be. Approaching the great All, we approach the spirit of revelation, and so we come to that which lives in the soul's depths, and arrive closer to spiritual revelation. In this moment however we discover the danger which accompanies every approach to knowledge. This danger within the striving human being's soul during earthly life is what Goethe now confronts and this he mystifies into his “Faust.” Before Goethe's Faust stands the direct revelation of his individual inner being. Faust has to turn away from it. That which lives in consciousness, which expresses itself clearly within Faust's soul, cannot grasp what lies in the depths of his very own being. For most of humanity, that which is unknown, that in us which we could lightly deny, scares Faust and he falls back, dazed. He has to turn away. “Not you? Who then? I, replica of the image of God! Not even you!” The Spirit responds: “You match the spirit you comprehend, not me!” Who then is this spirit Faust understands? Towards whom must Faust turn at this moment?

Right here is one of the dramatic moments in Goethe's “Faust.” One need relinquish all revelations of ideas which one usually seeks to interpret “Faust”; one needs to look at the drama, at the artistic elements themselves, at the presentation. Giving oneself over to this without comment, explanations or considerations, one steps into this place of a real mighty opposition. Who is his match? Here Wagner steps in. “You match the spirit ...”—which spirit? Wagner matches him. That is the dramatic knot. One is not allowed to see the traditional interpretation which is always given, where Faust is presented as the higher striving, spiritual idealist and Wagner hobbles in on the stage as insignificant, even gesturing a bit in Faust's manner. Wagner may be allowed to appear as Faust's mask, because it is self-knowledge which Goethe wants to represent: You are no more than what resides in Wagner's soul. Whoever explores the dialogue between the two, discovers a certain philistine air in Wagner; he has a locked personality, a character which has brought a conclusion to his striving. One only sees him once as unabashed, which happens in this scene when Faust meets Wagner and reveals that he doesn't go searching for rain worms and suchlike. In this scene, considered as dramatic, artistic and not philistine, self knowledge appears to Faust. What was it then ultimately, which Goethe made his Faust recoil from, and to what did he turn?

Goethe's soul stands in a time, when this scene was written, during the seventies, when a duality existed between—which I wish to phrase as—“world knowledge” and “self knowledge.” Faust turns away from world knowledge as he does from the sign of the macrocosm. Goethe didn't desire world knowledge. He believed everything can be found within self knowledge acquired through striving for a worthy existence. This is the route to self knowledge. In this Faust-Wagner scene we encounter in Goethe's striving something quite extraordinary, bringing self knowledge of human fulfilment into expression and to revelation. When both impulses, world knowledge and self-knowledge are considered, it must be pointed out that in both, specific human dangers are connected.

With world knowledge it is thus: trying to penetrate ever more into world knowledge, demanding human imaginative capabilities to penetrate ever more into what is offered in a spiritual sense perception, one arrives at a percept which can be called the “temptation of illusion.”

There exists for instance in human culture, and Goethe felt it, such diversity in world knowledge, that it offered, through the tangling of its laws, an illusion, (which the Indians term Maya) ever accompanying us in life, insofar as it forces itself into life and so places the personality in the wide world. We are, in our search for a relationship to things, subject to illusion. Only through this, that we strain with all our all power to protect our consciousness, disallowing it to be charmed, as Faust does after his oath with the Earth Spirit—only in this way can we work our way through illusion. It can appear to one with the deepest discernment in this form before the soul, as Goethe describes later, calling it the Mephistophelean force. Danger in this world knowledge exists in such a secretive way precisely so we don't notice it, in all our worldly thoughts and every experience, in simple indications of life, emotionally intertwined, that it finally does not originate within us. Closer observation shows that, that which is so emotionally inter-mixed does not come from within us, but from other forces. What the human being can conclude in the illusion of a Mephistophelean danger comes down to the so-called intermixing of instinct, of a kind of willing and of desire into this outer knowledge. We often believe we have objective knowledge, but we only have it when we admit to giving in to no illusion, that the aforementioned is mixed into outer knowledge.

When we, however, try to throw out all we have as knowledge, derived from feeling, willing, from passion, the remainder is what Goethe allows Faust to call: “A spectacle! Oh, only a spectacle!” No one needs to search for other ways to discover reality. What we are led to believe is suffused with illusion. As Faust stands before the sign which calls his soul to awaken to such a observation of the world, where everything connected to the will and passion is thrown out, he finds a mere spectacle, a show. This he doesn't want. He wants to dive into self knowledge. He believes the human being can be driven down to the core of the world. Here another danger threatens. While illusion acts as a threat towards world knowledge, due to us delving into the depths of the soul, so another threat finds us in as much as so-called knowledge leads us to wishes, feelings, affectations, towards world riddles, yet they do not allow separation from wishes and will.

It keeps pace with our constitution. We seek in us, through a false mysticism, the everlasting and only find the most recent with a vague mix of the everlasting within it. Acknowledging that, we know that every moment we dive into ourselves, we are confronted with a vision threatened by a void, appearing more as a facade than mere fantasy, which merely drives us into wasted error. Goethe was well known regarding these secrets of human existence, that we, when we don't constantly correct ourselves with common sense and dive into the mystical and encounter deep contemplation, we may get involved in visions. We don't need disease to be a visionary, we enter into a life which becomes a visionary life when it turns ill.

Thus these two elements which are found in life stand out in another way. Goethe didn't proclaim it. It stood before his soul, when we keep everything in mind, which appears as illusion in world knowledge. What does it come to when one considers these illusionary things in a philistine or pedantic manner? To what are we continuously led, away from reality? This illusion is linked with everything which we grasped during our quite normal development. Not continuously coming to terms with the danger of illusion in our soul-life, we may not be defeated by that underlying development which we allow in growing, sprouting, prospering not only during child development, but also in mature development. This however connects to that which, from the age of thirty five, indicates the descending human existence.

This backward directed development is connected to all which lives in our soul. We couldn't become wise or clever through life's experiences if we didn't develop from birth, that which during the descending development brings in an extraordinary existence. We actually live from forces which direct us towards death, not towards growth. We die from birth onwards, and at the moment of death everything is drawn together which worked through our entire life. It works in such a way that that which develops forwards carries that which withdraws, bringing our soul qualities to the fore. If the Mephistophelean, the life of illusions, weren't bedded into world knowledge, we couldn't develop as human beings; these descending forces couldn't live in us. Through this illusion, everything is connected to that which we bring as disturbances into the world, which leads some individuals to destruction and which is connected to the origins of our forces.

It's different with elements arising out of self-knowledge. As we descend into our inner soul, we certainly reach into the spiritual part of our being. We seize hold of ourselves in our personal kernel which connects to the kernel of the world where, in an unconscious way, we forcefully experience will forces and desires living within us. As a result we can develop a specific influence on those around us; we just tend not to study this properly. This disturbance influencing our contemporaries, those we are living with, causing impairment, originates in fact from the descending forces, out of which we could only have grown, if we had grasped them in a proper, spiritual manner. These forces are Luciferic. It is extraordinary that Goethe had within his feelings this duality, the Ahrimanic-Mephistophelean and the Luciferic. Originating within a western spiritual development and western tradition he did not manage to make a clear distinction between the Mephistophelean and the Luciferic. Out of this Goethe unfortunately created the single Mephistopheles. When commentators frequently emphasized that Mephistopheles was an actual character, Goethe continued to sense, subconsciously, that Mephistopheles had to be presented as a duality, as ahrimanic and luciferic. Therefore it is a given that, the moment Faust must turn away from the Earth Spirit, where he doesn't show himself mature in his knowledge, that which moves within his own soul, be it in the soul of man as a whole, Mephistopheles appears as Lucifer to Faust. This results in the merger linking our wishes, feelings and desires within our depths. This follows in other words in the totally wonderful, magnificent, vivid tragedy of Margaret. It also makes it possible for Faust to explore the connection between wishes and will; it results in the most part to that which we go through in the first part of Goethe's “Faust.” Here we experience everything which appears as a luciferic element. However, everything originates from what Goethe actually explored during the seventies and eighties as carrier of human knowledge: people didn't want to know anything about the relationship between themselves and the wider world. However, the feeling remained in him, prompting him to find a solution.

