The Rudolf Steiner Archive

Whoever follows the history of human development, not only in the usual documents and traditions, but goes rather deeper into things which though at first appearing only symptomatic of that development, really point the way to the inner and therefore true forces of evolution, will find renewed significance in a memorable scene at the end of the eighteenth century. An address based on the highest contemporary Science was given to the Natural Science Society at Jena by a very important Botanist of the day called Batsch. Two men, one some ten years older than the other, listened to this address, and it happened that they left the place together and fell into conversation. The younger said to the elder: ‘When one considers such an address, it shows once again how the scientific method of observation picks things to pieces, sets one by the side of another, and scarcely takes into consideration the homogeneous spiritual bond existing in all the different units.’ In other words it seemed wrong to the younger man that plant should be put side by side with plant without any reference to a higher something, which must also exist in the world, uniting the various plants.

The elder man replied: ‘It might perhaps be possible to find a method of studying nature, which goes to work differently, and which in spite of being a study which must lead to knowledge, has, as its aim, the unifying element, namely that which is absent in external observation by the various senses.’ The man took a pencil and a piece of paper from his pocket and at once drew a remarkable shape, a shape that resembled a plant, but no existing plant, to be seen or perceived by the outward physical senses, a shape which, as it were, exists nowhere and of which he said that it existed indeed in no individual plant, but was the ‘plant-hood,’ the proto-plant type which existed in all plants and represented the unifying element. The younger man looked at it and said: ‘Yes, but what you have drawn there is not an experience, not observation, that is an idea’—having in mind that only the human spirit could form such ideas, and that such an idea had no significance for external, so-called objective nature.

The elder man was unable to understand this objection at all, for he replied: ‘If that is an idea, then I see my ideas with my eyes!’ He meant that just as an individual plant is visible to the external sense of sight, and is an experience, so his proto-plant, although invisible by means of an external sense, was objective, existent in the outer world, living in all plants, the archetype in all individual plants. You know that the younger of these two men was Schiller, the elder Goethe.

This conversation is a symptomatic, significant indication of modern spiritual science.

What really prompted that reply of Goethe's to Schiller? There spoke in him the consciousness that one does not only grasp an external objective truth with that representation given by the external sense, and furnished by a limited understanding from external sense-perceptions, but that the human being, when he sets in motion higher spiritual forces, which are not applied to separate sense-observations, arrives at truth and reality just as one does by means of external sense perceptions.

We may well say that Schiller, who at that moment was incapable of realizing what lay behind, when he believed that Goethe had made his drawing in terms of subjectivity, has left us the finest testimony of man's capacity to scale the heights as revealed to him by Goethe. From that moment we see Schiller's ever increasing comprehension of Goethe's ideas. A letter of his provides a psychological document of the first importance, where he says: ‘For a long time, although from a distance, I have watched the progress of your spirit with ever renewed admiration, and noticed the path you have set yourself. You seek the necessity of nature, but on the most difficult road, from which indeed any weaker power would draw back. You take all nature as one in order to obtain light on each separate part, and you seek the explanation of the individual in the “all” of its phenomena. You ascend from the simple organism, step by step to the more complex, in order finally to erect genetically from the materials of all nature's structure the most complex of all, the human being. You seek to penetrate into his hidden technique, by re-creating him in the manner of nature. A great and truly heroic idea which sufficiently shows to what extent your spirit holds together the rich totality of its conceptions in a beautiful unity.’

Thus we may regard as a testimony to the objectivity of Goethe's idea-world that which in his consciousness brought forth such a reply, and which Schiller later confirmed in this letter.

It is remarkable that Heinroth, a psychologist who lived in the twenties of the nineteenth century and is to-day forgotten, uttered a very significant phrase about Goethe in his Anthropology, which is really a psychology—one of those phrases which are significant through their application, and throw great light on what they are meant to illumine. He used the phrase, speaking of Goethe's whole method of approach, ‘objective thinking’ and he enlarged upon the phrase by saying: Goethe's thinking is a quite peculiar thinking, really inseparable from the objectivity of things, resting quietly in objects, in which it is raised to ideas.

Now whoever is able to look into Goethe's whole spiritual organism—as we shall to-day and the day after tomorrow, when we shall try to penetrate still deeper into this question, when we shall consider more inwardly what we are to have presented to us to-day outwardly—will see that in this thought he adheres to facts without stopping merely at the surface of things and the experience of the senses, and finds within these facts the spiritual, the world of ideas. We see that for this reason Goethe's thought has become so important for a large part of our modern human development. We may say that there is something exceedingly remarkable in this effect of Goethe's spirit on the most diverse types of people, on the most varied views even on the different successive epochs.

Let us consider for a moment the point at issue and we shall see what unique results Goethe's spiritual standard has in fact produced. If we take three philosophers of German spiritual life, who are quite different from each other in their points of view, Fichte, Hegel and Schopenhauer, we find from a study of their mutual relationships and of their relationships to Goethe something quite remarkable about Goethe's influence on history. Fichte reveals himself as a thinker, wandering on remote heights, especially when he had finished his Foundation of Science at Jena in 1792. It is difficult to rise to an understanding of Fichte's peculiarity, it is difficult to penetrate to him, although everyone who has succeeded must admit that he has gained food for spiritual discipline from him to an extraordinary degree. But it is not for every man to ascend to such spheres of the purest concept. Fichte, who wandered on these heights of abstraction, particularly at that moment, sent his work to Goethe with the following significant words: ‘I see and have always seen in you the purest representative at the present stage of humanity of the spirituality of feeling. To your feeling therefore, philosophy rightly turns. The spirituality of your feeling is the normal standard for philosophy.’ Thus Fichte to Goethe.

Let us look now at another philosopher, at Schopenhauer, and let us see first how Schopenhauer stood to Fichte. They were, in truth, a hostile pair—at least Schopenhauer was very hostile to Fichte. Schopenhauer never wearied of abusing Fichte. To him he is a windbag, thinking and writing empty ideas. He repeatedly emphasizes how unreal and meaningless Fichte's philosophy is. In fact there could not be a greater contrast than these two. And Schopenhauer indeed went to Goethe to be taught. For a time he experimented together with Goethe in order to learn the fundamental physical concepts, and a good deal in his first work, and even in his chief work is derived from the impression Goethe made on him. If you know Schopenhauer, you know also with what homage he spoke of Goethe. Schopenhauer and Fichte—two great contrasts unite in Goethe, and he seems like the unifying force of each.

Let us take finally Hegel and Schopenhauer. Hegel is also difficult to reach with the understanding. He tries to create a fact-world of concepts in a comprehensive, systematic frame, and demands that man should lift himself to a stage where he grasps concept as fact, where he is capable of experiencing it directly. Schopenhauer finds in this something entirely worthless, merely a playing with abstract words. If we wish to know Hegel's relation to Goethe, we need mention only one instance and we shall see how they stand. There is a beautiful letter in which Hegel writes: ‘Goethe seeks behind the sense-revelations the actual spiritual phenomena, which he calls the proto-phenomena, as he calls the proto-plant the proto-phenomenon of the vegetable world. While he speaks from the heights of the spiritual world as philosopher and shows us what we can think and comprehend, he works himself on the other hand up to the point where he comes into touch with spirit-created thoughts. Thus Goethe's proto-phenomenon is united with what the pure, thinking philosophy derives from above.’

Here also we see a harmony between Hegel and Goethe, as between Goethe and Schopenhauer. In Goethe they find themselves united. And when we proceed from these older times to our own, what do we find?

In Goethe's lifetime research in Natural Science was different. More than then the only right method of strict Science to-day is considered to be a research relying on external sense-observations and the formal working out by the mind of what is limited by the obscuration of the results thus obtained. But a Haeckel, as he shows in every book, is determined to stand on the firm ground of Goethean world-conception, and so we see a more materialistically coloured philosophy emphasizing the importance of relying on Goetheanistic world-conception. You can find books to-day written on a basis for which the spirit is an absolute reality in the highest sense of the word, and in them you can trace the debt to Goethe. Spiritualistic and materialistic students can fight from opposite camps, but both believe they may look up to Goethe in the same way. He thus provides something which bridges the gulf between opponents.

These facts testify to the force of Goethe's world-conception, a force which has such an influence on others that though they do not understand each other, they find something in Goethe which they have themselves. Perhaps some of you know how widely apart Virchow and Haeckel stood from each other. But Virchow also, who saw eye to eye with Haeckel in so few things, has in an important address on Goethe equally found support in him. So in Goethe we see a power, which, in face of all the contradictions and struggles of world-conceptions, is able to show, that things are not what these representatives of science consider, and for which they so stubbornly fight.

It is just when you consider the relation of these important people to Goethe, that you realize that it is the same towards what is called knowledge as it is with different painters, sitting round a mountain, and painting it from different points of view. The resultant pictures must also of course be different, though it is the same mountain they paint. You will get a comprehensive idea of the mountain only by comparing the various representations with each other and compounding them into a whole. If you put yourself in the same position with regard to knowledge, you will see that Goethe does not select a single point of view, but rather scales the mountain and shows that it is possible to take up a position on the summit and there to find a comprehensive panorama, in which all views are revealed in their deeper consistency or interconnection.

It is this which makes Goethe's spirit so eminently modern, and if in plunging deep into Goethe we get the feeling that he appears to us a modern, it will be a sufficient justification if in our frequent studies here of spiritual science and a world-conception based on the spiritual, we consider what he did and wanted to do as a kind of invitation to penetrate deeper into his nature. If he is a stimulating spirit in so many respects, why should he not also be a stimulant for that spiritual tendency (Spiritual Stream) one of whose highest and most beautiful aims is a tolerant investigation into the different standpoints of world-conceptions, and which makes it a principle not to stand still on one fixed point, but, in order to find truth, to climb ever higher and higher by means of methods applied to inner development and growth of inner organs of perception, because thus alone can one see the deeper spiritual foundations? We shall now consider how far Goethe coincides with the deepest feelings of modern mankind on a narrowly limited subject. As an example we shall choose a feeling many of you know, which can be described by saying that there are many people to-day who strive to throw overboard old traditions, and create feelings, thoughts and ideas which lead direct to the present time. You will see at once what I mean when I remind you of a picture which many to-day cherish. You can take what attitude you like to the picture, but it is an expression of the contemporary age. I refer to the picture: ‘Komm, Herr Jesus, sei unser Gast’—‘Lord Jesus, come and be our Guest.’ The picture lives not only in its creator, but also in those who would enjoy it; they feel the longing to see the figure of Jesus in their immediate presence, as is represented near the table. One might say that the picture has not only value for this age, but for all ages, that it is there eternally and cannot pass away and that every age has the right to put this figure into its own epoch. These few words alone will indicate the feeling which many have towards this picture.

Now one might believe that in these things Goethe belonged still to the ancients—a conclusion one would draw from his preference for the old art, with its old, sound, artistic traditions, and his preference for the Greeks; one might believe Goethe had no understanding of the emotion expressed in this picture—‘Lord Jesus, come and be our Guest.’ In order to get a glance into Goethe's soul let us refer to a book by Bossi on Leonardo da Vinci's ‘Last Supper.’ Goethe wrote a criticism of this book, and in it there are significant words. Of this picture which is in the refectory of the Santa Maria delle Grazie cloister at Milan and in spite of recent restoration looks as if it would soon disappear, Goethe relates how he stood in front of it at a time when it still had a certain freshness. He describes the impression which he once got from this picture in his youth: ‘Opposite the entrance in the narrower wall, in the body of the hall stood the Prior's table, on each side the monks' tables, all raised from the floor on a dais, and now when you had come in and turned round, you saw the fourth table painted on the fourth wall, above the fairly low doors; and at it Christ and His Disciples, just as if they belonged to the company.’—He, summoned by the Dominicans in their sense and in their place, with the emotional thought ‘Lord Jesus, come and be our Guest.’ The whole, says Goethe, made a unified picture. And not to leave any doubt as to his meaning he adds: ‘It must have been a significant sight at meal-times, when the tables of the Prior and of Christ looked across at each other like two opposite pictures and the monks found themselves in between. And therefore the painter in his wisdom had to take the monks' tables as his model. And it is certain the table-cloth with its creases, its striped pattern and its open corners, was taken from the linen-room of the Cloister, and the dishes, plates, mugs and other utensils were copied from those the monks used. There was thus no question of approximation to an uncertain, old-fashioned costume. It would have been extremely clumsy to have made the Holy Company lie on cushions. No, it had to resemble the present; Christ was to take his Evening Meal with the Dominicans of Milan.’

And now let us ask whether Goethe had this understanding which we must call a modern understanding. He had it in that comprehensive manner which is another proof of how universal his powers are as against the sometimes one-sided powers which mutually exclude and fight each other.

We must put ourselves into Goethe's soul in this way and then we shall understand why Goethe stands so close to us and why we look up to him whenever the current attitude to deeper spiritual questions is under discussion. It was his deep consciousness that it is possible for man to awake in himself spiritual organs in order to ascend to higher conceptions, and thereby to gain something which not merely lives in the human spirit, but at the same time lies deeper.

Were it possible to enter upon Goethe's scientific studies, as you will find them discussed in detail in my book, Goethe's World-Conception, we should be able to show the working of his whole method. But to-day we want to approach him from another side. Goethe has expressed things here and there which indicate the deep foundation of his philosophy. We shall have to speak of this in the last two addresses of this winter's cycle on ‘Faust.’ [See note on publications at end of book. {There is none! - e.Ed}] He once said to Eckermann concerning Faust, that he had drawn him in such a way that the reader who is content only with externals has some satisfaction in the colourful scenes, but that he can also find behind the words the secrets which lie there. Here Goethe is pointing out in Part II that we have to differentiate between the external and the inner essential secret meaning. In accordance with ancient custom we describe the external as the exoteric and the other as the esoteric.

Now we shall approach Goethe by considering to-day in an external, exoteric way a work in which he expressed his whole ‘methodical thinking and willing;’ and the day after tomorrow we shall consider it esoterically.

It is a comparatively unknown little work of Goethe's to which we must go if we want to look into his deepest secrets of knowledge—we merely describe them as such. It is the little piece at the end of the ‘Conversations of German Emigrants,’ under the title, ‘Legends,’ from which the reader, if he strives to get Goethe's world-conception, will get the feeling that Goethe wishes to say more in it than appears from the scenes. For the thoughtful student this ‘Legend of the Green Snake and the Beautiful Lily’ will provide riddle after riddle.

And now allow me to explain the chief features of this story, for I cannot talk about it unless we recall the important points, if we are to look more deeply into Goethe's philosophy. We shall therefore have to give a moment to the content of this little work; and after that we shall understand each other better in what we shall have to say. I have often had it said to me when I have lectured on this story, ‘I never knew there was a “legend” in Goethe's works;’ and so I repeat that it is contained in every edition of Goethe and constitutes the ending of the ‘Conversations of German Emigrants.’

Now to the scenes. A Ferryman lives by a River and to him come remarkable forms—Will-o'-the-Wisps. They want to be put across to the other side by the Ferryman in his boat. The Ferryman agrees to take them across. On the way they behave in a curious manner; they are restless and fidgety, so that he is afraid they will upset the boat. But they arrive safely and then they propose to pay him in an odd way. They shake themselves and golden pieces fall from them, and they are the reward for his trouble in taking them over. The Ferryman is not enthusiastic about the golden pieces and says: ‘It is a good thing that nothing has fallen into the river, for it would have surged up wildly. I cannot take this payment; I can be paid only with the fruits of nature.’ And he demands three Onions, three Artichokes and three Cabbages. They had to pay with fruits of the earth. We shall soon see what deep significance every point and every fact has.

The Ferryman continues: ‘Now you give me the extra trouble of taking down the river the golden pieces you've thrown about and I must bury them.’ Wherefore he takes them actually a short way downstream and buries them in the crevices of the earth. When they have been thus buried, another remarkable being comes along to them—the Green Snake, who crawls in and on and about the earth and through its crevices. Suddenly she sees the pieces of gold falling down through the cracks of the earth and thinks at first they are falling from Heaven. She therefore devours them and becomes, by thus taking the golden pieces into her own body, more and more luminous. As she comes to the surface she notices that she gives off a peculiar light in a marvellous manner and gleams like emerald and precious stones.

Now the Snake and the Will-o'-the-Wisps come together, the latter still shaking themselves and throwing away what they shake out, the Snake, having acquired a taste for gold, taking up and swallowing what the others throw about. The conversation between them is significant. The Snake calls herself a relative of the Will-o'-the-Wisps in a horizontal line, the Will-o'-the-Wisps call themselves relations of the Snake in a vertical line. They ask the Snake moreover if she could not inform them how to come to the Beautiful Lily. ‘Oh,’ says the Snake, ‘the Beautiful Lily is on the other side of the River.’ ‘Well, then we've done a fine thing,’ answer the Will-o'-the-Wisps, ‘we've just had a lift across because we wanted to come to the Beautiful Lily. If we could only find a Ferryman who would ferry us back again!’ And now follow very important words. ‘You will not find the Ferryman again, and if you did, be certain that he may indeed take you across, but not back again. If you want to get to the other side of the River, there are only two ways. Either you try at noon, when the sun is at its highest, to find a bridge over my own body, in order to cross’—The Will-o'-the-Wisps say, ‘We do not like journeying at midday’—‘Or you use the second way; for there is another possibility. At dusk you will find the huge Giant at a certain place. He has no strength in him, but when he stretches out his hand and its shadow falls across the river, you can cross over on the shadow. The shadow gives enough support to walk over on it. So if at midday you will not cross over me, you must find the Giant.’

The Will-o'-the-Wisps let themselves be told this, but the Snake has returned into the crevices, rejoicing in her increasing light-giving power through swallowing the gold.

And now the Snake notices something extremely odd. On descending again into the earth, she notices that where she had formerly found metals and so on, she now sees remarkable forms. Before, she had perceived them only through the sense of touch; now, being luminous, she can also see the things. She was able to feel pillars and also shapes like human beings, but till then she never really knew what there was in the underground caves. Now she enters again and her radiating light serves to illuminate everything.

On entering this large cavern under the earth, the Snake can at once perceive that there are four kingly figures standing in the four corners: a Golden King, a Silver King, a Brazen King, and in the fourth corner a Mixed King, put together in the gayest manner of all kinds of other metals.

The moment the Snake enters the cavern and lights up the figures, the Golden King puts the very significant question: ‘Whence comest thou?’

‘From the crevices, where the gold lives,’ answers the Snake.

‘What is more splendid than gold?’ asks the Golden King.

‘Light,’ is the Snake's reply.

The King asks further: ‘What is more comforting than Light?’

‘Speech.’

No one will doubt that these words are not meant to give just pictures, but that they also have a significant content.

As the Snake enters the cavern a crack opens in the Temple where the four Kings live and there enters the Old Man with the Lamp. He is asked why he comes at that moment, whereupon he says the remarkable words: ‘Do you not know that my lamp may illumine only what is already illumined? that I may not lighten the Darkness?’ After the Snake has lit up the objects in the room he may also come in with his wonderworking Lamp.

Now a conversation takes place between the Kings and the Old Man with the Lamp. He is asked:

‘How many secrets do you know?’

‘Three,’ he answers.

‘Which is the most important?’ asks the Silver King.

‘The open one,’ replies the Old Man.

‘Will you open it also to us?’ asks the Brazen King.

‘As soon as I know the Fourth.’

And now come the most significant words of the whole story:

‘I know the Fourth,’ said the Snake, and whispers something into his ear; whereupon the Old Man with a great voice cries out:

‘The time is at hand!’

There are a great number of attempts to solve the riddles of this story, and many people have tried to explain in one way or another what was felt to be a riddle even in Goethe's and Schiller's time. It is characteristic that Goethe and Schiller agreed about it and pronounced it explicitly in the words: the word that solves the story is in the story itself. So the solution has to be sought in the story itself, and in the course of my address it will be found to be so, though in a remarkable way. The Snake whispers something into the Old Man's ear, and what is whispered, but not spoken, is the solution of the riddle. The Old Man then says: ‘The time is at hand!’ So what we have to find out is what the Snake whispered to the Old Man in the subterranean Temple.

The Old Man now proceeds to the dwelling-place of his Wife. Through the power of the Lamp's light the most diverse materials are metamorphosed: stones into Gold, wood into Silver, dead animals into Precious Stones, but Metals are destroyed. He finds his Wife in an almost unconscious state. When he asks what has happened, she says: ‘There were quite extraordinary people here. One might have taken them for Will-o'-the-Wisps. They behaved pretty badly.’ ‘Well,’ says the Old Man: ‘considering your age, no doubt they were decently polite.’ Then she relates how the Will-o'-the-Wisps went for the Gold and licked it, so that they could shake it out again. ‘If it had been no worse than that—but just look at the Pug-dog. He ate of the golden pieces, was changed into precious stone, and died. Now he's dead,’ the Old Woman continues: ‘Had I known this before, I should not have promised them to pay their debt to the Ferryman, namely, three Cabbages, three Onions and three Artichokes.’

‘Well,’ says the Old Man, ‘take the Pug-dog and carry him to the Beautiful Lily, who has the quality of being able to change precious stone into life by touching it.’ So she takes the three times three fruits, to pay off the debt she has undertaken to the Ferryman, and takes the Pug-dog as well.

Now we come to a very significant point in the story. As she carries the basket, it seems unusually heavy, although anything dead has no weight for her; the basket with the dead dog alone would be no heavier than if it were empty; the living things, the Cabbages, Onions and Artichokes alone weigh down the basket. On the road to the Ferryman, another singular thing happens to her. The Giant holds his arm so that its shadow falls across the River, seizes one Cabbage, one Artichoke and one Onion out of the basket and devours them, so that she has now only two of each kind left. She proposes therefore to pay off only a part of the debt to the Ferryman. But he says that it is absolutely necessary to bring the whole of it at one time.

After considerable argument the Ferryman says there is a possible way out, namely, if she goes bail for the production of the three missing fruits. She must therefore put her hand into the river, as security that she will keep her promise. This she does, but notices that her hand as far as it is immersed in the River has become black and smaller. ‘Now it only looks like it,’ said the Old Ferryman, ‘but if you do not keep your word, it might become a fact. The hand will gradually dwindle and finally disappear, but without your losing the use of it. You will be able to do everything with it, but no one will see it.’ She prefers, however, to have a visible hand, even if it is useless. If she brings the tribute at the agreed time, the Ferryman says everything will be all right.

On the way to the Beautiful Lily, she meets a handsome Youth, who, however, as he says, has lost all his former power and strength, and we learn from their conversation how this has happened. The Youth had conceived the active desire to reach the Beautiful Lily. She had become his Ideal. But her lovely eyes had such a baneful effect that they deprived him of all his strength, and still he was ever attracted to her.

At length the two come to the Beautiful Lily. Everything, indeed, that surrounds her is highly indicative, but we can now select only a few points. The Beautiful Lily is the image of most perfect Beauty, but her touch possesses the power of killing everything that lives, and restoring to life everything that has gone through life and died.

The Old Woman now presents her requests. The Youth has come to satisfy his longing for the Beautiful Lily, but we see that she also feels a longing: she feels herself cut off from all living fruitfulness; in her garden flourish flowers, but only to the point of bloom, not to that of fruit; beautiful she is, but far from all life. The Old Woman then says something significant: she repeats what the Man in the subterranean Temple had said and that gives the Lily new hope. It was indeed the last moment in which she could receive any hope, for she had lost the last living thing, which had been a sort of link between her and the living. She had had a Canary in her neighbourhood, and had taken great care not to disturb it, since that would have killed it. But a Hawk had come near, the Canary fled from it and flew up against the Lily and was killed. And so the Beautiful Lily was reduced to complete spiritual loneliness and isolation from all that human beings have.

The Old Woman now gives the Pug to the Lily. The Lily touches him and thereby restores him to life. The Youth tries to calm his longing by embracing the Lily and thereby he is killed. Life is completely annihilated in him.

The Snake next forms a Magic Circle; and the Youth and the Canary are put inside it. By this means—and the Snake points this out significantly—what is hopeless is to be quickly altered, and in fact it is so. We learn that the Old Man with the Lamp now approaches and that through him a solution of the whole situation can be actually attempted. For there is still just time when he arrives; the bodies of the Canary and the Youth have not yet begun to decay.

The Old Man leads them towards the subterranean Temple, which the Snake had already reconnoitred. He says to the Will-o'-the-Wisps: ‘You are also there to help us. When we come to the Gates of the Temple, you will have to be the ones to unlock them.’ The Snake makes a bridge over the River and the whole company proceeds over it. Then we see, when they have arrived on the other side, that through the contact with the Snake, who now decides to sacrifice herself, the Youth becomes alive again, though not yet in possession of his spirit. And because the Snake is prepared to sacrifice herself, the Youth is translated into a remarkable state. He can see, but cannot understand what he sees. The Snake divides up into numerous wonderful precious stones, which the Old Man sinks in the River and thereby a bridge is formed over it. The procession moves on under the guidance of the Old Man into the subterranean Temple. As they enter we see that questions full of meaning are exchanged between the newcomers and the Kings. For instance: ‘Whence come ye?’ ‘From the World.’ ‘Whither are ye going?’ ‘Into the World.’ ‘What do ye want with us?’ ‘You to accompany!’ (i.e. the Kings.)

Now the group, with the Temple, begins to move. They go under the River and rise again, with the whole Temple, on the other side, and as when they have risen something that looks like woodwork falls into the Temple. It is the Ferryman's Hut. It changes and becomes a small Temple inside the large one. And now takes place a scene which is important for the Youth, who, you remember was until now alive, but not spiritualized.

We have seen that the first, the Golden King, represents Wisdom; the second or Silver one, Illusion, Semblance or Beauty; the third Brazen one, Strength or the Will. We now see a symbolic act taking place. The Youth is presented with three different gifts by the three Kings; the Brazen King with the Sword, accompanied by the significant words: ‘The Sword on the left hand, the right free,’—Will-power. From the Silver King he receives the Sceptre, with the words,—‘Tend the Sheep.’ We shall see that the Youth is filled with the feeling of the soul, which expresses itself in Beauty. The Golden King sets the Crown on his head, saying: ‘Recognize, Realize the Highest.’ And the power of imaginative thought enters the Youth. At this instant he is spiritualized, he gains his spirit and may be united with the Beautiful Lily. We are then also told that everything is made young.

What is still specially significant is the part played by the Giant, who has no strength in himself, but in his shadow. He staggers clumsily over the bridge and the King is indignant about it. But it turns out that the Giant's coming has a good meaning. Like the pointer of a great Sun-dial, he is held fast in the middle of the Temple Court. We see what strength we find in the Sun-dial, in the Giant pointing to and harmonizing Time, and we see how the bridge leading to the Temple across the River is made out of the Snake's body. We see also that not only pedestrians, but carts, horsemen and herds can cross to and fro. We are shown how the Youth, on being united with the Beautiful Lily, regains the strength of which her touch had deprived him, how he may now come near to her and embrace her and how happy and blessed they both are.

Who would not say, when he studies the scenes of the fairy tale: ‘These are riddles!’ For the moment we can get only a slight idea of what there is in this legend. But if we proceed historically, if we consider that it arose in the middle of the year 1800 at the beginning of his friendship with Schiller and what took place between Goethe and Schiller, we shall understand what Goethe set out to do in this story.

To this period belongs the production of a work, the fruit of a study of Goethe's world-conception, which became deeply important for the education and cultivation of German spiritual life; Schiller's letters on ‘The Æsthetic Education of Man.’ We can only outline Schiller's intentions in these letters.

He asks himself the question how man can succeed in developing his powers higher and higher, so that he can, in a free and perfectly human manner, penetrate the secrets of the world. This work is written in letter-form to the Duke of Augustenburg, and Schiller wrote this significant sentence in it: ‘Every individual human being, one may say, carries in him according to inclination and his destiny, a pure, ideal person, to find agreement with whose unchangeable unity in all its variations is the great task of his existence.’ And then Schiller tries to examine the means whereby man has to develop himself upwards to the higher stages of human existence.

There are two things that chain man and prevent a free view of the secrets of existence. One is the control by the senses, and the other is the insufficient development of the Reason. And Schiller explains these things thus: Take a person who is unaware of the compelling, logical part of concepts, or even the concept of duty, and follows only his inclinations and instincts. He cannot freely develop the powers of his nature, he is caught in the slavery of impulses, desires and instincts; he is unfree. But he also is not free who struggles with his desires, impulses and instincts, and follows only a purely conceptual and logical necessity of reason. Such a person becomes the slave either of the necessity of nature or the necessity of reason.

By what means can a man develop his inner powers? Schiller answers that he must develop his inner, divine states, strive to cleanse and purify them and make them correspond with what we call logic. When his impulses and instincts are purified so that he does willingly what he considers his duty, when the necessity of reason is no longer felt as compelling, then a man will act reasonably from force of habit, for then reason has led him down to the senses and the senses led him up again to reason.

Consider a man looking at a work of art. He sees something of the senses: but through every sense organ there is revealed to him something spiritual, for in the physical is expressed the spiritual which the artist has put into his work. Spirit and physical senses in the contemplation of beauty—these become the intermediaries. So art, life in beauty, becomes for Schiller a great means of education, a means of aesthetic education, a freeing of nature, so that it can unfold its own powers.

How, therefore, does a man develop himself in Schiller's sense? He must guide his nature down so that it proves true in physical nature, and train the sense up, so that it prove true in rational nature. Goethe uttered wonderful words concerning these letters: ‘Their effect on me is to show what I always lived or wished to live.’

It can be proved that Goethe was stimulated to write his fairy tale by Schiller's words in his aesthetic letters. Goethe expresses the same thing in it, in his own way. He did not wish to express the riddles of the soul in abstract ideas. For him they were too rich and too important to be grasped by natural necessity and in logic. Hence the need grew up in him to personify the different powers of the soul in the figures of his story. Goethe answers Schiller's question in this story and we shall see how wonderfully his psychology is revealed in it. We see in the presentation of the Will-o'-the-Wisps how the soul is always taking in and giving out, how certain powers are personified in the Snake, which works only on the ground like human research, human reason, and experience, which remain in the horizontal plane, while the idealist climbs to the heights. The power of the religious mood is characterized in the Old Man with the Lamp, and finally we see by means of the narrative events how Goethe shows the way in which each soul-power must work.

We shall see the day after tomorrow that Goethe shows how each soul-power must work together with the others, in order to formulate a complete picture of the soul, so that it can develop itself to human perfection, embracing all things. When man tries to grasp knowledge, but is immature, he is killed, like the Youth. There is such a thing as maturing towards knowledge. In the ‘Fairy Tale’ Goethe presents the evolution of the soul in a correct and pictorial way, by creating a parallel work to Schiller's ‘Æsthetic Letters.’ Goethe was aware that there is a goal for the development of the human soul, which in ancient times was called the ‘initiation into higher secrets.’ He knew such a thing is possible and that there are societies which develop the soul in secret places, in the Temples of Initiation. He shows also that humanity in the newer age must make it more and more possible to attain this Initiation, to develop the soul, and in larger spheres. He shows in the events that take place between the separate people, the progress of initiation up to the highest stages, to the point where the soul is capable of grasping the highest secrets. This is viewed exoterically, and purely historically.

By living with Goethe, Schiller experienced what Goethe had done in one of the most important periods of his life. And if Schiller had some difficulty in understanding Goethe, we must admit that what one said in an abstract answer in the Æsthetic Letters, and what the other had to say in a much more comprehensive way, in a way which is attained only by expressing oneself in scenes and persons, is one and the same thing. The Fairy Tale is Goethe-psychology in the deepest sense. We see that Goethe has become so fruitful through this method of his aspiration, that we still gladly take him as guide to-day. He still seems to us a man of the present. We read him as a writer of our time. He is so fruitful, because he has so much that belongs to all time in his work and his whole method. Thus his influence is consistent with that truth which he himself considered the real one, and he once uttered significant words when he said: ‘That which is fruitful alone is true.’

The meaning is that man must acquire such truths that when he enters upon life, they find confirmation by proving themselves fruitful. That was his criterion of truth: ‘That which is fruitful alone is true.’

These addresses, which are meant to bring Goethe nearer, ought to show us that he tested this saying himself, and those who go deeper into him will feel this. You will feel that there is something of genuine truth in Goethe, for he is fruitful, and what is fruitful is true.

