The Rudolf Steiner Archive

[ 1 ] In Max Dessoir’s book, From Beyond the Soul¹ there is a brief section in which the systematic noetic investigation, or spiritual science, called “anthroposophical” and associated with my name, is stigmatised as scientifically untenable. Now it might well be argued that any dialogue between someone with the scientific outlook of Dessoir and an upholder of this anthroposophical method must be a waste of time. For the latter necessarily posits a field of purely noetic experience which the former categorically denies and relegates to the realm of fantasy. Apparently then one can speak of spiritual science and its findings only to someone who is antecedently convinced of the factuality of that field.

This would be true enough if the spokesman for anthroposophy had nothing to bring forward but his own inner personal experiences, and if he then simply set these up alongside the findings of a science based on sensory observation and the scientific elaboration thereof. You could then say: the professor of science, so defined, must refuse to regard the experiences of the spiritual researcher as realities; the latter can only expect to impress those who have already adopted his own standpoint.

[ 2 ] And yet this conclusion depends on a misconception of what I mean by anthroposophy.² It is quite true that anthroposophy relies on psychic apprehensions that are dependent neither on sense-impressions nor on scientific propositions based on these and these alone. It must be conceded therefore that prima facie the two types of apprehension are divided from one another by an unbridgable gulf. Nevertheless this turns out not to be the case. There is a common ground on which the two methodologies may properly encounter one another and on which debate is possible concerning the findings of both. It may be characterised as follows.

[ 3 ] The spokesman for anthroposophy maintains, on the basis of apprehensions that are not merely his private and personal experiences, that the process of human cognition can be further developed after a certain fixed point, a point beyond which scientific research, relying solely on sensory observation and inference therefrom, refuses to go. To avoid a lot of tedious paraphrases I propose, in what follows, to designate the methodology based on sensory observation and its subsequent inferential elaboration by the term “anthropology”; requesting the reader’s indulgence for this abnormal usage. It will be employed throughout strictly with that reference. Anthroposophical research, then, reckons to begin from where anthropology leaves off.

[ 4 ] The spokesman for anthropology limits himself to the method of relating his experience of concepts of the understanding with his experience through the senses. The spokesman for anthroposophy realises the fact that these concepts are capable (irrespective of the circumstance that they are to be related to sense impressions) of opening a life of their own within the psyche. Further, that by the unfolding of this energy they effect a development in the psyche itself. And he has learnt how the psyche, if it pays the requisite attention to this process, makes the discovery that organs of spirit are disclosing their presence there. (In employing the expression ‘organs of spirit” I adopt, and extend, the linguistic usage of Goethe, who referred to “spiritual eyes” and “spiritual ears” in expounding his philosophical position).³ These organs amount to formations in the psyche analogous to what the sense-organs are in the body. It goes without saying that they are to be understood as exclusively psychic. Any attempt to connect them with some kind of somatic formation must be ruled out as far as anthroposophy is concerned. Spiritual organs are to be conceived as never in any manner departing from the psychic and entering the texture of the somatic. Any such encroachment is, for anthroposophy, a pathological formation with which it will have nothing whatever to do. And the whole manner in which the development of these organs is conceived should be enough to satisfy a bona fide enquirer that, on the subject of illusions, visions, hallucinations and so forth, the ideas of anthroposophy are the same as those that are normally accepted in anthropology.⁴ When the findings of anthroposophy are equated with abnormal experiences, miscalled “psychic”, or “psychical”, the argument is invariably based on misunderstanding or on an insufficient acquaintance with what anthroposophy actually maintains. Moreover no-one who had followed with a modicum of penetration the manner in which anthroposophy treats of the development of spiritual organs could possibly slip into the notion of its being a path that could lead to pathological syndromes. On the contrary, given such penetration, it will be realised that all the stages of psychic apprehension which a human being, according to anthroposophy, experiences in his progress towards intuition of spirit, lie in a domain exclusively psychic; so that sensory experience and normal intellectual activity continue alongside of them unaltered from what they were before this territory was opened up. The plethora of misunderstandings that are current upon this aspect of anthroposophical cognition arise from the fact that many people have difficulty in focusing their attention on what is purely and distinctively psychic. The power to form ideas fails them, unless it is supported by some surreptitious reference to sensory phenomena. Failing that, their mental capacity wilts, and ideation sinks to an energy-level below that of dreaming—to the level of dreamless sleep, where it is no longer conscious. It may be said that the consciousness of such minds is congested with the after-effects, or the actual effects, of sense-impressions; and this congestion entails a corresponding slumber of all that would be recognised as psychic, if it could be seized at all. It is even true to say that many minds approach the properly psychic with hopeless misunderstanding precisely because they are unable, when it confronts them, to stay awake, as they do when they are confronted by the sensory content of consciousness. Such is the predicament of all in whom the faculty of vigilant attention is only strong enough for the purposes of everyday life. This sounds surprising, but I would recommend anyone who finds it incredible to ponder carefully a certain objection raised by Brentano against the philosopher William James. “It is necessary,” writes Brentano, “to distinguish between the act of sensing and that upon which the act is directed and the two are as certainly different from one another as my present recollection of a past event is from the event itself; or, to take an even more drastic example, as my hatred of an enemy is from the object of that hate.” He adds that the error he is nailing does “turn up here and there”, and he continues:

Among others it has been embraced by William James, who endeavoured to establish it in a longish address to the International Congress on Psychology in 1905. Because, when I look into a room, there is evidently not only the room but also my looking; because fancied images of sensible objects only distinguish themselves gradually from objectively stimulated ones; because, finally, we call some bodies beautiful, and yet the difference between beautiful and ugly relates to different emotions—therefore we must stop regarding physical and psychic phenomena as two different classes of appearance! I find it hard to understand how the speaker himself could be unaware of the weakness of these arguments. To appear simultaneously is not to appear as one and the same. For simultaneity is less than identity. That was why Descartes could recommend his readers, without fear of contradiction, to deny, at least to begin with, that the room which I see is, and to hold fast to the-fact-that-I-see-it as the one thing free from doubt. But if the first argument falls to the ground, then obviously the second one does also. For why should it matter that fancy differs from seeing only by the degree of intensity, since, even if the degrees of intensity were the same total similarity between fancying and seeing could prove no more than the similarity of fancying to a psychic phenomenon? Finally there is the argument from beauty. Surely it is a very odd sort of logic which draws, from that fact that pleasure in the beautiful is something psychic, the conclusion that that, with the appearance whereof the pleasure is connected, must also be something psychic! If that were so, every displeasure would be identical with what we are displeased about; and a man would have to be very careful not to regret a past mistakes, because the regret (being identical with the mistake) would repeat the mistake itself.

For all these reasons there ought not to be much fear that the authority of James, which he unfortunately shares with that of Mach among German psychologists, will seduce many people into overlooking such a glaring distinction.

All the same, this “overlooking of glaring distinctions” is far from rare. The reason is that our faculty of ideation only operates vigilantly with the somatic component of representation, the sense-impressions; the concurrent psychic factor is present to consciousness only to the feeble extent of experiences had during sleep. The stream of experience comes to us in two currents: one of them is apprehended wakefully; the other, the psychic, is seized concurrently, but only with a degree of awareness similar to the mentality of sleep, that is, with virtually no awareness at all. It is impermissible to ignore the fact that, during ordinary waking life, the psychology of sleep does not simply leave off; it continues alongside our waking experience; so that the specifically psychic only enters the field of perception if the subject is awake not only to the sense world (as is the case with ordinary consciousness), but also to the existentially psychic—which is the case with intuitive consciousness. It makes very little difference whether this latter (the slumber that persists within the waking state) is simply denied on crudely materialistic grounds or whether, with James, it is lumped in with the physical organism. The results in either case are much the same. Both ways lead to ill-starred myopias. Yet we ought not to be surprised that the psychic so often remains unperceived, when even a philosopher like William James is incapable of distinguishing it properly from the physical.⁵

[ 5 ] With those who are no better able than James to keep the positively psychic separate from the content of the psyche’s experience through the senses, it is difficult to speak of that part of the soul wherein the development of spiritual organs is observable. Because this development occurs at the very point on which they are incapable of directing attention. And it is just this point that leads from intellectual to intuitive knowledge.⁶

[ 6 ] It should be noted however that such a capacity to observe the authentically psychic is very elementary; it is the indispensable precondition, but it assures to the mind’s eye no more than the bare possibility of looking whither anthroposophy looks to find the psychic organs. This first glimpse bears the same relation to a soul fully equipped with the spiritual organs of which anthroposophy speaks as an undifferentiated living cell does to a full-blown creature furnished with sense organs. The soul is only conscious of possessing a particular organ of spirit to the extent that it is able to make use of it. For these organs are not something static; they are in continual movement. And when they are not being employed, it is not possible to be conscious of their presence. Thus, their apprehension and their use coincide. The manner in which their development and, with that, the possibility of observing them, is brought about will be found described in my anthroposophical writings. There is one point however I must briefly touch on here.

[ 7 ] Anyone given to serious reflection on the experiences occasioned through sense phenomena keeps coming up against questions which that reflection itself is at first inadequate to answer. This leads to the establishment by those who represent anthropology of boundaries of cognition. Recall, for instance, Du Bois-Reymond’s oration on the frontiers of natural knowledge, in which he maintained that man cannot know what is the actual nature of matter or of any elementary phenomenon of consciousness. All he can do is to come to a halt at these points in his reflection and acknowledge to himself: “there are boundaries of knowledge which the human mind cannot cross”. After that there are two possible attitudes he may adopt. He may rest content with the fact that knowledge is only attainable inside this limited zone and that anything outside the fence is the province of feelings, hopes, wishes, inklings. Or he can make a new start and form hypotheses concerning an extra-sensory realm. In that case he is making use of the understanding, in the faith that its judgments can be carried into a realm of which the senses perceive nothing. But, in doing so, he puts himself in peril of the agnostic’s objection: that the understanding is not entitled to form judgments concerning a reality for which it lacks the foundation of sense-perception. For it is these alone which could give content to judgments, and without such content concepts are empty.

[ 8 ] The attitude of an anthroposophically oriented science of the spirit to boundaries of cognition resembles neither the one nor the other of these. Not the second, because it is in substantial agreement with the view that the mind must lose the whole ground for reflection, if it rests satisfied with such ideas as are acquired through the senses and yet seeks to apply these ideas beyond the province of the senses. Not the first, because it realises that contact with those “boundaries” of knowledge evokes a certain psychic experience that has nothing to do with the content of ideation won from the senses. Certainly, if it is only this content that the mind presents to itself, then it is obliged, on further introspection, to admit: “this content can disclose nothing for cognition except a reproduction of sensory experience”. But it is otherwise if the mind goes a step further and asks itself: What is the nature of its own experience, when it fills itself with the kind of thoughts that are evoked by its contact with the normal boundaries of cognition? The same exercise of introspection may then lead it to say: “I cannot know in the ordinary sense with such thoughts: but if I succeed in inwardly contemplating this very impotence to know, I am made aware of how these thoughts become active in me”. Considered as normally cognitive ideas they remain silent, but as their silence communicates itself more and more to a man’s consciousness, they acquire an inner life of their own, which becomes one with the life of the soul. And then the soul notices that this experience has brought it to a pass that may be compared with that of a blind creature, which has not yet done much to cultivate its sense of touch. Initially, such a creature would simply keep on knocking up against things. It would sense the resistance of external realities. But out of this generalised sensation it could develop an inner life informed with a primitive consciousness—no longer a general sensation of collisions, but a consciousness that begins to diversify that sensation, remarking distinctions between hardness and softness, smoothness and roughness and so forth.

[ 9 ] In the same way, the soul is able to undergo, and to diversify, the experience it has with ideas it forms at the boundaries of cognition and to learn from them that those boundaries are simply events that occur when the psyche is stimulated by a touch of the spiritual world. The moment of awareness of such boundaries turns into an experience comparable with tactile experience in the sense world.⁷ In what it previously termed boundaries of cognition, it now sees a pneumato-psychic stimulus through a spiritual world. And out of the pondered experience it can have with the different boundaries of cognition, the general sense of a world of spirit separates out into a manifold perception thereof.

This is the manner in which the, so to say, humblest mode of perceptibility of the spiritual world becomes experiential. All that has been dealt with so far is the initial opening up of the psyche to the world of spirit, but it does show that anthroposophy, as I use the term, and the noetic experiences it ensues, do not connote all manner of nebulous personal affects, but a methodical development of authentic inner experience. This is not the place to demonstrate further how such inchoate spiritual perception is then improved by further psychic exercises and achievements, so that it becomes legitimate to use the vocabulary of touch in this context, or of other and “higher” modes of perception. For a cognitive psychology of this kind I must refer the reader to my anthroposophical books and articles. My present object is to state the principle basic to “spiritual perception” as it is understood in anthroposophy.

[ 10 ] I shall offer one other analogy to illustrate how the whole psychology of anthroposophical spiritual investigation differs from that of anthropology. Look at a few grains of wheat. They can be applied for the purposes of nutrition. Alternatively they can be planted in the soil, so that other wheat plants develop from them. The representations and ideas acquired through sensory experience can be retained in the mind with the effect that what is experienced in them is a reproduction of sensory reality. And they can also be experienced in another way: the energy they evince in the psyche by virtue of what they are, quite apart from the fact that they reproduce phenomena, can be allowed to act itself out. The first way may be compared with what happens to wheat grains when they are assimilated by a living creature as its means of nourishment. The second with the engendering of a new wheat plant through each grain. Of course we must bear in mind that, in the analogy, what is brought forth is a plant similar to the parent plant; whereas from an idea active in the mind the outcome is a force available for the formation of organs of the spirit. It must also be borne in mind that initial awareness of such inner forces can only be kindled by particularly potent ideas, like those “frontiers of knowledge” of which we have been speaking; but when once the mind has been alerted to the presence of such forces, other ideas and representations may also serve, though not quite so well, for further progress in the direction it has now taken.