It is interesting that everything which turns towards the luciferic element, results in dissatisfaction. We can only reach satisfaction when we try to find the relationship with the luciferic on the one side and ahrimanic on the other side of the Mephistophelean, which rises from world knowledge. It is interesting that from the beginning of the combination of Mephistopheles with Faust, Goethe left this unresolved. He felt that there had to live a deeper level which flowed between Mephistopheles and Faust, which he however didn't know through his everyday consciousness. Later he wanted to bring it out in a disputing scene. That is the ahrimanic character which lived in Mephistopheles and came to expression when Mephistopheles installed himself and argued about world riddles. In this very discussion, actually, lives illusion. In this way Goethe wanted to introduce something which had brought out another element before his spiritual eye.

Now we observe something extraordinary in Goethe's personal development. He had treated Mephistopheles as an individual character, bringing Faust to a poetic expression. In 1790 he offered “Faust” as a fragment. Schiller stimulated him to continue and what is remarkable, is the manner in which Goethe declined. He saw himself as old, finished and done, couldn't go any further. What actually happened there? The personal relationship Goethe had to his “Faust” became something quite different.

This change can only be understood through insight into the world view Goethe had built for himself during the nineties. What did this knowledge of nature become? It was much spoken about; here and there even justice was done but really penetrating the moving target was hardly achieved. In essence, Goethe wanted to build a bridge, with the help of the knowledge of nature, between self knowledge and world knowledge. When one looks at Goethe's method of nature observation, one discovers that singular results and their discoveries are hardly the main issue. The manner and method, how thoughts unfold, is what matters. How was this? It was so, that Goethe searched for a complete different kind of comprehension and types of ideas to which we are accustomed. When we don't want to focus on this point, we will never understand Goethe's nature observation. Right into the colour teachings we can't understand Goethe, if we fail to focus on what Goethe wanted. He wanted to reach such concepts with his metaphysical teachings, which did not follow one imagination to another, from one idea to the next idea in an outer way, no, by contrast, he wanted us to dive into the reality itself in order for the idea to unfold itself in our soul life, which is actually sufficiently unselfish to share in world experience at the same time. He wanted, in this way, to reach, though his nature observation, what really lies behind reality; he wanted to join self knowledge and world knowledge. Goethe couldn't, because of that which scientifically confronted him, deepen a satisfactory nature observational method, according to him; he had to bring forth a world view from within his being; this he had to achieve honestly and only then the possibility would be given to connect self knowledge with world knowledge. Earlier he had believed that through self knowledge something could be accomplished. But only, diving so deeply down into self knowledge, that the depth of the world is understood in the same manner as we understand Goethe's nature ideas, then the bridge can be built, to find the illusionary element of the world.

So Goethe was stimulated by Schiller to take “Faust” up again.

Here self knowledge could come to its full right. However, now it was one-sided and had to be linked to world knowledge, to the macrocosm. Faust had to turn again to the sign of the macrocosm, from which he had turned away earlier. It had to be placed within the universe of good and evil forces. The forward and backward moving forces had to take up the striving of Faust from the fields of world knowledge. This was what came to him as a necessity. Mephistopheles had to accept the ahrimanic character. That is why Goethe developed his Mephistopheles more and more in this manner. That is why there's such a contradiction in this characterization. Goethe placed Faust in the universe through writing the Prologue in Heaven. The good and the evil forces are at war, and Faust stands in the middle of it.

Occult scientific development had not advanced to such a degree that Goethe could be clear about this. From his single Mephistopheles he could not have created two characters. In his sub-consciousness however, they lived. From this Goethe became ill during the nineties. This is what made Faust so difficult, so heavy. Frequently the second part of “Faust” is left unrecognised, while within this second part only allegory is looked for. When really searching for insight, the second part presents nothing more full of life, nothing more direct and more lively than all the characters! Why do they appear as allegorical? We, as single individuals, place ourselves in the world with our life's work and our individual ideas—we are urged to withdraw somewhat from this reality as an abstraction—but this is what we should surely learn from, in the present! We live in a present time, in which we should ponder the relationship of human beings who are so taken with reality, giving us the most fruitful illusions. Right within ideas, be it in social or political fields, lives abstractions, the allegorical. We live with them. It is the very manner in which the Mephistophelean element enters into our worldly experience in our own lives.

This is depicted vividly and with endless humour in the Emperor scene of the second part, where outer associations of reality with illusion are presented in a grandiose and humoristic way: stupidity and cleverness, as they appear side-by-side in life. In a wonderful, clear way they come to meet us. We then see how Faust, in the thorough way in which he has positioned himself in the world where illusionary elements exist and where they combine with stupidity, he finds it necessary to once again delve down into his own soul.

Now self knowledge is expressed in a yet higher sense. It links to the moment when Faust bows to the mothers with: “The mother! Mother! It sounds so wondrous!” Quite wonderful it sounds when we shift into our own depths, as Faust delves into himself. Now Goethe needs to give Mephistopheles, while he has two figures within him—Lucifer and Mephistopheles—a kind of minor role. In order to understand him fully, Faust sinks down into the worlds where Lucifer's power grips one in loneliness. That which he had experienced in the depth of soul, lived out in a dream, he goes through in such a way that we see: from it flows whatever he has brought up from the depths of his soul and out of self knowledge, and now self knowledge within world knowledge is transformed. There had to be something here regarding science, which links to self-awareness. That which we discover in the depths of our souls, numbs us, only allows us to dream, when we can't bring it out of our depths.

Had we had the chance in Goethe's time, or do we have an opportunity in our time, to develop such spiritual knowledge? What Faust took from the mothers, no, that wouldn't have made it. Human knowledge appeared to be an artificial product, understood like a mechanism. No Homunculus bulges forth out of lively reality. Now comes that towards which Goethe strives for within the entire depth of his soul. That which has grown out of world knowledge, must now unite itself with self knowledge. They had to become so blended together that they become one. This is what Goethe achieved: his wonderful knowledge of nature, biological and other metamorphosis-knowledge, brought together in a bond, equally including what Faust brought from the mothers on the one side, and on the other side, what could be given to him in his time as outer world knowledge.

Through this striving Goethe steered into the Greek era. His quest wasn't towards a one-sided spiritual abstraction or life abstraction—but to the consummation of the soul. This exact perfection, living in the Greek soul, cannot be restored, yet some vestige must have been left which can be won again, something similar to Hellenism which can be experienced again in later times. In Italy Goethe had experienced this in Greek art. He regarded the Greek artist as one who had solved nature's mysteries. As he observed the Greek civilization, perfection dawned on him. In his time they hadn't reached as far as solving the split between world knowledge and self knowledge. Faust had to, through that which incorporates an inner becoming within Hellenism, take up this power and use this to amalgamate self- and world knowledge. Now Goethe tried, towards the end of the second part of his “Faust,” to depict, as much as modern art allowed at that time, Faust as he appears amid all that had been brought from the mothers, towards that which the great universe revealed to humanity. Precisely from this basis, because he wasn't split within his consciousness in the depth of his soul, he had to—what he justifies in his way—adapt traditional form. He places Faust into the traditional form of the Christian church, in order to, after he had brought forth the deep elements in his soul derived from the mothers, direct him again towards that which he had turned away from in the beginning: the possible revelation in the sign of the macrocosm. We see Goethe at the close overcome what he as younger man had rejected: one-sided self knowledge. Faust is introduced into the universe, in the steams of the world-all, into secrets, where the ahrimanic world combines with the physical.