The objection might easily be raised to an address such as this to-day that symbolic and allegoric meanings are forced out of something which a poet has created in the free play of his imaginative fancy. The day before yesterday we set ourselves the task to explore the deeper meaning of Goethe's ‘Fairy Tale of the Green Snake and the Beautiful Lily,’ as it was then presented to our eyes. It will always happen that such an analysis or explanation of a work of fantasy will be turned down with the remark: ‘Oh, all sorts of symbols and meanings with profound applications are looked for in the figures of the work.’ Therefore I want to say at once that what I shall say to-day has nothing whatever to do with the symbolic and allegoric interpretations often made by Theosophists about legends or poetic works. And because I know that again and again the objection has been made to similar explanations which I have given: ‘We are not going to be caught by such symbolic meanings of poetic figures,’ I cannot stress the fact sufficiently that what is to be said here must be taken in no other sense than the following. We have before us a poetic work, a work of comprehensive imaginative power or fantasy, that goes to the depths of things: ‘The Fairy Tale of the Green Snake and the Beautiful Lily.’ We may well be allowed the question, whether we may approach the work from any particular point of view, and attempt to find the basic idea, the true content of this so poetic a product.

We see the plant before us. Man goes to it and examines the laws, the inner regularity, by which the plant grows and flourishes, by which it unfolds its nature bit by bit. Has the botanist, or even someone who is no botanist, but arranges the growth of the plant in his imagination, the right to do it? Can one object: the plant knows nothing of the laws you are discovering, the laws of its growth and development! This objection against the botanist or the lyric poet who expresses the sensations derived from the plant in his poetry would have the same weight as the objection one could bring against such an explanation of Goethe's story. I do not want things to be taken as if I were to say to you: There we have a Snake, which means this or that, there we have a Golden, a Silver, and a Brazen King, who stand for this or that. I do not intend to expound the story in this symbolic, allegoric sense, but more in such a way that as the plant grows according to laws of which it is itself unconscious, and as the botanist has the right to discover these laws of its growth, one must also say to oneself that it does not follow that the poet Goethe was consciously aware of the explanations which I shall give you. For it is as true that we must consider the inevitability, and the true ideal content of the story as it is that we discover the laws of the plant's growth; that the plant grows in accordance with the same inevitability which originated it, though it is itself unconscious of it.

So I ask you to take what I shall say as if it presented the sense and the spirit of Goethe's methods of thought and idea-conception and as if he who, as it were, feels himself called upon to put before you the ideal philosophy of Goethe, were justified—that you might find a way to it—in expounding the product of Goethe's invention, in emphasizing the figures, and in pointing out their correlation—just as the botanist demonstrates that the plant grows in accordance with laws he has discovered.

Goethe's psychology or soul-philosophy, namely, what he considers determinative for the nature of the soul, is illustrated in his beautiful Fairy Story of the Green Snake and the Beautiful Lily; and if we are to understand each other in what I have to say it will be a good thing if, in a preliminary study, we make the spirit of his soul-world clear. It has been already pointed out in the previous address that the world-conception represented here starts from the view that human knowledge is not to be looked upon as something stationary once for all. The view is widely held that man is as he is to-day, and being what he is he can give unequivocal judgment on all things; he observes the world with his sense-organs, takes in its phenomena, combines them with his reason, which is bound to his senses, and the result is an absolute knowledge of the world which must be valid for all. On the other side—but only in a certain way—stands the spiritual scientific world-conception which is represented here. This starts from the premise that what is to become our knowledge is continually dependent on our organs and our capacity for knowledge and that we ourselves are, as men, capable of development; that we can work on ourselves, and raise higher such capabilities as we have on a given level of existence. It holds that we can educate them, and they can be developed still further, even as man has developed himself from an imperfect state to his present position, and that we must come to a deeper penetration of things, and a more correct view of the world by rising to higher standards. To put it more clearly, if also more trivially: if we leave out altogether a development of humanity and look only at people as they are around us; and then turn our eyes on those men whom one reckons as belonging to primitive races in the history of civilization, and if we ask ourselves what they can know of the laws of the world around us and compare it with what an average European with some ideas of science can know of the world, we shall see there is a great difference between the two. Take, for instance, an African negro's picture of the world and that, let us say, of an European monist, who has a sense of reality through having absorbed a number of the scientific ideas of the present age: the two are entirely dissimilar.

But on the other hand Spiritual Science is far from depreciating the world-picture of the man who takes his stand on pure materialism, and from declaring it invalid. It is more true to say that in these things it is considered that in every case a man's world-picture corresponds to a stage in human evolution, and that man is able to increase the capabilities in him and to discover by means of the increase other new things.

It lies thus in the purview of Spiritual Science that man reaches ever higher knowledge by developing himself, and what he experiences in the process is objective world-content, which he did not see before because he was not capable of seeing it. Spiritual Science is therefore different from other one-sided world-conceptions, whether spiritualistic, or materialistic, because it does not recognize an absolute, unchangeable truth, but only a wisdom and truth belonging to a given stage of evolution. Thus it adheres to Goethe's saying: ‘Man has really always only his own truth, and it is always the same.’ It is always the same because what we instil into ourselves through our power of learning, viz., the objective, is the same.

Now how does man succeed in developing the capabilities and powers that lie in him? One may say that Spiritual Science is as old as human thought. It always took the view that man has before him the ideal of a certain knowledge-perfection, the object of his aspiration. The principle contained in this was always called the ‘principle of initiation.’ This initiation means nothing other than increasing the powers of man to ever higher stages of knowledge, and thereby attaining deeper insight into the nature of the world around him. Goethe stood completely and all his life long, one may say, on this principle of development towards knowledge, this principle of initiation; which is shown us most particularly in his Fairy Tale.

We shall understand each other most easily if we proceed from the view which is held most often and most widely to-day, and which is to a certain extent in opposition to the initiation-principle.

To-day one can hear in the widest circles those people who think about such things and believe themselves to have an opinion on them representing, more or less consciously, the point of view that in what concerns truth and objective reality only physical observation, or objects of physical observation can be decisive in formulating ideas. You will constantly hear it: that alone can be Science which is based on the objective foundation of observation, and by this one understands so frequently is meant only the observation of the senses and the application of the human reason and capacity to formulate thoughts to these sense-observations. Every one of you knows that the capacity to formulate ideas and concepts is a capacity of the human soul among other capacities and every one of you also knows that these other capacities of the soul are our feeling and our will. Thus, even with this comparative superficial review, we may say: man is not merely an ideating, but also a feeling and willing being. Now those who think they must put forward the purely scientific point of view will always repeat: in science, only the power of thought may enter, never human feeling, never what we know as will-impulses, for otherwise that which is objective would become clouded, and that which the power of thought might achieve by being kept impersonal, would only be prejudiced.

It is correct enough that when a man introduces his feeling, his sympathy or antipathy, into the object of a scientific enquiry, he finds it repulsive or attractive, sympathetic or antipathetic. And where should we be if he were to consider his desire as a source of knowledge, so that he could say about a thing, I want it or I do not want it? Whether it displeases or pleases you, whether you desire it or not, is entirely the same to the thing. As true as it is that he who believes himself able to stand on the firm ground of science can confine himself only to externals, so true it is that the thing itself compels you to say it is red, and that the impression you get concerning the nature of a stone is the correct one. But it does not lie in the nature of the thing that it appears to you ugly or beautiful, that you desire it or not. That it appears to you red has an objective reason; that you do not desire it has no objective reason.

In a certain respect modern psychology has got beyond the point of view just described. It is not my task here to speak for or against that tendency of modern psychology which says: ‘When we consider psychic phenomena and the soul-life, we must not confine ourselves only to intellectualism, we must regard man not merely in what concerns the power of conception, we must also consider the influences of the world of feeling and will.’ Perhaps some of you know that this belongs to Wundt's system of philosophy, which takes the will to be the origin of soul-activity. In a way that is in some respects fundamental, whether one agrees with it or not, the Russian psychologist Losski has pointed out the control of the will in human soul-life, in his last book called ‘Intuitivism.’ I could say much to you if I wanted to show how concerned the theory of the soul is to overcome the one-sidedness of intellectualism, and if further, I wanted to show you that the other powers also play a part in human soul-power.

If you carry the thought a step further, you will be able to say that this shows how impossible the demand is that the power of formulating ideas, limited as it is to observation, may lead to objective results in science. When science itself shows its impossibility, shows that everywhere Will plays a part, on what grounds would you then establish the purely objective observation of anything? Because you prefer to recognize only matter as objective, subject as you are to the tricks played by the will and your habits of thought, and because you have not the habit of thought and feeling to recognize also the spiritual element in things, therefore you omit the latter altogether in your theories. It is not a question, if we want to understand the world, of what kind of abstract ideals we set before us, but of what we can accomplish in our souls.

Goethe belongs to those people who reject the principle most categorically that knowledge is produced only through the thinking capacity, the one-sided capacity to form ideas. The prominent and significant principle expressed more or less clearly in Goethe's nature is that he considers that all the powers of the human soul must function if man is to unravel the riddles of the world.

Now we must not be one-sided and unjust. It is quite correct, when the objection is raised that feeling and will are qualities subjected to the personal characteristics of a man, and when it is asked where we should come to if not only what the eyes see and the microscope shows, but also what feeling and will dictate were considered as attributes of things! All the same that is just what we have to say in order to understand someone who, like Goethe, stands for the principle of initiation and development, namely, that, given the average feeling and will in man to-day, they cannot be applied to the acquirement of knowledge, that, in fact they would lead only to an absolute disharmony in their knowledge. One man wants this, the other that, according to the subjective needs of feeling and will. But the man who stands on the ground of initiation is also quite clear that of the powers of the human soul—thinking, representation, feeling, will—the capacity to construct thoughts and to think has advanced furthest, and is most inclined and adapted to exclude the personal element and to attain objectivity. For that soul-power which is expressed in intellectualism is now so advanced that when men rely upon it, they quarrel least, and agree most in what they say. Feeling and will have not had the chance of being developed to this point. We can also justifiably find differences when we examine the region of ideas and their representation. There are regions of the idea-life which give us completely objective truths, which men have recognized as such, quite apart from external experience, and these truths are the same if a million people differ in their opinions about them. If you have experienced in yourself the reasons for it, you are able to assert the truth even if a million people think otherwise. For instance, everyone can find such truths confirmed as those dealing with numbers and space dimension. Everyone can understand that 3 x 3 = 9, and it is so, even if a million people contradict it. Why is this the case? Because regarding such truths such as mathematical truths, most people have succeeded in suppressing their preference and their aversion, their sympathy and their antipathy, in short, the personal factor, and letting the matter speak for itself. This exclusion of the personal in the case of thought and the capacity to formulate ideas has always been called the ‘purification’ of the human soul, and considered the first stage on the way to initiation, or, as one might also say, on the way to higher knowledge.

The man who is versed in these things says to himself: It is not only with regard to feeling and the will that people are not yet so far that nothing personal enters into it, and that they can verify objectivity, but also with regard to thought the majority are not yet so far as to be able to give themselves up purely to what the things, the ideas of the things themselves say to him, as everyone can in mathematics. But there are methods of purifying thought to such a point that we no longer think personally, but let the thoughts in us think, as we let mathematical thought do. Thus, when we have cleansed thought from the influences of personality, we speak of purification or catharsis, as it was called in the old Eleusinian mysteries. Hence man must reach the point of purifying his thinking, which then enables him to comprehend things with objective thought.

Now, just as this is possible, so is it also possible to eliminate all the personal factor from feeling, so that the appeal of things to the feelings has no longer any say, to the Personal, or to Sympathy and Antipathy; nothing but the nature of the thing is evoked, in so far as it cannot speak to mere concept capacity. Experiences in our souls which have their roots or origin in our feelings, and which therefore lead to inner knowledge, and lead deeper into the nature of a thing, speaking however to other sides of the soul than mere intellectualism, can be purified of the personal element as well as thought, so that feeling can transmit the same objectivity as thought can. This cleansing or development of the feelings is called in all esoteric doctrine ‘enlightenment.’ Every man capable of development, and striving after it in no casual way, (that lies in intention of the personality) must take pains to be stirred only by what lies in the nature of the thing. When he has reached the point where the thing rouses in him neither sympathy nor antipathy, where he allows only the nature of things to speak, so that he says: whatever sympathies or antipathies I have are immaterial and are not to be taken into consideration, then it lies in the nature of the thing that the thought and action of the man assume this or that direction—then it is a declaration of the innermost nature of the thing. In esoteric doctrine this development of the will has been called ‘consummation.’

If a man takes his stand on the ground of spiritual science, he says to himself: ‘If I have a thing in front of me, there is in it a spiritual element, and I can so stimulate my mode of conception, that the essence of the thing is represented objectively through my concepts and ideas. Hence there is present in me the same thing that works externally, and I have recognized the essence of the thing through my mode of conception. But what I have recognized is only a part of the essence.’ There exists in things something which can speak not to thought at all, but only to feeling, and indeed only to purified feeling or to feeling which has become objective. The man who has not yet developed in himself by this cultivation of the feelings such a part of the essence, cannot recognize the essence along these lines. But for the man who says to himself that feeling as well as the capacity to think can provide a basis of knowledge (not the feeling as it is, but as it can become by means of well-founded methods of the teaching of cognition) for such a man it becomes gradually clear that there are things deeper than thought possibilities, things which speak to one's soul and the feelings. There are also things which reach even down to the will.

Now Goethe was particularly convinced that this really is the case, and that man really has in him these possibilities of development. He stood firmly on the ground of the principle of initiation, and he has shown us the initiation of man through the development of his soul and the development of the three powers of will, feeling and thought by representing them in his Fairy Tale.

The Golden King represents the initiation for the thought-capacity, the Silver King represents the initiation with knowledge capacity of objective feeling, and the Brazen King the initiation for knowledge capacity of the will. Goethe has emphasized that man must overcome certain things if he wishes to receive these three gifts. The Youth in the story represents man in his struggle for the highest. As Schiller in his Æsthetic Letters depicts man's aspiration towards complete humanity, so Goethe depicts in the Youth man's aspiration for the highest, wanting straight away to reach the Beautiful Lily, and attaining then inner human perfection, given him by the three Kings.

How that happens is pointed out in the course of the story. You remember that in the subterranean Temple, into which the Snake looks because of the earth's power of crystallization, one King was in each of the four corners. In the first was the Golden, in the second the Silver, in the third the Brazen King. In the fourth was the King who was a mixture of the other three metals, in whom, therefore, the three composite parts were so welded that one could not distinguish them. In this fourth King, Goethe depicts for us the representative of that stage of human development in which will, thought and feeling are mixed together. In other words he stands for that human soul which is governed by will, thought and feeling, because it is itself not master of these three capacities. On the other hand in the Youth, after he receives the three gifts from the three Kings separately, so that they are no longer chaotically mixed, that stage of knowledge is represented which does not allow itself to be ruled by thought, feeling and will, but which, on the contrary, rules over them. Man is ruled by them as long as they flow chaotically and intermingled in him, as long as they are not pure and independent in his soul. Until man has reached this separation, he is not capable of being effective through his three knowledge-capacities. When he has reached this point, however, he is no longer the subject of Chaos, but on the contrary himself controls his thought, his feeling and his will, when each is as pure and unalloyed as the metal of the respective Kings: his mode of Conception, pure as the Golden King (for nothing is mixed in him); his mode of Feeling, where nothing is added or mixed, but pure as the Silver King; and so too the Will, pure as the brass of the Brazen King; Concepts and Feelings no longer govern him, for he stands, in his nature, free; he is capable, in a word, of comprehension by means of thought, of feeling and will as required, making use of each separately. He can grasp according to necessity and the nature of things either by means of thinking, feeling or willing. Then he has advanced so far that the whole pure knowledge-capacity which we see in thought, feeling and will, leads him to a deeper insight, and he really steeps himself in the current of events, in the inner nature of things. Of course only experience can teach that this is possible.

Now it will not be difficult to agree, after what I said just now, that if Goethe makes the Youth represent striving mankind, we may see in the Beautiful Lily another soul-condition, namely, that soul-condition which man attains when the beings lying in things spring forth in the soul, and he thereby raises his existence by blending the things in himself with the nature of things in the external world. What man experiences in his soul by growing out of himself, by becoming master of the powers of the soul, victor over the chaos in his soul; what man then experiences, that inner blessedness, that unity with things; their awakening in him, is shown us by Goethe in his representation of the union with the Beautiful Lily. Beauty here is not merely aesthetic beauty, but a quality of man brought to a certain stage of perfection. So that we shall also now find it easy to understand why Goethe makes the Youth proceed in his effort to reach the Beautiful Lily, in such a way that all his powers at first disappear. Why is this?

We understand Goethe's presentation of such a scene if we hold fast to a thought he once expressed: ‘Everything which gives us mastery over ourselves without liberating us, leads us into error.’ Man must first be free, he must reach the point of being master of his inner soul-powers, and then he can attain union with the highest soul-condition, with the Beautiful Lily. But if he sets out to attain it unprepared, with still immature powers, they are lost and his soul is shrivelled. Hence Goethe points out that the Youth seeks this liberation which will make him captain of his soul. The moment his soul-powers are no longer chaotic, but are purified, cleansed and ordered, he is ready to reach that condition of soul which is symbolized by his union with the Beautiful Lily.

So we see that Goethe constructs these figures in free creative fantasy, and if we look upon them as representing soul-powers, we see that they permeate and work in his whole soul. If we look upon them like this, if we are as sensitive to these figures as in a way Goethe was—Goethe who unlike a second-rate didactic poet was not content to say what this or that soul-quality meant, but used it to express what he felt himself, then we shall realize what is expressed in these poetic figures. And therefore the various figures stand in the same personal relationship to each other as the soul-powers of a man stand to each other.

It cannot be clearly enough insisted upon that there is no question of the characters meaning this or that. That is certainly not the case. Rather is it that Goethe felt this or that in this or that soul-activity and transformed his feelings in connection with one or the other soul-activity into one or the other figures.

Thus he created the sequence of the story's events, which is still more important than the figures themselves. We see the Will-o'-the-Wisps and the Green Snake, and that the former cross over from the other side of the river and reveal quite peculiar qualities. They absorb the gold greedily, even lick it from the walls of the Old Man's room, and then throw it about prodigally. The same gold which in the Will-o'-the-Wisps is a sign of worthlessness, as we are also shown by the fact that the Ferryman has to refuse it—otherwise the river would surge up¹—the Ferryman may take only fruits in payment—this gold—what effect does it have in the body of the Green Snake? The Snake, after taking it, becomes internally luminous! And the plants and other things round her are also lit up because she takes into herself what in the case of the Will-o'-the-Wisps is a symbol of worthlessness.

But a certain importance is ascribed even to them. You know that the Old Man at the critical moment calls upon the Will-o'-the-Wisps to open the Temple gates, so that the whole train can enter in. Precisely the same thing which happens here in the case of the Green Snake, is to be found in the human soul, a thing we came across particularly clearly two days ago in the conversation between Goethe and Schiller. We saw that Schiller, as he spoke with Goethe about the way in which nature should be regarded, was still of the opinion that the drawing with a few strokes by Goethe of the proto-plant was an idea, an abstraction, which one receives when one omits the differentiating features and puts together the common ones. And we saw that Goethe thereupon said that if that was an idea, then he saw his ideas with his eyes. At this moment there were two quite different realities in opposition. Schiller trained himself completely to take Goethe's way of looking at things; so that it shows no lack of honour to Schiller if he is taken as an example of that human soul which moves in abstractions, and preferably in those ideas of things which are comprehended by the mere reason. That is a particular inclination of the soul, which, if a man wishes to attain a higher development, can, in certain circumstances, play a very dangerous part.

There are people whose inclination lies in the direction of the abstract. Now when they combine this abstraction with something they come across as soul-power, this is, as a rule, the concept of unproductivity. These people are sometimes very acute, they can draw fine distinctions, and connect this or that concept wonderfully. But you also often find with such a soul-condition, that the spiritual influences, inspirations, are excluded. This soul-condition, characterized by unproductivity and abstraction, is represented to us in the Will-o'-the-Wisps. They take up the gold wherever they find it; they lack any inventive faculty, are unproductive and can grasp no ‘ideas.’ These ideas are alien to them. They have not the will unselfishly to yield themselves up to things, or to stick to facts or to use concepts only as far as they are interpreters of facts. All they care about is to stuff their reasons full of concepts, and then scatter them about prodigally. They are like a man who goes to libraries, collects wisdom there, and takes it in and then gives it out again correspondingly. These Will-o'-the-Wisps are typical of that soul-capacity which is never able to grasp a single literary thought, or feeling, but which can nevertheless grasp in beautiful forms what creative spirits have produced in literature. I do not mean to say anything against this kind of soul. If a man did not have it nor cultivated it when he was insufficiently endowed with it, he would lack something which must be present when it comes to the real capacity for knowledge. In his picture of the Will-o'-the-Wisps, in the whole circumstances in which they appear and act, Goethe shows the manner in which such a soul-type functions, in relation to other soul-types, how it harms and benefits. In truth, if someone wanted to climb to higher stages of knowledge and had not this faculty of soul, there would not be the means to open the Temple for him. Goethe shows the advantages equally with the drawbacks of this soul-condition. What he gives us in the Will-o'-the-Wisps represents a soul-element. The moment it wants to lead an independent life in one direction or another, it becomes harmful. This abstraction leads to a critical faculty which makes men learn everything indeed, but incapable of further development, because the productive element is missing in them. But Goethe also clearly shows how far there is value in what the Will-o'-the-Wisps represent. What they contain can become something valuable; in the Snake the Will-o'-the-Wisps' gold turns to something valuable in so far as she illumines the objects round about her.

What lives in the Will-o'-the-Wisps, when worked out in another way, will become extremely fruitful in the human soul. When man strives so to regard his experiences of concepts and ideas and ideal creations not as something abstract in themselves, but as capable of leading to and interpreting the realities round him, so that he thinks as selflessly and willingly of his observations as of the abstract quality of the concepts, then he is as regards this soul-power in the same position as the Green Snake: then he can produce light and wisdom out of the purely abstract concepts. Then he is not brought to be in the vertical line which loses all connection and relation to the horizontal plane. The Will-o'-the-Wisps are the Snake's relatives, but of the vertical line. The gold-pieces fall through the rocks, are absorbed by the Snake which thereby becomes inwardly luminous. He who approaches the things themselves with these concepts absorbs wisdom.

Goethe gives us also an example of how one is to work on the conceptions (Begriffe). He has the conception of the proto-plant. Primarily it is an abstract conception, which, were it worked out in the abstract, would become an empty picture, killing all life, as the gold, thrown down by the Will-o'-the-Wisps, killed the Pug-dog. But just think what Goethe does with the conception of the proto-plant. If we follow him on his Italian journey, we see that this conception is only the ‘leit-motif’ going from plant to plant, from being to being. He takes the conception, goes from it over to the plant, and sees how this is made in one or another shape, taking on quite different shapes, in lower or higher places, and so on. Now he follows from step to step how the spiritual reality or form creeps into every physical form. He himself creeps about like the Snake in the crevices of the earth. Thus for Goethe the conception-world is nothing else but that which can be spun into objective reality. The Snake for him is the representative of that soul-power which does not struggle upward selfishly to higher regions of existence in an attempt to raise itself above everything, but which continually and patiently lets the conception be verified by observation, patiently goes from experience to experience. When man not merely theorizes, not merely lives in the conceptions, but applies them to life and experience, then he is as far as this soul-power is concerned, in the position of the Snake. This is so in a very wide sense. He who takes philosophy not as a theory, but as what it is meant to be, he who regards the conceptions of spiritual science as exercises for life, knows that just such conceptions, even the highest, are meant to be applied in such a way that they merge into life and are verified by daily experience. The man who has learnt a few conceptions but is incapable of applying them to life is like a man who has learned a cooking-book by heart, but cannot cook. As the gold is a means to throw light on things, so Goethe illuminates the things round him by means of his ideas.

This is the instructive and grand thing about Goethe's attitude to Science, and his every effort, that his ideas and conceptions have reality and have the effect of lighting up all objects round him. The day before yesterday special importance was laid on the universality in Goethe which gives the reason why we never have the feeling: that is Goethe's ‘meaning.’ He stands there, and when we see him, we find only that we understand things better which before were not so clear. For this reason he was capable of becoming the point of agreement between two hostile brethren, as we saw the day before yesterday.

If we wanted to discuss every feature in this fairy tale and characterize every figure in it, I should have to speak not for three hours but for three weeks on it. So I can give you only the deeper principles contained in the story. But every feature shows us something of Goethe's method of thought and his opinion of the world.

Those soul-powers which are represented in the Will-o'-the-Wisps, in the Green Snake and in the Kings, are on one side of the River. On the other side lives the Beautiful Lily, the ideal of perfect knowledge and perfect life and work. We heard from the Ferryman that he can bring the people (gestalten, forms) from the other side to this, but can take no one back again. Let us apply this to our whole soul-mood or soul-condition and our improvement.

We find ourselves on earth as beings with souls. These or the other soul-capacities work upon us as talents, as more or less developed soul-powers. They are in us; but we have also something else in us. In us human beings if we take ourselves properly there is the feeling, the knowledge that the powers of our soul, which finally interpret the nature of things to us, are closely related to the elemental spirits (grundgeister) of the world, with the Creative, Spiritual forces. The longing for these creative forces is the longing for the Beautiful Lily. Thus we know that everything derived on one hand from the Beautiful Lily, strives on the other to return to her. Unknown forces unmastered by us have brought us from the world on the other side over the river-boundary to this side. But these forces, characterized by the Ferryman, and working in the depths of unconscious nature, cannot take us back again, for otherwise man would return, without his work and co-operation, to the kingdom of the divine, precisely as he came over. The forces which as unconscious nature-forces have brought us over into the kingdom of struggling humanity, may not lead us back again. For this other forces are required; and Goethe is aware of it. But he wants to show also how man must set about being able to re-unite with the Beautiful Lily. There are two ways. One leads over the Green Snake; we can cross by it and gradually find the kingdom of the spirit. The other way goes across the Giant's shadow. We are shown that the Giant, otherwise without strength, stretches out his hand at dusk, and its shadow falls across the River. The second road leads over this shadow. Whoever wishes therefore to cross by clear daylight to the kingdom of the spirit must use the way provided by the Snake; and whoever wishes to cross at dusk can use the way leading across the Giant's shadow. Those are the two ways to reach a spiritual picture of the world. The man who aspires to the spiritual world—not with human concepts and ideas, not with those forces which are symbolized by the worthless gold (as spirits of bare sophistry) and the Will-o'-the-Wisps—but by proceeding patiently and selflessly from experience to experience, succeeds in reaching the other bank in full sunlight.

Goethe knows that real research does not stop at material things, but must lead over beyond the boundary; beyond the river which separates us from the spiritual. But there is another way, a way for undeveloped people, who do not want to take the road of knowledge, but a way represented by the Giant. He himself is powerless, only his shadow has a certain strength. Now what is powerless in a true sense? Take all the conditions possible to man when his consciousness is reduced, as in hypnotism, somnambulism and even dream-conditions; everything by which the clear consciousness of day is subdued, whereby man is subject to lower soul-power than in clear consciousness, belongs to this second way. Here the soul, by surrendering its ordinary daily functional power of the soul, is led into the real kingdom of the spirit. The soul, however, does not itself become capable of crossing into the spiritual kingdom, but remains unconscious and is carried across like the Shadow into the kingdom of spirit. Goethe includes in the forces represented by the Giant's shadow everything which functions unconsciously and from habit, without the soul-powers which are active during clear consciousness taking part. Schiller, who was initiated into Goethe's meaning, once, at the time of the great upheavals in Western Europe, wrote to Goethe: ‘I rejoice that you have not been roughly caught in the shadow of the giant.’ What did he mean? He meant that had Goethe travelled further West, he would have been caught in the revolutionary forces of the West.

Then we see that the objects of man's quest, the height of knowledge, is represented in the ‘Temple.’ The Temple represents a higher stage of man's evolution. Goethe nowadays would say that if the Temple is something hidden, it is under the narrow crevices of the earth. Such an aspiring soul-force as is represented in the Snake can feel the shape of the Temple only dimly. By absorbing the ideal, the gold, she can illumine this shape, but fundamentally the Temple can be there to-day only as a subterranean secret. But though Goethe leaves the Temple as something subterranean for external culture, he points out that to a further-developed man this secret must be unlocked. In this he indicates the current of Spiritual Science which to-day has already caught up wide masses of people, which in a comprehensive sense seeks to make popular the content of Spiritual Science, of the principle of initiation, and of the Temple's secret. The Youth is therefore to be regarded in this truly free Goethean sense as the representative of aspiring mankind. Therefore the Temple is to rise beyond the River, so that not only a few individuals who seek illumination can cross and re-cross, but so that all people can cross the River by the bridge. Goethe, in the Temple of Initiation above the earth puts before us a future state, which will have arrived when man can go from the kingdom of the senses into the kingdom of the spiritual, and from the kingdom of the spiritual into the kingdom of the senses.

How is this attained in the Fairy Tale? Because the real secret of it is fulfilled. The solution of the story is to be found in the story itself, says Schiller, but he has also pointed out that the word that solves it is inserted in a very remarkable way. You remember the Old Man with the Lamp, which illuminates only where there is already light? Now, who is this Old Man, and what is the Lamp? What is its curious light? The Old Man stands above the situation. His lamp has the peculiar quality of changing things, wood into silver, stone into gold. It has also the quality of shining only where there is already a receptivity, a definite kind of light. As the Old Man enters the subterranean Temple he is asked how many secrets he knows. ‘Three,’ he replies. To the Silver King's question, ‘Which is the most important,’ he answers: ‘The open one.’ And when the Brazen King asks whether he would tell it them also, he says: ‘As soon as I know the fourth.’ Whereupon the Snake whispers something in his ear and he says at once:

‘The Time is at Hand.’

The solution of the riddle is what the Snake whispered in the Old Man's ear, and we have to find out what that is. It would lead us too far to say at length what the three secrets mean. I shall only hint at it. There are three Kingdoms which in evolution are so to speak stationary: the mineral, the vegetable and the animal Kingdoms, which are completed, as compared with progressive man, who is still developing. The inner development of man is so vehement and important that it cannot be confused with the development of the other three nature kingdoms. What the secret of the Old Man contains is the fact that one Kingdom of nature has arrived at the present point of a full-stop, and this is what explains the laws of the mineral, vegetable and animal kingdoms. But now comes the fourth kingdom, that of man, the secret which is to be revealed in the human soul. The secret which the Old Man must first discover, is of this kind. And how must he discover it? He knows of what it consists, but the Snake has to tell him first. This indicates to ns that man has still to go through something special, if he wants to attain the goal of evolution as the three other kingdoms have done. What this is the Snake whispers to the Old Man. She tells how a certain soul-power must be developed, if a higher stage is to be reached; she says that she has the will to sacrifice herself for this, and she does in fact sacrifice herself. Hitherto she has made a bridge when here and there someone wished to cross; but now she will become a permanent bridge, by falling in pieces, so that man will have a lasting connection between this side and that, between the spiritual and the physical. That the Snake has the will to sacrifice herself must be taken as the condition of revealing the fourth secret. The moment the Old Man hears that the Snake will sacrifice herself, he can even say: ‘The time is at hand!’ It is that soul-power which adheres to the external. And the way to be trodden is not to make this soul-force and inner science the ultimate end but self-surrender. That really is a secret, even if it is called an ‘open secret,’ that is, when any who will can know it. What is regarded in a wide circle as end in itself—everything we can learn in natural science, in political science of civilization, in history, in mathematics and all other sciences can never be an absolute end. We can never come to a true insight into the depths of the world, if we consider them as ends in themselves. Only if we are at all times ready to absorb them and regard them as means, which we offer as a bridge to let us cross over, do we come to real knowledge. We bar ourselves off from the higher, true knowledge unless we are also ready to sacrifice ourselves. Man will get an idea of what initiation is only when he ceases to carve for himself a world-conception out of external-physical concepts. He must be all feeling, with all-attuned soul, such a soul as Goethe describes in his ‘Westöstlichen Divan’ as the highest acquisition of man:

‘And so long thou hast not this, Death and Birth!
Thou art but a sorry guest, on this dark Earth.’

Death and Birth! Learn to know what life can offer, go through with it, but surpass, transcend yourself. Let it become a bridge for you, and you will wake up in a higher life and be one with the essence of things, when you no longer live in the illusion that, cut off from the higher ego, you can exhaust the essence of things. When Goethe speaks of the sacrifice of the idea and the soul-material, in order to acquire new life in higher spheres, and of the deepest inner love, he likes to think of the words of the mystic Jacob Böhme, who knows from experience this self-surrender of the Snake. Perhaps Jacob Böhme has pointed out just this to him and made it so clear to him that a man can live, even in the physical body, in a world which otherwise he would tread only after death, in the world of the eternal, the spiritual. Jacob Böhme knew also that it depends on the man, whether he can, in the higher sense, slide over into the spiritual world. He shows it in the saying: ‘Who dies not before he dies, is ruined when he dies.’ A significant saying! Man, who does not die before he dies, that is, who does not develop in himself the eternal, the inner kernel of being, will not be in a position, when he dies, to find again the spiritual kernel in himself. The eternal is in us. We must develop it in the body, so that we may find it outside the body. ‘Who dies not before he dies, is ruined when he dies.’ So it is also with the other sentence: ‘And so death is the root of all life.’