[ 11 ] The analogy illustrates something else that anthroposophical research discovers concerning the actual psychology of mental representation. It is this. Whenever a seed of corn is processed for the purposes of nutrition, it is lifted out of the developmental pattern which is proper to it, and which ends in the formation of a new plant, but so also is a representation, whenever it is applied by the mind in producing a mental copy of sense-perception, diverted from its proper teleological pattern. The corresponding further development proper to a representation is to function as a force in the development of the psyche. Just as little as we find the laws of development built in to a plant, if we examine it for its nutritive value, do we find the essential nature of an idea or a representation, when we investigate its adequacy in reproducing for cognition the reality it mediates. That is not to say that no such investigation should be undertaken. It can all be investigated just as much as can the nutritive value of a seed. But then, just as the latter enquiry throws light on something quite different from the developmental laws of plant growth, so does an epistemology, which tests representations by the criterion of their value as images for cognition, reach conclusions about something other than the essential nature of ideation. The seed, as such, gave little indication of turning into nourishment: nor does it lie with representations, as such, to deliver copies for cognition. In fact, just as its application as nutriment is something quite external to the seed itself, so is cognitive reproduction irrelevant for representation. The truth is that what the psyche does lay hold of in its representations is its own waxing existence. Only through its own activity does it come about that the representations turn into media for the cognition of some reality.⁸

[ 12 ] There remains the question: how do representations turn into media for cognition? Anthroposophical observation, availing itself as it does of spiritual organs, inevitably answers this question differently from epistemological theories that renounce them. Its answer is as follows.

[ 13 ] Representations strictly as such—considered as what they themselves originally are—do indeed form part of the life of the soul; but they cannot become conscious there as long as the soul does not consciously use its spiritual organs. So long as they retain their original vitality they remain unconscious. The soul lives by means of them, but it can know nothing of them. They have to suppress (herabdämpfen) their own life in order to become conscious experiences of normal consciousness. This suppression is effected by every sense perception. Consequently, when the mind receives a sense impression, there is a benumbing (Herablähmung) of the life of the representation, and it is this benumbed representation which the psyche experiences as the medium of a cognition of outer reality.⁹All the representations and ideas that are related by the mind to an outer sense reality are inner spiritual experiences, whose life has been suppressed. In all our thoughts about an outer world of the senses, we have to do with deadened representations. And yet the life of the representation is not just annihilated; rather it is disjoined from the area of consciousness but continues to subsist in the nonconscious provinces of the psyche. That is where it is found again by the organs of the spirit. Just as the deadened ideas of the soul can be related to the sense world, so can the living ideas apprehended by spiritual organs be related to the spiritual world. But “boundary” concepts of the kind spoken of above, by their very nature, refuse to be deadened. Consequently they resist being related to any sense reality. And for that reason they become points of departure for spiritual perception.

[ 14 ] In my anthroposophical writings I have applied the term “imaginal” to representations that are apprehended by the psyche as living. It is a misunderstanding to confound the reference of this word with the form of expression (imagery) which has to be employed in order to analogously suggest such representations. What the word does mean may be elucidated in the following manner. If someone has a sense-perception while the outer object is impressing him, then the perception has a certain inner potency for him. If he turns away from the object, then he can re-present it to himself in a purely internal representation. But the intrinsic strength of the representation has now been reduced. Compared with the representation effected in the presence of the object, it is more or less shadowy. If he wants to enliven these shadowy representations of ordinary consciousness, he impregnates them with echoes of actual contemplation. He converts the representation into a visual image. Now such images are no other than the joint effects of representation and sensory life combined. But the “imaginal” representations of anthroposophy are not effected in this way at all. In order to bring them to pass, the soul must be familiar with the inner process that combines psychic representation with sense-impression, so familiar that it can hold at arms length the influx of the sense-impressions themselves (or of their echoes in after-experience) into the act of representing. This keeping at bay of post-sense-experiences can only be achieved, if the man has detected the way in which the activity of representing is pre-empted by these after experiences. Not until then is he in a position to combine his spiritual organs with the act itself and thereby to receive impressions of spiritual reality.

Thus the act of representing is impregnated from quite another side than in the case of sense-perception. And thus the mental experiences are positively different from those evoked by sense-perception. And yet they are not beyond all possibility of expression. They may be expressed by the following means. When a man perceives the colour yellow, he has an experience that is not simply optical but is also affective and empathetic, an experience of the nature of feeling. It may be more or less pronounced in different human beings, but it is never wholly absent. There is a beautiful chapter in Goethe’s Farbenlehre on the “sensuous-moral effect of colours”, in which he has described with great penetration the emotional by-effects for red, yellow, green and so forth. Now when the mind perceives something from a particular province of the spirit, it may happen that this spiritual perception has the same emotional by-effect as the sensory perception of yellow. The man knows that he is having this or that spiritual experience; and what he has before him in the representation is of course not the same as in a representation of the colour yellow. But he does have, as emotional by-effect, the same inner experience as when the colour yellow is before his eyes. He may then aver that he perceives the spirit experience as “yellow”. Of course he could choose to be more precise, always being careful to say: “the mind apprehends somewhat that affects the soul rather as the colour yellow affects it”. But such elaborate verbal precautions ought to be unnecessary for anyone who is already acquainted through anthroposophical literature with the process leading to spiritual perception. This literature gives a clear enough warning that the reality open to spiritual perception does not confront the organ of spirit after the fashion of an attenuated sense-object or event, nor in such a way that it could be rendered in ideas that are intuitions of sense (sinnlich-anschauliche) as commonly understood.¹⁰

[ 15 ] Just as the mind becomes acquainted through its spiritual organs with the spiritual world outside of a man, so does it come to know the spirit-being of the man himself. Anthroposophy observes this spirit-being as a member of the spiritual world. It proceeds from observation of a part of the spiritual world to ideas of human being which represent to it the spiritual man as he reveals himself in the human body. Anthropology, too, coming from the opposite direction, proceeds to ideas of human being. Once anthroposophy has reached the stage of developing the methods of observation already described, it attains to intuitions concerning the spiritual core of the human being as that reveals itself, within the sense-world, in the body. The acme of this self-revelation is the consciousness that permits sense-impressions to persist in the form of representations. Proceeding, as it does, from experiences of the extra-human spiritual world to the human being, anthroposophy finds the latter subsisting in a sensuous body and, within that body, developing the consciousness of sensible reality. The last thing it reaches is the soul’s activity in representation which is expressible in coherent imagery. Thereafter, and at the end, so to speak, of its journey of spiritual investigation, it can extend its gaze further; it can observe how positive activity in representation becomes half-paralysed through the percipient senses. It is this deadened representation process that anthroposophy sees (illumined from the spirit-side) as characterising the life of man in the sense-world, in so far as he is a representing being. Its philosophy of man is the final outcome of prior researches conducted purely in the realm of the spirit. Through what has transpired in the course of those researches, it comes at its notion of the human being living in the sense-world.

[ 16 ] Anthropology investigates the kingdoms of the sense-world. It also arrives, in due course, at the human being. It sees him combining the facts of the sense-world in his physical organism in such a way that consciousness arises, and that through consciousness outer reality is given in representations. The anthropologist sees these representations as arising out of the human organism. And at that point, observing in that way, he is more or less brought to a halt. He cannot, via anthropology alone, apprehend any inner structural laws in the act of ideation or representation. Anthroposophy, at the end of the journey that has taken its course in spiritual experiencing, continues contemplating the spiritual core of man so far as that manifests itself through the perceptions of the senses. Similarly anthropology, at the end of the journey that has taken its course in the province of the senses, can only continue endeavouring to contemplate the way in which sensuous man acts on his sense-perceptions. In doing so, it discovers that this operation is sustained, not by the laws of somatic life, but by the mental laws of logic. But logic is not a region that can be explored in the same fashion as the other regions of anthropological enquiry. Logically ordered thought is answerable to laws that can no longer be termed those of the physical organism. Inasmuch as a man is operating with them, what becomes apparent is the same being whom anthroposophy has encountered at the end of its journey. Only, the anthropologist sees this being after the fashion in which it is illumined from the sense side. He sees the deadened representations, the ideas; he also concedes, in acknowledging the validity of logic, that the laws governing those ideas belong to a world, which interlocks with the sense-world, but is not identical with it. In the process of ideation carried on by a logical being, anthropology discovers sensuous man projecting into the spiritual world. By this route it arrives at a philosophy of man as a final outcome of its investigations. Everything that has led up to it is to be found purely in the realm of the senses.¹¹

[ 17 ] Rightly pursued, therefore, the two approaches, anthroposophical and anthropological, converge and meet in one point. Anthroposophy contributes the image of the living human spirit, showing how, through sense existence, this develops the consciousness that obtains between birth and death, while at the same time its supersensible consciousness is deadened. Anthropology contributes the image of sensuous man, apprehending in the moment of consciousness his selfhood but towering into a subsistence in the spirit that extends beyond birth and death. In this coincidence a genuinely fruitful understanding between anthroposophy and anthropology is possible. It cannot fail, if both disciplines, terminate in philosophy and humanity.

Certainly the philosophy of humanity which stems from anthroposophy will furnish an image of man delineated by methods quite other than those of the image furnished by the humanist philosophy stemming from anthropology. Yet close observers of the one image and of the other will find that their ideas accord, as the negative plate of a competent photographer accords with his positive print.

[ 18 ] These observations began by posing the question whether fruitful dialogue is possible between anthropology and anthroposophy. They have perhaps succeeded in showing that the answer, at least from the anthroposophical point of view, is in the affirmative.

• 1. See Introduction, p. 16.
• 2. An exposition in greater detail together with a justification of this conception of “organs of spirit” will be found in my book Vom Menschenrätsel (4th Edition) as well as in my writings on Goethe’s philosophical outlook.
  
  Editor’s Note. And the English reader should compare Coleridge (Biographia Literaria, Chapter XII): “...all the organs of sense are framed for a corresponding world of sense—and we have it. All the organs of spirit are framed for a correspondent world of spirit: though the latter organs are not developed in all alike.”
• 3. An exposition in greater detail together with a justification of this conception of “organs of spirit” will be found in my book Vom Menschenrätsel (4th Edition) as well as in my writings on Goethe’s philosophical outlook.
• 4. The inner experiences, which the psyche has to undergo in order to be able to make use of its spiritual organs, are dealt with in a number of my writings and particularly in the book Knowledge of the Higher Worlds and the second part of >Occult Science: an Outline.
• 5. This quickening of psychic faculties which in ordinary life remain unawakened is dealt with in greater detail in my Vom Menschenrätsel.
• 6. See also Section II. The Philosophical Bearing of Anthroposophy.
• 7. The boundaries of cognition referred to are not only those, comparatively few in number, of which there is general awareness. A great many are encountered along the avenues of self-reflection—4 which have to be explored on the way to immediate relation with reality. See also Section III. Concerning the Limits of Knowledge.
• 8. All this is dealt with at greater length in the final section of Vol. 2 of my Die Rätsel der Philosophie, under the heading: “Sketch Plan for an Anthroposophy”.
• 9. See also Section IV. Concerning Abstraction.
• 10. See also Section V. Concerning the Nature of Spiritual Perception.
• 11. Compare Section II.

[ 1 ] No-one, who aims at achieving a radical relation between his own thought and contemporary philosophical ideas, can avoid the issue, raised in the first paragraph of this book, of the existential status of the psyche. This he will have to justify not only to himself, but also in the light of those ideas. Now many people do not feel this need, since they are acquainted with the authentically psychic through immediate inner experience (Erleben) and know how to distinguish that from the psychic apprehension (Erfahren) effected through the senses. It strikes them as an unnecessary, perhaps an irritating, intellectual hair-splitting. And if they are positively averse, the more philosophically minded are often unwilling for a different reason. They are unwilling to concede to inner soul experiences any other status than that of subjective apprehensions without cognitive significance. They are little disposed therefore to ransack their philosophical concepts for those elements in them that could lead on to anthroposophical ideas. These repugnances, coming from opposite sides, make the exposition extraordinarily difficult. But it is necessary. For in our time the only kind of ideas to which cognitive validity can be assigned are such as will bear the same kind of critical examination as the laws of natural science must satisfy, before they can claim to have been established.

To establish, epistemologically, the validity of anthroposophical ideas, it is first of all necessary to conceive as precisely as possible the manner in which they are experienced. This can be done in several very different ways. Let us attempt to describe two of them. The first way requires that we observe the phenomenon of memory. Rather a weak point incidentally in current philosophical theory; for the concepts we find there concerning memory throw very little light on it. I take my departure from ideas which I have, in point of fact, reached by anthroposophical methods, but which can be fully supported both philosophically and physiologically. Limitations of space will not permit of my making good this assertion in the present work. I hope to do so in a future one.¹ I am convinced, however, that anyone who succeeds in candidly surveying the findings of modern physiological and psychological science will find that they support the following observations.

Representations stimulated by sense-impressions enter the field of unconscious human experience. From there they can be brought up again, remembered. Representations themselves are a purely psychic reality; but awareness of them in normal waking life is somatically conditioned. Moreover the psyche, bound up as it is with the body, cannot by using its own forces raise representations from their unconscious to their conscious condition. For that it requires the forces of the body. To the end of normal memory the body has to function, just as the body has to function in the processes of its sense-organs, in order to bring about representations through the senses. If I am to represent a sensory event, a somatic activity must first come about within the sense organs; and, within the psyche, the representation appears as its result. In the same way, if I am to remember a representation or idea, an inner somatic activity (in refined organs), an activity polarically counter to the activity of the senses, must occur; and, as a result, the remembered representation comes forth. This representation is related to a sensory event which was presented to my soul at some time in the past. I represent that event to myself through an inner experience, to which my somatic organisation enables me.