This is the great tableau at the closing of “Faust,” where Goethe strove to introduce Faust into the macrocosm. We can't understand Goethe's “Faust” when we fail to have this insight into the work which had accompanied Goethe during nearly sixty years of his life and had shared his own destiny, but in a higher form, as is usually meant. Goethe had as a younger man turned to mere self knowledge and refused to be bothered by world knowledge. His struggles with nature's manifestations and nature's powers expressed in his nature observation, led Faust into the wide world. At the end Faust stood there, saying: “A spectacle, oh, but not only a spectacle, but an element which man lives through and through into which every human life flows in all the streaming which courses through the macrocosm, through the universe!”—Faust turns back to that which the sign of the macrocosm had wanted to reveal to him.

It looks bad when we only quote “Faust” in one or the other facet. We have to admit, Goethe had conquered what he had mixed up in his youth. I don't believe that Goethe, due to a gradual contradiction in his advancing age, belittled that part of “Faust” which he created in his youth. Precisely as a result of this, he stands there largely because he is so honest in his personal relationship to “Faust” while he shows how he had struggled and strived to find the way, from self knowledge to world knowledge.

Whosoever participates in these steps, really penetrating into the single elements in which “Faust” lives, will judge him differently.

To descend into his own soul, Faust again turned to Bible translating. He didn't stick to the traditional translation: “In the beginning was the Word,” but tried: Sense, power, deed. “In the beginning was the deed!” Just this manner of translation invites Mephistopheles to enter; he is the diminutive of superficiality in which Faust, at this point of his development arrives at the trivial: “In the beginning was the Deed” from the deeper: “In the beginning was the Word.” However, through this, because Faust finds himself within all the illusions of world knowledge, through this he can overcome Mephistopheles. It is a great work in world literature which allows us to lay our eyes on a relationship so close to the bone.

“Faust” has become no lesser work of art. It is more accomplished through the fact that great power flowed into a single soul, a person of the highest ranks, who strives and struggles with the spiritual riddles of mankind. This I believe anyway, that in Goethe's “Faust” stands a work towards which mankind must return, repeatedly.

It made an extraordinary impression on me when I read a critique written in English, translated from a French work by a Spaniard, a harsh criticism, exercised on Goethe's “Faust” from the standpoint of taking everything within it as that which must be combated against within by central European people. I believe, that all man's weaknesses, all that which doesn't allow one to get along, wherever one is, be recognised, that in Goethe's “Faust” not only the central Europeans but the entire world has appeared in a work, containing specific meaning, which shouldn't only be given to mankind, but is continuously being sought by mankind. While Goethe's own search is so closely connected with the search in mankind, I also believe that Goethe, through his “Faust” has given mankind a most precious gift, because the greatest good is that towards which mankind should come, because when you really understand yourself, you have to search for this good, without end.

My dear friends,

Today I should like to link on what I am about to say to the laboratory scene in Goethe's Faust just represented, and to connect it in such a way that it may form a unity, as well as a starting point for more thorough deliberations tomorrow.

We have seen that the transition from the fourteenth and fifteenth centuries to the sixteenth and seventeenth forms a remarkably significant and suggestive incision into the whole course of human evolution—a transition from the Greco-Latin age to our fifth post-Atlantean epoch in which we are now living, out of which flow the impulses for all our knowledge and all our action, and which will last until the third millennium. Now, from all that you know of Goethe's Faust, and of the connection between this Faust and the figure of Faust originating in the legend of the sixteenth century, you will see that not only this sixteenth century Faust but also what Goethe has made of him is most closely connected with all the transitional impulses introduced by the new age, both from a spiritual and from an external, material point of view.

Now for Goethe the problem of the rise of this new age and the further working of its impulses was something very powerful, and during the sixty years in which he was creating his “Faust” he was wholly inspired by the question: What are the most important tasks and the most important trends of thought of the new man? Goethe could actually look back into the previous age, the age that came to an end with the fourteenth, fifteenth centuries, of which now so little is known even to science. As I have often said, what history tells of man's mood of soul, of his capacities and needs in former centuries, is indeed nothing but colourless theory. In the souls of men in the earlier centuries, even as in the centuries immediately preceding the age of Faust, things looked completely different from how they appear to the soul modern man, to human souls in the present epoch. And in his Faust Goethe has created a figure, a personality, who looks back in the right way on man's mood of soul in former centuries, in centuries long past, while at the same time he looks forward to the tasks of the present and those of the future.

But although at first Faust looks back to an era preceding his own, he can actually only see the ruins of a culture, a spiritual culture that has come to an end. He can look back only on ruins. To begin with we must always keep in mind the Faust of the sixteenth century, the historical Faust who actually lived and then passed into folklore. This Faust still lived in the old sciences that he had made his own, lived in magic, in alchemy, and mysticism, all of which was the wisdom of former centuries, and also the wisdom in particular of pre-Christian times. In the age, however, in which lived the historic Faust of the sixteenth century, this wisdom was definitely on the decline. What was accepted as alchemy, as magic, as mysticism, by those among whom Faust lived, was already in a state of confusion. It all originated in tradition, the legacy of older ages, but it was no longer possible to find one's bearings in it. The wisdom contained there was no longer recognisable. There were,all kinds of sound formulas here from past ages, and much real insight, but these could hardly be understood. Thus the historical Faust was placed into an age of decaying spiritual life. And Goethe constantly mingled the experiences of the historical Faust with those of the Faust he was creating, the Faust of the eighteenth century, of the nineteenth and indeed of many centuries to come. Hence we see Goethe's Faust looking back to the ancient magic, to an older type of wisdom, mysticism, that did not deal with chemistry in the modern, materialistic way, hoping to make contact with a spiritual world through its dealings with nature but no longer having the knowledge enabling it to do so in the way that was right for an earlier age. The art of healing, as it was looked upon in centuries long past, was by no means so foolish as modern science sometimes makes it out to be, but the real wisdom contained in it has been lost. It was already to a great part lost in Faust's time and Goethe knew this well. He knew it not only with his intellect but with his heart, with those soul forces that have specially to do with the well-being, the soundness, of man. He wanted to find an answer to the questions, the problems, arising from it; he wanted to know how a man, continually advancing, could arrive at a different kind of wisdom with regard to the spiritual world, a wisdom adapted to the new age, as the ancients had been able to attain their kind of wisdom which in the natural course of human affairs had now to die out. For this reason he makes his Faust a magician. Faust has given himself up to magic like the Faust of the sixteenth century. But he is still unsatisfied for the simple reason that the real wisdom of the old magic had already faded away. It was from this wisdom that the old art of healing sprang; all dispensing, the whole science of medicine, was connected with the ancient chemistry, with alchemy.