Thus we see that the things of the soul can only illumine a place where light already is: the Lamp of the Old Man can only shine where there is already light. Once more our attention is directed to those special soul-powers, of devotion and religious self-surrender, which for hundreds and thousands of years have brought the message of spiritual worlds to those who could not seek the light by way of Science or otherwise. The light of the different religious revelations is represented in the Old Man, who has this light. But to him who does not bring an inner light to meet the sense of religion, the Lamp of Religion gives no light. It can shine only where light already is and meets it. It is the Lamp which has transfigured man, which has led all mortality across to a life of soul.

And then we see that the two Kingdoms are united through the Snake's sacrifice. After it goes, so to say, through incidents symbolic of what man has to go through in his higher development in an esoteric sense, we see how the Temple of Knowledge is brought by means of all the three human soul-powers across the river, how it rises and each soul-power performs its service. This is meant to show that the soul-powers must be in harmony, since we are told: the single personality can achieve nothing; but when all work together at a favourable moment, when the strong and the weak co-operate in the right relationship, then the soul can acquire the ability to reach the highest state, the union with the Beautiful Lily. Then the Temple moves out of the hidden crevices up to the surface for all who strive in truth after knowledge and wisdom. The Youth is endowed with the knowledge-powers of thought by the Golden King: ‘Know and recognize the highest.’ He is endowed with the knowledge-powers of feeling by the Silver King, which Goethe expresses beautifully with the words: ‘Tend the sheep!’

In feeling are rooted art and religion, and for Goethe both were a unity—already at the time when he wrote on his Italian journey concerning Italy's works of art: ‘There is necessity, there is God!’

But there is also the doing—when man does not apply it to the struggle for existence, but when he makes it into a weapon for gaining beauty and wisdom. This is contained in the words spoken by the Brazen King to the Youth: ‘The Sword in the left hand, the right free!’ There is a whole world in these words. The right hand free to work the self out of human nature.

And what happens with the Fourth King, in whom all three elements are mingled together? This mixed King melts into a grotesque figure. The Will-o'-the-Wisps come and lick what gold there is off him: man's soul-powers here still want to examine what sort of stages of human development, now overcome, there once were.

Let us take yet another feature: namely, when the Giant comes staggering in and then stands there like a statue, pointing to the hours: when man has brought his life into harmony, then the subordinate has a meaning for what is intended to be methodical order. It ought to express itself like a habit. The unconscious itself will then receive a valuable meaning. Hence the Giant is depicted like a clock.

The Old Man with the Lamp is married to the Old Woman. This Old Woman represents to us nothing else but the healthy, understanding human soul-power, which does not penetrate into high regions of spiritual abstractions, but which handles everything healthily and practically, as, for instance, in religion, represented by the Old Man with the Lamp. She is the one to bring the Ferryman his pay: three heads of cabbage, three onions and three artichokes. Such a stage of development has not passed beyond the contemporary. That she is so treated by the Will-o'-the-Wisps is no doubt a reflected picture of how abstract minds look down with a certain amount of scorn on people who take things in directly by instinct or intuition.

Every point, every turn of this story is of deep significance, and if we enter into one more explanation, it must be of an esoteric kind, and you will find that one can really only give the method of explanation. Bury yourselves in the story, and you will discover that a whole world is to be found there, very much more than it has been possible to indicate to-day.

I should like to show you in two examples how much Goethe's spiritual world-view runs through his whole life, how in things of spiritual knowledge he stands in agreement in extreme old age with what he had written earlier.

While Goethe wrote ‘Faust’ he adopted a certain attitude which harks back to a symbol of a deeper evolution-path of nature. When Faust speaks of his father, who was an alchemist, and had taken over the old doctrines credulously, but had misunderstood them, he says that his father also made

‘... a Lion red, a wooer daring, Within the Lily's tepid bath espoused.’

Faust I, Scene II, p. 32.

That is what Faust says, without knowing its significance. But such a saying can become a ladder leading to high stages of development. In the Fairy Tale Goethe shows in the Youth the human being striving for the highest bride, and that with which he is to be united he calls the Beautiful Lily. You notice this Lily is to be found already in the first parts of ‘Faust.’

And, again, the very nerve of Goethe's philosophy which found expression in his Fairy Tale, is to be found also in ‘Faust:’ in Part II, in the Mystic Chorus, where Faust confronts the entry into the spiritual world, where Goethe sets down his avowal of a spiritual world-conception in monumental words. He shows there how the ascent on the road of knowledge follows in three successive stages, namely, the purification of the thought, the illumination of feeling and the working out of will. What man attains through the purification of the thought leads him to recognize the spiritual behind everything. The physical becomes a symbol of the spiritual. He goes deeper still, in order to grasp what is unattainable to thought. He then reaches a state at which he no longer regards things by means of thought, but is directed into the thing itself, where the essence of it, and what one cannot describe become accomplished fact. And that which one cannot describe, that which, as you will hear in the course of the winter addresses, must be thought of in another way, that whereby one must advance to the secrets of the will, he labels simply ‘the indescribable.’ When man has completed the threefold road through thought, feeling and will, he is united with what is called ‘eternal womanhood’ in the Chorus Mysticus, the goal of the human soul's development, the ‘Beautiful Lily’ of the Fairy Tale.

Thus we see that Goethe utters his deepest conviction, his secret revelation there also, where he brings his great confessional poem to an end, after rising up through thought and feeling and will to union with the Beautiful Lily, up to that state which finds its expression in the passage of the Chorus Mysticus, which expresses the same thing as Goethe's philosophy and spiritual science, as well as the Fairy Tale:

‘All things transitory
But as symbols are sent:
Earth's insufficiency
Here grows to Event:
The Indescribable,
Here it is done:
The Woman-Soul leadeth us
Upward and on!’

• 1. and the waves rear up like horses—aufbäumen. Ed.

It was in August, 1831, that Goethe sealed up a packet and handed it to his faithful secretary Eckermann and prepared his testamentary directions for the editing of this sealed-up treasure. This packet contained in a comprehensive way the whole striving of Goethe's life. It contained the second part of Goethe's Faust; which was not to be published until after Goethe's death. Goethe was aware that in this work he had given the contents of his rich, many-sided, far-reaching and deeply-penetrating life to human existence, and the importance of this moment for him may be gathered from the words he uttered at the time, ‘I am now finished my life's true work, anything I do further and whether I do it or not, is all the same!’ If we permit a fact such as this to work on the soul we can say: It would not be easy for a human life to become fruitful for the rest of humanity in a more beautiful, harmonious way, or indeed to become fruitful in a more conscious manner. There is something deeply affecting in the thought of Goethe's life at this point of time—for he lived barely one year longer—in that he should have visited Ilmenau once more and there re-read the beautiful verse he had written on the 7th of September, 1783, when he was still a comparatively young man.

‘Above all heights
Is rest,
In the tree tops
Thou feelest
Scarce a breath,
The birds are silent in the woods,
Only wait, soon
Thou too shalt rest.’

One may well ask whether these lines may not have signified at that time a frame of mind regulating Goethe's ideas in a new way as he re-read them in the evening of his life with affecting tears.

Goethe's Faust is truly a testament of the very first order when considered with reference to its literary and intellectual standpoint.

In 1831 Goethe finished the work which had occupied him from his earliest youth, having worked energetically from the year 1824 at the second part of Faust. We find that Goethe knew from the beginning of 1770 that he had what may be called the Faust disposition and that he began in 1774 to write down the first part of Faust, returning again and again to this poem in the most important moments of his life.

Notably he took the first part of Faust with him when he went to Weimar and owing to his position there entered the great world. Certainly it was not produced there. But because one of the Weimar Court ladies, Fräulein von Göchhausen, preserved a copy of the Faust which Goethe took with him to Weimar, we to-day possess the form in which it was when he took it there. We therefore know the form in which Faust was printed for the first time and published in 1790, and further we know the setting in which the whole of Goethe's works appeared in 1808 in the first edition. All that we have of Faust, including that very important document which Goethe left as his testament, shows us the different stages of Goethe's growth. It is endlessly interesting to observe how these four stages of Goethe's Faust-creation appear to us in different ways, according to its inner nature, and how they represent a crescendo in the whole of Goethe's life-endeavour. What Goethe took with him to Weimar is a literary work of a quite personal character into which he had poured the feelings, the degrees of knowledge and also the despair of knowledge, as they went with him through the Frankfort time into the Strassburg time and also into the first Weimar period. It is the work of a man hotly striving after knowledge, striving to feel himself into life, experiencing every despair that an upright honourable man can go through, and all this he had poured into this work. All this is in the first part of Faust. But when Faust appeared in 1790 as a fragment, it was recognized that Goethe had worked at it and transformed it out of a longing lying deep in his soul and inner life which had become enlightened through his contemplation of Italian nature and of Italian works of Art. Out of this personal work of one who had been tossed to and fro in life's storms there emerged the work of one, who to a certain degree, had become unshackled and who had a very clear view of life before his soul.

Then came the time of Goethe's friendship with Schiller. The time when in his inner being he learned to know and experience a world which had long become rooted within him. A world of which one can say that he who experiences it has had his spiritual eyes opened, so that he can see into the surrounding spiritual world. And now Faust's personality becomes a being placed between two worlds, between the spiritual world to which man can raise himself through purification, through the ennobling of himself and that world which drags him down. Faust becomes a being placed between the world of good and the world of evil. And while previously we saw in Faust the life of the single striving personality, now we see before us a great conflict carried on between the good and evil powers around man. Man is thus placed in the centre as the worthiest object for which the good and evil beings fight in the world. Though in the very beginning Faust is seen as a man doubting all knowledge, he now comes before us as one placed between heaven and hell. Thus the poem reaches an essentially higher stage and a higher existence.

In the form in which Faust appears in 1808 it seems as if thousands of years of human development resound. We are reminded of the great dramatic representation of man's life produced in ancient times in the Book of Job, where the evil spirit went among men and stood up before God, and God said to him: ‘Thou hast been to and fro on the earth, hast thou considered my servant Job?’ What is here said we find in the poem, ‘The Prologue in Heaven’ where God speaks with Mephistopheles, the messenger of the evil spirituality:

The Lord: Know'st Faust?

Mephistopheles: The Doctor Faust?

The Lord: My servant, he—

So out of what Goethe wrote in order that his Faust Mystery should appear in its right light there sounds an echo of the Book of Job, ‘Dost thou know my servant Job?’

Then Goethe's fine, full life continued further, going ever deeper into the human existence of which the world to-day knows so little. And having brought to expression in many different ways what he had experienced in his soul, in 1824 he looked back on his whole life, and once more sat down and described Faust's passage through the great world, but in such a way that the second part is a complete character picture of the inner human development of the soul.

Looking back to the first part we can see how completely true to life and to the reality of life is this description of a striving soul. Everything that meets us in the first part, especially in the beginning, is full of deep truths regarding nature, but much in it resembles a kind of theory of art—as if someone spoke of things that his soul had not yet fully experienced.

And the second part: Here everything is the inward experience of his own soul. Here are the highest experiences of a spiritual kind by means of which man climbs the stages of existence, passes through the physical world and penetrates to the place where the human soul is united with the spirituality of the world, dissolves together with it and knows wherein it finds peace and at the same time that which gives freedom, dignity and self-dependence. All this is given in the second part of Faust as his own inner experience. The time will come when Goethe's Faust will be understood in quite another way from what it is to-day, when people will understand what Goethe wished to say when he said to Eckermann on 29th Jan., 1827: ‘All in Faust is of the senses, material, thought out in terms of the theatre to please everyone and I wished for nothing more than that. If the crowd of onlookers takes pleasure in its appearance, the higher meaning will not escape the observation of the initiated.’

Though the first part in many ways appears to be theoretical and not worked down into life, the second part is one of the most realistic of those pieces of world literature which go most deeply into reality; for everything in the second part of Faust is experienced, though not with the physical eye, because to have such experiences, spiritual eyes and spiritual ears are necessary. It is for that reason that the second part of Faust has been so little understood. People merely saw symbols and allegories in what is for the spiritual inquirer, who can experience it in the spiritual worlds, something far more true and real than anything that can be seen with the outer physical eyes or heard with the outer physical ears. From such a work we can promise ourselves much, and the task of the lectures to-day and tomorrow will be to consider something of what lies in it. To-day we will consider the matter more from the outer side, but tomorrow we will show how Goethe's Faust poem, in the true meaning of the word, is a picture of an inner esoteric life and intuitive vision of the world. Step by step we will endeavour to penetrate into that which is within and to look behind the curtain where the deepest secrets of Goethe's life lie hidden.

The Faust mood was in Goethe even when he was a student at Leipzig, and we know that at that time he had a very serious illness, bringing him very near death. Much that a man's soul can grasp at such a time passed before Goethe, but many other things had already preceded this. He had learnt to know the way in which outer science looked at life. Certainly he had troubled himself very little about his own profession at Leipzig, but had occupied himself with many other sciences, more particularly with natural science. A strong faith never left Goethe that it would be possible to look into the deeper secrets of life through natural science; but at Leipzig at that time he stood full of despair before all that an outer knowledge could give him, in many ways a mere jumble of ideas and disconnected observations of nature. Nowhere could he find what he had already looked for as a boy, when at the age of seven he took a writing desk, placed on it some minerals and other geological products and plants, a wax taper and a burning glass. Then waiting for the morning, as the first rays of the sun came in, he took the burning glass, let the sun rays fall through it on to the wax taper and in this way lighted a fire on the altar which he had erected to the ‘great God’ of Nature, a fire which should have come from the foundation and source of life itself. But how far away were these sources of life from what Goethe met in the different branches of knowledge of the High School (Hoch-Schule), how far these ‘sources of life’ were removed from all such striving!

Goethe then went to Frankfort and came into touch with thoughtful, sensible men who possessed above all things through their developed soul life, something of the flowing together of the human inner life with the spiritual weaving and living in the world; men who in the fullest meaning of the word, felt in themselves what Goethe expresses in the words: ‘The self in them expands to a spiritual universe.’ At that time at Frankfort he had the feeling, ‘Away from the mere striving after ideas! Away from the merely perceptive sense observation! There must be a path to the sources of existence!’ and he came into touch with what one can call alchemistic, mystical and theosophical literature. He himself attempted the practice of alchemy. He relates how he came to know of a work through which many sought for similar knowledge at that time, Welling's ‘Opus Mago-Cabalisticum et Theosophicum.’ This book was much thought of then as giving a knowledge of the sources of existence. Goethe studied by degrees Paracelsus, Valentinus and above all a work which from its whole method must have produced a deep impression on all those who strove after such knowledge, ‘Aurea Catena Homeri.’ This was a representation of nature the Mystics in the Middle Ages believed to see. The study of these mystical, alchemistic, theosophical books must have had a similar effect on Goethe to that which a man striving to-day after the same things would experience if he took up the books of Eliphas Levy or any other thinker on the same lines. Indeed at that time these things must have had an even more bewildering effect upon Goethe because these different writers no longer really understood the magic, theosophy, etc., of which they wrote. It was impossible to speak in direct way of the real grandeur and meaning of these things, proceeding from an ancient wisdom which had lived in human souls, for the meaning was hidden under an outer garb which included all kinds of physical and chemical forms. For those who merely saw what appeared outwardly in these books it was the greatest nonsense, and at that time it was most difficult to penetrate behind these secrets and arrive at the real meaning. But we must not forget that Goethe from his deep striving for knowledge had developed an intuitive mind. He must have been greatly pleased when on opening the ‘Aurea Catena Homeri’ he saw on the first page a symbol which had a deep effect on his soul; two triangles interlaced; in the corners the signs of the planets, drawn in a wonderful way, a flying dragon wound round in a circle, beneath which another dragon had fixed stiffening itself, and when he read the words on the first page, saying that the flying dragon symbolizes the stream which sends those forces which stream down from out of the Cosmos to the stiffened dragon, showing how heaven and earth hang together, or as it is expressed there: ‘How the spiritual forces of heaven pour into the earth's centre.’

These mysterious signs and words must have made a great impression upon Goethe. For instance, those which depict the whole growth of the earth: ‘From chaos to that which is called the universal quintessence’—a remarkable sentence, curiously mixed up with signs of a chaotic nature, still undifferentiated right through the mineral, plant and animal kingdoms, right up to man and to that perspective to which man is developing in ever greater refinement. But it was not easy to find a way of penetrating to the deeper meaning. So Goethe left Frankfort in a frame of mind which can be described in the following words: I have found nothing. These seekers into nature can only give me dry, empty ideas; anything that can be squeezed out of them is but life's water. I have busied myself with much that has come down to us from the past from those who declare that they saw into the secrets of life. But the way, the way drives one to despair!

This was sometimes the mood in Goethe's soul. He was not to be bewitched by easy speculations or philosophizing, or by confused symbols and explanations from those old books, which worked so wonderfully and forebodingly on him. They looked at him with their mysteries as something to which he could find no way. But anyone who knew Goethe's soul, knew the seed was already sown in his soul which was to germinate later. But he felt himself as one who was rejected and unworthy to unravel the secrets of life. Then he went to Strassburg.

There he met people who must have interested him in one way or the other. He got to know Jung-Stilling with his deeply mystical soul, who owing to the development of peculiar forces generally found sleeping in men, had looked deeply into the hidden side of existence. He met Herder at Strassburg, who had gone through similar moods and who in times of desperation had often been at the point of a denial of future life. In Herder he learnt to know a man who suffered from a surfeit of life and who said, I have studied much, discerning sundry things connected with men's works and men's strivings on the earth. But he was unable to say to himself, I have had one moment when my longing after the sources of life has been satisfied. This was when he was ill and inclined to deny everything with bitter irony. Yet it was Herder who pointed out many depths in the riddles of life, and Goethe found in him a truly human Faust. But that side of negation which is not the outcome of mockery and scorn Goethe learnt to know later through his friend Merck. Goethe's mother who disliked criticism of people and all moralizing said of Merck, he can never leave Mephistopheles at home, in him we are quite used to it. In Merck Goethe found a disclaimer of much that is worth striving for in life. Over against all these impressions which Goethe received from the Strassburg people, it was through Nature and his observation of Nature that many of life's puzzles were cleared up for him.

At the same time we must think of Goethe as a man possessed of a sharp, penetrating mind; he was not an unpractical man. He was an advocate, but only practised for a short time. Those who knew Goethe's work as an advocate and later as a Minister, were acquainted with his eminently practical mind. As advocate he knew little more than what he had learnt by heart from law books. But he was a man able to decide very quickly on any point laid before him; such a man can also map out clearly life's course.

So Goethe comes before us with, on the one side, faculty for the clearest thinking with relation to the world; and on the other, for feeling in the deepest way the sorrow attached to an unsatisfied pursuit of knowledge, seeking for the deepest things and yet defeated by them.

And then there came something else. Goethe had learnt to know that frame of mind which we can only characterize as the feeling of guilt! He felt guilty in respect of the simple country girl, Friederike at Sesenheim, in whose soul he had awakened so many hopes and desires and whom he had all the same to forsake later. All this was mixed up in Goethe's soul in the most remarkable way and out of these feelings there grew within him a poetic figure, which had its rise in the perception of a form which at that time followed him step by step. This was the figure of Faust, that remarkable character who had lived in the first half of the sixteenth century. This Faust had been the object of innumerable folk-plays and pantomimes and through Christopher Marlowe had reached a literary significance and had become a living problem for poets, especially for Lessing and Goethe. How did it happen that Goethe connected his own sorrow and his own feelings with this figure of Faust?

It is related that Faust lived in the first half of the sixteenth century, at a time when for history much had been decided. If we compare this time with the eleventh and twelfth centuries, when studious lives were led, we find a great difference. In the twelfth century it was possible for those minds to unite the knowledge of what the times offered them with what they could find in their own souls. When they raised their spiritual vision to the creative power of the world, enthroned in the heights, and out of it formed their ideas, they were able to unite them with what they had learnt to know through external Natural Science. What they learnt was like a natural process. On the lowest step they studied what they called physical knowledge, on the next step they learnt to know what was taught of the higher mysteries of life, the hidden mysteries of existence, which could be reached through the spiritual eye and the spiritual ear; and on the highest step they reached to the recognition of the sublime, through ideas which were fine and transparent as crystal, but full of life, and working powerfully on the soul. These were the steps to the divine knowledge and were all connected with each other. Man may shrug his shoulders and look down on the minds of that time, but their way was one which never suffered intermission. If for instance we take up the ‘Way of Knowledge’ by Albertus Magnus, we find it begins with a description of the lowest part of nature and ends in a vision of God. You find here no dry, empty ideas, but ideas which enlighten the heart and warm the soul. When Faust lived this time had passed. Ideas then became dry and empty; though they had the stamp of the theologian, they were abstract or drawn from thought. They were ideas which could be studied by men and into which the reasoning of the understanding could sink, but no connection could be found by reason between these ideas and the living existence lying around us, or any possibility of enlightening the soul or bringing warmth to the heart. And then it came to this, that the science of that time—a mysticism, a magic, a theosophy, treating of things which are only to be perceived through spiritual eyes and spiritual ears—was caught in a complete decline, chiefly because much that was previously hidden in handwriting, was now published in print, and thus read by minds understanding nothing of it and who merely copied it. Humbug and nonsense of all kinds went on in the laboratories. What should have been experienced in a spiritual manner, was understood merely according to the words appearing in the books, although they were really only an outer form, but possessing a very deep meaning. Through formulae and retorts all kinds of stuff was made, with the result that what at that time was called theosophy, magic and the occult, came very near to being what we should now look upon as swindling and imposture. In a certain sense the way to the spiritual is connected with danger. Those whose striving has not been honest, whose understanding and reason has not been purified, who are unable to arrive in thought at ideas freed from the physical, may easily stumble and easily fall into the abyss. Therefore it was possible for those who still knew something or who studied the writings of the mystics with great pains, to miss the way and being unable to find it to be deceived by the swindling and charlatanism then prevalent. But it could also happen that the opposite view was taken by many people. This striving for higher things was denounced as witchcraft, and men such as Sponheim, Agrippa von Nettesheim and many others who sought honourably and blamelessly for the spiritual forces in nature, were branded as black magicians and swindlers, as men who had quitted the right path given them through religion. Faust lived during this time in the sixteenth century, a time when many saw the setting of an old spiritual movement as a rosy evening which at the same time became the rosy dawn of a new time bringing out such stars as Giordano Bruno, Galileo, Copernicus and others. Such times are called periods of transition. But of all these periods, none deserves the name so much as the time of Faust.

From what we know of Faust he appears as one who felt very deeply the insufficiency of the knowledge of that time concerning the spiritual world. Theology he had studied and had turned away from it. He sought for the sources of existence from the mediaeval remnants of magic and similar things from the Middle Ages; and because Faust was a brilliant figure oscillating between an honourable striving after knowledge and those limits which passed over into charlatanism, it is better to consider him in this way and not attempt to understand him with sharper outlines. As he really was, the spiritual tendency at that time failed to understand him, and the general popular striving of the time was regarded as the outer garment of this Faust-figure in the sixteenth century. So he meets us as a legendary figure or dramatically as a man fallen away from the old traditions of religion and theology, who had given himself up to an endeavour, which owing to the narrow-minded ideas of that time could not possibly lead to any good in life. The opinion of the world between the sixteenth and eighteenth centuries is expressed in the words from a popular book of that time on Faust: ‘He has for a time put the Holy Scriptures behind the door, and laid them under the bench, and wishes to hear no more of Theology, as he has become a man of the world and calls himself a D. Medicinæ.’

What was felt and thought about Faust was expressed in such words. It was felt that he sought in his own breast for the source leading to the depths of life and his own origin, and that he wished to free himself in his own way from the old traditions. Anything in the old folk-plays or pantomimes referring to this figure of Faust was little adapted to give more than his outward appearance. But all that had remained as the tradition of Faust influenced Goethe, and he entrusted to this character his life's striving and his urgent desire for knowledge. So we find him in his 70th year beginning to see himself in the character of Faust. In this character he expressed all the dissatisfaction, and all the sorrow proceeding from the desire for knowledge which remained unsatisfied. And when we look at the first monologue in ‘Faust’ we see clearly what was described at the beginning of to-day's lecture. We see a man who having occupied himself deeply in outer science had reached a state of despair which threatened to shatter his life completely. We see how he seizes on the old book—Goethe called it the Book of Nostradamus, but anyone acquainted with the literature of magic also known to Goethe, will clearly recognize the book to which he referred—in which Faust perceived the sign of (lie macrocosm and of which he says:

‘Like heavenly forces rising and descending,
Their golden urns reciprocally lending,
With wings that winnow blessing
From Heaven through Earth I see them pressing,
Filling the All with harmony unceasing.’

Faust, Scene I.

and then added to these words a description of feeling, a kind of rapture that passed through him at the sight of this page.

Through all this we see what at that time worked on Goethe. It was possible for such moods and ideas to flow into Goethe's soul, that he could truthfully describe them. When he stood before the remarkable sign of the two interlaced triangles and the two dragons—the upper one representing the spiritual and the lower one the physical—with the signs of the planets in the corners of the interlaced triangles, such forces penetrated through them that he really had the shining planets before him as the golden urns, with the forces flowing between them and filling the All with harmony unceasing.

When we consider Goethe's soul with its deep and honest striving for knowledge, we begin to doubt whether it is possible to have clear ideas or to speculate much about it. We can only try to place the fact before our souls so that any feeling for such things may be satisfied. But anyone understanding life and the way in which it develops through age, knows that in spite of such battles, Goethe was a man in whose soul a germ had been laid which would ripen and bear fruit very much later, in years to come. We see too how the germs which developed later so wonderfully in Faust were really there, and much can be gained from the study of this life by those who have a distinct leaning to spiritual science.

To-day unfortunately such striving is very superficial. We see many people taking it up in a hurry, but they drop it again after having acquired a few ideas. The riddles that exist are only known to one who can look back to a time twenty or thirty years previously when a fluid was poured into his soul and then stored over by the events of the following years and by many experiences, so that only thirty years later he is able to give an approximate answer respecting what was poured in his soul so long before. From this point of view we cannot look too deeply into Goethe's life. We see the echo of his feeling in relation to the ‘Aurea Catena Homeri’ or ‘The Golden Chain of Homer.’ We see it expressed when Faust breaks forth into the words, ‘What a show!’ Yes, a very powerful show, when the soul sinks deeply into these pictures, without even a guess of what they will become in the future. It is a show. But does it stop at mere guessing?

Then these words necessarily follow:

... but only a show! ...

At that time Goethe did not understand the deep meaning of these words, but a shade of that feeling already lived in his soul, for ‘All that is transient is but a semblance!’ and having these remarkable pictures before him, he could say as if in pain, ‘However artistically these characters are drawn, they are but outer symbols!’

‘How grand a show! But, ah! a show alone.
Thee, boundless Nature, now make thee, my own.’

Each line is deeply felt:—only a show, something which copies the great world. But Goethe had studied the many problems of natural science and had learnt the deep experience given to man, when he has to say to himself: ‘Thou art guilty!’ Having experienced this, he could hope for more depth of feeling on perceiving other signs closely connected with man's life. This feeling is expressed by Faust:—The book is turned over and in place of the sign of the great world, there appears the sign of the little world, the pentagon, and its surroundings. Then the magic word, which if rightly applied can awake certain slumbering forces, appears before Goethe's soul. Goethe certainly had a premonition that there is something, characterized here as slumbering forces in man, and that through gazing at certain symbols and images these forces could be awakened, so as to make it possible for him to look into the spiritual world. He could believe that he came into contact with that which stands very near to man's soul and expresses itself in the signs of the microcosm, the little world. He expresses this through his ‘Faust’ when he says that if man gives himself up to deeper inner meditation certain inner experiences develop and the ‘earth spirit’ appears, that spirit which quickens the earth and which sees to it, that out of the general life and stream of the world man comes to be and increases. Goethe understood in a marvellous way how to compress into a few words what are the secrets of the earth spirit, and in what way he belongs to the whole earth—just as each human soul and human spirit is related to the physical body of man—who is, we might say, the ruler of all the natural development, increase and historical growth of man. This ruler has no visible form, but can appear to a man whose spiritual eyes are opened, so that he can perceive and know that there is such a spirit of the earth. Goethe has characterized Him in a wonderful way:

Spirit:
‘In the tides of Life, in Action's storm,
A fluctuant wave,
A shuttle free,
Birth, the Grave,
An eternal sea,
A weaving, flowing
Life, all-glowing.’

‘Thus at Time's loom 'tis my hand prepares
The garment of Life that the Deity wears!’

If we could penetrate every word of this formula we should find that what is described by Goethe, can be really experienced by anyone whose development has brought his soul to the requisite stage of existence. But all know what comes to pass: Faust does not feel himself and cannot feel himself as developed to what thus presents itself. He has not found the way to the secret depths of life. What ‘flows in life and lives and weaves in action's storm’ exists for him as a ‘terrible face.’ He turns away and hears the words:

Spirit:
‘Thou'rt like the spirit thou comprehendest, Not me!’

Out of the old traditions he gained the belief that he was the exact image of the Divinity, and now he had to say to himself, ‘Not even thee!’

‘Thou resemblest the mind thou canst grasp.’ If only people could once feel this sentence! That it was felt by Goethe can be seen from the whole situation in the first part of ‘Faust.’ Man can understand nothing beyond that point to which he has developed himself.

On another occasion Goethe said, ‘As one is, so is one's God,’ and this resembles a confession on Goethe's part, that he had not, up to that time, found the way to the source of life. A confession which he here connects with Faust. When we consider Faust in this first form, we see what difficulties Goethe had to contend with in order to connect his world with the spiritual world towards which he was striving. We find in this first ‘Faust’ immediately afterwards, and without any real transition, the meeting of Mephistopheles with the student.

What is Mephistopheles? Anyone who knows the way into the spiritual world, knows that there really is a Mephistopheles, that he is one of the two tempters who meet man when he desires to enter the road to the spiritual land, when he seeks the way to the spiritual world. There are two potencies or powers whom man meets. One power we call Lucifer. He lays hold of man in a more inward way, in the centre of his soul, seeking to drag him down through his passions, desires, lusts, etc., into the lower scale of the personal and ignoble. All that works on man himself is Luciferic, and because man was once caught in his earthly life by this Luciferic principle, he was delivered up to another principle. If man had never been seized by this Luciferic principle, the outer world would never have appeared to him in its merely material outward form, but would have presented itself in such a way that man could have said from the beginning that all outward things were physiognomic expression of the Spirit. Man would have seen the Spirit behind all physical material things. But because matter became condensed through the influence of the Luciferic power that which was false became mingled with (lie outer appearance, so that its outward form seemed Maya or illusion, as if it were not the outer physiognomic expression of the spirit. This power presenting the outer world to the view of a man in an untrue form was first recognized in its complete depth by Zarathustra. Under the name of Ahriman, Zarathustra first presented this being as the opponent of the God of Light. In everything connected with the teaching of Zarathustra, Ahriman was the deceitful being, who hid everything in mist and smoke which otherwise would have been visible to man as a transparent, spiritual splendour. To express it plainly, this being who caused the ruin of man, because he forced him into the fetters of matter, and also deceived him about its true form, was called Mephistopheles. This figure was called in Hebrew, Mephiz, the spoiler, and Topel, the liar. This being passed over into the West in the Middle Ages in the form of Mephistopheles. In the books on Faust, we see as opposed to Faust this Power, also called the ‘old serpent.’