Keep clearly in mind the character of such a memory-presentation, and with its help you approach the character of anthroposophical ideas. They are certainly not memory-presentations, but they issue in the psyche in a similar way. Many people, anxious to form ideas about the spiritual world in a less subtle way, find this disappointing. But the spiritual world cannot be experienced any more solidly than a happening in the sense world apprehended in the past but no longer present to the sight. In the case of memory we have seen that our ability to remember such a happening comes from the energy of the somatic organisation. To the experience of the existentially psychic, on the other hand, as distinct from that of memory, this energy can make no contribution. Instead, the soul must awaken in itself the ability to accomplish with certain representations what the body accomplishes with the representations of the senses, when it implements their recall. The former—elicited from the depths of the psyche solely through the energy of the psyche, as memory-presentations are elicited from the depths of human nature through its somatic organisation—are representations related to the spiritual world. They are available to every soul. What has to be won, in order to become aware of them, is the energy to elicit them from the depths of the psyche by a purely psychic activity. As the remembered representations of the senses are related to a past sense-impression, so are these others related to a nexus between the psyche and the domain of spirit, a nexus which is not via the sense-world. The human soul stands towards the spiritual world, as the whole human being stands towards a forgotten actuality. It comes to the knowledge of that world, if it brings, to the point where they awake, energies which are similar to those bodily forces that promote memory. Thus, ideas of the authentically psychic depend for their philosophical validation on the kind of inquiry into the life within us that leads us to find there an activity purely psychic, which yet resembles in some ways the activity exerted in remembering.

[ 2 ] A second way of forming a concept of the purely psychic is as follows. The attention may be directed to what anthropological observation has to say about the willing (operant) human being. An impulse of will that is to be carried into effect has as its ground the mental representation of what is to be willed. The dependence of this representation on the bodily organisation (nervous system) can be physiologically discerned. Bound up with the representation there is a nuance of feeling, an affective sympathy with the represented, which is the reason why this representation furnishes the impulse for a willed act. But from that point on psychic experience disappears into the depths; and the first thing that reappears in consciousness is the result. What is next represented, in fact, is the movement we make in order to achieve the represented goal. (Theodor Ziehen puts all this very clearly in his physiological psychology.) We can now perhaps see how, in the case of a willed act, the conscious process of mental representation is suspended in regard to the central moment of willing itself. That which is psychically experienced in the willing of an operation executed through the body, does not penetrate normal consciousness. But we do see plainly enough that that willing is realised through an act of the body. What is much harder to see is, that the psyche, when it is observing the laws of logic and seeking the truth by connecting ideas together, is also unfolding will. A will which is not to be circumscribed within physiological laws. For, if that were so, it would be impossible to distinguish an illogical—or simply an a-logical—chain of ideas from one which follows the laws of logic. (Superficial chatter around the fancy that logical consequence could be a property the mind acquires through adapting itself to the outer world, need not be taken seriously.) In this willing, which takes place entirely within the psyche, and which leads to logically grounded convictions, we can detect the permeation of the soul by an entirely spiritual activity.

Of what goes on in the will, when it is directed outwards, ordinary ideation knows as little as a man knows of himself when he is asleep. Something similar is true of his being regulated by logic in the formation of his convictions; he is less fully conscious of this than he is of the actual content of such convictions. Nevertheless anyone capable of looking inward, albeit only in the anthropological mode, will be able to form a concept of the co-presence of this being-regulated-by logic to normal consciousness. He will come to realise that the human being knows of this being-regulated, in the manner that he knows while dreaming. It is paradoxical but perfectly correct to say: normal consciousness knows the content of its convictions; but it only dreams of the regulation by logic that is extant in the pursuit of these convictions. Thus we see that, in ordinary-level consciousness, the human being sleeps through his willing, when he unfolds and exercises his will in an outward direction; he dreams his willing, when, in his thinking, he is seeking for convictions. Only it is clear that, in the latter instance, what he dreams of cannot be anything corporeal, for otherwise logical and physiological laws would coincide. The concept to be grasped is that of the willing that lives in the mental pursuit of truth. That is also the concept of an existentially psychic.

From both of these epistemological approaches, in the sense of anthroposophy, to the concept of the existentially psychic (and they are not the only possible ones), it becomes evident how sharply this concept is divorced from visions, hallucinations, mediumship or any kind of abnormal psychic activity. For the origin of all these abnormalities must be sought in the physiologically determinable. But the psychic, as anthroposophy understands it, is not only something that is experienced in the mode of normal and healthy consciousness; it is something that is experienced, even while representations are being formed, in total vigilance—and is experienced in the same way that we remember a happening undergone earlier in life, or alternatively in the same way that we experience the logically conditioned formation of our convictions. It will be seen that the cognitive experience of anthroposophy proceeds by way of representations and ideas that maintain the character of that normal consciousness with which, as well as with reality, the external world endows us; while at the same time they add to it endowments leading into the domain of the spirit. By contrast the visionary, hallucinatory, etc. type of experience subsists in a consciousness that adds nothing to the norm, but actually takes away from it by eliminating some faculties already acquired; so that there the level of consciousness falls below the level that obtains in conscious sense-perception.

For those of my readers who are acquainted with what I have written elsewhere² concerning recollection and memory I would add the following. Representations that have entered the unconscious and are subsequently remembered are to be located, so long as they remain unconscious, as representations within that component of the human body which is there identified as a life-body (etheric body). But the activity, through which representations anchored in the life-body are remembered, belongs to the physical body. I emphasise this in case some, who jump hastily to conclusions, should construe as an inconsistency what is in fact a distinction made necessary by this particular context.

• 1. I have not been able to trace where, if at all, this intention was carried out—- Editor
• 2. For example, in Occult Science: an Outline, pp. 45-8 and 336.

[ 1 ] The inner nature of man demands that he experience his relation with ultimate reality. Among thinkers who pursue this goal with untiring energy we find a large number discoursing on certain “boundaries” of knowledge. And, if we listen attentively, we cannot help noticing how collision with these boundaries, when it is experienced by a candid mind, tends in the direction of an inner psychic apprehension, a “purely noetic experience” such as was indicated in the first paragraph of this book. Consider how the profoundly able mind of Friedrich Theodor Vischer, in the packed essay he wrote on Johannes Volkelt’s book Dream-Phantasy (Traumphantasie), reports its own reaction to one such limit of cognition:

“No mind where no nerve-centre, where no brain”, say our opponents. No nerve-centre, we say, no brain unless it had been first prepared for by innumerable stages from below upwards. It is easy to babble, with a sneer, about Mind careering through granite and chalk—just as easy as it is for us to ask, with a sneer, how the albumen in the brain flies up aloft into ideas. Human knowledge is extinguished at any attempt to span the distance from one step to the other.

It will remain a secret how it comes about that nature—beneath which spirit must somehow or other be slumbering—presents itself as such a backlash of spirit that we bruise ourselves on it. The direction appears so absolute that Hegel’s formulation of it as “Being other” and “Being outside itself”, brilliant as it is, says almost nothing; it simply drapes the abruptness of the party wall. We may look to Fichte for a really adequate acknowledgment of the abruption and of the shock of the backlash, but we still find no explanation of it.

(Compare F. T. Vischer: Old and New (Altes und Neues), 1881, Part I, p. 229 f.)

Vischer lays his finger on the kind of issue with which anthroposophy too engages. But he fails to realise that, precisely at such a frontier of knowledge as this, another mode of knowledge can begin. He desires to go on living on these frontiers with the same brand of cognition that sufficed until he reached them. Anthroposophy seeks to demonstrate that the possibility of systematic knowledge (science) does not cease at the point where ordinary cognition “bruises” itself, at the point where this “abruption” and these “shocks” from the backlash make themselves felt; but that, on the contrary, the experiences that ensue from them lead naturally towards the development of another type of cognition, which transforms the backlash into perception of spirit—a perception which at the outset, in its initial stage, may be compared with tactile perception in the realm of the senses.

In Part III of Altes und Neues Vischer says: “Very well: there is no soul alongside of the body (he means, for the materialists); what we call matter simply becomes soul at the highest level of organisation known to us, in the brain, and soul evolves to mind or spirit. In other words, we are to be satisfied with a half-baked concept, which for the divisive understanding is a simple contradiction.” Anthroposophy echoes and supplements this with: Very well: for the divisive understanding there is a contradiction. But for the soul, the contradiction becomes the point of departure of a knowledge before which the divisive understanding is pulled up short, because it encounters the backlash of actual spirit.

[ 2 ] Again, Gideon Spicker, the author of a series of discerning publications, who also wrote Philosophical Confession of a Former Capuchin (Philosophische Bekenntnis eines ehemaligen Kapuziners, 1910) identifies incisively enough one of the confining limits of ordinary cognition:

Whatever philosophy a man confesses, whether it is dogmatic or sceptical, empirical or transcendental, critical or eclectic, every one, without exception, starts from an unproven and unprovable premise, namely the necessity of thinking. No investigation ever gets behind this necessity, however deep it may dig. It has to be simply, and groundlessly, accepted; every attempt to prove its validity already presupposes it. Beneath it yawns a bottomless abyss, a ghastly darkness, illuminated by no ray of light. We know not whence that necessity comes, nor whither it leads. As to whether a gracious God or whether an evil demon implanted it in the reason, we are equally uncertain. (p. 30.)

Reflection on the nature of thought, then, leads of itself to one of the frontiers of normal cognition. Anthroposophy occupies this frontier; it knows how necessity confronts and blocks discursive thought like an impenetrable wall. But when the act of thinking is experienced as such, the wall becomes penetrable. This experienced thinking finds a light of contemplation wherewith to illuminate the “darkness illuminated by no ray of light” of merely discursive thought. It is only for the dominion of the senses that the abyss is bottomless; if we do not halt before it, but make up our minds to risk going ahead with thought, beyond the point at which it has to jettison all that the senses have furnished to it, then in that “bottomless abyss” we find the realities of the spirit …*”

[ 3 ] One could continue almost indefinitely exemplifying the reaction of serious minds before the “frontiers of knowledge”. And it would serve to show that anthroposophy has its proper place as the inevitable product of mental evolution in the modern age. There are plenty of prophetic signs, if we know how to read them.

[ 1 ] On page 35 the expression “benumbing” (Herablähmung) is used of representations as they turn into imitations of sensory reality. It is in this “benumbing” that we must locate the positive event that underlies the phase of abstraction in the process of cognition. The mind forms concepts of sensory reality. For any theory of knowledge the question is how that, which it retains within itself as concept of a real being or event, is related to such real being or event. Has the somewhat that I carry around in me as the concept of a wolf any relation at all to a particular reality, or is it simply a schema that I have constructed for myself by withdrawing my attention (abstracting) from anything peculiar to this wolf or that wolf, and to which nothing in the real world corresponds? This question received extensive treatment in the medieval conflict between Nominalism and Realism: for the Nominalists nothing about the world is real except the visible materials extant in it as a single individual, flesh, blood, bones and so forth. The concept “wolf” is “merely” a conceptual aggregate of the properties common to different wolves. To this the Realist objects: any material found in an individual wolf is also to be found in other animals. There must then be something that disposes the materials into the living coherence they exhibit in the wolf. This constituent reality is given by way of the concept. It cannot be denied that Vincent Knauer, the distinguished specialist in Aristotelian and medieval philosophy, has something, when he says in his book, Fundamental Problems of Philosophy (Die Hauptprobleme der Philosophie, Vienna, 1892):

A wolf, for instance, consists of no different material constituents than a lamb; its material corporeality is composed of assimilated lambsflesh; yet the wolf does not become a lamb even if it eats nothing but lambs all its life. Whatever it is that makes it wolf, therefore, must obviously be something other than the “Kyle”, the sensory material, and that something, moreover, cannot possibly be a mere “thought-thing” even though it is accessible to thought alone, and not to the senses. It must be something active, therefore actual, therefore eminently real.

How after all does one get round this objection on a strictly anthropological view of what constitutes reality? It is not what is transmitted through the senses that produces the concept “wolf”. On the other hand that concept, as present in ordinary-level consciousness, is certainly nothing effective. Merely by the energy of that concept the conformation of the “sensory” materials contained in a wolf could certainly not be brought about. The fact is that, with this question, anthropology comes up against one of its frontiers of knowledge.—Anthroposophy demonstrates that, besides the relation of man to wolf, which is there in the sensory field, there is another relation as well. This latter does not, in its immediate specificity, reach into ordinary-level consciousness. But it does subsist as a living continuity between the human mind and the sensuously observed object. The vitality that subsists in the mind by virtue of this continuity is by the systematic understanding subdued, or benumbed, to a “concept”. An abstract idea is a reality defunct, to enable its representation in ordinary-level consciousness, a reality in which the human being does in fact live in the process of sense perception, but which does not become a conscious part of his life. The abstractness of ideas is brought about by an inner necessity of the psyche. Reality furnishes man with a living content. Of this living content he puts to death that part which invades his ordinary consciousness. He does so because he could not achieve self-consciousness as against the outer world if he were compelled to experience, in all its vital flux, his continuity with that world. Without the paralysing of this vital flow, the human being could only know himself as a scion comprised within a unity extending beyond the limits of his humanity; he would be an organ of a larger organism.

The manner in which the mind suffers its cognitive process to peter out into the abstractness of concepts is not determined by a reality external to itself. It is determined by the laws of development of man’s own existence, which laws demand that, in the process of perception, he subdue his vital continuity with the outer world down to those abstract concepts that are the foundation whereon his self-consciousness grows and increases. That this is the case becomes evident to the mind, once it has developed its organs of spirit. By this means that living continuity with a spiritual reality lying outside the individual, which was referred to on pp. 38/9, is reconstituted. But, unless self-consciousness had been purchased in the first place from ordinary level consciousness, it could not be amplified to intuitive consciousness. It follows that a healthy ordinary-level consciousness is a sine qua non of intuitive consciousness. Anyone who supposes that he can develop an intuitive consciousness without a healthy and active ordinary-level consciousness is making a very great mistake. On the contrary, normal and everyday consciousness has to accompany an intuitive consciousness at every single moment. Otherwise self-consciousness will be impaired and disorder introduced into the mind’s relation to reality. It is to this kind of consciousness alone that anthroposophy looks for intuitive cognition; not to any sedating of ordinary-level consciousness.