Now in touching on such a question we come at the same time to one of the deepest secrets of humanity—these secrets going to show that no one can heal diseases without also being able to produce them. The ways leading to the healing of disease are the same as those leading to its production. We shall shortly hear how completely in the ancient wisdom the principle prevailed that he who healed diseases was likewise able to produce them. Thus, in olden days, the art of healing was associated in men's s minds with a profoundly moral conception of the world. And we shall also shortly see how little what is called the new freedom in human evolution would have been able to develop in those days. Actually this freedom was not taken hold of until this fifth epoch of ours, the epoch following the Greco-Roman. We shall see what it would have been like if the ancient wisdom had persisted. But in every sphere this wisdom had to disappear so that man might make, as it were, a fresh start, striving towards freedom in both knowledge and action. This he could not have done under the influence of the old wisdom. In such times of transition as those in which Faust lived the old is passing away, the new has not yet come. Then arise such moods as may be seen in Faust in the scene preceding the one produced today. Here we see clearly that Faust both is and feels himself to be a product of the new age, in which the ancient wisdom still existed though it was no longer fully understood. We see how Faust accompanied by his famulus, Wagner, goes out from his cell into the green world where, to begin with, he watches the country people celebrating the Easter Festival out-of-doors in the meadows, until he himself is affected by the Easter mood. We see at once, however, that he refuses the people's homage. An old peasant comes forward to express this homage, for the folk think that Faust, as son of a former adept in the art of healing, must be distinguished in the same way, and be able to bring them health and blessing:

“Nay, of a truth, it is but meet
Our joyful day should see you here.
You proved a very friend in need,
In evil days when death was near.
And many a man stands here alive
Whom your good father, wrestling yet,
Snatched from the fever's burning rage,
When for the Plague a bound he set.
And you yourself, a young men then,
In every stricken house were found,
And corpse on corpse was carried forth,
But you came out, aye, safe and sound.
Steadfast in trials did you prove;
Helped was the helper from above.”

Thus speaks the old peasant, remembering Faust's connection with the ancient art of healing, not only the healing of physical diseases in the people but also the healing of their moral evil. Faust knows that he no longer lives in an age when the ancient wisdom could be really helpful to humanity, for it is already in decline. Humility begins to glimmer in his soul, and at the same time despondency over the falsity he is opposing. He says:

“Yet a few paces onward, up to yonder stone;
Here a brief while we'll rest us from our straying.
Here have I often sat and mused alone,
And racked myself with fasting and with praying.
For rich in hope and staunch in faith,
With tears and sighs and frenzied wringing
Of aching hands, to stay the Death
I thought, Heaven's Lord to mercy bringing.
And now the crowd's applause rings in my ears like scorn!
O could'st thou read what in my heart is hidden.
Father and son, no more than babe unborn,
Merit the fame that seeks them thus unbidden.
My father was a worthy gentleman,
To fame unknown, who sought with honest passion,
Yet whimsical device, as was his fashion,
Nature and all her holy rounds to scan;
In the Black's Kitchen's murky region,
Cloistered with masters of the craft.
He, guided by prescriptions legion,
Concocted nauseous draught on draught.
There a red lion with lily wedded,
A wooer bold within the tepid bath,
From bridal bower to bridal bower was speeded,
Racked by the naked fire's flaming wrath.”

After the manner of those days Goethe had thoroughly studied how the “red lion” (mercury-oxide, sulphurated mercury) used to be dealt with, how the different chemicals had been combined, what the results of these processes were, and how medicines had been manufactured from them. But all that no longer represented the ancient wisdom. Goethe also knew their mode of expression; what was to be shown was put into pictures; the fusion of substances was represented as a marriage. Hence he says:

“From bridal bower to bridal bower speeded,
And, thereupon, in gorgeous hues attired,
Shone the young Queen within the glassy cell.”

This was a technical expression; just as modern chemistry has its technical terms so in those days, when certain substances had reached a definite condition and colour, the result was called the young Queen.

“Here was the medicine, but the patients died”; they died in the days of Faust as they still die today in spite of many medicines.

“Here was the medicine but the patients died.
None asked the question: Who got well?
Thus have we wrought among these hills and valleys,
With hellish lecturaries, worse havoc than the malice
Of that same desolating pest.
Myself to thousands have the poison given;
They pined away—and yet my fame has thriven,
Till I must hear their shameless murderers blessed.”

This is Faust's sell-knowledge. This is how ho sees himself, he of whom you know that he has studied the ancient magic wisdom in order to penetrate into the secrets of nature. And through all that he has become spiritualised. Faust cannot remain satisfied like Wagner his famulus. Wagner contents himself with the new wisdom, relying on manuscripts, on the written word. This Wagner is a man who makes far fewer claims on wisdom and on life. And while Faust tries to dream himself into nature in order to reach her spirit, Wagner thinks only of the spirit that comes to him from theories, from parchments, from books, and calls the mood that has come over Faust a passing whimsy:

“I too have had my whimsies and my fancies,” (says Wagner)
“But no such freaks as that by any chances.
On woods and fields I soon have looked my fill.
I never shall begrudge the bird his pinion.”

He never wants to fly out on the wings of a bird to gain knowledge of the world!

“How elsewise flit we through the mind's dominion
From book to book, from leaf to leaf at will?”
Such snug delights the wintry eve console;
A blissful warmth in every limb comes o'er you;
Some venerable parchment then if you unroll
Ah, then, all heaven opens out before you!”

A thorough bookworm, a theory-monger! And so the two stand there after the country folk have gone—Faust, who wishes to penetrate to the sources of life, to unite his own being with the hidden forces of nature in order to experience them, and the other, who sees nothing but the external, material life, and just what is recorded in books by material means. It does not need much reflection to see what has taken place in Faust's inner being as the result of all the experiences which, as described by Goethe, he has passed through up to this moment. When we consider all that we meet with in Faust, we can be sure of this, however, that his inner being has been completely revolutionised, a real soul-development has taken place in him and he has acquired a certain spiritual vision. Otherwise he would not have been able to call up the Earth-spirit who storms hither and thither in the tumult of action. Faust has made his own a certain capacity not only to look at the external phenomena of the outside world, but to see the spirit living and weaving in all things. Then from the distance a poodle comes leaping towards Faust and Wagner. The way the two see the poodle—an ordinary poodle—the way Faust sees and the way Wagner sees it, absolutely characterises the two men, After Faust has dreamed himself into the living and weaving of the spirit in nature, he notices the poodle:

“Dost thou see yon black dog ranging through shoot and stubble?”

Wagner: “I saw him long ago; he struck me not in the least,”

Faust: “Look at him narrowly. What mak'st thou of the beast?”

Wagner: “A poodle who like any other poodle breathing
casts for the scent strayed from his master's heels.”

(The poodle goes circling round them.)

Faust: “Mark how, a mighty spiral round us wreathing,
Nearer and ever nearer yet he steals,
And see! unless mine eyes deceive me queerly,
He trails a fiery eddy in his train.”

Not only does Faust see the poodle but something stirs within him; he sees something that belongs to the poodle appearing as if spiritual. This Faust sees. It goes without saying that Wagner cannot de so; what Faust sees cannot be seen by the external eye.

Wagner: “I see a poodle, a black poodle only.
’Tis but some sport, some phantom of your brain.”

Faust: “Meseemth he softly coileth magic meshes
To be a future fetter round our feet”

Wagner: “He frisks in doubt and fear around us, lest ungracious
The strangers' welcome be. He thought his lord to greet.”