Goethe learnt to know this Mephistopheles. The later traditions of Faust no longer distinguished properly between the forms of Lucifer and of Mephistopheles. In the age following the sixteenth century there was no longer a clear idea of these forms. Men no longer knew how to distinguish between Lucifer and Ahriman, and they united them in the form of the Devil or Satan; and because nothing was known of the spiritual world, no particular difference was made. But to Goethe, all that he received through the outer senses, and through the human understanding, with its physical instrument the brain, by which he gained perception of the outer world, appeared to him as Mephistopheles. The man appealing to these qualities of the ordinary understanding, was the same to him as one who through the ego strove to enter the spiritual world. So that for Goethe—as also for Merck or Herder—all that appealed merely to the understanding is represented in a wonderful way in the figure of Mephistopheles, who does not believe in a world of the good, or consider it significant or important. In Goethe himself was this second ego, which could be brought to a state of doubt concerning the spiritual world, and sometimes he felt in himself the discord caused by what we may call the Mephistophelian power. He felt himself placed in conflict between this evil power raging in his soul and the truly honourable striving of his soul for the heights. Goethe felt both these forces in his soul. But in what position to place himself with regard to the spiritual world Goethe at that time did not know. He was a long way from that experience which we find in the second part of ‘Faust’ in such a magnificent way. In the scene ‘The way to the Mothers’ we see the man striving inwardly for the spiritual heights but detained by a deceptive picture and captivated by reason of what Mephistopheles has placed before him through trickery. Mephistopheles represents all that can be found in outer physical science which is bound up with the understanding. He stands there with the keys—this knowledge is certainly good, for it leads to the door of the spiritual world.—But within Mephistopheles cannot go. Therefore he describes that into which Faust must go as a ‘nothing,’ And we hear from the words of Mephistopheles, spoken in a classic, grandiose manner, what is thrown by the materialistic minds of men in the face of those who are striving to discover the foundations of life out of spiritual science. He says: ‘Thou art a dreamer and a fantastic. We are not going to be taken in by what such dreamers tell us about the spiritual foundations of things. We care nothing for that!’ And the spiritual enquirer can reply as did Faust to Mephistopheles, ‘In thy nothing I hope to find the all!’

But Goethe was experiencing that boisterous youth out of which he had just brought Faust and was far from possessing at that time such clarity of soul. He did not know then how to bring Mephistopheles into touch with Faust, for Mephistopheles is there in the original Faust as Goethe had experienced him as the power that drags man down, and represented him as a mocker in the ‘student scene.’ Only later did Goethe find the means for Mephistopheles by degrees to approach Faust though his changing forms.

We find next that Faust is drawn by Mephistopheles and falls into the abyss of sensuality in the scene in ‘Auerbach's wine cellar’ and the road begins down which Faust is led to evil. The end of the ‘prison scene’ is not given in the fragment which appeared in 1790; Goethe kept it back, but this terribly affecting scene was in the first fragment. It was in what we may call the tragedy of Gretchen that Goethe placed that side of his life which can be expressed by the words ‘I am guilty.’ What Goethe expresses in the first part of ‘Faust’ is the word ‘Personality.’

It was in that Goethe, who travelled to Italy, that a part of the seed sown in his soul first began to develop. He found a wonderful road during his Italian journey; it can be followed step by step. He said when he wrote at last to his friends at Weimar, ‘So much is certain, the old artists had quite as great a knowledge of nature and just as good an idea of that which we see and the manner in which it should be seen, as Homer had. Unfortunately the number of works of art of the first order is much too small. But anyone able to see them, need wish for nothing further than the right to recognize them and then go in peace. These great works of art were produced according to true and natural laws; the arbitrary, the fanciful collapses; here is necessity; here is God!’—‘I have an idea that the creators of these works of art acted according to those laws which guide nature, and on whose tracks I am.’ He is no longer the same Goethe who was full of an abstract longing, but is filled with self-denial and resignation, ready to investigate existence step by step along the road by which he hopes to discover the problems of life revealed.

It is not surprising if nothing is discovered of the great spiritual aim of mankind, if it is only sought in an abstract way, but which if sought for in the right way leads directly to the highest problems of life. Those who have no inclination to compare one plant with another, one animal with another, one bone with another, or to consider life, step by step, as they go through the world in order to find the spirit in each single being, in such people an abstract longing will lead to nothing.

Let us consider Goethe when during his Italian journey, he gradually arrived at the discovery of the primeval plant, he collected stones, prepared himself diligently to take up the work of research, and did not seek to know immediately ‘how one thing strives to enter another’ but said to himself: ‘If you would gain a premonition’ of ‘how one thing works and lives in another’ as heavenly powers rise and fall, offering each the ‘golden urn,’ examine the vertebras of the spinal column and the way in which one bone is connected with the next; and how one faculty helps another. Seek in the smallest thing the picture of the greatest.

Goethe became a very diligent student during his travels in Italy, examining everything. He formed the opinion that if an artist acted ‘according to the laws which are followed by nature herself’ and understood by the Greeks, the divine will be present in his works even as it is in the works of creation. For Goethe, art is a ‘manifestation of the secret laws of nature.’ The creations of the artists are works of nature on a higher stage of perfection. Art is man's continuation and conclusion of nature. ‘For since man is the head of nature so he regards himself as a complete nature, but also as one which can call forth a further rise. He strives for this through the acquisition of all accomplishments and virtues which call for choice, order, harmony, and meaning, and at last rises to the production of the work of art.’

We can say that during the Italian journey everything that came before Goethe took on definite forms and through inner soul experiences appeared clearly before him. So once again he took up ‘Faust,’ and we perceive how he endeavoured to bring the separate parts into union. But we also perceive how he interested himself in an objective manner in what Faust could become for the people of the North. In Italy he became particularly conscious of the great difference between people who had been brought up amid classical surroundings and those who had not. He found it strange that so little should be heard in Rome of ghost stories such as were common in the North. In the Villa Borghese he wrote at this time the ‘Witches Kitchen’ scene, as one who had lost touch with all such things, but also as one who recalled to memory the spirit of the earth. When he had previously written about the earth spirit, he represented it in such a way that Faust turned away from it, as from a ‘hideous worm.’ But the fact of turning away from it, even without understanding why, remains in the soul and works on further, as it did in Goethe. But those who become impatient and refuse to wait until after long years the seed grows, are unable to see the way clearly. And when in Italy Goethe knew that a turning away from the terrible countenance would have its effect upon his soul, and now these words arise:

‘Sublime Spirit, thou gavest me, gavest me all
For which I begged. It was not without reason
That thou didst turn thy face in fire to me
And for a kingdom gavest me the glorious nature
With strength to feel it and to enjoy it. Not
A coldly astonished gaze didst thou grant to me
But didst permit me to look into her profound bosom
As into that of a friend.
Past me didst thou lead the ranks of the living
And didst teach me to know, in the quiet bushes,
In air, and in water, my brother.
And when the storm roared and rattled in the woods
And there fell the neighbouring branches of the giant fir
Squashing the undergrowth and in their fall
Sounding like thunder in the hollow of the hills,
Thou didst lead me to a safe Grotto, where
Thou didst show me myself and opened my heart
To deep and secret wonders.’

Before Goethe, there stands the possibility of the human soul, through its own development expanding to a spiritual universe. Through a patient sacrificial resigned search, the fruits stand before his soul which as germs were planted when he came into touch with the earth spirit. We can see through this monologue in ‘Wald und Höhle’ (wood and grotto) what a forward jerk this was towards the ripening of the fruits in his soul, for it shows us that the seed already sown was not sown in vain. And as a warning to have patience, to wait until such seeds had ripened in his soul, that fragment of ‘Faust’ meets us which appeared with this setting in 1790. And now we see how Goethe finds the way step by step after being led to his ‘safe grotto where the secret deep wonders of his own heart were opened to him,’ he obtains that comprehensive survey which bids him no longer abide with his own sorrow, but teaches him to rise above his sorrow, to send his foreseeing spirit out into the Macrocosmos, watch the fighting of the good and evil spirits and see men on their battle ground. And in ‘Faust’ in 1808 he sent out beforehand the ‘Prologue in Heaven:’

Raphael:
‘The sun-orb sings, in emulation,
'Mid brother-spheres, his ancient round:
His path predestined through Creation
He ends with step of thunder-sound.’

We next see how the macrocosmic Mights oppose the forces of the great world. We see too from out the experiences of Goethe's soul, what a remarkable light falls on the two dragons with which at one time in his youth he came in touch.

‘Faust’ is such a universal poem because it contains so many warnings. It also gives us that golden saying: ‘Wait in confidence for the development of thy inner forces, even if that means waiting a very long time!’ These words also sound as a warning which stand as an attribute before Faust, when Goethe looks back to those ‘fluctuating figures which in early days had once shown a troubled countenance’ but which now are flooded with light. Now he had waited so long that the friends who had taken such a vivid interest in Faust as he had appeared to them in the first form, had died, and those who had not died were very far away. Goethe had been obliged to wait for the development of the seed already sown in him.

Now these striking words meet us:

‘My sorrow speaks to an unknown crowd,
Their applause e'en makes my heart feel heavy,
And those who once delighted in my song
If they still live, in other lands are scattered.’

No longer did it matter to those who in youth had felt with him. He had had to wait, as the last lines of this dedication so beautifully express it—‘What was once a reality to me, has gone into the unreal: but what has remained for me and appears to outer vision as unreal, that to me is now true, and it is only now that I can give it as truth.’ So we see how this poem, even if only looked at in such an external manner as we have to-day, leads us into the depths of the human soul.

‘Faust’ was begun in a desultory manner, some parts being pushed in between others, and therefore Goethe was unable to show in a continuous way what he had experienced in his soul. But something else led to the fact that Goethe expressed his deepest experiences in ‘Faust.’

The ‘Helena scene’ also belongs to the first part of ‘Faust’ written by Goethe. But we find it was not included even in the ‘Faust’ of 1808. Why not? Because the manner in which Goethe had finished ‘Faust’ at that time would not allow it. What Goethe wished to say through the Helena scene was the expression of such a deep premonition of the deepest riddle of existence, that the first part was not sufficiently prepared to allow of this. Only when Goethe had reached an advanced age, was he able to give a true form to what really was the inner work of his life.

We see how his mind had expanded so that he was able to grasp the worlds of the macrocosm, as expressed in the ‘Prologue in Heaven.’ We shall also see the way in which Goethe represents the stages of the soul's experience, leading men from the first stage up to that of imaginative vision, where the soul penetrating ever deeper and deeper, bursts at last the doors of the spiritual world, which Mephistopheles would close. Goethe also represents these inner experiences. For he places in the second part of ‘Faust’ the experiences of a soul through secret scientific study, and we see here one of the deepest riddles of existence, which if recognized, would be found to be an announcement of Western spiritual science given in imposing language. One is tempted to place such a poem as the ‘Bhagavad Gita’ and the second part of ‘Faust’ side by side. For great and powerful wisdom speaks out of such Eastern writings. It seems as if the gods themselves desired in them to speak with men to express the wisdom out of which the world was formed. Indeed it is so.

Now let us look at the second part of ‘Faust.’ Here we see a striving human soul which has raised itself to spiritual vision from outer physical perception; we see how it has worked its way up to true clairvoyance when Faust enters the spiritual world and finds the spiritual choir around him ...

‘Hearken! Hark!—The Hours careering
Sounding loud to spirit-hearing.
See the new-born day appearing!
Rocky portals jarring shatter,
PhSbus' wheels in rolling clatter,
With a crash the Light draws near!
Pealing rays and trumpet-blazes—
Eye is blinded, ear amazes:
The Unheard can no one hear!’

Faust II, Act I.

to that passage where Faust is outwardly dazzled, so that the outer world is lost to his perception and he says to himself: ‘Only within shines clear light! ...’ up to that passage in which the soul works itself up to the spheres of world existence, where the spiritual worlds are to be seen in all their purity, and the riddle of the world discloses itself to the soul. This is a way which we must designate as an esoteric one.

The way in which we can penetrate from the outer to the inner life of Goethe's world enigma, we shall see tomorrow, and we shall also see from out of what depths Goethe spoke the word which at last gave him the certainty he needed with reference to all the longings, all the sorrows, pains and strivings for knowledge in his life.

‘Whoever zealously strives
We can redeem him;
And if love from above
Feels an interest in him,
The blest choir will be there
With a friendly greeting.’

We shall consider tomorrow how Goethe solved this riddle of existence, and how that which lives in the soul can rise up to its true home. It will give us the answer to what Goethe placed as the riddle of his existence and about which he gives us such a hopeful answer at the end of the second part of ‘Faust:’

‘For the spiritual world,
That noble member,
Is saved from evil.
Whoever strives zealously
We can redeem him! ...’

This tells us Faust can be saved and those spirits will not conquer who by bringing men into the material bring them also to destruction.

One idea Goethe had for his ‘Faust’ was that at the end of Part II, Act 3, Mephistopheles, who in this Act had worn the mask of Phorkyas, should step in front of the curtain, take off the mask, descend from the Kothurni and deliver a kind of Epilogue. The idea, as the now meaningless stage instruction tells us, was that this Epilogue was to indicate the manner in which the final figure of Faust was to be taken. The words Mephistopheles was to speak as Commentator are not in ‘Faust,’ but they have been preserved on a single sheet among Goethe's literary remains. Through the mouth of Mephistopheles Goethe seeks to tell the public in a not unhumorous way what attitude to adopt towards his Faust. These words are worthy of notice, and in a certain respect to-day's study is to be conducted in their spirit. They refer to Euphorion who was born in some spirit fashion, and jumps and hops about immediately after his birth and utters ‘a tender word.’ In this way these words refer to him:

‘Enough, ye see him, though it is much worse
Than on the British stage, where a small child
Grows step by step to take heroic shape.
Here it is madder still: for, scarce conceived,
He's also born:
He leaps and dances, speaks a tender word.
If many criticize,
There are who think this is not to be taken
So straight and crudely, that there's more behind.
One scents the Mysteries, perhaps withal
Mystifications, Indian and may be
Egyptian; for the man is right who knows
How to squeeze all together, brew it well
And twist and turn in etymology.

We say it also, and the true disciple
Of the newer symbolism will agree.’

Thus all such explanations as rest on a basis of old traditions are to be straightway excluded. On the contrary, an explanation is demanded drawn from the depths of spirit-life. Therefore also Mephistopheles says: ‘We say it also, and the true disciple of the newer symbolism will agree.’ If you read carefully Part II of ‘Faust,’ you will know that Goethe is rich in word-construction in this poem, and that we must not therefore cavil at what appears to be ungrammatical. Here in this sentence is clearly expressed that the man who understands Faust rightly in Goethe's sense, also sees that deeper things lie behind. But everything that rests on study or might lead to a merely symbolic explanation is discouraged. The demand is that the explanation of Faust is to depend on the faithful discipleship which is aware of the spiritual experience which we may call ‘experience in the sense of the new Spiritual Science.’ ‘The true disciple of the newer symbolism’ is the commentator of Faust in Goethe's sense. Thus it is to be done by drawing direct from spirit-life; and Goethe no doubt here betrays that he has put something into it which made it possible for him to get away from old symbols and to coin new and independent symbols out of direct spirit-life. If we want to compare the presentation of the spiritual world in the two parts of ‘Faust,’ we might say that Part I presents to a large extent the fruits of knowledge—the outer influences on one who has dim ideas of the spiritual world, and who tries to enter it through reading all kinds of things and conducting all kinds of experiments. Part I contains this studied view of the supernatural world.

Part II contains experience, living experience, and if you understand rightly, you know that it can derive only from a personality which has learnt to know the reality of the spiritual, supernatural worlds behind the physical world. Truly, Goethe was consistent in his presentation, although some things in Part II are so dissimilar from Part I. What he had learnt in Part I, he experienced in Part II, he has seen it. He was in the spiritual, supernatural world: he indicates this, too, clearly enough, where in Part I he makes Faust say:

‘What says the Sage, now first I recognize:
“The Spirit-world no closures fasten;
Thy sense is shut, thy heart is dead:
Disciple, up! untiring, hasten
To bathe thy breast in morning-red!”‘

Scene I, p. 15.

Goethe can point—from personal knowledge—to what he sees who ‘bathes his breast in morning-red,’ in order to await the rising of the spiritual sun. We find in the whole of Part I—no doubt you realize it from yesterday's discourse—an energetic upward-striving of Faust the student, to this dawn, but we also find clearly indicated that the path is nowhere traversed in a satisfactory way. Now how does Part II begin? Is the advice of the wise man, ‘to bathe the breast in morning-red,’ carried out in one respect?

We find Faust ‘bedded on flowery turf, fatigued, restless, endeavouring to sleep,’ surrounded by spiritual beings. We find him withdrawn from all physical vision, veiled in sleep. Beings from the spiritual world are busy with his spirit, which is withdrawn from the physical world. Marvellously and forcefully we are told what direction Faust's soul takes in order to grow into the spiritual world. Then we are shown how his soul really does grow into that world which is described as the spiritual world in the ‘Prologue in Heaven,’ in Part I. Goethe says from deep experience what was always told the pupil in the School of Pythagoras, that he who enters the spiritual world is met by the secret music of the universe:

‘The sun-orb sings, in emulation,
'Mid brother-spheres, his ancient round:
His path predestined through Creation
He ends with step of thunder-sound.’

This must be the music from the worlds of the spiritual life, if they are to be depicted as they are. What is said here of the ‘music of the spheres’ is not a poetic image, nor a metaphor, but a truth, and Goethe remains consistent to it, in that Faust, withdrawn from the physical world, now proceeds to grow, like an initiate, into that world from which this music comes. Therefore, in the scene where at the beginning of Part II Faust is withdrawn into the spiritual world, it is written again:

‘Hearken! Hark!—The Hours careering
Sounding loud to spirit-hearing.
See the new-born day appearing!
Rocky portals jarring shatter,
PhSbus' wheels in rolling clatter,
With a crash the Light draws near!
Pealing rays and trumpet-blazes—
Eye is blinded, ear amazes:
The Unheard can no one hear!’

Faust II, Act I.

Would that those people who think that they can understand a poem only if they can say ‘Such things must be taken as the poet's images, created by right of poetic licence’—would that they would cease to call these things realistic. The physical sun makes no sound! It is the spiritual sun behind the physical which sounds in the ears of him who is entering the spiritual life. They are spiritual, not physical sounds. In this passage, again, we hear the sounds of thousands of years harmonizing. Unconsciously he who can follow the course of the human spirit through thousands of years will be reminded in this passage of some great words spoken thousands of years ago; words spoken by one who through his initiation knew that what appears to us as the physical sun is the expression of the sun-spirit and the sun-soul, as the physical human body is the expression of the human spirit and the human soul. He looked up to the spiritual sun and called it ‘Ahura Mazdao,’ ‘The great sun-aura.’ We are reminded of Zarathustra, who, looking thus at the sun, and feeling the world full of spirit, spoke the great and powerful words:

‘I want to speak! Listen to me, all ye who from far or near, desire to listen: Mark well, for He will be revealed. No more shall the False Teacher destroy the world—he who has professed evil faiths with his tongue. I shall speak of what is the highest in the world, what He, the Great, Ahura Mazdao, has taught me. Whosoever will not hear His Words, as I speak them, will suffer misery when the Earth-Cycle is fulfilled!’

Before the spiritual sun rises in the soul, the learner must bathe in the dawn which precedes it. Hence the words of the Wise Man: ‘Disciple, up! untiring hasten to bathe thy breast in morning-red!’ Does Faust, the disciple, do this?

After the spiritual beings which surrounded him had been busy with him while his soul was for a time withdrawn from his body, he awakes as a changed man. The soul has entered the body, so that he has a dim idea, or he bathes in the morning-red, of the rising sun of the spirit:

‘Life's pulses now with fresher force awaken
To greet the mild ethereal twilight o'er me;
This night, thou, Earth! hast also stood unshaken,
And now thou breathest new-refreshed before me,
And now beginnest, all thy gladness granting,
A vigorous resolution to restore me,
To see the highest life for which I'm panting.—
The world unfolded lies in twilight glimmer,
A thousand voices in the grove are chanting;
Vale in, vale out, the misty streaks grow dimmer;
The deeps with heavenly light are penetrated;
The boughs, refreshed, lift up their leafy shimmer
From gulfs of air where sleepily they waited;
Colour on colour from the background cleareth,
Where flower and leaf with trembling pearls are freighted,
And all around a Paradise appeareth.’

Faust II, Act I.

Faust now feels also that he has awakened in that world, into which he has been translated during his unconsciousness, and he bathes his earthly breast in the morning-red. But it is only the beginning of the journey. He feels that he is at the gate of initiation, and thereupon he cannot yet bear the direct vision of the spiritual sun:

‘But if there burst from those eternal spaces
A flood of flame, we stand confounded ever;
For Life's pure torch we sought the shining traces,
And seas of fire—and what a fire!—surprise us.’

Wherefore he sees at first the world of the spiritual—but still, as we shall see in a moment, as a symbol.

‘Behind me, therefore, let the sun be glowing!
The cataract, between the crags deep-riven,
I thus behold with rapture ever-growing.
From plunge to plunge in thousand streams't is given,
And yet a thousand, to the valleys shaded
While foam and spray in air are whirled and driven.
Yet how superb, across the tumult braided,
The painted rainbow's changeful life is bending,
Now clearly drawn, dissolving now and faded,
And evermore the showers of dew descending!
Of human striving there's no symbol fuller:
Consider, and 't is easy comprehending—
Life is not light, but the refracted colour.’

Faust II, Act I.

This is Faust bathing his earthly breast in the morning-red, in order to prepare himself to look straight at the spiritual sun, which rises at initiation.

Now Faust is to go into the great world with the gifts he has received as one approaching illumination. It might be thought remarkable that Faust is now transplanted to the Imperial Court, when he is in the midst of all kinds of masques and revels. All the same, these masques and pranks contain deep truths and are everywhere significant. It is not possible to enter upon this significance to-day. It will be in any case the task of this study to bring out only a few moments from the whole content of Part II of ‘Faust’ Many lectures would have to be given, if we wanted to throw light on everything. We shall say only this about the general idea of these Masque scenes: For a man who surveys human life with an enlightened eye, certain words will have a different meaning from what they have in ordinary external life. Such a man, steeping himself in the whole great course of human evolution, knows that such words as ‘Folk spirit’ (Volksgeist), ‘Time-spirit’ (Zeitgeist), are not mere abstractions. He sees in the spiritual world the true and real beings corresponding to what one ordinarily calls abstractly ‘Folk spirit and Time-spirit.’¹ Thus, since he has the vision, it is made clear to Faust as he enters the great world where decisions affecting the world are made from a Court, that in all these happenings there are supernatural powers at work. Outside in the physical world one can observe only individual people and the laws they have. In the spiritual world there are beings behind all that. Whereas people are under the impression that what they do is prompted by their own souls, and that they make their own resolutions, human acts and human thoughts are really pervaded and permeated by beings from the supernatural world—national spirits, time-spirits, and so on. People think they are free to make resolves, to think and to form ideas, but they are guided by spiritual beings behind the physical world. What men call their understanding, by which they believe they can control the course of time, is the expression of spiritual beings behind. Thus, the whole Masque, which is to have some meaning, becomes for Faust the expression of the fact that one can realize how in the course of world-events a part is played by powers originating in those beings which Faust met already in Part I, originating, in short, in Mephistopheles. Man is surrounded by such spiritual beings, towering above him. Thus Mephistopheles appears at the turn of the modern age as that being which prompts the human intellect to the discovery of paper money. And Goethe presents the whole affair with a certain humour: how the same spirit, the same intellect which in man is bound to the physical instrument of the brain, when inspired by the related spirit which lets nothing count but the physical, gives rise to such phenomena as can control the world—phenomena however which have an importance only for the physical world. In this way the deeper sense of development is indicated precisely in this Masque and mummery. But we are soon led out of the world which lies before us, where we are shown the part played by supernatural powers, and into the really spiritual world.

After it has been made rich, the Court wishes to be amused by the presentation of figures from ancient history. Paris and Helena are to be conjured up from the past. Mephistopheles, who belongs to those powers of the spiritual world which inspired the discovery of paper money, cannot penetrate to the worlds which give rise to the whole deeper development of men. Faust carries in him the soul and spirit which can penetrate these spiritual worlds. For he is the disciple who has bathed the earthly breast in the morning-red, and we are shown how Faust has already experienced something which can be looked upon as the first stage of clairvoyance—the stage completed by the clairvoyant when he has put his soul through the appropriate exercises. There are certain exercises which the student has to perform, in meditation, concentration, and so on, which are set him in occult-scientific symbols, in which he steeps himself, whereby the soul, withdrawing from the physical and etheric body, is transfigured in the night, as it at first becomes clairvoyant in the spiritual world. What is it that the student experiences here, when he has received the effect of those exercises?

The first stage of clairvoyance is something which can bring people to a condition of great confusion. We shall see best why this is if we look at what are sometimes called the ‘dangers of initiation.’

Living in the physical world of the senses, one sees the objects round one in sharp contours, outlined in space, and the human soul makes halt at or attaches itself to these firm outlines, which one finds everywhere, filling the soul when it gives itself to sense-phenomena. Now just imagine for a moment all these objects round you becoming misty, losing their contours, merging into each other, becoming like cloud-pictures. It is something like this in the world into which the clairvoyant enters after the first exercises have taken effect. For he arrives at what is behind the whole sense-world, what lies behind all matter, what gives rise to the sense-world. He arrives at the stage where the spiritual world first approaches him. If you think how, in the mountains, crystals form themselves out of their mother-substances into their shapes and lines, so is it, roughly, when the clairvoyant human being comes into the spiritual world. At first it all appears confusing if the student is not sufficiently prepared. But the figures of the physical world grow out of this chaotic world, like the crystal shapes out of their mother-substance. At first the spiritual world is experienced like the mother-substances of the physical world. Into this realm man enters by the gates of death. The images, indeed, will take on other, fixed shapes, when the clairvoyant is further developed, shapes which are interwoven with those outlines which exist in the spiritual world, and which resound with what we have called in the spiritual sense, the music of the spheres. The clairvoyant experiences this after a time, but at first it is all confusing. Still, into this realm enters man.

Now if the images of Helena and Paris are to be brought up, it must be from this world. Faust alone, who has bathed the earthly breast in the morning-red, and found the entrance to the spiritual world, can step into this world, Mephistopheles cannot. He can achieve only what the world of reason can achieve. He can go as far as the key that opens the spiritual realm. But Faust has the confidence and certainty that he will find there what he seeks: the everlasting, the permanent residue when the physical form of man is dissolved at death into its elements.

Now it is wonderful how we are told the way in which Faust is to descend into the spiritual realm. The introduction already shows us that the man who depicts it is well acquainted with the facts—as well as with the perceptions and feeling which come over anyone who really knows these things and does not merely play at them. It all stood in grand manner before Goethe's soul—all that exists of this world of feeling when the seed for initiation, described yesterday, was opened by a particular event.

He read a passage in Plutarch, where is described how the city of Engyium seeks an alliance with Carthage. Nicias, the friend of the Romans, is to be arrested. But he poses as a man possessed. The pro-Carthaginians want to seize him, but they hear these words from his mouth: ‘The Mothers, the Mothers press hard on me!’ That was a cry which in old times one heard only from a man who was in a condition of clairvoyance and withdrawn from the physical world. Nicias could be regarded either as a fool, as one possessed, or as a clairvoyant. But how could this be known? Because he said what those who had some knowledge of the spiritual world recognized. At the utterance of: ‘It is the Mothers who press hard on me!’ the citizens realize that he is not possessed, but inspired; that he can say something as a real witness which can be learnt in the spiritual world—and so he remains unmolested.

On reading this scene, there is released in Goethe's soul something which had been sown as the kernel of initiation already during his Frankfort period. He knew what it meant to penetrate into the spiritual world. Hence also the words put into the mouth of Faust, when Mephistopheles speaks of the ‘Mothers,’ Faust shudders. He knows what it means—that lie touches on a holy but forbidden kingdom, forbidden, that is, for him who is not sufficiently prepared. Mephistopheles, indeed knows also of this realm, that he may not enter it unprepared. Hence the words: ‘Unwilling I reveal a loftier mystery.’ Still, Faust must descend into this kingdom in order to bring to pass what has to be brought to pass—into this kingdom where one sees what is otherwise firm and solid in transfigurations of eternal being. Here the spiritual sense catches sight behind the physical forms of the sense-world of what penetrates into this sense-world to maintain in it its sharp outlines. And then Mephistopheles says, describing this realm as it appears to all who step into it:

‘Escape from the Created
To shapeless forms in liberated spaces!
Enjoy what long ere this was dissipated!
There whirls the press like clouds on clouds unfolding.’

One cannot depict more vividly a real experience of a man truly initiated. The things ‘long ere this dissipated’ will be found in this world, when it is presented thus. ‘To shapeless forms of liberated spheres,’ i.e., into that realm where the forms of the sense-world are no more, where they do not exist, which is ‘liberated’ from them—there where ‘what long ere this was dissipated’ does exist—into this realm Faust is to betake himself. And when one reads ‘There whirls the press, like clouds on clouds unfolding,’ one recognizes again something which is characteristic in the highest degree. Let us think of the entry into the supernatural world as a gate. Before one enters, the soul has to be prepared by means of worthy symbols. One of these is taken from the appearance of the rising sun, and completes the image of bathing the earthly breast in the morning-red: the sun making a particular triangle round itself. The soul goes through this symbol and experiences its after-effects when it has passed through the gate, when it is within, in the spiritual world. Hence these effects: ‘There whirls the press, like clouds on clouds unfolding.’ Every word would be a living proof of what this scene is meant to be: Faust's penetration to the first stages of the supernatural world, which you find called the ‘imaginative world.’ When Goethe presented this, he was not obliged to compound a picture of the spiritual world from old Indian or Egyptian descriptions; he was able to put down quite realistically what he himself had experienced; and this he did.

Now Faust brings up the ‘glowing tripod,’ round which the Mothers sit, the sources of existence in the spiritual world. With its help Faust is able to conjure up Paris and Helena before men, and to present pictures from the spiritual world. It would lead too far to explain in detail the important symbol of the glowing tripod. We are concerned to show how a kind of initiation is really depicted in Part II of ‘Faust.’ But we see how carefully and correctly Goethe proceeds by the fact that he shows us the way into the spiritual world which he only who is worthy can tread slowly and with resignation. He shows us that Faust is not even yet worthy enough. Only he is worthy to enter the spiritual world who has put off everything that is connected with narrow personality so that no wishes or desires, arising from it, any longer exist. This is apparently to say little, but in truth it is saying a great deal. For usually between what is sought and what is to be achieved by the cancellation of all personal wishes and desires, there lies not only one human life, but many. Goethe shows with the certainty of knowledge that Faust is not yet worthy. Desire awakes in him; he wants to embrace Helena from a personal desire. Whereupon the whole thing collapses—it vanishes. He has committed a sin against the spiritual world. He cannot hold her. He must penetrate further into the spiritual world. And so we see him in the course of Part II going further on his way. We see him after being ‘paralysed by Helena’ again in another state of consciousness, withdrawn from the physical body and fallen into sleep; and how something happens around him which as it were clambers from the sense-world into the supersense-world. What this is shows us nothing other than that Faust, once again withdrawn from the physical world, experiences something which can only with full consciousness be experienced in the supersense-world. What he has now to go through is the complete growth of man. He must go through those mighty events which take place behind the scenes of the stage of the physical world, so that he really can behold what he wants to behold. Helena must be brought back again into the physical world, she must be reincarnated into a new body. When he brings back the merely imaginative image from the spiritual world the whole thing breaks down. He must go deeper. We see him now overcoming a second stage. In this state in which he is put we now see how the consciousness gradually lives upward from the sense-world into the supersense-world. This is done in a poetically masterly way. It is not a case of marvelling at the reality of it, for that is explained simply by the fact that Goethe depicts Part II of ‘Faust’ from his own experience. But the way is masterly in which Goethe represents the secret of Helena's becoming mortal, it is also poetic.

Whoever is acquainted with the elementary truths of Spiritual Science, knows that man, in assuming life on our earth, brings with him an eternal, spiritual part from quite other realms, that this spiritual part is combined below with the physical hereditary line, taken from the physical-sense-world and bequeathed finally by father and mother. On the whole—taking the various parts of man altogether without entering more precisely upon human nature—we may say that in man are combined something eternal and something earthly. The eternal part, going on from life to life, which descends from the spiritual world to be embodied in a physical form—this we call ‘spirit.’ And in order that this spirit can combine with physical matter, there must be an intermediate part, and this in terms of Spiritual Science is the soul. Thus spirit, soul and body are combined in the formation of a human being.

Now Faust with his increased consciousness is to experience how these parts of human nature combine. The spirit descends from spiritual spheres, gradually surrounds itself with the soul which is derived from the psychic world, and then draws the physical covering round itself in accordance with the laws of the physical world. If one knows the principle which attaches itself as ‘soul’ around the spirit, and often called by us the ‘astral body,’ if one knows what is between spirit and body, one has that intermediate member, which as it were binds together spirit and body.