[ 1 ] There is one objection often brought against anthroposophy, which is no less understandable than it is impermissible; understandable against the psychological background of those who advance it and impermissible because it traverses the whole spirit of anthroposophical research. I find it quite trivial, because the answer to it is readily available to anyone who follows with genuine understanding the literature written from the anthroposophical point of view. Only because it is always cropping up again do I repeat here some of the observations I added in 1914 to the sixth edition of my book Theosophy. It ought to be possible (so runs the objection) for the alleged findings of anthroposophical observation to be “proved” by strictly scientific, that is experimental, methods. The idea is that a few people, who maintain that they can achieve such results, should be confronted with a number of other people under strictly controlled experimental conditions, whereupon the “spiritual researchers” would be asked to declare what they have “seen” in the examining persons. For the experiment to succeed, their findings would have to coincide or at all events to share a high enough percentage of similarity to each other. It is, perhaps, not surprising that someone whose knowledge of anthroposophy does not include having understood it should keep on making demands of this kind. Their satisfaction would save him the trouble of working his way through to the actual proof, which consists in acquiring, as it is open to everyone to do, the ability to see for himself. But anyone who has really understood anthroposophy will have sufficient insight to realise that an experiment engineered on these lines is about as apt a way of getting results through genuinely spiritual intuition as stopping the clock is of telling the time. The preliminaries leading up to the conditions under which spiritual observation is possible have to be furnished by the psyche itself and by the total disposition of the psyche. External arrangements of the kind that lead to a natural-scientific experiment are not so furnished. For instance, one part of that same disposition must of necessity be, that the will-impulse prompting to an observation is exclusively and without reservation the original impulse of the person to make the observation. And that there should not be anything in the artificial external preparations that exerts a transforming influence upon that innermost impulse. At the same time—and it is surprising how this is nearly always overlooked—given these psychological conditions, everyone can procure the proofs for anthroposophy for himself; so that the “proofs” are in fact universally accessible. It will of course be indignantly denied; but the only real reason for insisting on “external proofs” is the fact that they can be obtained in reasonable comfort, whereas the authentically spiritual-scientific method is a laborious and disconcerting one.

[ 2 ] What Brentano wanted was something very different from this demand for comfortable experimental verification of anthroposophical truths. He wanted to be able to work in a psychological laboratory. His longing for this facility frequently crops up in his writings, and he made repeated efforts to bring it about. The tragic intervention of circumstance obliged him to abandon the idea. Just because of his attitude to psychological questions he would have produced, with the help of such a laboratory, results of great importance. If the object is to establish the best conditions for obtaining results in the field of anthropological psychology (which extends just as far as those “boundaries of knowledge”, where anthropology and anthroposophy encounter one another), then the answer is the kind of psychological laboratory Brentano envisaged. In such a laboratory there would be no need to hunt for ways of inducing manifestations of “intuitive consciousness” experimentally. The experimental techniques employed there would soon show how human nature is adapted for that kind of “seeing” and how the intuitive is entailed by the normal consciousness. Everyone who holds the anthroposophical point of view longs, as Brentano did, to be able to work in a genuine psychological laboratory; but for the present such a possibility is ruled out by the prejudices against anthroposophy that still prevail.

[ 1 ] My object here is to present in outline certain conclusions I have reached concerning the relations between the psychic and the physical components of the human being. I may add that, in doing so, I place on record the results of a systematic spiritual investigation extending over a period of thirty years. It is only in the last few of those years that it has become practicable to formulate these results in concepts capable of verbal expression, and thus to bring the investigation to at least a temporary close. I must emphasise that it is the results and the results alone that I shall be presenting, or rather indicating, in what follows. Their foundation in fact can certainly be established on the basis of contemporary science. But to do this would require a substantial volume; and that my present circumstances do not permit of my writing.

[ 2 ] If we are seeking for the actual relation between psychic and physical, it will not do to take as our starting-point Brentano’s distribution of psychic experience into representation, judgment and the responses of love and hate. Partitioning in this way, we are led to shelve so many relevant considerations that we shall reach no reliable results. On the contrary we have to start from that very trichotomy of representation, feeling and will which Brentano rejected. If we survey the psychic experience of representation as a whole, and seek for the bodily processes with which that experience is related, we shall find the appropriate nexus by relying substantially on the findings of current physiological psychology. The somatic correlatives to the psychic element in representation are observable in the processes of the nervous system, extending into the sense organs in one direction and into the interior physical organism in the other. Here, however wide the divergence in many respects between the anthroposophical point of view and that of contemporary science, that very science provides an excellent foundation.

It is otherwise when we seek to determine the somatic correlatives for feeling and willing. There we have first to blaze the requisite trail through the findings of current physiology. And once we have succeeded in doing so, we shall find that, just as representation is necessarily related to nervous activity, so feeling must be seen as related to that vital rhythm which is centred in, and connected with, the respiratory system; bearing in mind that, for this purpose, the rhythm of breathing must be traced right into the outermost peripheral regions of the organism. To arrive at concrete results here, the findings of physiological research need to be pursued in a direction which is as yet decidedly unfamiliar. If we take the trouble to do this, preliminary objections to bracketing feeling with respiration, all disappear, and what at first looks like an objection turns out to be a proof. Take one simple example from the wide range available: musical experience is dependent on some feeling, but the content of musical form subsists in representations furnished by auditory perception. How does musical emotion arise? The representation of the tonal shape (which depends on organ of hearing and neural process) is not yet the actual musical experience. That arises in the measure that the rhythm of breathing, continuing further into the brain, confronts within that organ the effects produced there by ear and nervous system. The psyche now lives, not alone in what is heard and represented, or thought, but in the breathing rhythm. Something is released in the breathing rhythm through the fact that neural process impinges on rhythmic life. Once we have seen the physiology of respiration in its true light, we are led on all hands to the conclusion that the psyche, in experiencing emotion, is supported by the rhythmic process of breathing, in the same way that, in representation and ideation, it is supported by neural processes. And it will be found that willing is supported, in the same way, by the physical processes of metabolism. Here again one must include the innumerable offshoots and ramifications of these processes, which extend throughout the entire organism.

When something is “represented”, a neural process takes place, on the basis of which the psyche becomes conscious of its representation; when something is “felt”, a modification is effected in the breathing rhythm, through which a feeling comes to life; and in the same way, when something is “willed”, a metabolic process occurs that is the somatic foundation for what the psyche experiences as willing. It should be noted however that it is only in the first case (representation mediated by the nervous system) that the experience is a fully conscious, waking experience. What is mediated through the breathing-rhythm (including in this category everything in the nature of feelings, affects, passions and the like) subsists in normal consciousness with the force only of representations that are dreamed. Willing, with its metabolic succedaneum, is experienced in turn only with that third degree of consciousness, totally dulled, which also persists in sleep. If we look more closely at this series, we shall notice that the experience of willing is in fact wholly different from the experience of representation or ideation. The latter is something like looking at a coloured surface: whereas willing is like looking at a black area in the middle of a coloured field. We see nothing there in the uncoloured part of the surface precisely because—unlike the surrounding part, from which colour impressions are received—no such impressions are at hand from it. We “have the idea” of willing, because within the psyche’s field of ideational experience a patch of non-ideation inserts itself, very much as the interruptions of consciousness brought about by sleep insert themselves into the continuum of conscious life. It is to these differing types of conscious apprehension that the soul owes the manifold variety of its experience in ideation, feeling and willing.

There are some noteworthy observations on feeling and willing in Theodor Ziehen’s Manual of Physiological Psychology—in many ways a standard work within the tradition of current scientific notions concerning the relation between the physical and the psychic. He deals with the relation between the various forms of representation and ideation on the one hand and neural function on the other in a way that is quite in accord with the anthroposophical approach. But when it comes to feeling (see Lecture 9 in his book), he has this to say:

The older psychology, almost without exception, treats of affects as manifestations of a special, independent faculty. Kant placed the feeling of desire and aversion, as a separate faculty, between those of cognition and appetite, and he expressly emphasised that any further reduction of the three to a common source was impossible. But our previous discussions have shown that feelings of desire and aversion have in fact no such independent existence, they are not any sounding of the “note of feeling”, but simply attributes or signals of sensations and representations.

Here is a theoretical approach which concedes to feeling no independent existence in the life of the soul, seeing it as a mere attribute of ideation. And the result is, it assumes that not only ideation but feeling also is supported by neural processes. The nervous system is thus the somatic element to which the entire psyche is appropriated. Yet the whole basis of this approach amounts to an unnoticed presupposition of the conclusions at which it expects to arrive. It accepts as psychic only what is related to neural processes and then draws the inference that what is not proper to these processes, namely feeling, must be treated as having no independent existence—as a mere signal of ideation.

To abandon this blind alley and return instead to unprejudiced observation of the psyche is to be definitively convinced of the independence of the whole life of feeling. But it is also to appreciate without reserve the actual findings of physiology and at the same time to gain from them the insight that feeling is, as already indicated, peculiar to the breathing-rhythm.

The methodology of natural science denies any sort of existential independence to the will. Unlike feeling, willing is not even a signal of ideation. But this negative assumption, too, is simply based on a prior decision (cf. p. 15 of Physiological Psychology) to assign the whole of the psyche to neural process. Yet the plain fact is that what constitutes the peculiar quality of willing cannot really be related to neural process as such. Thus, precisely because of the exemplary clarity with which Ziehen develops the ideas from which he starts, he is forced (as anyone must be) to conclude that analysis of psychic processes in their relation to the life of the body “affords no support to the assumption of a specific faculty of will”.

The fact remains that unprejudiced contemplation of the psyche obliges us to recognise the existential independence of the will, and accurate insight into the findings of physiology compels the conclusion that the will, as such, must be linked not with neural but with metabolic processes. If a man wants to form clear concepts in this field, then he must look at the findings of physiology and psychology in the light of the facts themselves and not, as so often happens in the present day practice of those sciences, in the light of preconceived opinions and definitions—not to mention theoretical sympathies and antipathies.¹

Most important of all, he must be able to discern very clearly the mutual interrelation of neural function, breathing-rhythm and metabolic activity respectively. These three forms of activity subsist, not alongside of, but within one another. They interpenetrate and enter each other. Metabolic activity is present at all points in the organism; it permeates both the rhythmic organs and the neural ones. But within the rhythmic it is not the somatic foundation of feeling, and within the neural it is not that of ideation. On the contrary, in both of these fields it is the correlative of will-activity permeating rhythm and permeating the nerves respectively. Only materialistic presupposition can relate the element of metabolism in the nerves with the process of ideation. Observation with its roots in reality reports quite differently. It is compelled to recognise that metabolism is present in the nerve to the extent that will is permeating it. And it is the same with the somatic apparatus for rhythm. Everything within that organ that is of the nature of metabolism has to do with the element of will present in it. It is always willing that must be brought into connection with metabolic activity, always feeling that must be related to rhythmic occurrence, irrespective of the particular organ in which metabolism and rhythm are operating.

But in the nerves something else goes on that is quite distinct from metabolism and rhythm. The somatic processes in the nervous system which provide the foundation for representation and ideation are physiologically difficult to grasp. That is because, wherever there is neural function, it is accompanied by the ideation which is ordinary consciousness. But the converse of this is also true. Where there is no ideation, there it is never specifically neural function we discern, but only metabolic activity in the nerve; or rhythmic occurrence in it, as the case may be. Neurology will never arrive at concepts that measure up to the facts, so long as it fails to see that the specifically neural activity of the nerves cannot possibly be an object of physiologically empirical observation. Anatomy and Physiology must bring themselves to recognise that neural function can be located only by a method of exclusion. The activity of the nerves is precisely that in them which is not perceptible by the senses, though the fact that it must be there can be inferred from what is so perceptible, and so can the specific nature of their activity. The only way of representing neural function to ourselves is to see in it those material events, by means of which the purely psycho-spiritual reality of the living content of ideation is subdued and devitalised (herabgelähmt) to the lifeless representations and ideas we recognise as our ordinary consciousness. Unless this concept finds its way somehow into physiology, physiology can have no hope of explicating neural activity.

At present physiology has committed itself to methods which conceal rather than reveal this concept. And psychology, too, has shut the door in her own face. Look, for instance, at the effects of Herbartian psychology. It confines its attention exclusively to the process of representation, and regards feeling and willing merely as effects consequent on that process. But, for cognition, these “effects” gradually peter out, unless at the same time a candid eye is kept on actual feeling and willing; with the result that we are prevented from reaching any valid correlation of feeling and willing with somatic processes. The body as a whole, not merely the nervous activity impounded in it, is the physical basis of psychic life. And, just as, for ordinary consciousness, psychic life is naturally classifiable in terms of ideation, feeling and willing, so is physical life classifiable in terms of neural function, rhythmic occurrence and metabolic process.

The question at once arises: in what way do the following enter and inhabit the organism: on the one hand, sense-perception proper, in which neural function merely terminates, and on the other the faculty of motion, which is the effusion of will? Unbiased observation discloses that neither the one nor the other of these belongs to the organism in the same sense that neural function, rhythmic occurrence and metabolic process belong to it. What goes on in the senses does not belong immediately to the organism at all. The external world reaches out into the senses, as though they were bays or inlets leading into the organism’s own existence. Compassing the processes that take place in the senses, the psyche does not participate in inner organic events; it participates in the extension of outer events into the organism.² In the same way, when physical motion is brought about, what we have to do with is not something that is actually situated within the organism, but an outward working of the organism into the physical equilibrium (or other dynamic relation) between the organism itself and its environment. Within the organism it is only a metabolic process that can be assigned to willing; but the event that is liberated through this process is at the same time an actual happening within the equilibrium, or the dynamics, of the external world. Exerting volition, the life of the psyche overreaches the domain of the organism and combines its action with a happening in the outer world.