In this simple phenomenon Faust sees also something spiritual.Let us keep this firmly in mind. Inwardly struck by a certain spiritual connection between himself and the poodle, he now goes into his Laboratory. Naturally the poodle is there dramatically represented by Goethe as a poodle, and so it must be; but fundamentally we are concerned with what is being inwardly experienced by Faust. And in Goethe's every word he shows us in a most masterly fashion how in this scene Faust is passing through an inner experience. He and Wagner have stayed out of doors till late in the evening, till outwardly the light has gone, the dusk has fallen. And into the twilight Faust has projected the picture of what he spiritually wishes to see. He now returns home to his cell and is alone. When alone, such a man as Faust, having been through all this, is in a position to experience self-knowledge, that is, the life of the spirit in his own ego. He speaks as though his inmost soul were stirred, but stirred in a spiritual way:

“Now field and mead have I forsaken,
Which night enshroudeth, deep and still,
In us the better soul doth waken,
with a presaging, holy thrill.
Now stress of deed and storm of yearning
Sleep, at her all-compelling nod;
The love of man now bright is burning,
and burning bright the love of God.”

The poodle growls. But let us be quite clear that those are spiritual experiences; even the growling of the poodle is a spiritual experience, although dramatically it is represented as external. Faust has associated himself with decadent magic; he has associated himself with Mephistopheles, and Mephistopheles is not a spirit who can lead him to progressive spiritual forces. Mephistopheles is the spirit whom Faust has to overcome, and he is associated with him just in order that he may overcome him, having been given him not for instruction but as a test. That is to say, we now see Faust standing between the divine, spiritual world that bears forward the evolution of the universe, on the one hand, and on the other the forces stirring in his soul which drag him down into the life of the ordinary instincts, and these divert a man from spiritual endeavor. Directly anything holy stirs in his soul, it is ridiculed, the opposing impulses ridicule it. This is wonderfully presented now in the form of external events—Faust striving with all his knowledge towards the divine spiritual, and his instincts growling, as the materialist's mind growls, at spiritual endeavor. When Faust says: “Be quiet poodle,” he is really saying this to himself. And now Faust speaks—or rather, Goethe makes Faust speak—in a wonderful way. It is only when we study it word by word that we realise how wonderfully Goethe knows the inner life of man in spiritual evolution:

“When in our narrow chamber kindled
The lamp its cheerful radiance throws,
Bright gleams the light that erst had dwindled
Within the heart itself that knows.”

This is self-knowledge; seeking the spirit within itself.

“Reason again begins to speak”

A significant line, for whoever goes through the spiritual development Faust passes through during his life, knows that reason is not merely something dead within man, not only the reasoning of the head, but he realises how reason can become living—the weaving of an inner spirit that actually speaks. That is no mere poetical image:

“Reason again begins to parley
And hope to bloom that seemed dead.”

Reason again begins to speak of the past, of what is left alive out of the past. “Hope, blooms again that seemed dead,” that means that we find our will transformed, so that we know that we shall pass through the gates of death as spiritually living beings. Future and past are dove-tailed together in a wonderful way. Goethe now makes Faust say that through self-knowledge he can find the inner life of the spirit.

“Then for life's fountains long we dearly,
Ah, dearly, for life's fountain-head.”

And now Faust seeks to come nearer that towards which he is being pressed—nearer life's fountain-head. To begin with he seeks the path of religious exaltation; he picks up the New Testament. And the way in which he does so is a wonderful example of the wisdom in Goethe's drama. He picks out what contains the deepest wisdom of the new age—the John Gospel. He wants to translate this into his beloved German; and it is significant that Goethe should have chosen this particular moment. Those who know the workings of the deeply cosmic and spiritual beings realise that when wisdom is being put from one language into another, all the spirits of confusion make their appearance, all the bewildering spirits intervene. It is especially in the frontier regions of life that the powers opposed to human evolution and human well-being find expression. Goethe purposely chooses translation, to set the spirit of perversity, the spirit of lying (still inside the poodle) over against the spirits of truth. If we look closely at the feelings and emotions to which such a scene may give rise, the wonderful spiritual depths concealed in it become evident. All the temptations I have characterised as coming from what is inherent in the poodle, the temptation to distort truth by untruth, these go on working, and now they influence an action of Faust's which gives ample opportunity for such distortion, Yet, how little it has been noticed that this is what Goethe meant is still today made evident by the various interpreters of “Faust”; for what do these interpreters actually say about this scene? Well, you can read it; they say: “Goethe is indeed a man of external life, for whom the Word is not enough; he has to improve upon John's Gospel; he has to find a better translation—not: In the beginning was the Word, the Logos, but: In the beginning was the deed. That is what Faust after long hesitation decides on. This is a piece of Goethe's deep wisdom!” But this wisdom is not Faust wisdom, it is pure Wagner wisdom, genuine Wagner wisdom! Just like that wisdom quoted over and over again when, later, Faust speaks such beautiful words to Gretchen about the religious life:

“Who, then, can name Him? who thus proclaim Him? ...
The All-embracing, the All-sustaining ...”

And so on. What Faust says to Gretchen then is quoted repeatedly and represented as deep wisdom by the learned gentlemen who quote it:

“Who can name Him?
Who thus proclaim Him:
I believe Him?
Who hath that feeling,
His bosom steeling,
Can say: I believe Him not?
The All-embracing,
The All-sustaining,
Clasps and sustains He not
Thee, me, Himself?
Springs not the vault of Heaven above us?
Lieth not Earth firm—’stablished ’neath our feet?
And with a cheerful twinkling
Climb not eternal stars the sky?
Eye into eye gaze I not upon thee?
And floats in endless mystery
Invisible visible around thee? ...

These words of Faust's are often represented as deep wisdom! Now if Goethe had meant it to be accepted as such deep wisdom, he would not have put the speech into the mouth of Faust when he was trying to instruct the sixteen-year-old Gretchen. It is Gretchen-wisdom! We must take things seriously. The pundits are under a misapprehension and have mistaken this Gretchen-wisdom for deep philosophy. Faust's suggestion for the translation of the Bible is also taken for especially profound wisdom, whereas Goethe simply means to represent how men bandy about truth and error when they undertake much a task. Goethe has represented the two souls of Faust very profoundly indeed, here in this scene of the translation of the Bible.

“It is written: In the beginning was the Word.” We know that this is the Greek Logos. That actually stands in the John Gospel. In opposition to it there rises up in Faust what is symbolised by the poodle and it is this that prevents him from reaching the inner meaning of the Gospel. Why does the writer of the John Gospel choose precisely the Word, the Logos? It is because he wishes to emphasise that the most important thing in the evolution of man on earth, what really makes him externally man in this Earth-evolution, has not evolved gradually but was there in the primal beginning. What is it that distinguishes man from all other beings? The fact that he can speak, whereas no other being, animal, vegetable or mineral, can do so. The materialist thinks that the Word, Speech, the Logos, through which thought vibrates, was required by man only after he had passed through animal evolution. The Gospel of John takes the matter more deeply and says: No, in the primal beginning was the Word. That is to say, man's evolution was planned from the beginning; he is not in the materialistic Darwinian sense, simply the highest peak of the animal world; in the very first design of Earth-evolution, in its primal origin, in the beginning, was the Word. And man can develop on Earth a ego, to which animals do not attain, only by reason of the Word being interwoven with human evolution. The Word stands for the Ego in man. But against this truth the spirit of falsehood which has entered Faust rebels; he must go deeper to understand the profound wisdom of John's words,

“Already I am held up!”

But actually it is the poodle, the dog in him and what dwells in the dog, that is holding him up. He can get no higher; on the contrary he sinks much lower.

“Already I stick, and who shall help afford?
The Word at such high rate I may not tender;
The passage must I elsewise render,
If rightly by the Spirit I am taught.”

Seeing Mephistopheles coming to him he thinks that he is being “enlightened by the Spirit,” whereas in reality he is beclouded by the Spirit of darkness, and sinking lower.

“ ’Tis written: In the beginning was the Thought.” What is not higher than the Word. Sense, as we can easily prove, plays its part in the life of animals also, but the animal does not attain to the human Word. Man is capable of sense, thinking, because he has an astral body. Faust descends from the Ego to the astral body more deeply into himself.