The spirit Faust finds in the realm of the Mothers. He knows already where to look for it, whence it comes, when it betakes itself into a new embodiment. But he has yet to learn how the tie is formed, when the spirit comes into the physical world. And now we are shown in that remarkable scene, how, starting from the sense-world and touching the boundary of the supersense-world, the ‘Homunculus’ is produced in Wagner's laboratory. Mephistopheles himself has a hand in it, and we are told in spirited words that only the conditions of his creation are provided by Wagner. Thus this remarkable figure, the Homunculus comes into being, assisted as it were by the spiritual world. Much thought has been spent on this Homunculus. But thinking and speculating on such things lead nowhere. The problem who he is can be solved only by real creation out of Spiritual Science. To those who spoke of him in the Middle Ages he was no other than a definite form of the astral body.

This scene is not to be pictured in the sphere of sense—but in such a way that it must be thought of as quite removed into the spiritual world. You must follow all the events in Faust's condition of consciousness. The way in which the Homunculus is described in the subsequent scenes shows him to be really the representative of the astral body.

‘He has no lack of qualities ideal
But far too much of palpable and real.’

That is the characteristic of the astral body, and he says of himself:

‘Since I exist, then I must active be.’

an astral figure, which cannot stay still, compelled to live in continuous activity. He must be taken away to those spheres, where he can actually combine spirit and body.

And now we see the creation of man, which Faust experiences, represented to us in the ‘Classical Walpurgis-Night.’ There we are shown the sum of all the powers and beings which are active behind the physical-sense-world, and spirits from the physical world are continually being interspersed, which have trained their souls so far that they have grown together with the spiritual world, and that they are at the same time conscious in the spiritual world. The two great philosophers Anaxagoras and Thales are figures of this kind. The Homunculus wishes to find out from them how one can come to be, how one can proceed to a physical form, when one is spiritual. All the figures which we see in this ‘Classical Walpurgis-Night’ are there to assist—figures of the realization of the astral body which is ready to enter the material, physical world. If one could follow it all exactly, every detail would be a proof of its meaning. The Homunculus seeks information from Proteus and Nereus as to how he can enter the physical world. He is shown how he can wrap himself in the elements of matter, and how the spiritual qualities are in him—viz., how the soul gradually betakes itself into the physical-sense elements—through that which has played its part in the realms of nature kingdoms. We are shown how the soul has to traverse again the states of the mineral, the plant and the animal realms, in order to rise to human shape:

‘On the broad ocean's breast must thou begin!’

that is, in the mineral realm; then you must go through the plant realm. Goethe, indeed, invents an expression for it, which does not otherwise exist. He makes the Homunculus say: ‘Es grunelt so:’²

‘Here breathes and blows a tender air;
And I delight me in the fragrance rare.’

It is pointed out to him what road he has to take till a physical body is formed by degrees round him. Finally comes the moment of love. Eros will complete the whole. Thales gives the advice:

‘Yield to the wish so wisely stated,
And at the source be thou created!
Be ready for the rapid plan!
There, by eternal canons wending,
Through thousand, myriad forms ascending,
Thou shalt attain, in time, to Man.’

Then, when the Homunculus has entered upon the physical world, he loses his qualities, the ego becomes his master!

‘But struggle not to higher orders:
Once Man, within the human borders,
Then all is at an end with thee.’

So says Proteus—i.e., at an end with the astral body which has not yet penetrated into the human realm.

Goethe's whole theory of nature, with its relationship between all life, and its metamorphosic development from the incomplete to the complete appears here in the picture. The spirit can at first be only like a seed in the world. It must pour itself into matter, into the elements, and dive below in them, in order to assume from them a higher form. The Homunculus is shattered on Galatea's shell-chariot. He dissolves into the elements. It is a marvellous presentation of the moment when the astral body has enwrapped itself in a body of physical matter—and can now live as man.

These are experiences Faust goes through while he is in another state of consciousness, a condition outside the body. He is becoming gradually ready to behold the secrets lying behind physical-material existence. And now he is able to behold the spirit of Helena, from the realm of things ‘long ere this dissipated’ appearing in bodily shape before him. We have in Act 3 of Part II the re-embodiment of Helena. Goethe represents the idea of re-incarnation cryptically—as he had to in his day; how spirit, soul and body unite from the three realms, to form a human being—and before us stands the re-incarnated Helena.

We must of course remember that, since he is a poet, Goethe presents in pictorial form the experience of the clairvoyant consciousness. Wherefore we must not rush in with heavy-fisted criticism and ask: ‘Is Helena now really re-incarnated?’ We must keep in mind that a poet is speaking of what he has himself experienced in spiritual worlds.

In this way Faust, after having conquered a new stage of life, is able to experience harmony with what is ‘long ere this dissipated,’ the union with Helena. We see now how a being springs from the union of the human soul with the spiritual when the soul has raised itself up into higher worlds; a child of the spirit, subject not to the laws of the sense-world, but to the laws of the spiritual world: Euphorion. We shall understand what springs from the union of the raised spirit with the sense-world if we remember the previously-quoted passage from the proposed Epilogue of Mephistopheles-Phorkyas at the end of Act III, and if we realize that Goethe has in ‘Euphorion’ put in traits which belong to Byron, whom he much honoured. In doing so he may, after all, apply the laws of the spiritual world to it, since he is concerned with events in the spiritual world. And so Euphorion, though scarce conceived, may be already born and at once jump about and stir himself and say spirited things. Once more we see how strictly and conscientiously Goethe takes the entry into the spiritual world. In his aspiration for supernatural worlds, Faust is far beyond his present experiences. But even so he is not free from those powers from which he must liberate himself, if his soul is to unite completely with the spiritual world. He is not free from what Mephistopheles mixes into these spiritual experiences. Faust is what one calls a mystic, who—in the Helena-Euphorion scene—lives and moves completely in the spiritual world. But because he has not yet scaled the necessary step which makes him capable of being absorbed entirely by the spiritual world, so, once more, what he can experience in it escapes him: viz., Helena and Euphorion. What he had brought by his experience from the spiritual world eludes him yet again. He has become capable of living in the spiritual world, of experiencing Euphorion, the child of the spirit, who springs from the marriage between the human soul and the world-spirit—but it escapes him again and vanishes. Now there sounds from the depths a remarkable call. He is now like a mystic, stumbling for a time, one who has had a glimpse into the spiritual world and knows what it is like, but could not remain, and sees himself suddenly cast out again into the material world: he feels his soul to be the mother of what was born from the spiritual world, but what he has born sinks again into the spiritual world, and it is as if it were to call out to the soul itself:

‘Leave me here, in the gloomy Void,
Mother, not thus alone!’

as if the human soul had to follow into the realm which has once more disappeared. Faust retains nothing more than Helena's robe and veil. The man who goes deeper into the meaning of such things, knows what Goethe meant with the ‘robe and veil;’ it is so exactly what remains when one has once peeped into the spiritual world and has then had to withdraw. There remains with one what is nothing else but the abstraction, the ideas, which stretch from epoch to epoch—nothing else but robe and veil of spiritual powers which endure from age to age.

So the mystic is again thrust out for a time and confined to his thoughts, like the intelligent historian, with everywhere robe and veil which carry him from age to age. These ideas are not unfruitful; for him who is limited to the sense-world, they are very much of a necessity. For him, who has already a feeling and an experience of the spiritual world, they contain another importance. They stand out dry and abstract for the man who in any case is an abstractionist, but the man who has once been touched by the spiritual world—even if he grasps only these abstract ideas—is carried by them through the world into quite another age, in which he can again experience something of the effect of the powers throughout the great world.

Faust is transplanted again into the world he once before experienced at the Court. He sees again how the beings, in whose deeds man is only embedded, play the chief part. He sees again how supernatural threads are spun, and how the same power which he knows as Mephistopheles helps to spin them. So his life passes once more from the sense-world into the super-sense—he learns how powers worm themselves into our sense-world which we see out there in the world of nature, how Mephistopheles leads, as it were, the spirits behind the forces of nature on to the battlefield: ‘Hill-folk,’ he calls them. The powers behind the material world are represented as if the hills themselves bring their people into the war. But here is a life that stands on a subordinate plane. This participation of a world that lies below the realm of man, though directed by spiritual forces, is here plainly depicted. There follows, grandly shown, the description of the part played by the historical forces, which are real forces for the spiritual spectator. Out of the old armouries and storerooms where lie the old helmets, come those beings of whom the abstractionist would say they are ‘historical ideas’—of whom, however, he who can look into it knows that they live in the spiritual world. And we see how Faust in his higher state of consciousness is led to the great powers in history, we see these powers of history arise and being led into the field. Faust's consciousness is to be raised still higher. The whole world must appear to him spiritualized—all the events we see around us, which the ordinary abstractionist describes only with his understanding, for being limited to a physical brain, he imagines he has done everything when he describes the externals. But all this is connected, and is guided and directed by supernatural beings and forces.

When man's life is carried in this way to spiritual heights, he discovers the whole might of that which is to drag him down again into the material world. He gets to know in a remarkable manner him whom he has not quite got to know before. So it is now with Faust. He stands now at an important point in his inner development: he has to complete the journey: Mephistopheles is involved in everything he has seen up to now. He can be free from Mephistopheles—from those spiritual forces which bind man to the sense-world, and try to prevent his liberation—only when he accosts Mephistopheles as the Tempter. There where the world with its realms, nature and history with its spirituality confront Faust, he experiences something in which the man who understands these things can without difficulty recognize from what depths Goethe spoke. The ‘Tempter,’ who would drag man down when he has risen a certain way into the spiritual world, comes to man and tries to give him false feelings and sensations concerning what he sees in the supernatural world. The approach of the Tempter to man is presented in the grand manner. He is the same who came to the Christ and promised him all the kingdoms of the world and their glories.

Something like this happens to the man who has entered into the spiritual world. He is promised by the Tempter the world with all its glories.

What does this mean? Nothing else than that he may not believe that anything of this world could still belong to his narrow egoism. That all personality with its egoistic wishes and desires must be thrust away, that the ‘Tempter’ must be overcome, Goethe points out through Mephistopheles in such a way that it may be a touchstone for us of what his meaning is:

‘Yet now, with sober season to address thee,
Did nothing on our outside shell impress thee?
From this exceeding height thou saw'st unfurled
The glory of the Kingdoms of the World.’

(Matt. 4.)

One might say that Goethe points out with these words, more than clearly enough for those who refuse to understand, what he really intends, in order to represent also this important stage in the spiritual growth of man. Then Faust succeeds in so far overcoming the egoism of persona! wish and desire, that he dedicates all his activity to that piece of land with which he has been enfeoffed. He does not desire possession of this land—he does not desire fame—nothing of all that—he wants only to devote himself to work for other people:

‘Stand on free soil among a people free!’

We must take these words to mean that personal egoism gradually departs from the human soul. For no one who has not overcome this personal egoism, can really reach the last stage, which Goethe still wants to depict. So he shows Faust at the point where the garments of human personal egoism fall away like scales, where Faust gives himself absolutely to the spiritual, where in fact all the frippery of fame and external honours in the world are nothing more to him. But one thing Faust has not even yet overcome. And again we see from a spiritual point of view deep, deep into Goethe's heart, as he now describes what happens next.

Faust has become a selfless man up to a point. He has learnt what it means to say: ‘The act is all, the glory is nothing.’ He has learnt to say: ‘I desire to be active. My activity must flow out into the world—I will have nothing as reward for this activity!’ But in one small incident it is revealed that his egoism has not completely disappeared. On his wide territories there stands an old cottage on rising ground, in which lives an old couple, Philemon and Baucis. In all things Faust's egoism has disappeared, except with regard to this cottage. Here there is a last remnant of egoism which speaks in his soul. What he could do with this rising ground! He could stand up there and survey at a glance the fruits of his labour—and rejoice at what he had accomplished! That is a last bit of egoism, the enjoyment in a physical survey. Gratification in a commanding material view, that remains to him still. He must get beyond. Nothing of desire and comfort, i.e., of direct surrender to the outer world, with which egoism is connected, may remain in his soul. And once more we see Faust in touch with spiritual forces. In the ‘Midnight’ scene, enter four Grey Women. They come up near to him. Three of them, Want, Guilt and Necessity cannot do anything to him, but now something emerges which belongs to the experiences of the Way of Initiation. Along the Way of Initiation there is a secret connection between all that a man's egoism can make him do and that attitude of soul which is expressed by the word ‘Care.’ In that man who is far enough to look selflessly into the spiritual world, there is no care. Care is the companion of egoisms. And as little as some can perhaps believe that when Care is present, egoism has not disappeared, so true is it that on the long, self-denying path into the spiritual world, egoism must completely vanish. If man steps into the spiritual world and brings with him into it any trace of egoism, Care comes and reveals itself as a disturbing power. Here we have something of the dangers of initiation. In the material world, the kindly powers of the spiritual world take care to see that the power of Care cannot thus come near human beings. But the moment they grow together with the spiritual world, and learn to know powers which are at play there, such things as Care become disturbing forces. Some things may have been overcome by means of the keys which lead into the spiritual world, but Care slips through all key-holes. To be sure, if man is far enough, and faces Care bravely, Care becomes a power that can remove from him this last remnant of egoism. Faust goes blind. Why? He goes blind because the power of the last bit of egoism remaining in him is cancelled by the power of Care. The last possibility of personal enjoyment is removed. It gets darker and darker all round. Now his soul feels the last remnant of egoism when he has ordered the cottage to be pulled down, from whose site the selfish pleasure of satisfaction in his work could have been derived.

‘But in my inmost spirit all is light!’

Now Faust's soul belongs to that world over which Care and all the disturbing elements which vex the body have no power, and he experiences what those about to be initiated into the spiritual world experience. He takes part as an outside observer, in events which he does not experience in the physical world, his own death and burial. He looks down from the spiritual world upon the physical world and upon all that happens to him as if it were another. The events concern now only those powers which are in the physical world.

It would take us far to explain how Goethe now makes the ‘Lemures’ appear, which consist only of sinews and bones, so that they have no soul; they represent man at the stage before he has received a soul. But Faust himself is carried into the spiritual world. We see Mephistopheles fighting a last battle for Faust's soul—a significant and remarkable battle. If one were to divide this battle up into its details one would see what a deep knowledge of the spiritual world Goethe had.

There lies the dying Faust. Mephistopheles fights for the soul. He knows that this soul can leave the body at several places. Here there is much to be learnt by those who read in one or other handbook how the soul leaves the body. Goethe is further. He knows that it is not always the same place, but that the soul's departure from the body in death depends entirely on the state of development of the person. He knows that the soul, while in the body, receives a shape corresponding to the body only because of the elastic power of love. Mephistopheles believes Faust's soul to be ready for the Kingdom of darkness. In that case it could have only the shape he describes as a ‘hideous worm.’ When a soul has given itself to its own powers, it can have only a shape expressing its virtues or vices. If Faust's soul were ripe for the Kingdom of darkness, its shape would have been as Mephistopheles thought. But now it is developed and is carried away, because its virtues are such as correspond to the spiritual world and spiritual worlds take possession of it.

Next we meet those people who are, so to speak, the connecting units between the physical and the spiritual world, who stand as initiates in the physical world and range with their spirit into the spiritual world: supernatural men of experience and observers—so they are introduced to us. Goethe tells in his poem that he has inscribed as ‘Symbolum’ how two voices resound out of the spiritual world:

‘Still call from beyond
The voices of spirits,
The voices of masters:
To exercise fail not
The powers of goodness.’

Here also Goethe is consistent with his knowledge. He represents the spirits which are not incarnate in the material world. But first he represents those to whom the name ‘Masters’ is often applied, who are incarnate in the material world. He represents them in the garb which was the handiest in his day, as ‘Pater Ecstaticus,’ ‘Pater Seraphicus,’ and ‘Pater Profundus.’ Concerning this he said to Eckermann: ‘In any case you will allow that the ending, where the rescued soul rises to heaven, was very difficult to do, and that I might have easily lost myself in vagueness with such supernatural, scarcely guessable things, unless I gave my poetic intentions a delimiting form and firmness by means of the sharply-outlined, ecclesiastical figures and ideas.’

Whoever heard here the lectures on ‘Christian Initiation’ will recognize again to what extent Goethe was initiated into those things.

Thus Faust's soul rises through the regions, through which those souls have passed which have grown accustomed to the spiritual world and are active in it, and assist in bringing other souls into it. And then we see how Goethe lays down, so to speak, his ‘credo’—that ‘credo’ which marks him as a member of that spiritual-scientific stream, which has also so often been spoken of here, especially in the lecture ‘Where and how does one find the Spirit’³ in which an example was given of how man ‘lives’ himself into the spiritual world. There was mentioned the ‘black Cross with the red roses.’ Powers are awakened in the soul when man yields himself to this ‘Cross of roses,’ which represents in the black cross the sinking down of the sense world and in the red roses the blossoming up of the spiritual world. It represents what the abstract words say:

‘And until thou this thing hast,
This death and birth,
Thou art but a sorry guest
On the dark earth.’

What man attains through spiritual understanding, through the power of the red roses, Goethe was well aware, and he confesses it: the red roses fall down from the spiritual world, as the immortal part of Faust is taken up. And so we see how Goethe really shows us the path of the human soul into the spiritual world.

Some things could be presented only sketchily. For there is something peculiar about this ‘Faust’ of Goethe: it becomes deeper and even deeper, the more one grows into it, and only then one learns what Goethe can become for humanity. One learns to recognize what he will one day become, if Spiritual Science or Anthroposophy will illuminate Goethe's esoteric poetry, where he speaks of the spiritual world from his own experiences. Goethe depicts realistically what he knows to be facts of the spiritual world. This second Part of Faust is a realistic Poem—closed of course to those who do not know that the spiritual worlds are realities.⁴ What we have are not ‘symbols,’ but only a poetic clothing up of quite realistic, albeit supernatural events, such as the soul experiences when it becomes one with the world that is its original home; when it feels itself possessed, not of knowledge which is only an abstraction, a growing together with sense observation or abstract understanding, but of knowledge which is a real fact of the spiritual world. Certainly one will for a long time yet be far from an understanding of Goethe's ‘Faust;’ for one will first have to learn the language of ‘Faust’ if one wants to get inside it. One can take up commentary after commentary: not only once are the words explained by otherwise quite clever people. As Wagner sees the ‘Homunculus’ sprouting in the retort, he says—(you can read in commentaries what his words are supposed to mean):

‘'Twill be! the mass is working clearer!
Conviction⁵ gathers, truer, nearer!’

I say it as wrongly as all those since Goethe have said, who make it mean that Wagner has the conviction that the Homunculus will come into being: ‘The conviction in Wagner is working clearer!’ And the explainers of ‘Faust’ imagine they can ladle out the whole of its depth with such trivialities! Certainly our age, which has also another word coined by Goethe in its mouth, viz. ‘superman,’ without grasping its deeper meaning, could not explain these words otherwise. Their true meaning, however, is this: that which is conceived in the physical world is a ‘conception’ (‘Zeugung ‘); that which is conceived here in the astral world is a ‘super-conception,’ (Uberzeugung—conviction). One has first to learn how to read Goethe, when like all great minds, he makes his own words. Then one will be able to measure the whole earnestness, out of which the Faust arose. Then one will, above all, not commit the triviality of understanding the final words of Faust to mean by ‘eternal-feminine,’ something which has to do with the feminine in the sense-world.

The ‘eternal-feminine’ is that power in the soul which lets itself be fertilized by the spiritual world, and thereby grows together in its clairvoyant and magical deeds with the spiritual world. What can be fertilized there is this ‘eternal-feminine’ in every human being, which draws him up to the spheres of the eternal; and Goethe has depicted in Faust this course of growth of the eternal feminine into spiritual worlds.

Look round in the physical world: we really see everything properly for the first time, when we see in it, not the true reality, but a symbol of eternity. This eternity is experienced by the soul when it passes the gates into the spiritual world. There it experiences what can be explained in matter-of-fact sense terms, if they are used in a quite special way. On this point Goethe has also expressed himself—and as a great warning for all who of set opinion insist in abstractions concerning something or other. In two successive poems Goethe has expressed, like a great exhortation to mankind, that when someone speaks of a thing in the spiritual world, he can express it in diametrically opposite views. In the first poem he says:

‘The eternal must persist through all:
For into nothing all must fall
If it insists in being.’

While he here gives utterance to the thought of his ‘eternal flux’ philosophy, he says immediately afterwards in the next poem:

‘No being can to nothing fall,
Eternity persists in all,
Rejoice in that thou art.’

While the opposite thoughts of the sense-world are used as the contrasted reflexions of the super-sense world, the latter cannot be described in terms of the former. Material words are always insufficient when used in a special sense.

So we see how Goethe, while representing the ‘indescribable’ from the most diverse sides, causes it to be done before the eyes of the spirit. What is ‘unattainable’ for the material world is within the reach of spiritual vision, if the soul schools itself in that part which can be developed by means of the powers which Spiritual Science can give it. It is not for nothing that Goethe makes that work in which he has exposed the most exquisite and richest of his experiences, ring forth in a ‘Chorus Mysticus,’ which of course must contain nothing trivial. For in this Chorus Mysticus he points out to us how that which is indescribable in material words is done, when the language of imagery is used: how the soul, by means of the eternal womanhood in it is drawn into the spiritual world.

‘All things transitory
But as symbols are sent:
Earth's insufficiency
There grows to Event:
The Indescribable,
Here it is done:
The Woman-Soul⁶ leadeth us
Upward and on!’

In such words could Goethe speak of the way to the spiritual world. In such words could he speak of the powers of the soul, which when developed, lead mankind step by step into the spiritual world.

• 1. See Cycle XIII, Mission of the Folk-Souls, by R. Steiner.
• 2. Dictionary: grows green. – Ed.
• 3. 15th October, 1908, Berlin.
• 4. See Rudolf Steiner's Spiritual Scientific Elucidation of Goethe's Faust, Vols. I and II, in course of translation (1933).
• 5. Uberzeugung.
• 6. Ewig-Weibliche; the Eternal Feminine.

The addresses published here do not belong in a narrow sense to those ‘Private Papers’ of Rudolf Steiner which have been published as urgently desired study-material for seekers after true humanity and a world-conception in accordance with spiritual values. Nevertheless what Rudolf Steiner himself says in his ‘Lebensgang’ concerning the printing of words which were taken down by his listeners, though intended by the lecturer himself to be only spoken, applies also to these:

‘Of my anthroposophical work there are now two results; first, my books which are open to all the world, and secondly a long series of Courses, which were intended to be looked upon as private publications, for sale only to the members of the Theosophical, later the Anthroposophical Society. These were versions, made with more or less accuracy at the lectures, which, owing to lack of time, could not be corrected by me. I should have preferred if the spoken word were to have remained so. But members wanted the printed edition of the Courses, and so it came into being. Had I had time to correct things, there would have been no need from the beginning for the limitation “Only for Members.” Now it has been omitted for more than a year.

‘Here in my “Lebensgang” it is above all necessary to say how the two things—my published books and private editions—fit into what I established as Anthroposophy.

‘Anyone who wishes to follow my inner struggle and work to bring Anthroposophy before the consciousness of the present age, must do so by means of the general published writings. In them I elaborate everything that exists at present in the way of the pursuit of knowledge. There is given what was revealed more and more to me in “spiritual vision,” what became part of the building of Anthroposophy—although in many respects in an incomplete manner.

‘Side by side with this demand to build up Anthroposophy, and by doing so to take the consequence of giving messages from the spirit-world to the general world of culture to-day, there was also the other demand, to meet fully the spiritual needs and desires of the members as they manifested themselves.’

Also the lectures given publicly in Berlin had, beside the casual listeners each time, an audience of people who came regularly, whose intelligence and capacity to understand were from time to time taken into consideration by the lecturer. And the stenographer had to adapt his gradually increasing skill to catching lectures of one and a half hour's duration. The two addresses published here cannot pretend to give again the pure style of the spoken word, which Rudolf Steiner so sharply differentiates from the style of the written Essay.

As there is such a strong demand for the spoken wisdom of Rudolf Steiner, that we can scarcely keep up in the issue of his addresses with the wishes of readers, our obligation increases to place simultaneously the written Essays of Rudolf Steiner by the side of these as a corrective. They are contributions to several papers, notably to the Goetheanum. Under the title ‘Studies in Goethe, the Goetheanistic Thought Methods,’ a series of these Essays is to appear shortly in book form. In them one will recognize the continuity of Rudolf Steiner's thought and the impersonality and timelessness of his style as a form of expression of those thoughts which are directed towards the eternal, and grasp ‘all things transitory’ with the most intimate sympathy and the acutest accuracy, as a link in the chain from earthly growth to divine existence.

Trismegistus Press is pleased to re-publish this rare volume of Rudolf Steiner's early writings. Steiner was most influenced by Goethe, and especially by his greatest work, Faust. The Faust legend allegorically describes the development of Western civilization which fostered an insatiable thirst for knowledge and intellect at the expense of wisdom of the heart.

The theme of Goethe's Secret Revelation is that the process of initiation is followed by a loss of innocence and a struggle for survival in the pursuit of Truth. The trials and tribulations of everyday life are the proving ground for the Initiate. Eventually, we regain our innocence through consciousness of our Inner Self.

Steiner's message, like Goethe's Faust, is divided into two parts, the outer and the inner worlds, the exoteric and the esoteric. The first section deals with the fulfilment of worldly desires at the cost of the soul. The second part deals with Faust's redemption through understanding altruistic beauty, compassion and Love. The lesson Steiner brings to this work is that the inner side of life must balance the outer world for harmonious growth to take place.

In today's world, the technocratic, mechanistic, scientific approach to life may desensitize us to our inner soul consciousness. We re-release this book to illustrate what may occur when the power of knowledge is unleashed without the heart wisdom guiding it. Goethe's Secret Revelation also reawakens a vision of unlimited possibilities for a new world filled with the spirit of Love and Truth.

We have spoken about the facts of the spiritual life through several years. Today a new series of talks begins. Who has already taken a program knows that the objects of this year's spiritual-scientific talks span a wide range. On one side, you find talks deeply intervening in our spiritual life; however, it should also be shown how just spiritual science is destined to intervene deeply in the objects of practical life. However—this should be expressly stressed in the introduction—the point of view should be fixed today; we want to orientate ourselves especially about the spirit as such today. This talk should be introductory, orienting, and programmatic.

If the word “spirit” is pronounced, one points to something that, as long as there is human longing and human hope, is the aim of all human beings, of the primitive ones as well as of the high developed ones. Nevertheless, one cannot say that that which just the word spirit means attracts a deeper understanding in our days.

Today the science of the spirit appears as the most popular and the most bewildering at the same time, because the human being cannot face the spiritual research indifferently and objectively. This question stirs up the deepest affects, the most intensive passions in our soul. The answers to these questions are relevant from the start to the human beings. If the human being looks only a little deeper into his soul, he notices that he has an opinion—even if he does not pronounce it—how the answer should turn out. All questions belonging here touch the human being in such a way that one can say, an answer can offend the one person in this way, the other person in that way. The one may feel sore just about a sober consideration; whereas the other thinks that the freedom of research or science is attacked if anybody exceeds the exact research only somewhat.

The characteristic of the human development has brought with it—especially since the boom of natural sciences—that today the conceivably highest confusion prevails about the view of the spirit, and especially in the circles which should foster just such a thing like the science of the spirit. If one wants to recognise something of the spirit, such a sum of fine and intimate concepts is necessary that here a confusion of ideas is extremely significant and detrimental. The modern human being is right if he turns to the fundamental principles of science first if he wants to know anything about the spirit. Then he must turn to psychology at first. It should be “the science of the soul.” It becomes soon clear just to somebody who approaches unprejudiced what one calls the science of the spirit what one understands today by the science of the spirit. Today, there is hardly anybody who speaks about these matters and does not confuse soul and mind. I want to go back to real phenomena.

There a book Outline of Psychology appeared before some time (1908) by a person (Hermann Ebbinghaus, 1850–1909, psychologist) who one regards as a significant expert of his discipline. It is an example how today the science of the soul is pursued. However, this is not my starting point to show which confusion of the concepts of soul and mind has happened. We read there on one of the first pages: if hypoxaemia occurs in the brain, the result is a faint, because then the mental ability stops or is reduced at least. However, a mental effort causes an influx of blood. Stimulants work on the brain via the nervous system, et cetera.—Now at first one has to point to the fact that someone who wants to bring, nevertheless, a “science of the soul” uses the expressions “soul” and “mind” or “spirit” as substantially synonymous, and is not aware of the fact that they are different things. Hence, there comes just the evil. The spiritual scientist would say, hypoxaemia and faint only paralyses the activity of the soul, however, the spiritual activity does not decrease. In addition, the activity of the soul causes influxes of the blood to the brain. Here the saying of Goethe applies that no matter is without spirit.—With faint, another spiritual activity exists, so that the soul withdraws from the brain and leaves the field to a spiritual activity different from that if the soul is present.

Modern psychology does not differentiate soul and mind. Therefore, it is important to form a clear concept of the mind first. This is very difficult. Today, people—driven by a power as it were—believe that everything is contained in material processes and want to look at the spirit only as an effect, as a consequence of the material. The spiritual researcher looks for the spirit not only in the human being, but also everywhere around us. It appears like an internal physiognomy in everything. It is spread out everywhere in the universe. No human being, no animal, no plant, no stone can be without having the spirit as basis. I like to use a picture. We imagine a water container in which the water is cooled bit by bit. Thereby ice may originate, so that we see some lumps of ice swimming in it. We imagine now that any being cannot perceive water, but only ice. There the ice would appear just only from the water; however, the being would deny the water. Everywhere only ice exists, but no water, this being would say.

Now the human beings behave similarly to mind and matter. As well as in our picture the ice originates from the water, there the matter originates from the original, from the spirit. Matter is nothing else than compressed spirit. It appears for the sighted human being from the spirit, to somebody who cannot see from nothing. Everything in the universe is compressed spirit. If now the materialist comes and says, what you call spirit does not exist, and then his logic is in a bad way, because he is only allowed to admit, actually, that he cannot perceive the spirit. Someone who has a healthy logic should talk with such a man only about something whose existence he has admitted, so about matter. If we speak of the soul, we are never allowed to separate the concept of inwardness from it which we see best of all in the soul of the human being.

An example shows the difference of mind and soul best of all. We imagine that we see an event before ourselves, which makes us tremble, which frightens us, for example, shooting a gun to us. A third person who sees this feeling of fear in us is able to say only that the other had this face which is dependent, however, on the state of the person. A human being who has maybe forgotten fear would face the danger intrepidly. However, that person faces the event with fear and fright. We call that something mental that is stimulated in our inside by an external perception that way. However, for the spiritual there is no outside and no inside. What is outside is inside, too. If you check your inside, you notice that there is a transition from the mental to the spiritual that, however, a difference exists between that which we call mental and which we call spiritual. About the sensations, which rise in us, one cannot argue, because they are different with the single human beings. In the one, a world of feelings would arise at the sight of a picture by Raphael, while a primitive human being feels nothing. In between there are still all possible gradations. Here we are concerned with something mental. However, mathematics, for example, gives us something spiritual, for example, in mathematics. Nobody can understand by experience what a circle is. An inner view is necessary for it. This is so easy, but people do not understand it. We know about that which is something spiritual that everybody can experience it as we do if he creates the necessary preconditions of it only. To the same extent as we realise that we advance from an inner experience to one which is accessible to all people, to the same extent we should realise that we go over from something mental to something spiritual.

If we assume that the human being rises to such a height that he is able to say something about a thing of the outside world about which the human beings can agree, he rises to the concept, to the idea of the thing. Then we should realise that that is the same, which was there before the thing, according to which the thing is created. Only someone can believe that he can obtain something spiritual from a world in which no spirit exists who supposes to obtain water from a glass in which no water is. If we look at any being of the outside world, so that we open ourselves not only to the uplifting, to the beautiful, but also to the sad, if we open ourselves to the real being of the things, we must understand that we let light up in ourselves what was there before the thing, from which it has originated. Thus, the physical appears to us like a compression of the spiritual.

Many a prejudice has its origin in the habit to imagine the outside world as something spiritless and to show the spiritual as something that the human being adds. He can only have that in his consciousness that is the effect of the outside world on him. Remember that one often says on this occasion, we can only know that a table exists, just the table in itself that has the given effects on us.—The fact that one can judge in such a way is an example that in wide circles is no understanding of the nature of spirit.