The study of the whole matter has been greatly confused by the separation of the nerves into sensory and motor. Securely anchored as this distinction appears to be in contemporary physiological ideas, it is not supported by unbiased observation. The findings of physiology based on neural sections, or on the pathological elimination of certain nerves, do not prove what the experiment or the case-history is said to show. They prove something quite different. They prove that the supposed distinction between sensory and motor nerves does not exist. On the contrary, both kinds of nerve are essentially alike. The so called motor nerve does not implement movement in the manner that the theory of two kinds of nerve assumes. What happens is that the nerve as carrier of the neural function implements an inner perception of the particular metabolic process that underlies the will—in exactly the same way that the sensory nerve implements perception of what is coming to pass within the sense-organ. Unless and until neurological theory begins to operate in this domain with clear concepts, no satisfactory co-ordination of psychic and somatic life can come about.³

[ 3 ] Just as it is possible, psycho-physiologically, to pursue the interrelations between psychic and somatic life which come about in ideation, feeling and willing, in a similar way it is possible, by anthroposophical method, to investigate that relation which the psychic element in ordinary consciousness bears to the spiritual. Applying these methods, the nature of which I have described here and elsewhere, we find that, while representation, or ideation, has a basis in the body in the shape of neural activity or function, it also has a basis in the spiritual. In the other direction—the direction away from the body—the soul stands in relation to a noetically real, which is the basis for the ideation that is characteristic of ordinary consciousness. But this noetic reality can only be experienced through imaginal cognition. And it is so experienced in so far as its content discloses itself to contemplation in the form of coherently linked (gegliederte) imaginations. Just as, in the direction of the body, representation rests on the activity of the nerves, so from the other direction does it issue from a noetic reality, which discloses itself in the form of imaginations.

It is this noetic, or spiritual, component of the organism which I have termed in my writings the etheric or life-body. And in doing so I invariably point out that the term “body” is no more vulnerable to objection than the other term “ether”; because my exposition clearly shows that neither of them is predicated materially. This life-body (elsewhere I have also sometimes used the expression “formative-forces body”) is that phase of the spiritual, whence the representational life of ordinary consciousness, beginning with birth—or, say, conception—and ending with death, continuously originates.

The feeling-component of ordinary consciousness rests, on the bodily side, on rhythmic occurrence. From the spiritual side it streams from a level of spiritual reality that is investigated, in anthroposophical research, by methods which I have, in my writings, designated as inspirational. (Here again it is emphasised that I employ this term solely with the meaning I have given it in my own descriptions; it is not to be equated with inspiration in the colloquial sense.) In the spiritual reality that lies at the base of the soul and is apprehensible though inspiration there is disclosed that phase of the spiritual, proper to the human being, which extends beyond birth and death. It is in this field that anthroposophy brings its spiritual investigations to bear on the problem of immortality. As the mortal part of the sentient human being manifests itself through rhythmic occurrences in the body, so does the immortal spirit kernel of the soul reveal itself in the inspiration-content of intuitive consciousness.

For such an intuitive consciousness the will, which depends, in the somatic direction, on metabolic processes, issues forth from the spirit through what in my writings I have termed authentic intuitions. What is, from one point of view, the “lowest” somatic activity (metabolism) is correlative to a spiritually highest one. Hence, ideation, which relies on neural activity, achieves something like a perfection of somatic manifestation; while the bodily processes associated with willing are only a feeble reflection of willing. The real representation is alive, but, as somatically conditioned, it is subdued and deadened. The content remains the same. Real willing, on the other hand, whether or no it finds an outcome in the physical world, takes its course in regions that are accessible only to intuitive vision; its somatic correlative has almost nothing to do with its content. It is at this level of spiritual reality, disclosed to intuition, that we find influences from previous terrestrial lives at work in later ones. And it is in this kind of context that anthroposophy approaches the problems of repeated lives and of destiny. As the body fulfils its life in neural function, rhythmic occurrence and metabolic process, so the human spirit discloses its life in all that becomes apparent in imaginations, inspirations and intuitions. The body, within its own field, affords participation in its external world in two directions, in sensuous happenings and in motor happenings; and so does the spirit—in so far as that experiences the representations of the psyche imaginally (even in ordinary consciousness) from the one direction, while in the other—in willing—it in-forms the intuitive impulses that are realising themselves through metabolic processes. Looking towards the body, we find neural activity that is taking the form of representation-experience, ideation; looking towards the spirit, we realise the spirit-content of the imagination that is flowing into precisely that ideation.

Brentano was primarily sensitive to the noetic side of the psyche’s experience in representation. That is why he characterises this experience as figurative, i.e. as an imaginal event. Yet when it is not only the private content of the soul that is being experienced, but also a somewhat that demands judgmental acknowledgment or repudiation, then there is added to the representation a soul experience deriving from spirit. The content of this experience remains “unconscious” in the ordinary sense, because it consists of imaginations of a spiritual that existentially underpins the physical object. These imaginations add nothing to the representation except that its content exists. Hence Brentano’s diremption of mere representation (which imaginally experiences merely an inwardly present) from judgment (which imaginally experiences an externally given; but which is aware of that experience only as existential acknowledgment or repudiation).

When it comes to feeling, Brentano has no eyes for its somatic basis in rhythmic occurrence; instead he limits his field of observation to love and hate; that is, to .vestiges, in the sphere of ordinary consciousness, of inspirations which themselves remain unconscious. Lastly the will is outside his purview altogether; because he is determined to direct his gaze only to phenomena within the psyche; and because there is something in the will that is not encapsulated in the soul, but of which the soul avails itself in order to participate in the outside world. Brentano’s divisive classification of psychological phenomena may therefore be characterised as follows: he takes his stand at a vantage-point which is truly illuminating, but is only so if the eye is focused on the spirit-kernel of the soul—and yet he insists on aiming from there at the phenomena of ordinary everyday consciousness.⁴

• 1. Compare p.79 FN.
• 2. For a critical treatment of this subject see my lecture to the Philosophical Congress at >Bologna, 1911.
• 3. In September 1954, forty-seven years after the above words were written, Dr. J. A. V. Bates of the neurological Research Unit (National Hospital) read his paper, Can Voluntary Movement be Localized in the Cerebral Cortex? to a meeting of the British Association at Oxford. He began by demonstrating, on a number of technical grounds, that the inferences drawn from certain well-known facts of observation are not valid inferences, since those facts do not prove that the so-called motor nerve implements movement in the manner that the theory of two kinds of nerve fibre assumes. We should, he suggested. “cease to regard the cerebro-spinal tract as an efferent tract from an area where movements are represented”; and he drew attention to the fact that a similar interpretation of the then observed facts had been brought forward by Francois Franck as long ago as 1886 but had been rejected in flavour of Ferrier’s hypothesis of efferent and afferent nerve fibres. See also Observations on the Excitable Cortex  in Man by J. A. V. Bates (“Lectures on the Scientific Basis of Medicine” Volume V:1955-56).
  
  While engaged on this translation, I ventured to write to the author to enquire after the subsequent fate of what was clearly an attempt (to quote from this selection) to “look at the findings of physiology and psychology in the light of the facts themselves, and not, as so often happens in the present-day practice of those sciences, in the light of preconceived opinions and definitions....” I gather from him that it has neither been answered on the one hand, nor accepted on the other. It appears in fact to have been, at least explicitly ignored—as (with the possible exception of pure physics) is evidently the normal practice with scientific interpretation or hypotheses, however well supported experimentally, that are radical enough to interfere with theories so long accepted as to have become embodied in definitions. In his obliging reply to my letter Dr. Bates put the present position as follows:
  
  “I would say that in the last fifteen years what I referred to as the classical hypothesis has come to be held with far less conviction by most of those who are researching in the field, but that it is still taught in text books, and will remain a seductive hypothesis for the beginner, I’m afraid for many years.”—Editor
• 4. The Section concludes with a remark that these observations are intended as supplementary to a passage in the memorial address on Brentano, which constitutes Chapter III of Von Seelenrätseln. The passage is on page 90.

[ 1 ] In Brentano’s psychology, the “intentional relation” is treated simply as a fact of ordinary consciousness. It is a psychic fact; but no attempt is made to clarify further by showing how that fact is articulated into the whole psychic experience. Perhaps I may be permitted, in bare outline, to advance a corollary to it on the basis of my own systematic and extensive observations. These latter really call for presentation in much greater detail and with all the supporting evidence. But up to now circumstances have made it impossible for me to go beyond introducing them cursorily into oral lectures; and what I can add here is still only a brief outline statement of the results. I invite the reader to entertain them provisionally on that footing. At the same time they are not put forward merely as hazarded “insights”, but rather as something I have striven year in and year out to establish with the means that modern science makes available.

[ 2 ] In the particular psychic experience which Brentano denotes by the term judgment¹ there is added to the mere representation (which consists in the formation of an inner image) an acknowledgment or repudiation of the image. The question that arises for the psychologist is: What exactly is it, within the psyche’s experience, where through is brought about not merely the presented image “green tree”, but also the judgment “there is a green tree”? This somewhat cannot be located within the rather circumscribed area of representational activity that is assigned to ordinary consciousness. (In the second volume of my Riddles of Philosophy (Die Rätsel der Philosophie), in the section entitled “The World as Illusion”, I gave some account of the various epistemological ideas to which this difficulty has given rise.) We have to do with an experience that lies outside that area. The problem is to find its “where”. Where, when the human being confronts a sense-object in the act of perception, is this “somewhat” to be looked for? Not in anything he so receives in the process of perception, that the receiving can be understood through any physiological or psychological ideas that posit outer object on one side and immediate sensation on the other. When someone has the visual perception “green tree”, the fact of the judgment “there is a green tree” is not to be found in that relation between “tree” and “eye” which is viable to either physiological or psychological explication. The experience had by the psyche, which amounts to this inner fact of judgment, is an additional relation between “man” and “tree” strictly other than the bare relation between “tree” and “eye”. Yet it is only this latter relation that is fully and sharply experienced in ordinary-level consciousness. The former relation remains a dull, subconscious one, which only comes to light in its product—namely the acknowledgment of the “green tree” as an existent. In every perception that reaches the point of a “judgment” we have a double relation to objectivity.

It is only possible to gain insight into this double relation, if the prevailing fragmentary doctrine of the senses is replaced by an exhaustive one. If we take into account the whole of what is relevant in assigning the characteristics of a human sense, we shall find we must allow the name “senses” to more than is usually so labeled. That which constitutes the “eye”, for example, a “sense” is also present when we experience the fact: another “I” is being observed, or: the thought of another human being is being recognised as such. The mistake usually made, in the face of such facts as these, is failure to maintain a certain very valid and necessary distinction. As an instance of this, people imagine that, when they hear somebody else’s words, “sense” only comes in to the extent that “hearing” as such is involved, and that all the rest is assignable to an inner, non-sensory activity. But that is not the case. In the hearing of human words and in the understanding of them as thoughts a threefold activity is involved, and each component of this threefold activity requires separate consideration, if we mean to conceptualise in a scientifically valid way. One of these activities is “hearing”. But “hearing” per se is no more a “becoming aware of words” than “touching” is a “seeing”. And just as it is proper to distinguish the sense of “touch” from that of “sight”, so is it to distinguish the sense of “hearing” from that of “being aware of words”, and again from that of “comprehending thoughts”. A starveling psychology and a starveling epistemology both follow as consequences from the failure to sharply distinguish the “comprehending of thoughts” from the activity of thinking, and to recognise the “sense” character of the former process. The only reason for our common failure to distinguish is, that the organ of “being aware of words” and that of “comprehending thoughts” are neither of them outwardly perceptible like the ear, which is the organ of “hearing”. Actually there are “organs” for both these perceptual activities, just as, for “hearing”, there is the ear.

If, scrutinising them without omissions, one carries the findings of physiology and psychology through to their logical conclusion, one will arrive at the following view of human sensory organisation. We have to distinguish: The sense for perceiving the “I” of the other human being; the sense for comprehending thoughts; the sense for being aware of words; the sense of hearing; the sense of warmth; the sense of sight, the sense of taste; the sense of balance (the perceptual experience, that is, of oneself as being in a certain equilibrium with the outer world); the sense of movement (the perceptual experiencing of the stillness or the motion of one’s own limbs or, alternatively, of one’s own stillness or motion by contrast with the outer world); the sense of life (experience of being situated within an organism—feeling of subjective self-awareness); and the sense of touch. All these senses bear the distinguishing marks by virtue whereof we properly call “eye” and “ear” by the name of “senses”.

To ignore the validity of such distinctions is to import disorder into the whole relation between our knowledge and reality. It is to suffer the ignominious burden of ideas that cut us off from experiencing the actual. For instance, if a man calls the “eye” a “sense” and refuses to accept any “sense” for “being aware of words”, then the idea which that man forms of the “eye” remains an unreal fancy.

I am persuaded that Fritz Mauthner in his brilliant way speaks, in his linguistic works, of a “happening-sense” (Zufallssinnen) only because he has in view a too fragmentary doctrine of the senses. If it were not for that, he would detect how a “sense” inserts itself into “reality”. In practice, when a human being confronts a sensory object, it is never through one sense that he acquires an impression, but always, in addition, through at least one other of those just enumerated. The relation to one particular sense enters ordinary-level consciousness with especial sharpness; while the other remains more obtuse. But the senses also differ from one another in a further respect: some of them afford a relation to the outer world that is experienced more as external nexus; the others more one that is bound up very intimately with our own being. Senses that are most intimately bound up with our own being are (for example) the sense of equilibrium, the sense of motion, the sense of life and also of course the sense of touch. When there is perception by these senses of the outer world, it is always obscurely accompanied by experience of the percipient’s own being. You can even say that in their case a certain obtuseness of conscious percipience obtains, precisely because the element in it of external relationship is shouted down by the experience of our own being. For instance: a physical object is seen, and at the same time the sense of equilibrium furnishes an impression. What is seen is sharply perceived. This “seen” leads to representation of a physical object. The experience through the sense of equilibrium remains, qua perception, dull and obtuse; but it comes to life in the judgment: “That which is seen exists” or “There is a thing seen”. Natures are not, in reality, juxtaposed to one another in abstract mutual exclusion; they, together with their distinguishing marks, overlap and interpenetrate. Hence, in the whole gamut of the “senses” there are some that mediate relation to the outer world rather less and the experience of one’s own being rather more. These latter are sunken further into the inner life of the psyche than, for example, eye and ear; and, for that reason, their perceptual function manifests as inner psychic experience. But one must still distinguish, even in their case, the properly psychic from the perceptual element, just as in the case of, say, seeing one distinguishes the outer event or object from the inner psychic experience evoked with it.