“... In the beginning was the Thought. (Sinn)
By the first line a moment tarry,
Let not thine eager pen itself o'er hurry!”

He thinks he is rising higher but he is sinking lower.

“Does Thought work all, and fashion all outright?”

No, he is descending lower still, from the astral body to the dense, more material etheric body; and he writes:

“... In the beginning was the Force.”

(Force is what dwells in the etheric body.)

“Yet even as my pen the sentence traces,
A warning hint the half-writ word effaces.
The spirit helps me!”

(The spirit dwelling in the poodle. )

“From all-doubting freed,
Thus write I: In the beginning was the Deed.”

And now he has arrived at complete materialism; now he has reached the physical body through which the external deed is performed.

(Logos) Word.........Ego
Thought..................Astral Body
Force......................Etheric Body
Deed.......................Physical Body

Thus you have Faust living and weaving in self-knowledge. He translates the Bible wrongly because the several members of man's being of which we have so often spoken—the ego, the astral body, the etheric body, and the physical body are working together in him, through Mephistopheles' spirit, in a chaotic way. And now we see how these impulses prevail, for the external barking of the dog is what stirs him up against the truth. In all his knowledge he cannot yet recognise the wisdom of Christianity. This is shown the way he connects Word, Thought, Force, Deed. But the impulse, the urge, towards Christianity is already alive in him, and by making use of the living force of what dwells there as the Christ, he overcomes the opposing spirit. He first tries to do this with what he has received from ancient magic. But the spirit does not yield, does not show himself in his true form. He then calls up the four elements and their spirits—the salamanders, sylphs, undines and gnomes, but nothing of all this affects the spirit in the poodle. But when he calls upon the figure of Christ, “the shamefully Immolated, by Whom all heaven is permeated” then the poodle has to show its true shape.

All this is fundamentally self-knowledge, a self-knowledge that Goethe makes quite clear. And what appears now? A travelling scholar! Faust is genuinely practising self-knowledge, he stands actually facing himself. Now for the first time the wild impulses in poodle-form, which have been resisting the truth, are working, and now he sees himself with a clearness that is still not clear! The travelling student stands before him but this is only Faust's other self, for he has not become much more than a travelling student with all a student's errors. Only now that he has learnt through his bond with the spiritual world to recognise the impulses more accurately,the travelling scholar—his own ego as up to now, he has developed it—confronts him as something more definite and solid. Faust has learnt like a scholar; he has given himself up to magic and through magic scholastic wisdom has been bedevilled. What has developed out of the old, good Faust, the old travelling student, is merely the result of his having added ancient magic to his learning. The travelling scholar is still present in him and meets him under a changed form; it is only his other self. This travelling student is himself. The struggle to be free of all that confronts him as his other self, is shown in the ensuing scene.

Indeed, in the different characters whom Faust meets, Goethe is always trying to show Faust's other ego, so that he may come to know himself better and better. Many of the audience may remember how in earlier lectures I explained that even Wagner was to be found in Faust himself, that Wagner was just another ego of Faust's. Mephistopheles, also, is only another ego. It is all self-knowledge; self-knowledge is practised for knowledge of the universe. But, for Faust, none of this is yet clear spiritual knowledge; it is all wrapt in a vague, dull spirit seership, impaired by the old, atavistic clairvoyance. There is nothing clear about it. It is not knowledge full of light, but the knowledge of dreams. This is represented by the dream-spirits fluttering around Faust—really the group-souls of all the beings that accompany Mephistopheles—and represented also by his final waking. Then Goethe says, or makes Faust say, clearly and unmistakably:

“What! am I once again then cheated?
And vanishes the spirit-foison thus?
That but a dream the devil counterfeited,
A poodle from my room broke loose?”

Goethe employs the method of directing attention over and over again to the truth. That he is representing a spiritual experience in Faust, is clearly enough expressed in the above four lines. This scene shows us too how Goethe was striving for knowledge of the transition from the old era to the new in which he himself lived, that is, from the fourth post-Atlantean epoch to the fifth. The boundary line is in the fourteenth, fifteenth, sixteenth centuries. As I have said before, whoever thinks as men think today can hardly picture—unless he makes a special study of it—the soul-development of past centuries. In the days of Faust only the ruins of it remained. How often we experience today that men are not trying to come to the new spiritual research for which we are striving; they are trying to renew the old wisdom. Many indeed think that by renewing what was possessed by the people of old they will be able to find a deeper, magical and mystical wisdom about nature. There are two errors closely connected with all human spiritual striving. The first is that men buy ancient books and studying them come to prize them more highly than the newer science. They generally prize them more highly simply because they do not understand them, the language in which they are written being actually no longer comprehensible. Thus, the content of old books that has become double-Dutch being often put forward when spiritual research is under discussion is the one mischievous thing. The other is that whenever possible old names are given to new endeavours in order to justify them. Look at many of the societies calling themselves occult, or secret, or something of the kind; their whole endeavour is to give themselves an early origin, to talk as much as possible about a legendary past, and they delight in the use of old names. That is the second mischievous error. We do not have to do all this if we really see into the needs and impulses of our own age and of the inevitable future. If we pick up any book where traditions still existed, we can see from the way they were presented that, through the legacy of the past, the memory of an ancient wisdom formerly possessed by man, was still there, this wisdom had fallen into decay. Its modes of expression, however, continued for a considerable time.

I have at my disposal a book printed in the year 1740, that is, in the eighteenth century, from which I should like to read you a short passage, and we may be sure that many seeking spiritual knowledge today, coming upon such a passage will say: What depths of wisdom we have here! Indeed, there are many who believe they understand a quotation of this kind. Let me read you the one I am referring to:

“The King's crown should be of pure gold, and he must be married to a chaste bride. Now, if thou desirest to work upon our bodies, take the Greedy Grey Wolf who, according to his name, is subject to the warlike Mars but by birth is a child of ancient Saturn, and found in the hills and dales of the world, obsessed by hunger. Throw him the body of the King that he may feed upon it.”

This is the way chemical processes were described in olden days, the way to which Faust alludes when he talks of how Red Lion is married to the Lily in the glass. We should not make fun of such things for the simple reason that the way we speak of chemistry today will sound to those who come later just as this sounds to us. But we must be quite clear that this particular passage belongs to a late period of decline. Allusion is made to a “Grey Wolf.” Now this “Grey Wolf” stands for a certain metal found everywhere in the mountains, that is then subjected to a certain process. “King” is a name given to a condition of substances; and the whole paragraph describes a chemical process. The grey metal was collected and treated in a certain way; then this was called the “Greedy Grey Wolf”, and the other the “Golden King”, after the gold had gone through a process. Then an alliance was made and this is described: “And when he had devoured the King. ...” It comes about, therefore, that the Greedy Grey Wolf, the grey metal found in the mountains, is amalgamated with the Golden King, a certain condition of gold after it has been treated chemically. He represents it as follows:

“And when he has devoured the King, then make a great fire and throw the Wolf into it.”

—thus the Wolf who has eaten up the Golden King is thrown into the fire.

“So that he may be completely burnt up and the King released again.”

The gold once more makes its appearance.

“When that has happened three times the Lion will have overcome the Wolf, and will find nothing more of him to consume. Then our body is ready to begin our work.”