A simple picture can show us what the centuries-long research simply slides over if one asserts that the human being knows nothing about the thing in itself. If anybody says this, it seems obvious. Physics, science generally, point repeatedly to the fact that you do not at all perceive “yellow,” for example, but only movements of the ether. They cause the yellow colour in you, just as the movements of the air the tone. You do not come out of yourself; you see only what is in you.—A simple comparison extinguishes this whole conclusion. Imagine, you have a seal and sealing wax. The name Muller is imprinted. No trace of brass has gone over from the seal to the sealing wax. However, the point is the name that has been completely transferred into the sealing wax. Now the sealing wax could also say, I know nothing about the seal, because from the outside nothing can be transferred to me. Thus, it is with science to a T. The name Muller has been completely transferred onto the sealing wax. Who states that such an effect would not be possible does not understand that there is no border between the material and the spiritual. We have to figure out more and more the fact that the spirit has to do nothing with that which is in us, but that it is outside and in us. We have to distinguish soul and mind from each other. Then we have created a basis to know that all bases of life are bases of the spirit. Psychology tries more and more to lead back the spiritual to something purely physical. However, we had to experience that the spiritual was derived from physical and purely mechanical processes! The sciences that are not intentionally materialistic today are unaware of it.

Let us go back once again! Imagine how a faint originates from hypoxemia in the brain and thereby the soul is immobilised. We must approach this process with spiritual science. This shows us that the human being is not only this material being, which we can perceive with the external senses, but that he is a complex being. The physical body is a compression, a coarsening of something spiritual, of something finer, that there is a coarsening of the etheric body or life body at first. We see the human being literally as a water ball, which solidified partially as ice, so that the ice lump swims in the water from which it has formed like from a fine mother substance.

It is with the physical and etheric bodies in such a way. Matter is a form of spirit different from the spirit as such like the ice is another form of water. However, the etheric body is not yet the finest. It is the compression of the astral body. Now we have the human being already as a tripartite being. He has the physical body in common with all beings of the physical world. One can recognize the etheric body purely logically at first. If we take a rock crystal, it keeps its form, until it is destroyed from the outside. These are the essentials of the mineral. That does not apply to the plant, the animal, and the human being. We probably have the same substances in the human being, but these are so complex that the human body would break up immediately if it did not bear a fighter against the decay of the physical body in itself: this is the etheric body or life body. If the etheric body is outside, like after death, then only the physical body disintegrates. However, the etheric body or life body prevents the decay between birth and death. The human being has it in common with plant and animal, the astral body only with the animal. Here with the astral body, we have already arrived at finer and finer spiritual members, we have already come to the soul.

Spiritual science could speak of three human members, of body, soul, and mind. However, if we pursue this more exactly, we separate into physical body, etheric body, and astral body. If we have a human being before ourselves, we have the physical body at first, as far as one can see it physically. However, we also have the etheric body, the fighter against the decay. However, this is not yet the whole human being. Already the most primitive human being knows that joy and grief, desire and pain live in him. We call the bearer of that “astral body.” Materialists could argue that this is only an effect of the physical processes, that it is nothing real.

If this were the case, if these processes were only an outflow of physical processes, for example, of the blood circulation, it would be a mere quibble speaking of an astral body. However, the astral is not a result of physical processes, but the processes in the nerves are the results of the astral. That which excites joy and grief, desire and pain was there sooner than the physical body. We see how in us today, so to speak, the last rests of the immediate effect of the spiritual on physical processes express themselves. I have pointed to the senses of shame and anxiety already earlier. A human being turns pale because of fear. What has happened there? On the other hand, if the human being feels: something is in me that I would like to hide—and he blushes. The sense of shame and anxiety are soul processes, soul experiences. However, they express themselves in physical processes. If we are anxious, we like to take together all forces inside, assert ourselves; the blood contracts inside, as it were. It is almost corporeal: a direction, which is unconsciously materialistic, has turned the whole process upside down.

Pragmatism, which came from America, pronounced the view: if we face a loaded gun, not the fear makes us tremble, but something that goes out from the gun makes us tremble at first. The result of it is the appearance of fear. The human being cries not because he is sad, but he is sad because he cries. Materialism plays such pranks to you. However, spiritual science shows us that everything that happens, that trickling of water, or a process which we examine under the microscope or a human being, an animal, a plant, is also an outflow of something spiritual as something mental-spiritual is the cause of fear. Thus, we find the spirit everywhere round ourselves if we are only accustomed to look at everything as a physiognomy of the spirit. Everybody can attain the spirit in this way. On the other hand, one could say, there the human being sees the spirit through the veil of the material. Is it also possible, however, to see the spirit immediately? The human being must take the word “initiation” completely seriously. Goethe made so many remarks important for spiritual science, for example: “the eye forms in the light for the light.” From indifferent organs the eyes of the human being have gradually developed. Goethe has the certainty in common with all spiritual scientists that the human being looks back at a long, long development. If there had been no light, eyes would never have come into existence. As the animals lose the ocular light in dark caves, the light has formed the eye.

As true as without the eyes the world is dark and sinister for the human being, it is also true that the eye is formed in the light for the light, that there would be no eyes without light. In addition, the tones conjure up the ability of hearing, the smells the ability of smelling, and so on. It was in the past that way and even now it is that way concerning the physical organs of the human being. However, it is also for the spiritual organs in such a way. One can speak only of light and colour if the organs are there; but the light is there for a long time before. In addition, it is with the spirit. It also is there already before and is capable to wake up the slumbering spiritual abilities in the human being, which then perceive the spirit as the eyes perceive the light. The spirit forms the spiritual organs as the light the eyes. Thus, the human being can develop the spiritual organs, which the spirit formed for the spirit.

If anything appears to us as physiognomy of the spirit, we can grow into a spiritual world there, if we have the patience to develop and to form. So spiritual science speaks of the spirit still in another way. As we get to know by the botanist, the physicist, and others, what they fathom of the secrets of the physical world, there is and there has always been spiritual science. Today, the majority of the human beings know nothing about the concealed worlds of this spiritual science. At first, this science was fostered in the mysteries, unnoticed by the remaining world. Spiritual science must come out today and announce publicly what it has to say as the physical science announces its results publicly.

Just as the physical science uses external tools, the spiritual researcher must be his own tool. There have always been such researchers. Only somebody who develops the organs can tell how it is in the spiritual world. However, if it is pronounced, then the simple, healthy human mind suffices to understand it. Another development is only necessary to research. I would like to give you an example how by intimate processes spiritual development takes place. This way is not tumultuary. Many a human being becomes a citizen of the spiritual world, without his fellow men anticipating it. Nevertheless, large is the area that reveals us how to work on ourselves if we want to gain an insight of the spiritual world. I give an example how intimate this work is.

There are three levels of knowledge: at first the knowledge of the physical world, then imagination which, however, has nothing to do with speculative fiction; it leads in a certain way into the spiritual world. The inspired and intuitive worlds form the third level. One attains the imaginative level doing certain internal exercises patiently for a long time. These exercises do not deduct you from the external world, but make you more competent and more practical. However, at the same time they lead into the higher worlds.

There, for example, is such an instruction of a teacher to his pupil: have a look at a plant. It grows out of the ground, develops leaves, blossoms, fruits; have a look at this whole development of the plant how it develops chlorophyll, et cetera. The plant can be a model for the human being. As well as the plant is interspersed with the green colouring the human being is interspersed with the red blood. Although the plant is on a lower level than the human being is, nevertheless, it has something over him. Its substance, its matter, its chlorophyll is not interspersed with low desires and passions. The human being is no longer chaste and pure, but he had to pay his higher development with the fact that he took up desires and passions in himself. The expression of it is the red blood. Juxtapose both, and then think of the Goethean saying that is the saying of all spiritual teachers at all times:

And so long as you don't have it,
this: “Die and be transformed!”
you will only be a gloomy guest
on the dark earth.

(From Blissful Longing in the West-Eastern Divan)

That is the substance, which is penetrated with desires and passions and must be purified again, so that it is raised about itself, although it is on a higher level, and becomes again chaste and pure. The blood must be again the expression of this chastity and purity. Imagine the red rose; you face the chaste red plant sap. Admittedly, it is there still a plant sap, but you may see something before yourself in the red plant sap that can be to you like the dawn of a higher development of the human being, a symbol shows this: the black cross with red roses. Become engrossed in this symbol excluding any other thought, experience in it how the human beings have to develop up to the purity of the red rose petal. If you experience this, you experience the first trace of the spirit.

Thus, always other pictures are added to this picture. These pictures are there to conjure up the spiritual organs inside of the soul. Then this comes true for the human being that he finds any rest and help in the spiritual world. Therefore, spiritual science is of such an immense significance to the external world. It is true what Novalis says: the human being is the perfect tool, if he only wants to be it. In addition: the human being lives in a spiritual world that he can perceive if he is only elastic enough to develop the necessary organs in himself. In addition, true it is what Goethe lets Faust say:

This spirit world is not sealed off;

your mind is closed, your heart is dead!

go, neophyte, and boldly bathe

your mortal breast in roseate dawn!

Goethe spoke that way because he had recognised the spirit and wanted to put it up as a motto for all spiritual researchers.

There is in our culture certainly no document that has intervened so deeply and so intensively in the whole spiritual life as the Bible. One would have to write a history, not of centuries, but of millennia if one wanted to describe the effect of the Bible on humankind. If one completely wanted to refrain from the influence of this document on the mainstream, one would still find something immeasurable in the Bible concerning the influence and the deep effects on the human soul. Certainly, one may say that just our modern time presents exceptionally many things, because one could show that today not only those who stand on the ground of the Bible are deeply influenced by this human document, but also that those who have turned away from the Bible are subject to its influence. For the Bible is really not only a document, although it is it in the most particular measure, because it fulfils the soul with a sum of images about the world and life giving the soul a worldview, but the Bible was, for millennia, an enormous means of education of the souls.

It has meant something not only to the imagination, and means something to it even today, but it is maybe important and more essential what we must regard as an effect on the emotional life, on the ways of thinking. There we must often admit today that the Bible only developed the emotions, the sensations of those who combat the Bible.

But who looks around only a little at the spiritual life of humankind, in particular at that of our western humankind and that which is connected with it, that will note what an immense reversal has taken place concerning the position of humankind or, at least, of a big part of humankind to the Bible.

Those who stand still firmly on the ground of the Bible today could maybe think too little of that to which is pointed with it. They could say, even if there may be some people who turn away from the Bible who state that the Bible can no longer be that for humankind what it was for millennia, it is presumably only a temporary phenomenon. We believe in the Bible; whatever the gentlemen say who believe to stand on the ground of science, it may seem to them fantastic—we rely on the Bible! One could find this judgment among certain personalities very much common, and it is only a matter of course. For someone who is still able to take the happiness, the certainty and the strength of his soul from the Bible cannot put enough in the balance according to his character against those phenomena that exist around him as criticism and refusal of the Bible.

However, such a judgment would be rather careless. It would be even selfish in a certain way, for the human being—if he pronounces such a judgment—says to himself: the Bible gives me this or that; whether it gives the same to other human beings, I do not care about.—Such a human being does not pay attention to the fact that humankind is a whole. What single human beings experience, think and feel at first flows down into the whole humankind and becomes common property.

Somebody who says, I do not want to hear what the critics and the scholars say about the Bible today, I do not care about it judges only for himself. He does not remember whether also his descendants, whether those human beings who follow him can have the chance to gain such a satisfaction from this document if criticism and science are about to take this document away from humankind. The power of the authorities who are involved in the life of this document is big and strong. It means, actually, to act blind and deaf towards that which goes forward round one if one wants to start only from the just characterised point of view of naive faith, undeterred faith. Today one has to hear what can shake the respect and the meaning of this human document with our fellow men. The shock, the radical changes that took place in the course of the last centuries with reference to this document are enormous.

Still a few centuries ago, the Bible was believed to be something that enjoyed unconditional authority; it was believed to be of higher divine origin. This belief, this assumption is shaken long-since and will be shaken more and more by always new reasons. At first, neither our modern science nor the present natural sciences turned against the old view of the Bible. Already more than hundred years ago, the more materialistic way of thinking—we are allowed to use the expression, because we have often explained it here—considered the Bible from the purely external point of view. We speak about the Old Testament first. For centuries, it was believed to be—like the New Testament—an inspiration of higher powers. It was believed to be written out of a consciousness that could rise to a sphere of truth to which the sensuous consciousness could not rise.

The first to shake this belief in the fact that the Bible was written out of a higher human consciousness, that it is due to another authority than to any authority of a human writer was that one said to oneself: if one reads the Bible, it turns out that it is no uniform document. In the eighteenth century, the French doctor Astruc (Jean A., 1684–1766) wrote, one says, the human beings would have written under the influence of higher powers the chapters of the Bible that we call the history of creation by Moses. However, we read the creation story and find that single parts are not in accordance with each other; we find stylistic and objective contradictions. Hence, we must suppose that not a single author, Moses or anybody else, wrote this document, because somebody who describes the conditions successively as a single person would not bring in inner contradictions.

I can only outline all these contradictions: old documents would be taken from different sides and combined by various authors. These were the first objections against the Bible. We want now to characterise the spirit of this kind of opposition against the spiritual origin of the Bible, apart from that how the things happened.

One sees there how immediately in the beginning in tremendous, overpowering pictures the creation is unrolled. In them, the so-called Six-Day Work is told. One tells further on how within this creation the human being originated, how he came to the sin, how he developed from generation to generation. There one notes that in the first parts, in the first verses, a name is chosen for the divine powers, for God, different from the fourth verse of the second chapter on. One sees there that really these two names of the divine alternate, the Elohim and Yahveh or Jehovah. There somebody must ask himself, should an author have called the divine with two different names? Where from this may come? He says to himself that that or those who put together the document finally found old traditions or also old documents which they interlinked and formed a whole from them. The one may come from this tribe, the other from that tribe, and one interlinked them. This one makes itself noticeable. Starting from this one notes, going on, that similar and other contradictions appear.

Thus, one got around to separating and tearing the original documents in different pieces. If today anybody wanted to put together a Bible from the different pieces and fragments from which one thought that it must be composed, if anybody printed with blue letters everything that one counts among one document, with red letters what among a second, with green letters what among a third and so on, then a strange document would originate. However, it has already come about—the so-called Rainbow Bible!

The ancient, venerable document is there, one would like to say, disassembled in the single pieces from which it should be composed. The Bible is, of course, a document of which one believes, however, to be able to prove that it is due not to Moses, but that parts of it originate from this or that clerical council in relatively late time. Other parts of the Bible are put together from legends and myths that one gathered from here and there from religious views of this or that school. What became a whole this way cannot be believed to be something that was brought into history with a raised human consciousness that is able to behold into the spiritual worlds.

However, nobody is allowed to believe that these both talks, which I have to hold today and on Saturday, are intended to lower any way the diligence and the sedulity of the works just only briefly outlined. To somebody who knows the spiritual means that was used to tear the Bible to small pieces and to explain them, the diligence and the sedulity and the skill of the researchers of all these works become apparent. They appear to him as the most tremendous that was maybe performed in science. In relation to the formal, in relation to the industrious research one cannot find anything comparable. If we look closely at the result of this research performed by modern theologists, so just from those, who due to their profession believe to stand on the ground of Christianity, we must say to ourselves, it must cause another relation to the Bible as it was for centuries. If this research comes to fruition, the Bible—many things had to be discussed to reason it in detail—cannot longer exist as the document that comforts and raises the human beings in the saddest problems of life.

Apart from that, numerous human beings have looked around in the fields of scientific research, in geology, in the developmental history of animals and plants, in the history of civilisation, in anthropology and so on. These human beings are hardly able to conceive anything reading the Bible. One has to be also fair in this respect and not position oneself simply on the ground of naive faith and say that this signifies nothing. They are often those who are the most conscientious ones in their feeling of truth, in their thirst for knowledge. They say to themselves, I see that research standing on firm ground has found

That the earth developed throughout geologic periods,
That the earth developed from a mist of higher temperature to the present form,
That the inanimate develops and from this inanimate the living being,
That everything developed from the simple up to the most complex being, the human being,
That the forms of civilisation ascended to the modern complex forms.

Numerous human beings say, if we see which tremendous geological periods were necessary to receive the earth when it had not yet produced amphibians nor mammals, if we survey all that and open ourselves to that, what shall we to do if the Bible tells us that the world was created within six or seven days? We have no use neither for the creation in six or seven days nor for anything else. Which use are we able to make of the Flood, of the miraculous rescue of Noah if we read that Noah brought so many animals in the ark, and so on?—Thus, it happens that some human beings gifted with dignity and serious sense of truth oppose so sharply and vigorously against the Bible based on the modern scientific viewpoint, in so far as it wants to extent to a worldview. All that exists in our worldview. We are not able to deny all that.

However, there the question arises: does one take all things really into consideration that are to be taken into consideration in relation to the Bible if either the first viewpoint, the historical one, or the second, the physical-historical view is asserted? There one has to say that already the third viewpoint exists in relation to the Bible, a viewpoint that develops from that real research method and human viewpoint that is characterised in these talks as the spiritual-scientific or anthroposophic one. We have to deal with this viewpoint in relation to the Bible today and the day after tomorrow. What a viewpoint is this? One often says today, the human being is not allowed to rely on external authority, he has to approach world and life without presuppositions and to investigate truth, and one believes to insult just the Bible if one takes up such a viewpoint. Does one really insult the Bible with it? One can compare the spiritual-scientific or anthroposophic viewpoint to something that happened to humanity concerning something else, even if less significant, some centuries ago. We come to an understanding of the spiritual-scientific viewpoint concerning the Bible the easiest, if we compare it with the radical changes in relation to the view of the earth.

There we see that all schools, the lower and the higher ones, taught about the external nature in the whole Middle Ages following up old writings, indeed, writings of a great personality, of the old Greek philosopher and naturalist Aristotle. Thus, if you could go back with me to the sites of the spiritual life of the older time, you would find that that was not communicated in the old schools and training centres which was found in laboratories, but which was printed in the books by Aristotle. Aristotle was the authority and his books were the Bible of the natural sciences at that time. Where one only communicated and taught what Aristotle had already said about the matters. Now the times came when a new aurora arose concerning the view of nature, the new way of the physical view of Copernicus, Kepler and Galilei and all the others up to now. What was the basic feature of this aurora? While one had taken before Aristotle as a firm starting point, and spoke about nature as he had spoken, now Copernicus, Kepler and Galilei used their own senses of observation and research. They themselves looked at nature and investigated what life could show them. Thus, they wanted to describe and explain nature according to that which they themselves had seen. There they came into conflict with the teachings of Aristotle's strict believers.

It is more than a mere anecdote, it means the deep truth of a process that happened at that time: one tells that a believer of Aristotle was asked to have a look at a corpse and to observe that it is not right that the nerves go out from the heart—as Aristotle teaches—but from the brain. The believer of Aristotle was persuaded to look at this. Then, however, he said, if I look at this, it seems that nature contradicts Aristotle. However, if nature contradicts Aristotle, I do not trust nature but Aristotle.—Natural sciences faced tradition that way. The view of the researcher was rejected in the light of that which was reproduced and repeated as tradition for centuries. If we read Giordano Bruno's writings, we see the opposition against Aristotle out of the new spirit that tells and explains what the human being himself should see.

We look at the whole matter again differently today. We face the immediate scientific observation and Aristotle differently. We know that a lot of that which was read out from him in the Middle Ages was only an ambiguous interpretation of his writings. Aristotle was a researcher out of the spirit of his time who looked immediately into nature and communicated what he was able to say. If we understand Aristotle correctly, if we can defer to what he said, then he does no longer seem to contradict the immediate scientific observation, as he seemed to contradict at that time. Then we can become his admirers again, because just concerning the origin of the nerves from the heart instead of from the brain, it becomes apparent that he meant something else, namely something that is still correct for our time.

In a quite similar way, the spiritual-scientific research faces not only these documents—the writings by Aristotle—but also the western original document, the Bible. What has happened in relation to the observation and investigation of the external nature since the sixteenth century takes place again in relation to the investigation of the spiritual undergrounds of the world. Out of the spirit of that research, I have characterised in the last three talks, how humankind tries to penetrate again into those worlds that are not discernible by the outer senses. However, they are discernible to the higher developed senses of the human being, to the spiritual senses of the human being with which we can behold also in the spiritual world as we can see with the physical senses in the physical world.

It is not necessary to keep on explaining because I have often enough said that the human being is able to develop the forces in himself that he can perceive not only the sensuous things, but that he can perceive a spiritual world between and behind the sensuous, a spiritual world that is much more real than the sensuous world. With good reason, humankind had forgotten the methods of spiritual research for a while. The big progress, the big conquests in the physical world were done because the instruments were perfected in such a way, as it was the case during the last centuries. However, if one thing extends in the human nature, other abilities take a backseat. That is why we see how during the last centuries the scientific methods blossomed for the external physical world of facts. Never were instruments that are more stupendous invented to pick up the secrets of nature and to investigate her principles. The concerning abilities were extended and perfected tremendously, but those abilities have withdrawn with which the human being is able to behold into in the spiritual world. Hence, it is not surprising that the human being was convinced that the spiritual could also be explained from the material existence.

However, we stand before the dawn of an epoch today when humankind becomes aware again that there are still instruments and tools different from those in the physical and physiological laboratory where they are used so excellently. Indeed, we have to do it with an instrument that differs thoroughly from the other. We deal with the basic and original instrument that we have to see in the human being himself. We get to know the human being by the methods of concentration and meditation in the course of the winter. These are other methods that the human being can apply to his soul and by which he gets around to seeing the environment unlike he has seen it before. He can get around to saying to himself: I am like an operated blind-born who could deny the colours and the light of the world before.—However, the moment had now come that he himself could see. Now he could see that something else is behind that which the senses and the mind perceive. Now he sees into the spiritual things; now he does not know, not hypothetically, by speculative philosophy that the sensuous, the material is only like a compression of the spiritual, that that which we see with the senses relates to something spiritual behind it as ice relates to water. The water is thin, the ice is solid, and somebody who is not able to see the water, but can see the ice would say, there is nothing round the ice.—Somebody, who can see only with the senses, states that there is nothing but sensuous processes, nothing but sensuous events everywhere.

However, we must penetrate into this supersensible field, into these supersensible events, and then we can recognise and explain the spiritual. Who has not developed spiritual ears and eyes sees nothing but compression—like the ice in the water—all over the world, as well as the primordial mother of substance, the spiritual in which the sensuous is only embedded does not appear to him. If the geologist shows us how, for example, a human being could sit on a chair in the universe and could watch how the world has developed: the external sensuous view would be as the natural sciences describe it. Spiritual science has to object nothing to that which natural sciences have to say in the positive sense. However, it becomes apparent to someone who is in the right know of the physical science that before the first forming of the physical the spiritual was there. There it becomes apparent how the progress became only possible because the spiritual helped, and that the spirit is mostly involved in the development.

So this spiritual worldview points to the fact that the human being can make himself the instrument of the investigation of the important bases of the world, and, finally, our view gets around to investigating the spiritual original grounds and beginnings independently. Thus, spiritual science stands there, independently of any document. It says, we do not do research in a document first. We do not do research as it was done once, in the books by Aristotle, we do research in the spiritual world. We adapt ourselves in such a way: what you learn as usual school geometry, the Euclidean geometry, was written down in its first beginnings by Euclid, the great mathematician. Today we can accept it as a document and understand it historically. However, who learns geometry at school today, is he still learning after the elementary book of Euclid? One works, learns, and recognises by the things themselves. If one constructs, for example, a triangle, the internal lawfulness appears to the mind out of the thing itself. Then with that which you have gained in such a way, you can move up to Euclid and recognise what he already wrote in his textbook. Thus, the spiritual scientist does also research, regardless of the books, only with his organs how the world has developed. He finds the development of the world, the development of the earth at that time before the earth crystallised in its present form. He investigates the spiritual processes and finds how at a certain point our mind starts in the earthly existence; he shows that the human being appears first and has not developed from subordinated creatures, but that he was first there as a descendant of spiritual beings.

We can go back to former times when still the spiritual primordial grounds existed. We find the human being connected with these spiritual processes, and only later, the lower creatures develop besides the human being. As well as in the development generally certain things remain behind and other advance, the lower also diverted from the higher. The spiritual researcher knows that spiritual organs can be developed by methods that the spiritual researcher is able to show.

Thus, the spiritual research teaches the origin and evolution of the world according to principles which are independent of any document, only out of own principles, as well as one learns mathematics regardless how it has developed in the course of history. In the same way as the researcher has appropriated knowledge of this wisdom, he approaches the Bible. He looks at the Bible. It becomes apparent now, why there are contradictions in the Bible from the viewpoint of the historical-critical biblical studies as well as from the viewpoint of scientific research. Both viewpoints come from one big error that originated from the fact that one thought generally to be supposed to understand the truth of the Bible from the viewpoints of physical-sensuous perception. One thought that it is possible to approach the Bible with such criteria. One did not yet have the research results of the anthroposophic spiritual science.

I want to show with single examples what I have just said. Spiritual science shows us that we come investigating the earthly creation with the methods of geology et cetera only to a certain point, and that then the human development seems to proceed backwards in the uncertain. Why? The sensuous science, may it hope it ever so much, will never be able to pursue the human being back to the origin, because sensuous science can find the sensuous only. However, the mental and spiritual have led the way of the sensuous in the human being. He was soul first and at even former times, he was spirit, then he descended to the earthly existence. Only as far as the physical life is involved in the descent of the human being in the earthly existence, natural sciences can show this course of development.

We cannot investigate the soul life with the usual forces of the sensuous observation. Geology can also be no guide to us. It gives us the investigation of that which remained behind as sense-perceptible matters. It can only say what one would see if anybody sat on a chair in the universe and saw everything that developed on earth. Spiritual science does not defer to this. However, one must have developed spiritual eyes and ears to see the human being as a spiritual being in primeval times. If one does not have these organs, the soul and the spirit of the human being disappear. However, if one has the spiritual eyes, the sensuous disappears, and the spiritual picture originates. One cannot see this, however, in the same way as the sensuous. One must appropriate quite different concepts of knowledge if one wants to go back to such primeval times. What one sees developing there from the human being when it was only a soul does not appear in sensuous concrete perception as the external sensuous world offers it. This appears to us as pictures. Our consciousness becomes a picture consciousness, an imaginative consciousness by the development of the internal forces of the soul. Then the consciousness is filled with pictures. We see in another condition of consciousness, what has happened at that time, now in pictures. Pictorial is that which goes forward inside of the seer.

The rudiment that still exists of the seer's gift is the dream. However, it is chaotic. The vision of the qualified seer also exists in such pictures, but these pictures correspond to reality. It corresponds to the condition as the physical-sensuous human being can make a distinction whether his mental images correspond to reality or are only fantasy. Who wants to stop with the sentence: “The world is my mental image” and “the external things only stimulate the mental image,” to that I might propose that he should have a piece of glowing iron in his nearness and feel how it burns. Then he has to leave it and feel whether the mere mental picture still burns in such a way. There is just something that makes a distinction between the mere mental picture and that perception that is stimulated by the external object. Hence, one is not allowed to say that the seer lives only in the phantasms. He has just so developed in this field that he can make a distinction what is a mere speculative fiction, or what is a picture of the reality of a spiritual-mental world. The pictures become the means of expression of a spiritual-mental world. If the seer looks with supersensible senses back at times, before there are sensuous objects, the true spiritual beings and events present themselves. The spiritual researcher speaks not about forces that are abstractions, but about real beings. As to him, the spiritual phenomena become truth and beings, and the spiritual world becomes populated again by spiritual beings.

Imagine the primeval development of the human being when a force or being intervened in his evolution, in his whole figure that this being or force differs certainly from other beings who have intervened even earlier. We can trace back the spiritual-mental of the human being who is quite supersensible even further; we can trace back it in even higher spheres where we find even higher beings. If the spiritual researcher approaches the beginning of the Bible, it becomes apparent to him that the pictures are exactly given which show the mental-spiritual in the development of the human being, before he has come into the physical life. The spiritual researcher is able to say to himself—if he finds his own imaginations again in the external documents—that he recognises them as truth. If he goes back now to the times when the human being was connected with the even higher spheres, he has to choose another name for these basic beings, and he finds really that the passages which lead the way of the fourth verse of the second chapter have another name of God. It complies exactly with the results of spiritual research that a new name of God appears from the fourth verse of the second chapter on. Thus, we are as spiritual researcher in the same position in which today an expert of geometry is. He can find geometry out of himself, and then he appreciates the work of Euclid who found the same. Thus, we see the development in the marvellous pictures of the Old Testament, and now something extremely strange appears. The text of the Bible becomes light and clear, as it could not become with the scientific critics.

A researcher said: what the elohim did must be due to a side different from that which comes from Yahveh If anyone wants to apply that seriously, it is weird. We want to try it. Imagine this passage in the Bible: “The serpent which was the most cunning of all creatures the LORD God had made asked the woman: Is it true that God has forbidden you to eat from any tree of the garden (Genesis 3:1)?” If you read “God” instead of “Elohim” or “Yahveh,” it is not translated correctly. It is weird. In the original text you read, “The serpent which was the most cunning of all creatures Yahveh had made.” Where you read, “Is it true that God has forbidden you ... you read “Elohim” in the original text. In the translation, the woman keeps on saying “God.” Then in the eighth verse, one says, “The man and the woman heard the voice of the LORD God.” However, you read in the original text, the voice of the Yahveh God.—Thus, we have now put together the story of the serpent, so that it becomes explicable that those who used the names “Yahveh” or “Elohim” meant different beings. According to the opinion of the Bible critics, this comes from different traditions.

The passage “Is it true that God has forbidden you to eat from any tree in the garden?” comes from the Elohim tradition.—You see, the Bible is really so composed of pieces that even in the middle of the sentences the different traditions are taken together.

If you approach the Bible with spiritual-scientific research, then you recognise that this must also be that way. There is talk of the fourth verse of the second chapter that the world creation goes over from the elohim to the Yahveh God. He is that power which unfolds everything that happens then up to the Fall of Man. Spiritual science shows that Yahveh is that God who speaks within the human being in our ego, he is the I-am. This being of the I-am causes everything that is said from the fourth verse of the second chapter on. This being, Yahveh, who intervenes now, is a being who belongs to a former development, but seceded ... (gap in the transcript). Hence, there is talk of the Yahveh God. However, the serpent knows nothing about Yahveh; therefore, it must turn to that which is of its own substance, up to the moment when this takes place which has just to take place by Yahveh. Only in the eighth verse of the third chapter, the name Yahveh appears again.

Thus, you get the consciousness by spiritual research that the Bible is a document in which nothing is accidental. A modern author may ask himself, why should this God not assume another name?—The ancient initiates do not have these stylistic forms of the modern authors. Where exactly and precisely should be spoken, you cannot talk in any stylistic form. What there is written and what there is omitted has its meaning. If the name Yahveh appears and if it is omitted, this means something highly essential. However, you must carry out the principle to read the Bible extremely exactly. Read the Bible if you have it! Read the Six-Day Work. You find the passage, if you keep on reading from the first verse of the second chapter to the Sabbath, “When the LORD God made the earth and the heavens...” One interprets these verses normally as a hint to the preceding, as if the Seven-Day Work had been told and one still said now, the Seven-Day work was made in such a way.—“This is the story of the heavens and of the earth after their creation,” and then, “When the Lord God made the earth and the heavens” (Genesis 2:4).

Who studies the original text, detects the following: The fourth verse of the second chapter does not refer to the preceding, but to the following; even as later—in the chapter after the Fall of Man—“This is the list of Adam's descendants” (Genesis 5:1) refers to the following, to the next generations, to that which originated from Adam. This is said in the same way as: which follows there, “This is the story of the heavens and the earth after their creation” (Genesis 2:4). Here the same Hebrew word is used. Someone who reads exactly knows that the creation of the spiritual world is described from the words “In the beginning God created the heavens and the earth” to the third verse of the second chapter. Then from the fourth verse of the second chapter on it is said: after the heavens and the earth were created the following is described. It is the most wonderful transition if one understands the matter, from the Six-Day Work to the following. Who gets involved in these matters finds that no better composed book exists than the Bible, in particular its oldest parts. The confidence that one is able to approach the Bible without spiritual research, that one is able to approach it with external documents has dissolved this perfect and harmonious work, so that it seems to be composed of nothing but pieces and fragments.

One also has to follow up on the principle to read the Bible exactly and to have it. One does not have the Bible if one has only the text that suggests what it depends on. One must have the principle to go into the Bible. It is told to us during the fourth day of the Six-Day Work how the sun and moon originate, how the sun and moon cause day and night (Genesis 1:14–18). Already before, however, it was spoken in the Bible of day and night (Genesis 1, 5). One can deduce from that: day and night, which depend on the sun and moon (Genesis 1: 14–18), cannot be meant with “day” and “night,” which do not depend on the sun and moon (Genesis 1: 5). Here one can see a palpable tip where the Bible speaks of the sensuous solar day and the sensuous solar night. These originate due to the rotation of the earth around the sun. However, we can see, where the Bible points beyond this sensuous day to the supersensible, the spiritual.