For those who adopt the anthroposophical standpoint, there can be no shirking of refined notional distinctions of this kind. They must be capable of distinguishing “awareness of words” from hearing, in one direction; and of distinguishing, in the other, this “awareness of words” from the “understanding of words” brought about by one’s own intellection; just as ordinary consciousness distinguishes between a tree and a lump of rock. If this were less frequently ignored, it would be recognised that anthroposophy has two aspects; not only the one that people usually dub “mystical”, but also the other one, the one that conduces to investigations not less scientific than those of natural science, but in fact more scientific, since they necessitate a more refined and methodical habit of conceptualisation than even ordinary philosophy does. I suspect that Wilhelm Dilthey² was tending, in his philosophical enquiries, towards the doctrine I have outlined here concerning the senses; but that he was unable to achieve his purpose because he never reached the point of sufficiently elaborating the requisite ideas.

• 1. See Introduction, p. 17.
• 2. Compare the author’s Die Rätsel der Philosophie, 8th Edition

by Owen Barfield

The prolonged historical event now usually referred to as “the scientific revolution” was characterised by the appearance of a new attitude to the element of sense perception in the total human experience. At first as an instinct, then as a waxing habit, and finally as a matter of deliberate choice, it came to be accepted that this element is, for the purposes of knowledge, the only reliable one; and further that it is possible, and indeed necessary, to isolate, in a way that had not hitherto been thought possible, this one element from all the others that go to make up man’s actual experience of the world. The word “matter” came to signify, in effect, that which the senses can, or could, perceive without help from the mind, or from any other source not itself perceptible by the senses.

Whereas hitherto the perceptible and the imperceptible had been felt as happily intermixed with one another, and had been explored on that footing, the philosopher Descartes finally formulated the insulation of matter from mind as a philosophical principle, and the methodology of natural science is erected on that principle. It was by the rigorous exclusion from its field, under the name of “occult qualities”, of every element, whether spiritual or mental or called by any other name, which can only be conceived as non-material, and therefore non-measurable, that natural knowledge acquired a precision unknown before the revolution—because inherently impossible in terms of the old fusion; and, armed with that precision (entitling it to the name of “science”), went on to achieve its formidable technological victories. It is the elimination of occult qualities from the purview of science that constitutes the difference between astrology and astronomy, between alchemy and chemistry, and in general the difference between Aristotelian man and his environment in the past and modern man and his environment in the present.

When two mutually dependent human relatives are separated, so that, for the first time, one of them can “go it alone”, there may be drawbacks, but it is the advantages that are often most immediately evident. By freeing itself from the taint of “occult qualities”, that is, by meticulously disentangling itself from all reference, explicit or implicit, to non-material factors, the material world, as a field of knowledge, gained inestimable advantages. We perhaps take them for granted now; but the men of the seventeenth century—the members of the Royal Society for instance had a prophetic inkling of what the new liberty promised. You have only to read some of their pronouncements. For them it was an emotional as well as an intellectual experience. “Bliss was it in that dawn to be alive ...”

But when two people separate, so that one of them can go it alone, it follows as a natural consequence that the other can also go it alone. It might have been expected, then, that, by meticulously disentangling itself from all reference, explicit or implicit, to material factors, the immaterial, as a field of knowledge, would also gain inestimable advantages. That is what did not happen. But it will be well to state at once that it is nevertheless precisely this correlative epistemological principle that is the basis of Rudolf Steiner’s anthroposophy. It belongs to the post-Aristotelian age for the same reason that natural science does; but in the opposite way. Thus, the parallel terms, “spiritual science” and “occult science”, which he also used, do not betoken a fond belief that the methodology of technological¹ science can be applied to the immaterial. The methodology of technological science is, rightly, based on the exclusion of all occult qualities from its thinking. The methodology of spiritual science is based on an equally rigorous exclusion of all “physical qualities” from its thinking. That is one of the things I hope this book will help to make clear.

What did happen was well expressed by Samuel Taylor Coleridge, when he pointed out in his Aids to Reflection that Descartes, having discovered a technical principle, which “as a fiction of science, it would be difficult to overvalue”, erroneously propounded that principle as a truth of fact. (The principle in question was the necessity of abstracting from corporeal substance all its positive properties, “in order to submit the various phaenomena of moving bodies to geometrical construction”.) And of course the same point has since been made by A. N. Whitehead and others. But Coleridge could also point prophetically, in another place,² to

the necessity of a general revolution in the modes of developing and disciplining the human mind by the substitution of Life, and Intelligence (considered in its different powers from the Plant up to that state in which the difference of Degree becomes a new kind—man, self-consciousness but yet not by essential opposition) for the philosophy of mechanism which in everything that is most worthy of the human Intellect strikes Death, and cheats itself by mistaking clear Images for distinct conceptions ...

The necessity for such a revolution, he said, arises from the fact that, for self-conscious man, although to experience a world of corporeal substance as existing quite apart from his thinking self is “a law of his nature,” it is not ‘;a conclusion of his judgment”. That this is indeed the case hardly needs arguing today, since it has become the discovery of technological science itself. Whether we go to neurology or to physics, or elsewhere, we are confronted with the demonstrable conclusion that the actual, macroscopic world of nature—as distinct from the microscopic, submicroscopic and inferred world of physical science—is (as, for instance, the biologist, Professor Marjorie Grene, puts it in her book The Knower and the Known) “mediated by concepts as well as presented through the senses”. What is remarkable is the rapidity with which the presence of this Trojan Horse in the citadel of its methodology was detected by technological science itself, as it was progressively realised that everything in nature that constitutes her “qualities” must be located on the res cogitans, and not the res extensa, side of the Cartesian guillotine. But this is as much as to say that those qualities are, in the technological sense, “occult”; and it could be argued without much difficulty that any science which proposes to enquire into them must also be “occult”—unless it is content to do so by extrapolating into the psyche a theoretical apparatus applicable, by definition, only to subject-matter that has first been sedulously dehydrated of all psyche. Yet this last is the approach which the methodology of natural science, as we have it, renders inevitable. If you have first affirmed that the material world is in fact independent of the psychic, and then determined to concentrate attention exclusively on the former, it does not make all that difference whether or no you go to the behaviouristic lengths of explicitly denying the existence of psyche. Either it does not exist or, if it does exist, it is occult and must be left severely alone. In any case you have withdrawn attention from it for so long that it might as well not be there, as far as you are concerned. For the purpose of cognition, it will gradually (as the author puts it on page 77) has “petered out”.

Moreover this continues to be the case even after the failure of science to eliminate psyche from the knowable world has become evident. The demonstrative arguments of a Coleridge, a Whitehead, a Michael Polanyi are perforce acknowledged; but the acknowledgment remains an intellectual, not an emotional experience. The Trojan Horse certainly does seem to be there, and in rather a conspicuous way; but the necessary traffic-diversions can be arranged, and it is much less embarrassing to leave it standing in the market-place than to get involved.

There is however one experience inseparable from the progress of natural science, which is apt to be an emotional as well as an intellectual one. And that is the fact that the exclusion of the psychic, as such, from matter of science entails recognition of the limits of science. This is, of course, the opposite experience from the one that enthralled the scientists of the seventeenth century. They rejoiced in a conviction that all the boundaries had gone and the prospects opened up to human knowledge had become limitless. Whereas, more and more as the nineteenth century progressed, it was the opposite that was stressed. “Ignorabimus.” We shall never know. There are limits beyond which, in the very nature of things, the mind can never pass. One of the things heavily stressed by Steiner (in Section I and again more specifically in Section III) is the significance, from the point of view of anthroposophy, of precisely this experience, and not so much in itself as for what it may lead to. The more monstrous and menacing the Horse is felt to be, towering there and casting its shadow over the centre of the town, the more ready we may be to begin asking ourselves whether there may not perhaps be something alive inside it.

This experience can be an emotional, and indeed a volitional one, because it involves a frustrating, if suppressed, conflict between the scientific impulse, which is a will to know and a refusal to acknowledge boundaries except for the purpose of overthrowing them—and the scientific tradition, followed for the last three hundred years, which has ended in itself erecting boundaries that claim to be no less absolute than the old theological ones it did overthrow.

In developing his contention that the shock of contact with these self-imposed limits of knowledge may itself be the necessary first step towards breaching them, the author refers in particular to two German writers, F. T. Vischer and Gideon Spicker. It would be a mistake to conclude from this, or from the nineteenth century idiom of the quotations, that the theme is out of date. The boundaries are still there and are still felt. The substance is the same, whether it is Gideon Spicker pointing out that

every one, without exception, starts from an unproven and unprovable premise, namely the necessity of thinking. No investigation ever gets behind this necessity, however deep it may dig. It has to be simply and groundlessly accepted ...

or Bertrand Russell, in Human Knowledge: Its Scope and Limits, conceding that the foundation, on which the whole structure of empirical science is erected, is itself demonstrably non-empirical:

If an individual is to know anything beyond his own experiences up to the present moment, his stock of uninferred knowledge must consist not only of matters of fact, but also of general laws, or at least a law, allowing him to make inferences from matters of fact ... The only alternative to this hypothesis is complete scepticism as to all the inferences of science and common sense, including those which I have called animal inference.

The abiding question is, how we choose to react to the boundaries. We may, with Russell and the empiricists, having once conscientiously “shown awareness” of them, proceed henceforth to ignore them and hope, so to speak, that they will go away; or, with the linguistic philosophers, we may flatly decline to look at them; or we may wrap ourselves in the vatic “silence” of a Heidegger or a Wittgenstein or a Norman O. Brown to be broken only by paradox and aphorism, or fall in behind the growing number of distinguished enthusiasts for metaphor, symbol and myth; or, with the scientific positivists, we may resign ourselves to the conviction that there is really no difference between knowledge and technology; we may even perhaps attempt some new definition of knowledge along the lines of the groping relativism, or personalism, of Karl Popper or of Michael Polanyi. But how far all of these are from the vision that was engendered by the scientific impulse in its first appearance among men! Steiner, as will be seen, advocates a different response, and one which, it seems to me, is more in accord with the fateful impulse itself, however it may differ from the methodology and the tradition which that impulse has so far begotten.

At intervals through the ensuing pages the reader will encounter a passing reference to, and sometimes a quotation from, the German philosopher and psychologist, Franz Brentano. Here too he may be inclined to form a hasty judgment that the book is unduly “dated” by them. But here too it is the substance that matters, and that is far from being out of date. What that substance is, it is hoped, may be sufficiently gathered from the book itself. Brentano is however so little known to English readers that I have thought it best to omit from the translation that part of it which amounts to an exegesis of his psychology. There remain two points to which I wish to draw attention here. In a short section entitled “Direction of the Psychic from the Extra-psychic in Brentano” (also omitted) the author briefly capitulates the former’s refutation of a certain influential and still widely accepted psychological fallacy: namely, that the degree of conviction with which we treat a proposition as “true” (and thus, the existential component in any existential judgment) depends on the degree of intensity—the “passion”³—with which we feel it. This, says Brentano, is based on an impermissible analogy (“size”) between the psyche itself on the one hand and the world of space on the other. If conviction really depended on intensity of feeling, doctors would be advising their patients against studying mathematics, or even learning arithmetic, for fear of a nervous breakdown. What it in fact depends on, adds Steiner, is an inner intuition of the psyche neither similar nor analogous, but corresponding in its objectivity, to the psyche’s outer experience of causality in the physical world. And this experience is considered elsewhere in the book, for instance in Sections VII and VIII.

The other point concerns Brentano’s relation to the present day. It is not always the philosopher whose name is best known and whose works are still read, whose influence is most abiding. Brentano was the teacher of Edmund Husserl, who acknowledged that teaching as the determining influence in his intellectual and vocational life; and without the Phenomenology of Husserl, with its stress on the “intentionality” or “intentional relation” in the act of perceiving, there is some doubt whether Existentialism would ever have been born. Thus, while from a superficial point of view the relation to Brentano, which certainly pervades the book as a whole, may be felt as a dating one, for anyone at all acquainted in detail with the history of western thought it can have the consequence of bringing it almost modishly up to date.

Steiner’s Von Seelenrätseln (of which what follows is a partial translation) is not a systematic presentation of the philosophical basis of anthroposophy. For that the reader must go to his The Philosophy of Freedom, or Goethe’s Theory of Knowledge, or Truth and Science;⁴ and perhaps especially the last. The Foreword to Von Seelenrätseln does in fact describe it as a Rechtfertigung—vindication—of anthroposophical methodology, but my choice of a title for these extracts came from the impression I had myself retained of its essential content after reading the whole and translating a good deal of it. Steiner’s Von Seelenrätseln was published in 1917, the year of Brentano’s death; and its longest section (here omitted) amounts, as its title, Franz Brentano (Ein Nachruf), suggests, to an obituary essay. Steiner had always, he says in a Foreword, been both an admirer and an assiduous reader of Brentano and had long been intending to write about him. The main body of the essay is thus a patient and detailed exposition, supported by quotations, of Brentano’s psychology, in which the word “judgment” is used to name that intentional relation between the psyche and the extra-psychic, or physical world, which enables it either to reject a representation as subjective or to accept it as objective. This “judgment” is an exclusively psychic activity, and must be sharply distinguished as such from both representations and feelings. As the essay proceeds, Steiner makes it clear that he sees Brentano’s emphasis on intentionality as a first step in the direction of that psychological elimination of “physical qualities”, to which I have already referred. And he suggests that the only reason why Brentano himself could not take the logically indicated second step (which must have carried him in the direction of anthroposophy) was that at the very outset of his philosophical career, following Emanuel Kant, he had irrevocably nailed his colours to the back of the Cartesian guillotine, by accepting the axiom that concepts without sensory content are “empty”. Is this why today, although we have a philosophical and an ethical existentialism, and now even an existential psychology, we have as yet no existential epistemology?