In this way then he makes something. To explain what he makes, we should have to describe these processes in greater detail, especially how the Golden King is made; but that is not told us here. Today these processes are no longer used. But for what does the man hope? He hopes for what is not entirely without reason for he has already made something. For what purpose exactly has he made it? The man who had this printed will certainly not have done anything more than copy it from some old book. But for what purpose was it done at the time when such things were understood? That you may gather from the following:

“And know that this alone is the right way thoroughly to purify our bodies; for the Lion cleanses itself by the blood of the Wolf; for the tincture of this blood delights marvelously in the tincture of the Lion's, for the two kinds of blood are closely allied.”

Thus he praises what he has been the cause of producing. He has invented a kind of medicine.

“And when the Lion is satiated, its spirit becomes stronger than before, and its eyes dart forth a gleam of pride, bright as the sun.”

(This describes the properties of what he has in the retort.)

“Its inner being is then able to do much, and is useful for all that is demanded of it. When it is made ready, children of men attacked by severe sickness and many diseases are grateful to it; the lepers run after it, hankering after its soul's blood, end all who have infirmities rejoice heartily in its spirit; for he who drinks of this golden spring, experiences a complete renewal of his nature, the removal of evil, strength in the blood, force in the heart and perfect health in all the limbs.”

This, you see, indicates that we are concerned with a medicine, but it is also sufficiently indicated that this also has to do with man's moral character. For naturally if a healthy man takes it in the right quantity then what is here described will make its appearance. This is what he means, and this is how it was with the men of olden days who understood something of these matters.

“For he who drinks of this golden spring, experiences a complete renewal of his nature”

Thus, by means of the art he describes here, he strives to discover a tincture that can arouse an actual stirring of life in man.

“Thanks to the strength of the heart's blood, and the perfect healthiness of all the limbs, they are either enclosed within or sensitive outside the body, for it opens all the nerves end pores so that evil can be driven out and good can peacefully take its place.”

I have read this aloud chiefly to show how in these ruins of an ancient wisdom one may find the remains of what was striven for olden times. By external means taken from nature men strove to stimulate the body, that is, to acquire certain faculties, not only through inner moral endeavour, but through the medium of nature herself, applied by man. Keep this in mind for a moment, for from it we shall be led to something of importance which distinguishes our epoch from earlier epochs. Today it is quite the thing to make fan of the ancient superstitions, for then one is accepted in the world as a clever man, whereas this does not happen should one see any sense in the old knowledge. And all this is lost, and had to be lost, for reasons affecting mankind; for spirit-freedom could never have been attained through what was thus striven for in ancient days. Now you know that in books of an even earlier date than this antiquated volume—that indeed belongs to a very late period of decline—you find Sun and Gold indicated by the same sign ⊙; and Moon and Silver by the sign ☾. To the modern man the application of the one sign used for Sun and Gold, and the other used for Moon and Silver, two faculties of the soul he necessarily has himself, is naturally sheer nonsense. And it is sheer nonsense as we find it in the literature that often calls itself “esoteric”. For the most part the writers of such books have no means of knowing why in the olden days Sun and Gold, Moon and Silver, were characterized by the same signs.

Let us start from Moon and Silver with the sign ☾. Now if we go further back in time, say a few thousand years before the Mystery of Golgotha, before the Christian reckoning of time, men did not only possess the faculties later in ruins; at the time when such things came into existence they possessed still higher faculties. When a man of the Egypto-Chaldean culture said ‘Silver’ he did not mean only what we mean when we say ‘Silver’. In the language of that time, the word signifying a ‘Silver’ was quite differently applied. Such a man had the spiritual faculties, and he meant a certain kind of force-activity found, not only in a piece of silver that actually spread over the whole earth. What he wished to say was: We live in Gold, we live in Copper, we live in Silver. He meant certain kinds of living forces were there, and these flowed towards him especially strongly from the Moon. This he felt that something sensitive and delicate that was in its coarsest, most material form in the piece of silver. He really found these forces flowing from the Moon, but also spread out over the whole earth, materialized in a particular way in the piece of silver. Now, the enlightened man of today says: Yes, of course, the Moon shines with a silvery light so they believe that it consisted of silver. It was not so, however, but rather men had an aerosol experience, lost today, in connection with the Moon, in connection with something dwelling as a force in the whole terrestrial globe, and materialized in the piece of silver.

Thus, the force lying in the silver has to be spread out over the whole earth. Naturally when this is said today it is regarded as absolute nonsense, yet, even from the point of view of modern Science it is not so. It is not nonsense at all, quite the contrary. For I will tell you something that science knows today although it is not often mentioned it. Modern Science knows that rather more than four lbs of silver, finally distributed, is contained in a cubic body the length of an English knot that you may imagine out of the ocean. So that, in all the seas surrounding the earth, there are two million tons of finally distributed silver. This is simply a scientific truth that can be proved today. The oceans of the world contain two million tons of finely distributed silver—distributed in an extreme homeopathic degree, one might say. Silver is actually spread over the whole earth. Today this must be substantiated—if one does so in the way of ordinary Science, by taking water from the sea and testing it by the most exact methods of investigation; then, with the means of modern Science itself it is found that there are two million tons of silver contained in the oceans. It is not that these tons of silver have been somehow dissolved in the ocean, or anything of that kind; they belong to it, belong to its nature and being. And this was known to the ancient wisdom through those delicate, sensitive forces originating in the old clairvoyance, at that time still in existence. The old wisdom also knew that the earth should not be looked upon merely in the way of modern Geology, but that in this earth, most finally dissolved, we have silver.

I could go further; I could show how gold is also dissolved, how, besides being materially deposited here and there, all these metals finely dissolved are really present. Ancient wisdom, therefore, was under no misapprehension when it spoke of silver; it is contained in the sphere of the earth. It was known, however, as a force, a certain kind of force. The silver sphere contains certain forces, the gold sphere other forces, and so on. More still was known of the silver that was dispersed throughout the earth-sphere; it was known that in the silver lies the force controlling the ebb and flow of the tides, for a certain force animating the whole body of the earth lies within this silver and is relatively identical with it. Without it there would be no tides; this movement, peculiar to the earth, was originally set in motion by the silver-content. It has no connection with the Moon, but the Moon is connected with the same force, and hence ebb and flow appear in certain relation with the movements of the Moon, because both they and the tides are dependent on the same system of forces. And these lie in the silver-content of the universe.

Even without clairvoyant knowledge we are able to see into such things, and to prove with a certainty unattainable in any other sphere of knowledge, unless it be Mathematics, that there used to be an old science knowing these things and knowing them well. With this knowledge and what it could do the ancient wisdom was connected, the wisdom that actually controlled nature has to be regained only through spiritual research, as it is today and as it goes on into the future. We live in the age in which an ancient kind of wisdom has been lost and a new kind only beginning to appear. What arose out of this ancient wisdom? Those consequences I have already indicated. If we knew the secrets of the universe we could make man himself more efficient. Think of it! By external means we could make man more efficient. It was possible simply by concocting certain substances and taking them in appropriate quantities, to acquire faculties which today we rightly assume to be innate in a man, such as genius, talent, and so forth. What Darwinism fantastically dreamed was not there at the beginning of earth-evolution, but the capacity to control nature existed, and from that to give man himself moral and spiritual faculties. You will now see that, for this reason, man had to keep the handling of nature within limits; hence the secrecy of the ancient Mysteries. The knowledge connected with these Mysteries, the secrets of nature, did not consist merely of concepts, ideas and feelings, nor merely of dogmatic imaginations. Whoever wished to acquire it had first to show himself wholly fitted to receive it; he had to be free from any wish to employ the knowledge selfishly, he was to use both knowledge and the ability derived from it solely in the service of the social order. This was the reason why the knowledge was kept so secret in the Egyptian Mysteries. In preparation for such knowledge, the one to whom it was to be imparted gave a guarantee that he would continue to live exactly as he had lived before, not taking to himself the smallest advantage but devoting the efficiency he would acquire, by his mastery over nature, exclusively to the service of the social order. On this assumption initiation was granted to individuals who then guided the ancient culture, of which the wonderful works are still to be seen, though, because men do not know their source, they are not understood.