Those who could investigate the Bible spiritually said always to themselves if anyone has the visionary gift and can find the sense of the Bible in reality, this sense of the Bible must have come also from visionary gift. If we are able—because our soul has put itself in another state of consciousness—to look into the tremendous pictures of the Bible, then we know that the writer must also have been under the inspiration of the spiritual world. We may probably say: the time begins when one should understand more and more that there are four levels to look at the Bible today.

The first level is that of naive faith. It takes the Bible with undeterred certainty and anticipates nothing of the objections that are made against the Bible today.

The second level: these are the clever people, the Bible critics, who find—either by investigating internal contradictions or by the scientific point of view—that the Bible was the primitive legend work of a humankind not yet doing research. They are way beyond the Bible, they do no longer need it, and they attack it from the most different directions and say: it was good for the childish humankind. Now, however, humankind has outgrown the Bible.—These are the clever ones, the freethinkers.

Then there is the third level: the human being outgrows this cleverness. Indeed, the human beings of this level are also freethinkers, but they are way beyond this second point of view; they see symbolic and mythical covers of inner soul experiences in the stories of the Bible—the Old and the New Testaments. You see what the human soul imagines shown in the Bible in symbols in the abstract. Some freethinkers have been forced to this attitude. They had to transform the viewpoint of the freethinker into that of the mythical symbolist.

Then there is the fourth point of view. This is that of spiritual science I have characterised today. The day after tomorrow we follow up on this spiritual-scientific viewpoint. It shows the spiritual facts again in simple descriptions, indeed, in such a way as one can see these spiritual facts in imaginations. These are the facts that are described in the Bible.

Someone who had to leave the naive viewpoint and has become a clever person or maybe a symbolist as researcher may get to the viewpoint on which the spiritual researcher stands, and then he can become able to take the Bible again literally, to take the words literally in a new sense to understand them really.

For centuries, one did not criticise the Bible in reality. The Bible critics have fought against their own imaginary creation, against that which they themselves have made of the Bible. The adversaries of the Bible are such even today; they fight against their own imaginary relation, against that which they believe to understand of it; they do not affect the Bible at all. The Bible can be taken literally, one must only understand the words correctly.

There is a certain tendency today that turns against such a remark: not the letter, the spirit must decide. “The letter kills, the spirit brings back to life,,” and you name it from certain relations of the letters.

I wish we could bring the real Bible letter of the world again as soon as possible. The world would be surprised about the contents of the original text. As something completely new, it will appear to humankind. One is not allowed to peddle the saying around: the letter kills, the spirit brings back to life. It is usually the gentlemen's own spirit that is reflected in the letters (Faust I, v. 578–579). That applies to the symbolist in particular. If he is trivial, he puts something trivial into the symbols; if he is witty, he puts something witty into the symbols. It is with this word like with Goethe's words:

And so long as you don't have it,
this: “Die and be transformed!”
you will only be a gloomy guest
on the dark earth.

These words suggest how the human being should come beyond the sensuous view, generally beyond the usual nature. Who would take these words as an instruction to neglect the physical has ignored that the spirit develops bit by bit from the physical. That also applies to the letter and the spirit. You must have the letter first, then you can decipher it, and then you find which the spirit is. Indeed, the letter kills, but it creates the spirit at its death, and this saying corresponds to the other: who does not have it, this “die and be transformed” remains only a gloomy guest on the dark earth.

I could draw your attention only to the criticism of the Bible and to the viewpoints, which spiritual science takes towards the Bible. From the few indications I have given today, you may guess that by the work of spiritual science something like a recapture of the Bible can take place. Spiritual science shall find wisdom, independently from the Bible. However, spiritual science comes and recognises then what flowed into this Bible, and then one experiences what many have experienced out of spiritual science towards the Bible. Some things could elevate them, but the most do no longer make sense to them. Only with the help of spiritual science, the human beings understand what is said with this or that in the Bible. However, there are still other contestable passages, and one comes to the viewpoint to say, in the Bible are passages that contain deep spiritual truth, but something flowed into it that was integrated as something inorganic.—If you go on, you discover something again, and you notice that it was due to you yourselves that you were not far enough to understand the matter. You reach the point to say to yourselves, where I have believed once that the sense of the Bible cannot be maintained compared with science, there I see now: I understand the one that I have to consider the Bible with trust and admiration; I do just not yet understand the other. However, the time comes when I understand it, and I find the viewpoint where I can look into it.

Spiritual science leads to the right appreciation of the Bible. We have spoken about the beginning of the Bible, about the creation from the spiritual-scientific viewpoint. The biblical studies have to go through a crisis. The investigations of spiritual science are coming up to meet them, and in new figure the old light of the Bible shines again to humankind in the future.

The last talk should suggest with a few lines that spiritual science can investigate the deeper profundities and the truth of the biblical documents and that it can read that in the right sense again which is written in this document. With some simple lines should be shown how concerning the Bible such a right penetration is possible into the deeper sense of the Bible in a quite unexpected way and how it can lead many human beings to a recapture of this document of humankind. What could be said in the last talk about the position of our newer time, about its research, its criticism, its worldview compared with the Old Testament someone can also say concerning the New Testament. In addition, here we are able again to point to the fact that in the seventeenth, eighteenth centuries a criticism started which has analysed and cut the Gospel to pieces, a document of such an immense significance for countless human beings for centuries, and attacked its bases. One would have to tell a long story if one paid attention to this biblical criticism of the New Testament in detail. How could it be different, because since that time, after the invention of the art of printing, the Bible has come to all hands, and with it, the materialistic thinking got out of control! How could it happen other than that people recognised clearer and clearer that there are contradictions in the Gospels?

For example, you need only compare the genealogies of Jesus in the Matthew Gospel and the Luke Gospel, if one adheres to the external letter of the matter, and you find that already the first chapters of both Gospels are contradictory. Not only that Luke and Matthew differently give the ancestors; also, the names do not comply. If you compare the single facts of the life of Jesus, you can find contradictions everywhere. In particular, people realise how extremely the first three evangelists, the writers of the Matthew, Mark, and Luke Gospels, on one side, and the writer of the fourth so-called John Gospel, on the other side, contradict. The result was that one tried to produce an accordance of the first three Gospels in a certain way. One believed to find that these three evangelists—even if they differ from each other in many details—give a picture of Jesus which is attractive to the whole view and to all ways of thinking of a newer time, at least to many personalities of our time.

However, many people realised long-since concerning the fourth evangelist that there cannot be talk of a historical document at all. Not only that the writer of the John Gospel, who completely brings the facts differently grouped, above all, concerning the miracles that he describes quite differently; it also becomes apparent that his whole standpoint towards the centre of the whole world history is different. This sight has developed more and more. If we want—we cannot go into the details—to turn again to the sense of this research, it is approximately this that one says that the three Gospels could give the image of the superior Jesus, the founder of the Gospel, if one considers them as portrayals of the brilliant time. The fourth Gospel is a confessional document, a kind of hymn of that which the writer wanted to show concerning his faith in the crucified Jesus. He wanted to give no story, but a teaching writing.

In particular, in the nineteenth century, this view settled in the souls of numerous people more and more due to the so-called Tübingen School, which the great Bible scholar, the brilliant Ferdinand Christian Baur (1792–1860) led. Baur's view is approximately this: the John Gospel is late; it was written very late whereas the other evangelists wrote earlier, still after certain reports of those who, perhaps, themselves had experienced or come to know it from persons who had witnessed the story in Palestine. However, the John Gospel originated only in the second century. Not from the original story, but influenced by the Greek philosophy and by that which had already appeared in the Christian communities, it were written, so that John created a picture of Christ Jesus, which could uplift the human beings in such a way that it is lyrical in certain ways. It teaches how one began to think and to feel like a Christian up to the second century, however, it was no longer able to inform about the events in the beginning of our era.

Indeed, there were also souls who vindicated the opposite viewpoint. If one must say on the other side that Christian Baur and his students proceeded with tremendously critical astuteness, nevertheless, we are not allowed to forget a biblical scholar like the historian and academic Gförer (August Friedrich G., 1803–1861) who asserts that the Gospel is due to the apostle John himself. With diligence he shows how just this Gospel shows almost in each sentence that an eyewitness wrote it or that somebody who had received his message from eyewitnesses wrote it. Gförer goes so far that he says in his Swabian way that anybody who cannot believe in the fact that the Gospel is due to John is out of his mind. He is also out of sorts with those who say that it is not historical and who bear down on this Gospel with all possible arguments.

The question that interests here is this: did really research, history cause this view in spite of all astuteness, in spite of all scholarship, which is never denied a moment?—Someone who can thoroughly explore not only the outside of history, but is able to immerse with his thinking and feeling, and with his whole view in the mental undergrounds of human development, notices something else. It was not only the historical sense, it was not only the so-called objective research, but they were the ways of thinking of the newer time, the beloved views that were spread more and more since the last century.

They did not accept that the confidence and the ideas of the figure of Christ Jesus survived which prevailed for centuries, that not only a superior being was included in Jesus of Nazareth, but a universal being, a spiritual-divine being that is not only related to the whole humanity but to the whole development of the world generally. The confidence and the idea got lost that this spiritual-divine being worked in the mortal body of Jesus of Nazareth, and that we face a unique event there. This contradicts the ways of thinking so much that they had to be directed against such confidence. The critical research slipped in unconsciously to justify what the habitual ways of thinking wanted for the time being. More and more the sense came up, which could not endure that anything topped the normal human-personal, the sense that says to itself, yes, there have been great human beings in the world evolution: Socrates, Plato, or others. Indeed, we have to admit that Jesus of Nazareth was the greatest. Nevertheless, we must remain within this human level.—The fact that something could have lived in Jesus that one can compare to the normal human being contradicts the materialistic mental images, which settled down more and more. We can see this sense slipping in unconsciously and combining with that which the so-called historical research ascertained.

Why did the first three evangelists become more and more the respected ones and the writer of the John Gospel the mere lyricist and confessional writer? Because they could say to themselves, the three evangelists, the Synoptics, describe an ideal human figure that does not top the human level, even if Jesus is an elevated one. It flatters the modern sense if one says what a modern theologian said: if we subtract everything supersensible and spiritual from Jesus of Nazareth, if we take the simple man of Nazareth, we are closest to Jesus.

That is not possible with the John Gospel. It immediately begins with the words: “In the beginning the Word already was. The word was in God's presence,” before a material world existed. What there was in the spiritual primeval grounds became flesh; it walked around in Palestine in the beginning of our calendar.—The writer of the John Gospel applies the highest wisdom to understand this event and to bring it to understanding. In view of this matter, it is not appropriate to speak of the simple man of Nazareth. Hence, he was never allowed to deal with a historical document. These are not only scientific reasons, it is the development of the usual thoughts, emotions and sensations which have found their expression in that which the Bible criticism of the New Testament and the historical research claim today to have the unconditional or at least relative authority of these matters.

However, there emerges another question from spiritual science. Let us position ourselves really on the ground on which some new researchers have positioned themselves. The ones wanted to portray an event that took place in the beginning of our calendar. They added mythical and legendary aspects. Assume that we positioned ourselves on this ground. There we must ask ourselves, is it yet possible to speak about Christianity as such under these conditions? Is it possible to speak about Christianity if we understand the documents, which tell about this Christianity, purely materialistically? Is it possible to behave towards the whole Bible in such a way?—Two things should be stated at first that prove that the question cannot be put different than it was put, and that it can be answered in outlines. Let us assume that Christian Baur's view is right that something took place in Palestine that one has to explain as the external historical, and that in the course of time the writers delivered that out of the prejudices of their time to the future generations what was in them. Let us assume that we have to presuppose such a research while we believe in the descent of a spiritual being from spiritual spheres that lived in Jesus of Nazareth, resurrected, won the victory of life over death—what we regard as the real essence of the Mystery of Golgotha. One has to break this doctrine, Baur says. One considers this view as a dogmatic one. This view must be cancelled. One has to investigate an event in Palestine like another historical event.

Is it then possible to speak generally in the true sense of the word of Christianity, of the Bible as such a work which reports what has to appear? On the other hand, I would like to point to two facts. What is the first big and enclosing effect of the Christian worldview based on, an effect that nobody can deny? What is the sermon of Paul based on? Is it based on the interpretations of the Gospels by a new sober research? Never Paul's strength is based on an announcement of that which is to be exhausted by the means of history. Paul's whole efficacy is based on an event that you can understand only from supersensible, never from sensuous causes. Someone who checks Paul's writings sees that his whole teaching is based simply on the fact that he could win the conviction and the experience that Christ has risen, and that in the Mystery of Golgotha the life in spirit carried off the victory over death.

Wherefrom does Paul take his conviction of the true nature of Christ Jesus? He does not take it, as for example the others who were round Christ Jesus, from an immediate instruction. He takes it, as you all know, from the event by Damascus. He takes it from this fact and he could say, I have seen Him who lived, suffered, and died in Palestine, I have seen Him living.—Paul means nothing but that he has seen Christ in spirit and has won the truth from the spiritual view that Christ lives. He announces Christ, whom he got to know in his spiritual view. In addition, he equates this appearance to the other phenomena, because he says to us, after death, Christ appeared to various persons, to the twelve disciples and others, and in the end to me as a mistimed birth.—With it, he thinks that he really beheld Him in a higher view, who carried off the victory over death, and that he knows since that time that Christ lives for someone who rises in the spiritual world.

Here we already stand concerning the New Testament where the new spiritual science must separate from any only literal view of the Bible. What do you find as a rule in the writings of the so-called new research about the event of Damascus? Saul became Paul in an ecstatic condition, a condition into which one cannot look really. This escapes from the human research. Yes, it escapes from the external human research. We have emphasised this so often in spiritual science that the human being—what we can learn in the following talks—can ascend to the knowledge of a higher world which is round him in such a way, as the colours and the light are around a blind person. The human being can behold this higher world as the operated blind-born can learn to see colours and light. This takes place by the spiritual-scientific methods in the soul of the true pupil of spiritual science and enables him to behold into the spiritual worlds, to behold what is there. What takes place with this pupil, what every pupil can bear witness today and at all time, that took place with Paul. He received it: to hear with ears which are not sensuous ears to see with eyes, which are not sensuous eyes. Then he could also perceive Him who lived in Jesus of Nazareth. So Paul's whole strength extends into the supersensible realm. If you take the whole Paul as he is, you can say, what he said is set aglow by “Christ was raised. Hence, our faith is not futile” (1 Corinthians 15:17).

If one goes just into the effects of Paul's sermons how he spread that form of Christianity, which went through the world, then one can never say, it does not depend on going back to any supersensible facts to investigate the facts about Jesus. One says that one must apply the usual scientific forms. Then one forgets not only the original facts in Palestine not only that which happened during 33 years, but also what happened for the dissemination of Christianity. One forgets that it is based on a supersensible event, and that this supersensible event is to be understood at first.

However, in quite similar way we also find if we consider the matters only seriously and really that the Old Testament, at least its most important document, the Law, is based on something similar. We find that the whole mission of Moses, the whole strength of Moses by which he provided big services to his people is also based on a supersensible event. We had to say the day before yesterday that if the spiritual researcher develops higher, so that he becomes sighted in the spiritual world and is able to behold into the spiritual undergrounds of the things that he can survey the facts of the spiritual world in pictures, in imaginations. Yes, you can express the processes, which happen in you if you ascend to the spiritual fields, only in pictures, however, you must get clear that somebody who speaks in such pictures does not want to speak about the pictures as those, but thinks that one has these pictures as expressions of his supersensible experience.

The supersensible experience by which Moses got his mission was clearly described in the phenomenon of the burning bush. There we see Moses, the leader of the people, facing his God, the God of Abraham, Isaac and Jacob, who issued the order to Moses to act for his people what we find happening then as the action of Moses. While we use this, we already face a basic issue of the whole Bible, namely the question: how have we generally to position ourselves in order to penetrate deeper into this document to these two supersensible facts, which make any merely external research impossible? How have we to behave to this basic issue of the Bible in the spiritual-scientific sense? We can penetrate if we bring the contents of the revelation or the experience of Moses home to ourselves.

The most important traits are only cited. Moses faces the God of Abraham, Isaac and Jacob. God gives him the order at the same time to lead the people from Egypt, to increase it to a certain size and to teach it a certain attitude.

If then Moses wants to have something by which he can exculpate himself before the people, so that he can say who he is and who sends him, God reveals his name: “I am the I-am.” Nobody can understand the word who is not able to go into the whole sense and the being of old naming. Old naming is unlike the modern naming. Old naming should absolutely express the being of the personality, the being of that who faces us. In “I am the I-am” the being of the God had to express itself in particular who faced Moses, and who calls himself “the Lord the God of Abraham, Isaac and Jacob.” Why does he call himself the Lord the God of Abraham, Isaac, and Jacob? There is a secret hidden behind it, which must be unravelled. We can unravel it only if we move up to it with the help of spiritual science. We have to emphasise it over and over again at various places that the human being consists of the members of his being, that we only face one part of the human being as the physical body, that we have higher members which are supersensible, which are the real bases, the creative principles. We must add the etheric body or life body, then the astral body and as the fourth the bearer of the ego.

The human being has the physical body in common with the apparently lifeless beings, with the minerals, the etheric body with the plants and all living beings, the astral body with the animals, which can have passions and desires. Because of the ego, the human being towers above all sensuous beings, which surround him. Spiritual science has always recognized these four members of the human being.

We have to point to the physical body that also has its spiritual primal ground and is only condensed from the spiritual. As well as ice originates from water, the physical originated from the spiritual. We must go far back in the view of the spiritual development if we want to look for the first spiritual origins of the physical human body. This fourth member is absolutely the oldest of the human members. Today the physical body is the densest. It emanated from the spirit in the distant past. It has become denser and denser, has experienced some changes, and has thereby taken on its physical figure. This is the oldest in the human being. A younger member is the etheric body or life body. It came later; hence, it is less condensed. The astral body is even younger.

The ego is the youngest member, the bearer of the human self-awareness. All these members originated from spiritual primal grounds and spiritual beings, from divine-spiritual beings. We can say, spiritual science shows that this ego, by which the human being became the modern self-conscious being, immersed in the body. It was composed, before he became an ego-being, of the physical, etheric and astral bodies. The Bible also distinguishes those beings now who are the creators of these three human members. The teaching of Moses speaks about the creator of the human ego, of the creator of the bearer of the human self-awareness. Hence, the Bible also sees in the God who let the ego flow into the human being, so to speak, that God who was the last to come concerning the evolution of the human being. The divine beings, the Elohim, whom we have strictly distinguished from the God Yahveh or Jehovah, are the creators of the physical, etheric and astral bodies. They are exactly distinguished in the Bible from the God appearing last in our evolution, from the Yahveh God, from that who brought the ego to the human being.

If we ask, where does the human being find the being of this God, this youngest of the creative gods about which the Bible starts speaking in the fourth verse of the second chapter of the Genesis? Spiritual science shows that where the human being finds his ego in himself, which differs so substantially, already after its name, from all other beings round us, that he there finds a drop of this divine being in himself. This is no pantheistic teaching, also no explanation of the fact that the human being has to find his God in himself. Asserting this would be like someone who asserts that a drop of water is the same being like the sea—and says: this drop of water is the sea.

If we speak in the sense of spiritual science, we speak about something infinite, comprising, universal that is connected with the earthly development and the other things that belong to this earthly development. In our ego, we find a spark of this God Yahveh as we find the same being in the drop of water as in the sea. Nevertheless, it was a very long way the human development had to cover, while the God Yahveh started forming the human being in such a way that he could grasp the ego consciously. The strength of the ego had to work in the human being already well before, before he got the consciousness of the ego. Moses became the great precursor bringing the consciousness of the human being to the ego. However, these forces work and form in the human evolution already long before. They form in such a way that we can recognise their way if we deal with the evolution of the human consciousness itself.

Let us look somewhat back in the development of the human consciousness. One uses the word development very often today, but as drastically, as intensely as spiritual science takes the word development seriously, it is the case with no other science. This human consciousness, as it is today, developed from other forms of consciousness. If we go back far to the origin of the human being, not in the sense of materialistic science, but in such a way, as I have explained it the day before yesterday, then we find that the human consciousness appears more and more different, the farther we go back. The consciousness that connects the various intellectual concepts, the external sensory perception in the known way originated firstly, even if in the far-off past, but it originated firstly. We can find a condition of the consciousness at that time, which was completely different from today because memory was completely different in particular. The memory of the modern human being is only a dilapidated rest of an old soul force, which existed quite differently. In old times when the human being did not yet have the inferring force of his today's mind, when he was not yet able to count in the today's sense, when he had not yet developed his intellectual logic, he had another soul force for it: he had developed a universal memory. This had to decrease, had to withdraw, so that at its cost our today's mind could develop. This is generally the way of development that a force takes a backseat, so that the other can appear. Memory is a decreasing force; mind and reason are increasing soul forces.

For those who hear these talks already for some years, it cannot be something especially miraculous what I say now. For the others it will seem absurd if one speaks about the nature of memory in the following way. What is the appearance of the human memory? It is that which remembers yesterday, the day before yesterday and so on, until the childhood. Then, however, it discontinues once. The memory did not stop in old far-off past, not in childhood, not even at birth; but like the modern human being remembers what he himself has experienced in his personal life, the prehistoric human being remembered what his father, his grandfather had experienced through whole generations. Memory was a soul force through generations that extended really. For centuries, memory survived in the old far-off past, and another kind of naming was connected with the different formation of memory.

We come to the question now: why is talk of individuals in the first chapters of the Bible who become hundreds of years old like Adam, Noah? Because it makes no sense to limit these human beings. Memory reached through generations up to the primal father. One gave this whole generation one name. It would have made no sense to give the name Adam to a single person. Thus, in those days one gave the name to that which remembered, holding on the same recollection, for centuries from generation to generation—Adam, Noah. What was this? It was that which goes through father, son and grandson, but maintained recollection. So faithfully, the biblical document maintains these secrets, which one can understand only with the help of spiritual science.

If we look at the consciousness of the ego with which we comprehend the being of the Yahveh God, we see that the ego lives in us between birth and death, and that it maintains its kind between birth and death. Thus, the ego maintained for generations at that time, for centuries. As we speak today about the ego and know that it goes back as far as we can remember, the human being of primeval times said to himself: it makes no sense to call myself an ego. I recall my father, grandfather, and great-grandfather.

His ego went through generations, and it had even a name. As we find an expression of God in our personal ego if we become engrossed in this ego, the ancient human being said to himself, looking up through the generations: God who lives in the ego lives for generations,—as a divinity which then Moses recognised in the higher worlds. The God was the same who lived as an ego from generation to generation in ancient times. One declared as ego, in the parlance of the past, what reproduced as an expression of the Yahveh God, with the Yahveh word “I am the I-am.” Moses learnt to recognise this in his spiritual revelation. In contemplating the burning bush this was revealed for the first time. The same God once lived from generation to generation, the God of Abraham, Isaac, and Jacob. He was the force, which lived in the memory and brought everything at the same time that founded the human order. Thus, we look up at the predecessors of Moses. In the biblical sense, we look up at the patriarchs, at those, in whom the God of Abraham, Isaac, and Jacob lived.

These times needed no external commandments, no external laws. For that lived on with the lively memory, quite different from ours, which one had to do. According to what did one act in these primeval times? If you understand the Bible correctly, you find that the human beings did not act after commandments. One acted after that which memory said to one, what the father, the grandfather et cetera had done. With his blood, the human being got the direction to that which he had to do. In these ancient generations was something like a spiritualised instinct that one can compare with “acting instinctively” as we call it today. Not after a commandment the ancient human being acted, no, he acted after the character of his being, after his type. How did Abraham, Isaac and Jacob act? They acted in such a way as the blood running through generations induced them. They had brought down the God Yahveh with their egos, whether they waged war whether they lived in peace. They had no commandments; they had no law. The spiritualised instinct of God lived in them.

At the time when Moses appeared, the human personality was on the first level of its development. There its consciousness broke away from this common generational consciousness. There the generational memory had already stopped quite thoroughly. There one did no longer have the spiritualised instinct of action. There something else had to replace it. The God of Abraham, of Isaac and Jacob—who in his spiritual physical figure gave Moses the law, the commandments because one did no longer have the spiritualised instinct—had to regulate the external order, the social living together by commandments, by laws. It is the same God who worked before as a natural force, who is now efficient as legislator to found the external order with laws. We see that it has a deep sense to read the words at this point: the God of Abraham, of Isaac and Jacob. The God who calls himself the God “I am the I-am” is the same as the fourth member of the human being, the same who let flow the ego into the human being. However, the human beings could not take up the spiritual nature of the ego in their consciousness. A longer preparation was necessary to it, and this takes place at the time, which is portrayed in the Bible as the Old Testament, at the time of Moses up to the Mystery of Golgotha. Hence, this time is a time of promise, which the new Gospel shows, the beginning of the “time of fulfilment.” The God announces himself to Moses as the “I am the I-am.”

He announces himself in such a way that he orders the external order of the human beings, their living together by laws indirectly by Moses's vision. Humankind lived this way in the pre-Christian time in which the God was creating, in which the Yahveh God was forming, in which the “I am the I-am” lived, in which, however, humankind could not yet live consciously but according to the external law coming from the Yahveh God. More and more the time approached when humankind should become completely aware of the ego. For the whole antiquity, there was only one means for the human beings who could not yet behold, could not yet face God in the physical world. There was only one way how this God could become effective for them. This was the law, the order. This applied to the external world.

Moreover, there was a supersensible way to get to know this God, and these were the mysteries or initiation. What was initiation? Everything that was delivered to certain personalities which were regarded as suitable to apply the methods of spiritual-scientific research to develop the forces and abilities slumbering in the human being, so that they could behold into the spiritual world. Hence, for the confessors of the Old Testament it would be in such a way to behold God spiritually from face to face who lives in the “I-am.” If they applied this method, they were able to see and to hear with spiritual eyes and ears independently what Moses had seen, when the God, the “I-am” gave him his mission. Only in the mysteries, only by initiation this was possible.

However, there were also those who recognised the “I am the I-am,” but they had to go through the procedures, the methods with which the human being is transformed into an instrument of the higher vision, the vision in the spiritual world. So the God who already lived in Abraham, Isaac, and Jacob was concealed to the physical world. He ordered the world by law. To the initiate, the secret of the mysteries becomes visible in thinking. Then the time came when the Mystery of Golgotha should take place. What happened there, actually? Imagine what the initiate experienced in the old times. Only sketchily, I can describe the process of initiation by meditation, concentration and the other exercises. The soul of the neophyte was prepared for a long time. Then the processes of initiation were finished during three and a half days. There the sages of initiation prepared the neophyte prepared so far, so that he was transported to a state in which his physical body was completely sleeping. It was not only sleeping but it was like dead, so that the neophyte could not use his physical senses, his physical eyes, and ears. For it, however, he beheld with the organs of his spiritual members into the spiritual worlds. He could perceive there if he was outside his body if he was not connected with the physical organs. Then he could behold what lived invisibly in him as the “I am the I-am;” but he could behold it only in the depths of the mysteries. Then he was awoken—as everybody knows who has experienced these things—in his physical body and used the physical senses again. Now he had the full consciousness: I am the I-am, I was in the spiritual world. What has spoken to Moses, the “I am the I-am” faced me, and it is that which refuses eternity to me, which has entered my body. I was connected with it. I was connected with the divine primal bearer of the I-am whose reflection is my I-am.

Thus, the initiate returned to the physical world and bore witness of the fact that something spiritual exists in the ego, because he had beheld it. He could give his listeners news and message of it. However, one could only behold the “I am the I-am” in the spiritual world. By the event of Golgotha, the same being descended to the human beings who had announced himself by Moses in the burning bush with the words “I am the I-am.” This complies completely with the sense of the John Gospel: the ego became flesh in the body of Jesus of Nazareth, lived in it, and walked around among the human beings. This primal force brought the human being to the height on which he stands today. The primal force became a human being; the human being became a divine being and walked around among the human beings. It was possible that on Golgotha that took place as a historical event within the evolution of humankind, which the initiates could behold only in spirit: the fact that the Christ-being carried off the victory over the death of matter.

This is the historical-external-real fact, which the initiates often experienced in the mysteries. This was the course of initiation in the ancient times in the deep darkness of the mysteries with those who left their physical bodies for three and a half days, walked around in the spiritual world and recognised that a spiritual-divine being descends into the physical world, and that this event would take place once as a historical fact. This was the course of initiation. However, the time came now when humankind came to the event of Golgotha turning emotions, sensations, and thoughts to it by faith.

Then the understanding originated from it. It was something new. One got as something external that one could have, otherwise, only by the rapture in the spiritual world. If one assumes this in such a way, we understand why Christ Jesus says: I am the I-am in a completely new figure. He says, look back at the primeval times, at that which lived as the everlasting in the human being that lived in Abraham, Isaac and Jacob that made known itself then in the Law of Moses. Now the time has come when the ego becomes aware in the single person, when the human being has to become aware in his ego, in the divine living in him.

If it was in the old times in such a way that the human being looked up at the God that he beheld and could say to himself: what lives in me lives for generations,—it is now in such a way that he finds the divine in his ego if he beholds into himself. The divine from which any ego originated was embodied in Jesus of Nazareth, and someone understood this who wrote: In the beginning was the word, and the word was with God, and God was the word.—By these words, the being of the innermost human nature and at the same time the primary source of this innermost being is meant. He lets Christ Jesus say, what lives in me a spark of which is in every human being existed before the Gospel was.—The significant sentence in the John Gospel was “Before Abraham was, I am.”—Before Abraham was, the “I-am” was, this I-am which is not bound to any time which was before Abraham, was already in the spiritual primeval grounds of the human being. While he calls himself the primary source of this I-am, Christ spoke the significant words: “Before Abraham was, the I-am was.”

Therefore, we realise how the sense of human development, which flows through these fundamental books of humankind, the Old and the New Testaments, is brought back to life again by spiritual science. In addition, we realise how to us the most important words become readable first if we fathom the sense of these books, regardless of the words, with the help of spiritual science. I give an example that gives something to think to the materialistic sense. I would like to remind you of the resurrection of Lazarus. There such a man like Gförer says: who asserts that the John Gospel is not written by John, helps himself saying, the writer wrote down a lot, as he experienced and understood it, but the Lazarus miracle must have been told to him. He cannot have been present.

One must understand the Lazarus miracle only correctly. Let us understand it in such a way that Christ when he entered the world took on the body of Jesus of Nazareth. Let us believe, however, that that which prepared in the Old Testaments became expression in the New Testament. He had to have somebody who could understand him completely, who could penetrate in the deepest sense into what he could announce, and that means that he had to initiate a person in his way.

Initiation stories are told to us secretly at all times. The Lazarus miracle is nothing else than the miraculous and tremendous representation how Christ created the first initiate of the New Testament. Christ waked up Lazarus as an initiate recalled the soul of his pupil to the body who was for three and a half days in a state similar to death, after he had walked around in the spiritual world. Someone can simply see through all that who understands something of it, because it is the language in which generally initiation stories are told. “This illness is not to end in death; through it God's glory is to be revealed and the Son of God is glorified” (John 11:4). This means: external appearance as revelation of the inside; so that one has to translate the sentence in truth: “The illness is not to end in death, but that the God manifests as an external appearance, so that He can also be revealed to the senses.”

In Lazarus slumbers the deeper human being who has the ability and the strength that it could be developed in mysterious way in him, could be led up in the spiritual world, so that he could recognise the being of Christ, the Son of God. However, this strength had to develop first. Christ Jesus developed it in Lazarus, so that the divine that rested in Lazarus could be revealed, and could reveal the Son of God. Christ Jesus created in Lazarus the first to know from own inner observation who Christ Jesus is real. At the same time, this miracle shows—because it is to someone a real miracle who wants to accept the external physical principles only—what the pupil concerned has to go through during the three and a half days. Because this can be compared to a real death since the etheric and the astral bodies are raised out of the physical body and only the physical body lies there.

Thus, we have understood even such a miraculous event like the Lazarus miracle—miraculous only to anyone who cannot explain it out of spiritual science. All that reveals itself to you in the Lazarus miracle if you have the light only, which illuminates it with the words: “His illness is not to end in death but to reveal the inside.”—If these abilities are woken in the human being, it is like a birth. As a child arises from the womb, the higher is born by the lower human being. In the same way, the illness of Lazarus is connected with the birth of the new life, of the divine human being, so that the divine human being is born in the physical human being, in Lazarus.