This essay is immediately preceded by a lengthy response in detail to a chapter in a then recently published book by Max Dessoir, and that in its turn by the introductory essay entitled Anthropology and Anthroposophy, which also forms the opening section of the book now presented to English readers. The arguments against including Max Dessoir über Anthroposophie seemed to me to be the same, only a good deal stronger than those against including the Brentano obituary.

Steiner felt bound to go into Dessoir’s chapter in some detail, because it echoed irresponsibly a number of flagrant misunderstandings, or misrepresentations, of anthroposophy that were current in Germany at the time. Briefly, Dessoir’s arguments are all based on the assumption that anthroposophy ignores the principles of natural science and must collapse as soon as it is confronted with them; whereas Steiner’s real argument is, as he himself formulates it in the Foreword, that “either the grounds for there being such a thing as anthroposophy are valid, or else no truth-value can be assigned to the insights of natural science itself”. What he disputed was not facts, but hypotheses which have come to be treated as facts. I have omitted the Foreword; but the argument, so formulated, is sufficiently apparent from the rest of the book.

The remainder of Von Seelenrätseln consists of eight Commentary Notes (Skizzenhafte Erweiterungen) of varying lengths, each referring specifically to a different point in the text, but each bearing a title and all of them quite capable, it seems to me, of standing on their own. Seven of them appear here as Sections II to VIII, and I have already borrowed from the eighth (Diremption of the Psychic from the Extra-psychic in Brentano) for the purposes of this Introduction.

We are left with a book rather less than half the length of the original and requiring, if only for that reason, a different title; but still with a book which I have thought it important to make available, as best I can, in the English tongue; and that not only for the general reasons I have already suggested, but also for a particular one with which I will conclude.

One of the Commentary Notes (Section VII) stands on rather a different footing, is perhaps even in a different category, from the others. At a certain point in the Brentano obituary Steiner quotes from a previous book of his own a passage in which he compares the relation between the unconscious and the conscious psyche to that between a man himself and his reflection in a looking glass. In which case the notion that the actual life of the soul consists of the way it expresses itself through the body, would be as fantastic as that of a man, regarding himself in a mirror, who should suppose that the form he sees there has been produced by the mirror. Whereas of course the mirror is the condition, not the cause, of what he sees. In the same way, the ordinary waking experience of the psyche certainly is conditioned by its bodily apparatus; but “it is not the soul itself that is dependent on the bodily instruments, but only the ordinary consciousness of the soul”. Now Section VII is, in form, a Note on this sentence; and it is somewhat odd that Steiner should have chosen a “Note” for the purpose to which he applied it. For he made it the occasion of his first mention (after thirty years of silent reflection and study) of the principle of psychosomatic tri-unity. Moreover it is still the locus classicus for a full statement of that same “threefold” principle, which, as every serious student of it knows, lies at the very foundation of anthroposophy, while at the same time it runs like a twisted Ariadne’s thread through nearly every matter selected for scrutiny. Even those readers, therefore, who are already too well convinced to feel that any “case” for anthroposophy is needed so far as they are concerned, will probably be glad to have it available in book form and in the English language. It has once before been translated—in 1925 by the late George Adams—but his version was only printed in a privately circulated periodical and has been out of print for more than forty years.

It hardly needs adding that this Note in particular will repay particularly careful study. But there is one aspect of it, and of the doctrine it propounds, to which I feel impelled to direct attention before I withdraw and leave the book to speak for itself. If Section I is the statement, Section VII strikes me as a particularly good illustration, of the true relation between Steiner’s anthroposophy and that natural science which the scientific revolution has in fact brought about. Although he criticises, and rejects, a certain conclusion which has been drawn from the evidence afforded by neurological experiments, Steiner does not attack the physiology developed since Harvey’s day; still less does he ignore it; he enlists it. It is not only psychologically (for the reason already given) but also technologically that the scientific revolution was a necessary precondition of anthroposophical cognition. And this has a bearing on an objection of a very different order that is sometimes brought against it. I was myself once asked: What is there in Steiner that you do not also find in Jacob Boehme, if you know how to look for it?

The content of Section VII (here called “Principles of Psychosomatic Physiology”) could never have come to light in the context of an Aristotelian physiology, a physiology of “animal spirits”, for example, and of four “elements” that were psychic as well as physical and four “humours” that were physical as well as psychic, no-one quite saw how. If your need is to know, not only with the warm wisdom of instinctive intelligence, but also with effective precision, you must first suffer the guillotine. Only after you have disentangled two strands of a single thread and laid them carefully side by side can you twist them together by your own act. The mind must have learnt to distinguish soma absolutely from psyche before it can be in a position to trace their interaction with the requisite finesse; and this applies not only to the human organism, but also to nature as a whole. It is the case that there is to be found in anthroposophy that immemorial understanding of tri-unity in man, in nature and in God, and of God and nature and man, which had long permeated the philosophy and religion of the East, before it continued to survive (often subterraneously) in the West in the doctrines of Platonism, Neo-Platonism, Hermetism, etc.; true that you will find it in Augustine, in pseudo-Dionysius, in Cusanus, in Bruno, in William Blake and a cloud of other witnesses, of whom Boehme is perhaps the outstanding representative. It would be surprising if it were not so. What differentiates anthroposophy from its “traditional” predecessors, both methodologically and in its content, is precisely its “post-revolutionary” status. It is, if you are that way minded, the perennial philosophy; but, if so, it is that philosophy risen again, and in a form determined by its having risen again, from the psychological and spiritual eclipse of the scientific revolution. To resume for a moment the metaphor I adopted at the outset of these remarks, it is because the two blood-relations were wise enough to separate for a spell as “family”, that they are able to come together again in the new and more specifically human relationship of independence, fellowship and love.

Just how badly is it needed, a genuinely psychosomatic physiology? That is a question the reflective reader will answer for himself. For my own part, to select only one from a number of reasons that come to mind, I doubt whether any less deep-seated remedy will ultimately avail against a certain creeping-sickness now hardly less apparent from the Times Literary Supplement than in the Charing Cross Road; I mean the increasingly simian preoccupation of captive human fancy with the secretions and the excretions of its own physical body.

A few final words about the translation. I have varied slightly the order in which the Sections are arranged and in most cases have substituted my own titles for those in the original. The German word Seele feels to me to be much more at home in technical as well as non-technical contexts than the English soul; and this is still more so with the adjective seelisch, for which we have no equivalent except soul—(adjectival). It is not however somewhat aggressively technical, as psyche is. I have compromised by using psyche and psychic generally but by no means universally. Habits of speech alter fairly quickly in some areas of discourse. Coleridge apologised for psychological as an “insolens verbum”. The same might possibly have been said of psyche in 1917, but hardly, I think, today and still less tomorrow. The mental or intelligential reference of Geist—operating towards exclusion, even from the sub-conscious imagination, of “physical qualities”—is more emphatic than that of spirit; and once again this is even truer of Geistig and spiritual. I doubt if much can be done about this; but I have sought to help a little by rather infrequently Englishing Geistig and Geist—(adjectival) as noetic. The distinctively English mind and mental sometimes appear to a translator of German as a sort of planets in the night sky of vocabulary and I have here and there adopted them both in seelisch and in Geistig contexts. And then of course there were those two thorns in the flesh of all who are rash enough to attempt translating philosophical or psychological German—Vorstellung and vorstellen. This is a problem that would bear discussing at some length. But it must suffice to say that I have mainly used representation and represent (after considering and rejecting presentation and present) occasionally substituting, where the context seemed to demand it, idea and ideation. The very meaning feels to me to lurk somewhere between the English terms—which is a good reason for using them both. Other usages are based on similar considerations and reflection. As to any habitual reader of Steiner who may suspect that I have taken too many liberties, I can only assure him that, as far as I know, I have at least had no other motive than a keen desire to do the fullest possible justice to thought-laden sentences written by an Austrian in 1917, but being read (as I hope) by an Anglo-Saxon in and after 1970.

• 1. The use of this word is not intended to imply that science, as we have it, is valuable only for the purpose of technical manipulation and construction. It does imply that its cognitive value, as “natural” science, is limited to the extent to which nature is governed by physical laws. The fond belief referred to is of course the assumption underlying the “favourite objection”, to which Section VI replies.
• 2. Letter to William Wordsworth, 30 May, 1815.
• 3. Polyani's word.
• 4. See Bibliography

This chapter was written and published in the original German for the first time in the year 1902.

[ 1 ] It is Goethe's conviction that man can never solve the riddle of existence within the limits of a synthetic conception of the world. He shares this idea with those who, as a result of certain proofs of inner life, have acquired insight into the nature and substance of knowledge. Such men, unlike some philosophers, find it impossible to speak of a limitation of human cognition; and while realising that there are no bounds to man's search for wisdom, but that it is capable of infinite expansion, are aware that the depths of the universe are unfathomable, that in every unmasked secret lies the origin of the new; and in every solution of a riddle another lies unrevealed. Yet they also know that each new riddle will be capable of solution when the soul has risen to the requisite stage of evolution. Convinced as they are that no mysteries of the Universe are absolutely beyond the reach of man, they do not always desire to reach the contentment of a complete and finished knowledge. They strive only to reach certain vantage points in the life of the soul whence the perspectives of knowledge open out and lose themselves in the far distance.

[ 2 ] It is the same with knowledge in general as it is with knowledge acquired from great works of the spiritual life. They proceed from unfathomable depths of soul life. We may really say that the only significant spiritual creations are those in whose presence we feel this to an ever increasing degree the more often we return to them. It must be assumed that a man's soul life has itself advanced in development each time he returns to the work. Goethe's Faust must surely produce a similar feeling in all who approach it with this attitude of mind.

[ 3 ] Students who bear in mind that Goethe began Faust as a young man and finished it shortly before his death, will guard against entertaining conclusive opinions about it. In his long, varied life, the poet advanced from one stage of development to another, and he allowed his creation of Faust to participate in the fullest sense in this development. He was once asked whether the conclusion of Faust accorded with the words of the “Prologue in Heaven,” written in 1797:

A good man through obscurest aspiration,
Has still an instinct of the one true way.

He answered that this was “enlightenment” but that Faust was finished in old age and then man becomes a mystic. Goethe, as a young man, could not of course realise that in the course of his life he would rise to the conception which at the end of Faust in the “Chorus Mysticus” he was able to express in the words:

All things transitory
But as Symbols are sent.

At the end of Goethe's life the Eternal element in existence was revealed to him in a sense other than he could have dreamed in 1797, when he allows “the Lord” to speak to the Archangels of this Eternal element, in the words:

And what in wavering apparition gleams

Fix in its place with thoughts that stand for ever! [ 4 ] Goethe was fully aware that the truth he possessed had developed within him by degrees, and he would have judged his Faust from this standpoint. On 6th December, 1829, he said to Eckermann: “In old age one's view of things of the world has changed. ... I am like a man who in youth has many small silver and copper coins which in the course of life he changes into more and more valuable coin, so that he finally sees his youthful heritage in gold pieces before him.

[ 5 ] Why was it that old age brought to Goethe a different view of “things of the world?” Because in the course of his life he attained to higher and higher points of view in his soul life, from which new perspectives of truth were perpetually revealed to him. Only those who follow Goethe's inner development can hope to read aright the portions of Faust which were written in the poet's old age. But to such men new depths of this world poem will ever and again be revealed. They advance to a stage where all the events and figures take on an esoteric significance; an inner, spiritual meaning is there beside the external appearance. Those who are incapable of this, will, according to their personal artistic perception, be like the famous aesthetic Vischer, who called the second part of Faust a patched up production of old age, or they will find delight in the rich world of imagery and fable which streams from Goethe's imagination.

[ 6 ] Anyone who speaks of an esoteric meaning in Goethe's Faust will naturally arouse the opposition of those who claim that a “work of art” must be accepted and enjoyed purely “as art,” and that it is inadmissible to turn living figures of artistic imagination into dry allegory. They think that because the spiritual content is barren so far as they are concerned, it must be so for everyone else. But there are some who breathe a higher life that streams from a mighty Spirit, where others hear only words. It is difficult to meet on common ground those who have not the will to follow us into the spiritual world. We have at our disposal only the same words as they; and we cannot force anyone to sense within the words, that totally different element which is perceptible to us. We have no quarrel with such people; we admit what they say, for with us, too, Faust is primarily a work of art, a creation of the imagination. We know how great our loss would be if we were unable to appreciate the artistic value of the work. But it must never be urged that we have no perception of the beauty of the lily because we rise to the spirit which it reveals, nor that we are blind to the picture that in a higher sense is for us like “all things transitory,” which “as symbols are sent.

[ 7 ] We agree with Goethe, who said to Eckermann on 29th January, 1827: “Yet everything (in Faust) is of a sense nature, and on the stage will be quite evident to the eye. I have no other wish. If it should chance that the general audience find pleasure in the representation, that is well; the higher significance will not escape the initiate.” [ 8 ] Those who want truly to understand Goethe must not hold aloof from such initiation. It is possible to indicate the exact point in Goethe's life when he came to the realisation which he has clothed in the words:

All things transitory
But as symbols are sent.

Standing before the ancient works of art his soul was flooded with this thought: This much is certain, that the artists of antiquity possessed equally with Homer a mighty knowledge of Nature, a sure conception of what lends itself to portrayal, and of how it ought to be portrayed. Unfortunately the number of works of art of the first rank is all too small. But when we find them our only desire is to understand them in truth and approach them in peace. Supreme works of art, like the most sublime products of Nature, are created by man in conformity with true and natural Law. All that is arbitrary, all that is invented, collapses: there is Necessity, there is God.” These thoughts are inscribed in Goethe's Diary of his Italian Journey” under the date, 6th September, 1787.