But in this way men would never have become free. They would, through their nature-influences, have been made into a kind of automata. An epoch had to supervene in which man would work through inner moral forces alone. Thus, nature becomes veiled for him because in the new age, his impulses, his instincts, having become free, he has desecrated her. It is at most since the fourteenth, fifteenth, centuries that his impulses have been thus freed. Hence the ancient wisdom is growing dim; there is nothing left but the book-wisdom and that is not understood. For no one who really understood such things as the passage I have just read you would refrain from using them for his own advantage. That, however, would call forth the worst instincts in human society, worse instincts than those produced by the tentative progress of what today is said to be scientific, where, without insight into the matter, it is in a laboratory, without being able to see deeply into things, they obtain some result or other, perhaps that one substance affects another in a certain way—well, just what goes on today in chemistry. They go on trying this and find that but it is spiritual science that will have to find a way back into the secrets of nature. At the same time it must found a social order quite different from that of today, for men to be able, without being led away into a struggle with the most unruly instincts, to realize what nature conceals and her inmost depths.

There is meaning and there is wisdom in human evolution; I have tried to show you this in a whole series of lectures. What happens in history happens—although often by means of most destructive forces—in such a way that meaning runs right through historical evolution. It is often not the meaning man imagines and he has to suffer much on the paths history takes to its ends. Everything that happens in the course of time is sure to make the pendulum sometimes swing towards evil, sometimes towards the lesser evil; but by this swinging a certain condition of balance is reached. So then, up to the fourteenth, fifteenth centuries, a certain number of the forces of nature were known at least to a few; but this knowledge is now lost because the men of the newer age have not been attuned to it.

You see how beautifully it is pictured in the symbol standing for the forces of nature in the Egyptian legend of Isis. This image of Isis—what a deep impression it makes upon us when we picture it standing there in stone, but covered from head to foot with a veil, also of stone—the veiled Isis of Sais. It bears the inscription: “I am the Past, the Present in the Future; my veil no mortal man has yet lifted”. That has given rise to an unusually clever explanation—and a very clever people have accepted this clever explanation. We are told that the image of Isis is the symbol of a wisdom that can never be attained by man. Behind this veil is a being must remain eternally hidden, for the veil can never be lifted. Yet the inscription is “I am the Past, the Present and the Future; my veil no mortal man has yet lifted”. All the clever people then say: no one can fathom this being—are speaking about as logically as anyone who was to say: “I am John Miller you shall never know my name”. To say this is on a par with what you thus always hear said about the figure of Isis. To interpret the inscription: “I am the Past, the Present in the Future; my veil no mortal man has yet lifted” in this way, is as complete nonsense as to say: “I am John Miller, you will never know my name”. For what Isis is, stands written—Past, Present and Future; Time in its flight. Something quite different, therefore, from the clever explanation referred to is expressed in the words: “By veil no mortal man has yet lifted”. It means that this wisdom must be approached as those women are approached who have taken the veil, the vow of chastity; it must be approached with the same reverence, with a feeling that excludes all egoistic impulses. This is what is meant. It is like a veiled nun, this wisdom of ancient days. This is the feeling behind what is said about the veil.

Thus we see that in the days when the primal wisdom was a living thing, then either approached it in the proper way or had no access to it at all. But in the newer age men had to be left to themselves. They could no longer have this wisdom of old days, nor the forms of that wisdom. The knowledge of certain forces of nature was lost, those forces only to be known if experienced within—if they were at the same time lived inwardly. And at the time when materialism was at its height in the nineteenth century, at the beginning of the century, a force of nature appeared, the characteristic of which is recently expressed as follows: We have this nature-force but no one can understand it; it is even a secret for science.—You know how the force of electricity came to be used by man, and that electric power is such that no one can experience it inwardly through his normal forces; it remains an external force. And to a greater degree than one thinks that all the greatness of the nineteenth century arise through electricity. It would be quite easy to show how infinitely much in our present civilization depends upon electric power, and how much more, how very much more, will depend upon it in the future—even if it is employed in the present way without any inward knowledge. For in the evolution of human culture electric force has been put—as something by which man will be matured morally—in the place of the old, known force. Today in making use of electricity there is no thought of anything moral. There is wisdom in the progressive historical evolution of humanity. Man will mature by being able for a time to develop in his lower ego-bearer, in his uncontrolled egoism, what is deeply harmful—and in all conscience there is sufficient of this, as our own times clearly show. This would be quite out of the question should men have retained the ancient forces. It is electricity as a force in civilization which makes this possible. It is to a certain extent true of steam-power but to a lesser degree.

Now this is how the matter stands as I have explained to you. The first seventh part of our culture-period, that will last on into the third millennium, has passed; the peak of materialism has been reached. The social framework in which we live, that has brought about such lamentable occurrences in our days, is such that man cannot be subjected to it for another half-century without a fundamental change taking place in soul. For those having spiritual insight into world-evolution, this electoral age is, at the same time, the challenge to seek greater spiritual depth, a genuine spiritual deepening. For, to that force which remains outwardly unknown to sense-observation, there must be added in the soul the spiritual force line as deeply hidden as the electrical forces that also have to be awakened. Think how mysterious electrical power is! It was first drawn out of its secret hiding places by Galvani and Volta. And what dwells in the human soul, what is explored by Spiritual Science, that, too, lies hidden. The two like poles must meet each other. And as surely as the electric force is drawn out as the force hidden in nature, so surely will the force hidden in the soul,the force that belongs to it and is sought by Spiritual Science, also be drawn forth. This will be so, although today there are still many who look upon the endeavors of Spiritual Science as—well, almost as they might have looked upon the experiments of Galvani and Volta in the days they prepared their frogs and observed in the twitching of a leg that some force was at work. Did Science know that in the frog's leg lay the whole of Voltaic electricity, of Galvanism, all that is known today of electricity? Think back to the time when Galvani, it his primitive laboratory, was hanging his frog's leg to the window-latch; think of the moment when it began to twitch, and for the first time he was sure of this! It is true that it is not a question here of electricity itself being stimulated, but of contact electricity. When Galvani established this for the first time, could he suppose that the force that moved the frog's leg would someday be used by railways as a means of transport all over the world, or that with its aid thought would someday encircle the globe? It is not so very long since Galvani noticed this force in his frog's leg. If anyone had been expected such results to flow from this knowledge, he would certainly have been considered a fool. Thus, in our day, a man who presents the first beginnings of a spiritual science is considered a fool. A time will arrive when all that comes forth from Spiritual Science will be as important to the world, the moral world of soul and spirit, as a result of Galvani's experiment with the frog's leg for material civilization.

It is thus that progress is made in human evolution. It is only when we are aware of the things that we develop the will to collaborate in what can only be a beginning. If that other force, the force of electricity, which has been drawn out of its hiding place, has direct significance only for external, material culture, and only an indirect significance for the world of morality, what comes out of Spiritual Science will be of utmost importance in terms of its social significance. For the future, social institutions will be regulated by what Spiritual Science can give to humanity. Moreover, the whole of external, material culture will be indirectly stimulated by this Spiritual Science as well. I can only point to this today in closing.

Today we have seen Faust standing, as I said today, half in the old world and half in the new. Tomorrow we will expand this picure of Faust into one that will be a sort of worldview.