So we could go through the John Gospel step by step and would experience that that which happens in the spiritual initiation had to be described quite different from that which we see in ancient times when with quite different spiritual powers the God of Abraham, Isaac and Jacob is working. If we look into the Bible in such a way, then it is the high universal book again, which lets shine to us what we have now found ourselves. While we must admit—we can say this—that only someone who has developed the higher spiritual forces can come to this truth, we have also to admit and say—if it faces us in the John Gospel—what brought it in these writings. While a new spiritual researcher approached the Gospel and the whole Bible, he learnt to see this and can say: the human beings will come to the true value of this document and recognise that only a materialistic prejudice can speak the words: “the simple man of Nazareth.” However, because of true knowledge we have recognised Christ as an overwhelming world being living in the body of Jesus of Nazareth.

The first three Gospels appear to us in relation to the John Gospel possibly, as if three persons stand grouped on a slope of a mountain and every reports what he sees. Everybody sees a part. Someone who looks down from the higher vantage point surveys more and portrays more from this higher vantage point. We come to know not only what the others below describe, but also what can make the three understandable at the same time. That is why it is not difficult to say, who stood on the higher vantage point, but for us it is in such a way that the first three writers were also initiates in certain respects. However, the deep initiate, who could write much deeper, could look much deeper than the three others could and about the true spiritual facts of the matters, which lie behind the sensuous, this is the writer of the John Gospel. So the Gospels combine harmoniously and show that the Mystery of Golgotha cannot be understood as a usual historical event, but is only explicable by a process as we find it with Paul, who says: “the life I now live is not my life, but the life Christ lives in me” (Galatians 2:20). What the external research shows beside becomes also important in the spiritual research. If we look at Christianity, it is important to us to figure the clairvoyance of Moses out which is shown to us in the vision of the burning bush. It is this what one had to explain. I have to emphasise that this new spiritual science is able to form the picture of the world events of its own accord, to look at Christ, so to speak, spiritually from face to face and to find Him again and, hence, to find Him truly in the Gospels. That biblical scholarship is not really without presuppositions, which says, we want to investigate the Bible like any other story.

For it assumes the dogma that there can be only usual, sensuous, natural facts. Only spiritual science is really without presuppositions, and this leads to a renewed recognition and high esteem of the Bible in all its parts. A time will come when maybe those are disgruntled who want to say today that only the simple mind is able to grasp the Bible. This wisdom must misjudge the Bible. The time will come when just the wisest wisdom estimates the highest what is given to us in the Bible because clairvoyance will face clairvoyance in the Bible. Then some word, which is written in the New Testament, appears in a new light. It will become apparent that a document like the Bible can lose nothing by impartial research. It would be sad if any research cut this Bible of its reputation, of its name. A research that cuts the Bible of its name has only not come far enough. Research that goes until the end will show the Bible again in its greatness.

The human being is allowed to do research freely. Who has the view that by research religion could perish shows with it only that his piety stands on weak feet. The divine being put the impulse of research in the human being, so that he is active. It would be a sin against this impulse if one did not live researching. I recognise God by my research. God recognises Himself in my research. Truth is a good in the human development from which the religious life will never have anything to fear. However, this is a basic truth, which penetrates the New Testament completely.

You should not take those into accounts who want to keep away the human beings from the Bible because of comfort, and who say, if you come to philosophers and interpret the Bible, these say, they want to know nothing about it.—However, such a research is based on comfort. However, that research is justified and right which says: we cannot go deeply enough to understand what is written in the Bible.—That research in the Bible is the right one that goes into it in free research and then understands the Bible in the right sense. These researchers understand the truth of the biblical saying: “you will know the truth, and the truth will set you free” (John 8:32).

Before some time when I stayed in a little town in Germany, I made the acquaintance of a poet, a dramatist, and in the time of our acquaintance, he was just occupied to complete a drama. On an afternoon, he worked on the completion of his drama almost like with steam power, as I could notice in a visit which I had to do. One could not speak at all with him, because he had to further the matter as quickly as possible. In the evening shortly before eight o'clock, I did a walk. I met my good dramatist, when he speeded on a bicycle to the post office and could not be impeded. Nevertheless, it interested me—you will soon see why—why the person concerned speeded so exceptionally fast to the post office just that day. It was shortly before eight o'clock when it was closed. When he came back, he said to me on my question, why he had to go in such haste to the post office just even today, this would be a peculiar matter.

Now you understand this matter best of all, if I say first that after a just beginning, then prevailing fashion the dramatist concerned belonged to the freest spirits of the present and that he represented his worldview in the freest phrases. He was a very advanced person. Telling the following, I would like to show that I commit no indiscretion. If he were here, he would completely be pleased to hear that I tell this matter. Now we are able to form an opinion about what he said when he came from the post office: “I have gone so quickly to the post office because I wanted to bring my drama to the post office today. Today is the last auspicious day. If I had waited till tomorrow, I would have exposed myself to the danger that the theatre management rejects the drama.”—I asked, “Have you finished it, actually?” For it seemed impossible to me. “No,” he said, “however, I have written a letter, so that one sends the drama back again to alter the last scenes.” This was the free spirit! I had to remember a lady who had worked on a dress many years ago and wanted to have it ready and put on at Thursday. If she had put it on for the first time on Friday, she would certainly experience a misfortune. One normally does not take into consideration sufficiently, what it means for our feeling and thinking in the present if a free spirit makes a post, like the poet speeding to the post office to send off the drama incomplete and then to let it send back again, so that he can finish it. You see that superstition can be something rather strange.

It may be something that a person has banished completely from his worldview and it may be that he protests strongly against it in a boasting way to be concerned with such superstition. However, if it depends on it, there are loopholes through which this superstition can slip in. We live in a time in which in the most scornful sense one speaks about all possible forms of superstition. However, at the same time it happens in this present that those who speak about superstition have no idea of it now and again through which loophole slips in just with them. For it does not need to be an old form of, like with this dramatist speeding on his bicycle. New forms of superstition can also appear. Just somebody who speaks scornfully about the old forms of superstition may be exposed worst to some new form of superstition. It is maybe difficult to realise these concepts of superstition anyhow in our time, because in our time the tendency prevails so much to regard everything that one himself believes as the only reasonable and to deny everything that one himself does not believe. Just this way of feeling in our time opens the doors to various new forms of superstition. Hence, it is not sufficient to continue the common talking about superstition, if we want to get involved thoroughly in superstition from the spiritual-scientific viewpoint.

Various old traditions have come into our time, various things that our ancestors have believed various things that our ancestors and the scholars of ancient time believed to be strictly scientific and what is expelled to the region of superstition today. We ask ourselves, should not the idea light up in those who face the old traditions with a shrug who seem to be scientifically advanced, that that could be erroneous which is believed today? Could it not be that our descendants may regard this as the biggest superstition some centuries later? Indeed, someone who believes to stand on the firm ground of natural sciences is easily inclined, for example, to cast everything that is pronounced from a viewpoint that assumes a spiritual world beside the physical one, generally in the field of superstition. On the other side, one can easily understand that theosophy—admittedly maybe also unfounded—combats and characterises the superstition of natural sciences. The fact that the one or the other party regards this or that as superstition can never become a characteristic feature of the real nature of superstition. Various things which project from old times just show us if it is real superstition that it depends with such matters much less on the human logic, on human reason than rather on the human ways of thinking, on that which people are used to think today.

How many things appear in our popular literature, in our daily press today, which are apparently contrary to the enlightened thinking! For example, there is a city in Germany—it is not far away from Berlin—where you would look for a cab with the number 13 in vain. He who had it once got no passenger. It was ignored, the number 13. Also at hotels you can often experience that the number 13 is absent in the room numbers. You can also find in baths where nothing but enlightened doctors are that the number 13 is ignored with bathing cubicles because nobody wants it. That right in the middle and beside the way of thinking of modern literature and daily press! However, someone who is a soul expert to some degree already finds that superstition is, nevertheless, something that slips into the human thinking and feeling completely quietly.

There is a popular booklet about superstition in which something reasonable and something absurd can be found. Then, after the author slaughters what astrology and astronomy and other forms of superstition are, he states that astrologers once existed who cast horoscopes to the human beings and derived their destinies from the moment of birth. Such astrologers would no longer exist as far as he would know; the midwives would do this now. Indeed, it would not take place in Berlin but in remaining Germany. You can really read this sentence in this booklet about superstition. I do not believe that anybody can call it other than superstition, because, otherwise, he would have to say that many astrologers cast horoscopes today. What the man says does not correspond at all to the facts; it is the purest superstition. Every investigation could show him the opposite of his assertion. Similar things slip in the consciousness of the human beings every day if these are also less palpable things and one would regard it as a paradox if I spoke of superstition.

The opinion has arisen in certain circles of scientific consideration since some time that one has to look for physical causes of human memory, in particular in the field of sexuality. Not only this, but also the writings and brochures are numerous which examine the mental conditions of great spirits. A Leipzig scholar took great pains till recently to examine a whole group of great spirits, among them Goethe, Schopenhauer, Scheffel (Joseph Victor von Sch., 1826–1886, German poet), and Conrad Ferdinand Meyer (1825–1898, Swiss poet), to what extent they had, actually, this or that insanity and whether their geniuses would be connected with this or that insanity. On the other side, the tendency of physical illness relates to inheritance, and no current event escapes from such an interpretation today. Here we are concerned with a superstition that rises just now, which penetrates, however, our education like a scourge. Future times will not understand that it was possible that science could worship such a superstition for a while. If our descendants repaid this in the same sense, judged in the same sense what science believes and teaches today as one teaches and judges today what our ancestors believed in former times, then those who are active in these fields today would come off the worst. Thus, we already see, while we survey the facts impartially, that the old forms of superstition are rightly thrown to the window and, on the other side, new forms slip in that are not just simply recognised as those.

Who looks around a little in science knows how many demons of superstition slip in here and there which only have a short existence fortunately, but can be not less detrimental. Sometimes trends are not far from that which one may call superstition. I would like to give an example. During my activity as educator, I could make some observation that was possible only because I could go into a large field concerning the human development. More than twenty years ago, it was standard to give little children red wine, generally wine to drink—possibly in the second, third, fourth years. One could realise how by a certain trend of medicine just children got their glass of red wine at this age every time during dinner. He, who observes such a thing, maybe observes too short periods in relation to the effect of these matters. If one compares those persons who are 20-year-old today and were children of two to five years at that time to others who got no wine at that time for their strengthening, the difference of the present nervous manifests itself to a hair's breadth between those who got wine and those who got no wine.

There was in those days the superstition that wine contains a strength in itself. This was a trend of superstition. One offered this opinion like any other superstitious opinion. Now we can refrain from all that and go over to some other fields where one does not speak at all of superstition, although the mental fact of the matter is completely the same one in the human being. If speak of the weird idols, fetishes or catchwords people have in social life which they run after like others run after certain idols in other fields, and we realize how much superstition is contained in it, then you would recognise: if the quantity of superstition does not live it up in one field, it changes over to another field. If the human being towers above superstition on one side, it is swiftly expressed in another field where one does not notice it so much.

After we have characterised the situation a little, we may be allowed to try to come to the real origin of superstition, to the peculiar state of mind in which a superstitious person is. Above all one is allowed to say that with the emergence of this state of mind the bias of a human being plays the conceivably biggest role in this or that school of thought. Someone understands the same fact—depending on his school of thought—in the one or other way. Let us try to bring a concrete case home to us. The French physiologist Richet (Charles R., 1850–1935, Nobel Prize in physiology or medicine, 1913) had the following experience: he walked in the street once, and on the other side of the street a person was walking. At this moment, he had the thought: nevertheless, it is strange that professor Lacassagne is in Paris today. However, it is not so strange. Fourteen days ago, professor Lacassagne sent me an article and wrote that he would be here in fourteen days. Richet wanted already to go to the other side and greet him when he said to himself that he wants to go to the editorial office, and the other would probably also come there. At the same moment, he realised that the professor resembled an ophthalmologist known to him. Richet goes to the editorial office, and there appears professor Lacassagne after one hour. Richet says to him, I saw you in the street before one hour. The professor answers: this is impossible. I was not there an hour ago, but somewhere else.—It is no doubt; Richet could not have seen him. It is peculiar how two persons often behave to each other if they have two different lines of thought. Richet saw a person and had the certain impression to see professor L. However, when he faced the professor L., it seemed to him brainless to have taken another person who was big and blond for professor L., who was of medium height and had a dark moustache. However, Richet is a man who believes in occult effects, in telepathy. He said to himself, professor L. is in Paris and thought to go to the editorial office—and at this moment, I saw this thought by telepathy!

A Danish researcher, Lehmann (Alfred Georg Ludvig L., 1858–1921, psychologist), who has written a book about Superstition and Magic (1898) thinks differently about that. He says, “Richet believes in telepathy; that is why he sees something mystic in this quite usual experience which should prove the correctness of his confidence, however, he overlooks the incidental circumstances completely which explain the matter absolutely naturally. I myself have experienced various such cases, and because I do not believe in telepathy, I have always looked for and found an obvious cause of the phenomenon.”

There you have two persons who judge the same event quite differently depending on the school of thought. I myself would like to agree with the Danish researcher Lehmann, because those who approach occult matters by inadequate means overstate the case the easiest and can explain anything in the world to themselves like in this case. However, you see from it how the bias, in which a person is with his line of thought, causes that he colours another person whom he faces in such a way.

Now think how the things are reflected in the human soul if they are not exactly figured out. There we come to the real nature of superstition in the spiritual-scientific sense. You can read countless writings and discussions about the superstition of alchemy, the hapless art to produce gold to which so many have dedicated themselves. Those who wrote about it were mostly—in the modern view—exceptionally competent, positive researchers in other respect. They occupy an important place with their writings, in which in this or that way the art of making gold is informed. However, what you read there appears to you as sheer madness, as absolute nonsense. Moreover, it appears in numerous cases as such obvious fraud that one can realise very easily how just at that time when the human being believed such a thing in this field fallacy by fallacy was spread.

Even though chemistry developed from alchemy, we must be infinitely happy that we have, finally, the true chemical science, in contrast to those figments and errors to which our ancestors have abandoned themselves in alchemy. Perhaps we can understand just the easiest what is deception if we consider some simple cases. We want to refrain from the number thirteen, but you know that for some people the number seven causes something dreadful that some regard it as a lucky number, sometimes, however, also as an unlucky number with which magic effects should be connected. I need to mention something only that can lead you to that which is connected with the number seven. I want not only to mention that the number seven is also found in the purely physical nature—seven colours, seven tones et cetera—what has often enough been mentioned here from which one can conclude that this or that is connected with the number seven. However, we want to refrain from that today. We want to turn our attention to something else.

• There is an illness, pneumonia, which increases for seven days and then decreases. Only during the seventh day the crisis occurs, so that someone who has to treat such a sick person has to pay attention in particular to this physical rhythm. There we have the number seven connected to a particular process, something that can be observed in any single case. The modern materialistic science does not get involved with any explanation of this process. If we traced back medicine in ancient times in which you do not have to see a sum of mistakes only as it is shown in the history of medicine, one would understand that the ancient doctors and experts of nature knew how all life proceeds in a certain rhythm. They knew that a rhythmical coherence exists between the processes in the human being and outdoors in the big nature, in the macrocosm. Because the human being is, actually, born out of the macrocosm whose life proceeds in certain external processes, the human life also proceeds in a certain rhythm. He, who knows the rhythm of human life, knows very well that an increasing and decreasing rhythm of 28 days, of four times seven days, in an organ like the lung in which certain functional strengths and weaknesses appear. There it is no longer surprising, as soon as one recognises this basis, that the illness of the lung becomes especially dangerous where it collides, so to speak, with the general rhythm of life phenomena. Briefly, we would see if we considered the facts in the sense of spiritual research and not superstitiously, why after seven days a particular crisis of pneumonia takes place. However, one does not want to come to such things in our materialistic age, which can be pursued only by the means of spiritual science.

There was a time in which the doctors not only knew that pneumonia goes through this crisis during the seventh day, but in which they also knew why this is so. They knew how this is connected also with the healthy rhythm. However, this spiritual-scientific knowledge is forgotten to the external life. One does no longer know the real lawfulness, it got lost to humankind. The mere number seven remained. One did not know at all, in the end, why pneumonia shows something particular after seven days. Then one takes out such a thing, of course, without being able or wanting to understand it. One applies it because one sees something particular in the number seven as such. One says to himself, something particular is connected with the number seven. One can apply it anyhow here or there. As long as one keeps to formalities, as long as one does not look into the matter, one has no reason to apply the thing here or there. So one applies it where apparently an occasion exists. Above all, a human law is involved, which is only too comprehensible: in all cases where one has arranged such a thing from abstraction where one applies it and sees that it fits the thing works; however, if it does not fit , one overlooks it.

Thus, it also applies to some country lore. Who comes from the country knows for sure that from the first thunderstorm, which appears in the spring, this and that is prophesied. If the prophesied comes true, it is accepted as a rule, if it does not come true, one forgets it. Nevertheless, deep profundities are in some country lore, and one would have to investigate it on its deep wisdom. Then again, one applies not the purely exterior of superstition, but intends to penetrate the thing independently. Indeed, I was pleased rather well if beside other country lore once again that is pronounced, if the cock crows on the dung heap, the weather changes or remains as it is.—A healthy trait appears here that must not be generalised but individualised. On these essentials, the development of our soul and spirit should depend.

In a similar way, only not so transparently, many things of alchemy are concerned. Some of you know when I spoke about the Rosicrucian initiation and the philosophers' stone that I showed what one has to understand by the philosophers' stone in the real spiritual science of all times and what can remain in force before our present most modern thinking. Among the various methods that lead up the human being to higher knowledge, in particular to the Rosicrucian initiation, you find one method that one calls “the preparation of the philosophers' stone” downright. Something is understood by this preparation of the philosophers' stone that is connected with a regulation of the respiratory process. Becoming conscious and regulating breathing according to spiritual principles belonged to the different methods, with which the human being works his way up to the higher worlds. After particular instructions, someone breathes who becomes a disciple of spiritual science in the positive sense.

This breathing has a particular result for the whole organism that the external science is no longer able to investigate because it knows nothing of the matter. The human being develops something by the instrument of his own body in himself that really appears in his body and enables him to another worldview because by the respiration an effect happens which expresses itself in the mineral composition of the physical body. Thus, we have produced something by the regulation of the respiratory rhythm in the human being that was called the philosophers' stone. It is that which is to be produced inevitably in the human organism if the human being has to grow into the higher worlds. The process can be given, but one cannot impart it to any human being just without further ado. Since only someone can apply this process by its very nature who does it in a completely unselfish way without any personal regard.

When I spoke once in a little circle how one is able to do it today already as I would suggest it also wholeheartedly in one of the talks, a person said afterwards, it would be rather useful, if one publicly announced the method to produce a particular mineral in the human being. For this mineral would be something very useful if one produced it in big masses.—I had to answer: the fact that you put this question gives the reason why it is not allowed to be announced. As long as such questions are put, it is just impossible that it is allowed to be announced. You can find it in the literature, but it is veiled there. It is only comprehensible to that who gets to know the parlance going through a pre-school. “Mercury,” “philosophers' stone,” “silver” mean something else. If one speaks of the union of mercury and its addition to any other product, “mercury” and “philosophers' stone” just mean something else than external matters.

However, these things exist in literature. Those who have no idea what the expressions and the signs in particular signify which are connected with them take the thing simply literally. If one takes them literally, it is the purest nonsense. So, for example, it has happened to a Danish researcher of superstition that he read something about strange personalities of the thirteenth and fourteenth centuries, about Ramon Llull (~1232–1316) and others. It is at everybody's discretion to regard him as a swindler, a charlatan or as the greatest sage of his time, depending on he can understand him. Now, however, it is told that Ramon Llull succeeded in finding the philosophers' stone after a 30-year-study—to most people an uncomfortable matter—and that he thereby became able to make gold, while he transformed a certain amount of mercury by a part of the stone into a powder which still had all qualities of the stone. If one takes a tiny amount of it, it gets the quality again to transform mercury. Then a tiny amount is taken from this again, and so on, until gold originates finally.

If one tries this, if he takes what he finds in the book, takes certain substances, mixes them and adds them to the mercury, it is the biggest nonsense that can be done. Everybody is right to mock it. The Danish researcher also does this. He mocks it. Who knows, however, how to interpret the expressions finds that in literature the “philosophers' stone” exists just as in the writings by Ramon Llull, with which he achieved his goal. This is the wonderful of the matter that the sentence has been known for centuries and is right even today. This shows somebody who knows something about it how brilliantly right it is. Then he realises that in Ramon Llull really the soul of one of the wisest of his age lived. However, who sticks only to the external mode of expression gets up to nonsense really. Many people got up to nonsense who believed that the wise alchemist produced external gold, and they also went insane, although I believe that they already went insane a little when they started the matter. Psychiatrists, however, state that they went insane thereby. They may have lost their wealth, because they did not find gold at last. Hence, one must not disagree with the writer so much who calls alchemy nonsense, because—what he could understand of it is nonsense only. However, no nonsense is big enough not to be believed by this or that person.

This is connected with an addiction that you can experience in the field of spiritual science day by day. You experience the following: if you face this or that person with a natural phenomenon, which needs clarification, and you try to explain such a phenomenon in connection with its spiritual undergrounds and claim to lead back an everyday phenomenon to its spiritual base, then you excite no special interest with most people today. Many human beings do not search the explicable but the inexplicable. They are happy if they can find anything that remains inexplicable to them. Tell to anybody that here or there, something has taken place that cannot be explained, and then they are pleased with it. People really want to be pointed to the inexplicable. They do not want to penetrate what presents itself to them, but they want to increase the miraculous. Try to explain something about the development of plants to anybody, while he can grasp them from the undergrounds of development and look deeply at nature, so that he is led from the sensuous where one deals with the spirit at one end deeply into the spiritual—then he cannot believe in a spiritual world! However, if you tell such a person that a hand of a statue got lost, was found again in another city, and has been reinserted, he says: no one can explain this, consequently I believe in a spiritual world.—This is in such a way that the persons want to remain without an understanding of the spirit because they believe that one is not allowed to fathom this. With it, they open the doors to superstition everywhere.

If the human being does not strive for impartiality with that which is available to him in his reason and logical thinking, he is exposed to all possible forms of superstition when he does not want to rely on this, as soon as something appears that is different from the usual. Thus, one could see, for example—you forgive if I say this, although I stand completely on the ground of spiritual science and theosophy—how often just those who stand on the ground of theosophy reject what could lead to enlightenment in the spiritual-scientific sense. When the theosophical movement had begun in the world, two significant persons lived by whom this wisdom was revealed to humankind at first. Those who have this wisdom have not behaved in such a way as it... (Gap)

I have characterised this heaps of times. For: how could one have behaved compared with a truth that was received from an unknown side? The first intermediaries of the theosophical worldview said, from personalities who stay in the background we have got the wisdom we committed to this or that book.—There one could have said the following, well, these human beings who bring this wisdom are honourable, but we want to check this wisdom ourselves.—I always emphasise that only somebody can do research in the higher worlds who has attained particular abilities. However, if this wisdom is informed, so that it is verifiable, then what? This wisdom was not checked in many cases. One accepted the matter in good faith because one said to them that it has come from higher beings. The others, however, said, whether it is founded or not, this does not matter; whether the higher beings generally exist, that is the point; and if one does not know for sure whether these higher beings exist or not, we reject the whole theosophy.

However, could it not have happened that anybody said to himself, this wisdom may have come wherever from at first, I check it, whether and how it fits the phenomena of life, whether it proves true in life; above all, I check its relation to the current worldview, to the positive science?—There one could maybe come to the view: how poor is that which the worldview gives us built up on positive science compared with that, which has come from theosophical side. One must not accept it in good faith, but one can check and understand it. The result will be whether those from whom this wisdom has come are greater than those who stand on the ground of the so-called scientific facts. We have no reason to assume that H. P. Blavatsky received her worldview from a rain cloud. Such wisdom that one has found as reasonable must originate from somewhere. Whether one can call it great, this depends on what arises if one compares this worldview to that which one already recognises as great.

Such a check would have been reasonable. However, this is the only one that brings honour to the human mind, not accepting on good faith, also not rejecting on good faith, but examining without prejudice. Indeed, not anybody can do research. Those should do it who can develop their mental powers especially. However, everybody can examine impartially, if only he did not search the inexplicable instead of the explicable and were satisfied having found the inexplicable. As long as one says to him, he should try hard to fathom the spirit; he does not want to come along. However, if one informs him of anything that is not to be understood at all, he is present because it is more comfortable. This is especially distinctive of the soul state of the human being.

There is another case, which took place (taken from Lehmann's book). I talk again not in such a way, as if anything true is behind it, but I talk about the human spiritual condition that has become obvious thereby. One told that in certain regions of Asia human beings existed who can do the following: they spread out a cloth, take a rope, throw the rope in the air, let a little child climb up, until it becomes invisible on top; then they themselves climb up, and after some time the limbs of the child fall down dismembered. Then the fakir also follows, takes a bag, packs the limbs into it, shakes the whole, then he pours out the bag and—the child is recreated completely. I do not want to decide what is behind, but only speak about the way of superstition.

The process appears to the human beings as something that is hard to believe at first. A certain S. Ellmore wrote about that in the Chicago Tribune, and a painter drew strange pictures that showed the different stadia quite correctly: the thrown rope, the climbing child and so on. Ellmore himself added photos which were shot especially cunningly, because one always saw the fakir and the spectators only who looked upwards once, then downwards. However, one did not see the remaining. Ellmore explained the whole matter, so that one could easily elucidate it. He meant namely that the person concerned who carried out the matter must be a very significant hypnotist who could suggest the process to a whole company. There people said to themselves that the process was no superstition but suggestion, and it seemed explicable that all people were hypnotised. However, this suggestive process appeared to a person even more incredible than the original process. For he thought that there could be matters in the world, which cannot be explained by our principles, and said to himself: concerning suggestion one already knows something, but concerning the soul forces one must still investigate many a matter.—This person turned to S. Ellmore to find out the place where this was present at such a performance. Now the truth became known. S. Ellmore explained that the whole story was invented, what already his pseudonym points to: S. Ellmore = sell more. He had dressed the matter in this form, because he could not believe the original process and found the form of suggestion acceptable to the modern consciousness.

You see that it really depends on the mental constitution that it depends on what takes place in our souls if one wants to elucidate the concept and the being of superstition fairly. Quite different factors must decide whether a matter is correct or is not correct in the end. However, what can protect us from any aberrations which become superstition can be solely the pursuit of real knowledge, of seeing through the matters. Someone is always addicted to superstition who does not want to penetrate really into the depth of the matters. It anyway is in such a way that this longing for a certain quantity of superstition prevails absolutely. With it, I pronounce the basic principle of superstition: as long as the human being remains only in the observation of the physical environment, as long as he does not want to penetrate to spiritual science, to the real knowledge of the spiritual primal grounds of the things, a certain need of superstition lives in him.

If you like, take a modern doctor: if he rejects any form of superstition in his thinking ever so much—that who is impartial can easily prove how he covers his requirements of superstition in another form copiously. This is the principle of compensation in the human soul. You see in it how typical the principle is.

You have a person who wants to be way beyond the old superstition in every respect, but how much superstition Haeckel (Ernst H., 1835–1919, naturalist, philosopher) registers in his Miracles of Life and in his World Riddles! Those who know me know that I recognise Haeckel in all because he is the great researcher. Who knows me also knows that I always point to the positive that Haeckel has performed. Because he has thrown out the old superstition and does not want to go back to the spiritual backgrounds of the things, he applies it to another field. He becomes the most superstitious person on the other field. In the field of energy and matter, as he imagines it, there the atoms are dancing and whirling.

He calls that his god. He attributes to the dancing and whirling atoms that they can create conditions which simple living beings show, and that these again are made up to more complex things which fit together, in the end, to the form of the human brain. Everything that the human being can feel and want, all ideals, and moral, all religions are for that who can judge the thing impartially only dance of atoms. No difference exists to him between the dance of the atoms and the big fetishes of African savages. Whether the African savage adores his wooden block and looks at it as his god, or whether Haeckel lets his little atoms dance and looks at them as little gods—there is no difference between both concerning superstition. The one and the other superstition stand at the same point of view. There was a time—it is behind us already in certain ways—there one could see how this superstition emerged bit by bit. New discoveries of natural sciences were done in the course of time, in particular in chemistry. New compounds could be explained that one noticed differences of weight of the smallest parts in space. Many a thing was explained by the principle of the atomic weights. The view appeared fertile to construct such an atomic theory. Later, one forgot that one had constructed this atomic theory in spirit. The atoms became real idols which one adored.

When I was a pupil, a headmaster (Heinrich Schramm, see Steiner's autobiography, chapter II) made me realise what atomic superstition is. The headmaster calculated all phenomena of physics and chemistry as movements in those days—a long time ago. However, he did not yet calculate the thinking. However, he made calculations up to the chemical phenomena. The booklet, which contained these things, is called The General Movement of Matter as a Basic Cause of All Natural Phenomena. This was something that could fascinate somebody who defers to this issue. I would just give everybody this booklet with pleasure. However, it is no longer available in the book trade for a long time. Perhaps in libraries it may be still to be found. There we see superstition appearing in the omnipotence of the atomic whirl.

We saw all possible forms of superstition appearing one by one in natural sciences. Consider once that we really have a certain direction in natural sciences that speaks of the omnipotence of natural breeding.

Everywhere you can see that everything is gathered that is or is not indicative of the one or the other theory, if once the researcher concerned is fascinated by a catchword that has an effect on him like an idol. We would just see similar cases in our time if we only wanted to have an eye for them. Already at the beginning of the talk, I mentioned how the matters slip in that will become obvious as the dreadful superstition of time in a time not too far away.

Where is the cause of superstition now? Always the possibility occurs that superstition replaces what can prevail only as a fertile thought, as a fertile opinion. If we forget the original thought, the original opinion and take the formality presenting itself for it, we forget the essentials like the crisis of pneumonia appearing after seven days. If we pull the number seven out and retain it, the possibility exists that this changes into superstition. There you have the reason why ancient sages could show great natural phenomena.

Spiritual science wants to bring to the human being: that he does not search the inexplicable, but that he wants to search the explanation. Otherwise, if he stops in the area of the environment and does not want to rise to the higher point of view from which he can see what is justified or not justified in the one or the other field, then he replaces superstition by superstition. Who stops in the physical world leaves the one superstition and comes into the other. Not before he rises above himself and above superstition, he sees the right in the one and in the other. Jean Jacques Rousseau (1712–1778, philosopher) already ascertained that it does not make a difference whether one is more or less clever. He said, the clever ones and the prudent ones have their prejudices just as the silly ones, even if the clever and prudent ones know something more and have more prejudices than the silly ones. The silly ones retain to few prejudices the more tenaciously in return.—This is absolute a principle which someone who observes human life can find confirmed in many cases. Thus, we see that a basic healing of superstition can be if one rises to the higher point of view from which the spiritual undergrounds of the world are readily comprehensible.

Various sorts of superstition will still emerge, and something slips into our view today. We are developing in such a way that the human beings have no right sense, actually, to eliminate superstition from the public life if it does not just come from old times. Oh, it absolutely applies to our time in various fields what an old story tells us. Call it an anecdote, but it applies, and it shows truth better than something else does. In a certain region of Spain, on the border between two provinces, an epidemic had broken out once. It was close to two universities. One university had a medical faculty in which one swarmed for bloodletting in particular. At the other university, one swarmed against bloodletting. In this region were two doctors. The one doctor was instructed in the one university, the other one at the other university. The one prescribed medicines, and the other venesected. It turned out that the one doctor kept all patients alive, while all patients of the other doctor died. Even if all patients stayed alive and all patients of the other died, nevertheless, both operated correctly according to their theory; one, indeed, wrong in practice, but correctly according to his theory.

If one tells such a thing, it may seem stupid. If one sees the things, however, day by day, one finds that the anecdote says nothing wrong, and one finds it even necessary. Therefore, it can only concern—if about superstition is spoken—that spiritual science has really no reason to propagate this or that superstition. It stands on the ground that the spiritual is explorable and that there are means and ways to penetrate into the spiritual world by which one is able to overlook the world from a higher viewpoint. Thereby the human being is led beyond superstition, and beyond that, which superstition can cause as damage in the human life. One can express that with a Goethean word which reveals truth comprehensively even if simply: “Wisdom is eternal, and it will be victorious, and it will raise the human being in us to humaneness in the most manifold tumults.”