[ 9 ] Man can also penetrate to the spirit of things” by other paths. Goethe's nature was that of the artist; hence for him the revelation of this spirit had to come through art. It can be shown that the scientific knowledge which enabled him to proclaim the scientific views of the nineteenth century in advance, was born from his artistic qualities. One personality will arrive at a similar perspective of knowledge and truth through religion, another through the development of philosophic understanding. (c.f. my book Goethe's World Conception.)

[ 10 ] We must seek in Goethe's Faust for the picture of an inner soul development,—a picture such as an inherently artistic personality is bound to produce. Goethe was by reason of his spiritual gifts able to look into the very depths of Nature in all her reality. We can see how in the boy Goethe there develops, out of his faith, a pro-found reverence for Nature. He describes this in Poetry and Truth: The God who stands in immediate connection with Nature and recognises and loves it as His handiwork, seemed to him the real God, who might enter into closer relationship with man, as with everything else, and who would make him His care, as well as the motion of the stars, times and seasons, plants and animals.” The boy selects the best minerals and stones from his father's collection and arranges them on a music stand. This is the altar upon which he likes to offer his sacrifice to the God of Nature. He lays tapers on the stones and by means of a burning glass lights the tapers with the intercepted rays of the rising morning sun. In this way he kindles a sacred fire through the essence of the Divine Nature forces. We may perceive here the beginning of an inner soul development that—speaking in the terms of Indian Theosophy—seeks for the Light at the centre of the Sun, and for Truth at the centre of the Light. Anyone who follows Goethe's life can trace this Path along which, in inter-mediate stages, he seeks those deeper levels of consciousness where the eternal Necessity, God, was revealed to him. He tells us in Poetry and Truth how he explored every possible region of science, including experimental Alchemy.

Wherefore from Magic I seek assistance,
That many a secret perchance I reach
Through spirit power and spirit speech.
(Faust's Monologue at the beginning of Part I.)

Later on Goethe sought for the expression of eternal law in the creations of Nature and in his Archetypal Plant” and Archetypal Animal” he discovered what the spirit of Nature proclaims to the human spirit when the soul has attained to a mode of thought and conception that is in conformity with the Idea.” Between these two turning points of Goethe's soul life lies the period of the composition of that part of the Drama in which, after Faust's despair of all external Science, he invokes the Earth Spirit. The eternal truth-bearing Light speaks in the words of this Earth Spirit.

In the tides of Life, in Action's storm,
A fluctuant wave,
A shuttle free,
Birth and the Grave,
An eternal sea,
A weaving, flowing
Life, all-glowing,
Thus at Time's humming loom 'tis my hand prepares
The garment of Life which the Deity weaves!

[ 11 ] This is an expression of the all-embracing conception of Nature which we also find in the Prose Hymn Nature, written by Goethe somewhere about the 30th year of his age. Nature! We are surrounded and embraced by her, we cannot draw back from her, nor can we penetrate more deeply into her being. She lifts us, unmasked and unwarned, into the gyrations of her dance, and whirls us away until we fall, exhausted, from her arms. She creates new forms eternally. What is, had no previous existence; what was, comes not again; all is new and yet is ever the old. She builds and destroys eternally, and her laboratory is inaccessible ... She lives in the purity of children, and the Mother, where is she? Nature is the only artist. Each of her creations is an individual Being, each of her revelations a separate concept; yet all makes up a unity. ... She transforms herself eternally and has never a moment of inactivity. ... Her step is measured, her exceptions few, her laws are unchangeable. ... All men are within her, she is within all men. ... Life is her fairest device, and Death is her artifice for acquiring greater life. ... Man obeys her laws even when he opposes them. ... She is the All. She rewards and punishes, delights and distresses herself ... She knows not past and future. The present is her Eternity. ... She has placed me within life and she will lead me out of it. I trust myself to her. ... It was not I who spoke of her. It was she who spoke it all, whether it were true or false. Her's is the blame for all things, her's the credit.

[ 12 ] In old age, looking back at this stage of his soul development, Goethe himself said that it represented an inferior conception of life and that he had acquired one more lofty. But this stage revealed to him that eternal, universal law which streams alike through Nature and the human soul. It inspired the grave conception that an eternal, iron Necessity binds all beings into unity, and taught him to consider man in his indissoluble connection with this Necessity. This attitude of mind is expressed in his Ode, The Divine, written in the year 1782.

Let man be noble, resourceful and good! For this alone distinguishes him from all other beings known to us. According to eternal, mighty Laws of iron must we complete the circle of our existence.

[ 13 ] The same conception is expressed in Faust's Monologue written about the year 1787:

Spirit sublime, thou gav'st me, gav'st me all
For which I prayed. Not unto me in vain
Hast thou thy countenance revealed in fire.
Thou gav'st me Nature as a kingdom grand,
With power to feel and to enjoy it. Thou
Not only cold, amazed acquaintance yield'st,
But grantest, that in her profoundest breast I gaze,
as in the bosom of a friend.
The ranks of living creatures thou dost lead
Before me, teaching me to know my brothers
In air and water and the silent wood.
And when the storm in forests roars and grinds,
The giant firs, in falling, neighbour boughs
And neighbour trunks with crushing weight bear down,
And falling, fill the hills with hollow thunders,—
Then to the cave secure thou leadest me,
Then show'st me mine own self, and in my breast
The deep, mysterious miracles unfold.

[ 14 ] The perspective of his soul was revealed to Goethe by the mysteries of his own breast. It is a perspective which can no longer be revealed in the external world alone, but only when a man descends into his own soul in such a way that in ever deeper regions of consciousness, sublimer secrets may come to light. The world of the senses and intellect then takes on a new significance. It becomes a symbol” of the Eternal. Man perceives that he has a more intimate connection between the external world and his own soul. He learns to know that in his inner being there is a voice destined also to solve all riddles of the outer world.

Here the inadequate
Becomes attainment²

The highest facts of life, the division into male and female becomes the key to the riddle of humanity. The process of cognition becomes that of life, of fecundation. The soul, in its depths, becomes woman, that element which, impregnated by the world Spirit, gives birth to the highest life-substance. Woman becomes a symbol” of these soul depths. We ascend to the mysteries of existence by allowing ourselves to be drawn upwards and on” by the eternal feminine,” the woman soul. Higher existence begins when we experience the action of wisdom as a process of spiritual fecundation. [ 15 ] The deeper mystics of all ages have realised this. They allowed the highest knowledge to grow out of the action of spiritual fecundation as in the case of the Egyptian Horus, the soul-man, born of Isis, who was overshadowed by the spiritual eye of Osiris,—He who was awakened from the dead.” The second part of Goethe's Faust is written from such a point of view.

[ 16 ] Faust's love for Gretchen in the first part, is of the senses. Faust's love for Helena, in the second part, is not merely a sense process, but a symbol” of the most profoundly mystical soul experience. In Helena, Faust seeks for the eternal feminine,” the woman soul; he seeks the depths of his own soul. The fact that Goethe should allow the archetypal figure of Greek feminine beauty to represent the woman in man” is connected with the essential nature of his personality. The realisation of Divine Necessity dawned in him as he contemplated the beauty of the Greek masterpieces.

[ 17 ] Faust became a mystic as the result of his union with Helena, and he speaks as a mystic at the beginning of the fourth Act of Part II. He sees the female image, the depths of his own soul, and speaks the words:

... Towering broad and formlessly,
It rests along the East like distant icy hills,
And shapes the grand significance of fleeting days.
And still there clings a light and delicate band of mist
Around my breast and brow, caressing, cheering me.
Now light, delayingly, it soars and higher soars
And folds together.—Cheats me an ecstatic form,
As early youthful, long foregone and highest bliss?
The first glad treasures of my deepest heart break forth;
Aurora's love, so light of pinion, is its type,
The swiftly-felt, the first, scarce-comprehended glance,
Out-shining every treasure, when retained and held.
Like Spiritual Beauty mounts the gracious Form,
Dissolving not, but lifts itself through ether far,
And from my inner being bears the best away.

[ 18 ] In this description of the ecstacy experienced by one who has descended into the depths of his own soul and has there felt the best within him drawn away by the eternal feminine,” it is as though we were listening to the words of the Greek Philosopher: When, free from the body, thou ascendest to the free Aether, thy soul becomes an immortal god, who knows not death.

[ 19 ] For at this stage Death becomes a symbol.” Man dies from the lower life in order to live again in a higher existence. Higher spiritual life is a new stage of the Becoming”; time becomes a symbol” of the Eternal that now lives in man. The union with the eternal feminine” allows the child in man to come into being,—the child, imperishable, immortal, because it is of the Eternal. The higher life is the surrender, the death of the lower, the birth of a higher existence. In his West-East Diva” Goethe expresses this in the words: And as long as thou art without this ‘dying and becoming’ thou art but an uneasy guest on the dark Earth.” [ 20 ] We find the same thought in his prose aphorisms: Man must give up his existence in order to exist.” Goethe is in agreement with the Mystic Herakleitos when he speaks of the Dionysian cult of the Greeks. It would have been an empty, even a dishonourable cult in his eyes if it had made sacrifices merely to the god of nature and of sense pleasure. But that was not the case. The worship was not alone directed to Dionysos, the god of the immediate sense prosperity of Life, but to Hades, the god of death as well. The Greeks prepared tumultuous fire” both for Hades and Dionysos, for in the Greek Mysteries life was honoured in company with death; this is the higher existence that passes through material death of which the Mystics speak when they say that Death is after all the root of all life.” The second part of Faust represents an awakening, the birth of the higher man” from the depths of the soul. From this point of view we can understand the meaning of Goethe's words: If it should chance that the general audience find pleasure in the representation, that is well; the higher significance will not escape the initiate.

[ 21 ] Those who have developed true mystical knowledge find it in high degree in Goethe's Faust. After the scene with the Earth Spirit in Part I., when Faust has conversed with Wagner and is alone, despairing of the insignificance of the Earth Spirit, he speaks the words:

I, God's own image, from this toil of clay
Already freed, with eager joy who hailed
The mirror of eternal Truth unveil'd,
Mid light effulgent and celestial clay:—
I, more than cherub, whose unfettered soul
With penetrative glance aspir'd to flow
Through Nature's veins, and, still creating, know
The life of Gods,—how am I punished now!³

[ 22 ] What is the Mirror of Eternal Truth”? We can read of it in the following words of Jacob Boehme, the Mystic: All that, whereof this world is an earthly mirror, and an earthly parable, is present in the Divine Kingdom in great perfection and in Spiritual Being. Not only the spirit conceived as a will or thought, but Beings, corporate Beings, full of strength and substance, though to the outer world impalpable. For from the self-same spiritual Being in whom is the pure element—and from the Being of Darkness in the Mystery of Wrath—from the origin of the eternal Being of manifestation whence all the qualities come forth, this visible world was born and created, a spoken sound proceeding from the Being of all Beings.

For the sake of those who love truisms let it be observed that it is not in any sense correct to state that Goethe had precisely this passage of Jacob Boehme in his mind when he wrote the words quoted above. What he had in his mind was the mystical knowledge which finds expression in Boehme's sentences. Goethe lived in this mystical knowledge and it grew riper and riper within him. He created from the kind of knowledge possessed by the mystics. And from this source he derived the capacity for seeing Life,—things transitory” as symbols only, as a reflection. A period of inexhaustible inner development lies between the time (Part I.) when Goethe wrote his words of despair at being so remote from the mirror of eternal truth,” and the time when he wrote the Chorus Mysticus” whose words express the fact that things transitory” are to be seen only as symbols” of the Eternal.

[ 23 ] The theme of the mystical dying and becoming” runs through the Introductory Scene of Part II.:

A pleasing landscape. Faust reclining upon flowery turf, restless, seeking sleep.” The elves, under Ariel, bring about Faust's Awakening.

Who round this head in airy circles hover,
Yourselves in guise of noble Elves discover!
The fierce convulsions of his heart compose;
Remove the burning barbs of his remorses,
And cleanse his being from the suffered woes!
Four pauses makes the Night upon her courses,
And now, delay not, let them kindly close!
First on the coolest pillow let him slumber,
Then sprinkle him with Lethe's drowsy spray!
His limbs no more shall cramps and chills encumber,
When sleep has made him strong to meet the day.
Perform, ye Elves, your fairest rite:
Restore him to the holy Light!

[ 24 ] And at sunrise Faust is restored to the holy Light:

Life's pulses now with fresher force awaken
To greet the mild ethereal twilight o'er me;
This night, thou, Earth! hast also stood unshaken,
And now thou breathest new-refreshed before me,
And now beginnest, all thy gladness granting,
A vigorous resolution to restore me,
To seek that highest life for which I'm panting.

[ 25 ] For what was Faust striving in his study (Part I.), and what had happened at the stage he has reached at the beginning of Part II.? His striving is clothed in the words of the Wise man:

The spirit world no closures fasten;
Thy sense is shut, thy heart is dead:
Disciple, up! untiring, hasten
To bathe thy breast in morning-red!

[ 26 ] As yet Faust cannot bathe his earthly breast” in the morning red.” When he has invoked the Earth Spirit he is forced to acknowledge the insignificance of this being. This he is able to do at the beginning of Part II. Ariel proclaims how it comes to be:

Hearken! Hark!—the Hours careering!
Sounding loud to spirit-hearing,
See the new-born day appearing!

[ 27 ] The new-born day” of knowledge and of life born out of the morning red” inspired Jacob Boehme's earliest work entitled Aurora or The Rise of Dawn, which was imbued with mystical knowledge. The passage in Act IV., Part II., of Faust already quoted shows how deeply Goethe lived in such conceptions. The first glad treasures” of his deepest heart” are revealed to him by Aurora's Love.” When Faust has really bathed his earthly breast in the morning red” he is ready to lead a higher life within the course of his earthly existence. He appears in the company of Mephistopheles at the imperial palace during a feast of pleasure and empty amusements and must himself help to increase them. He appears in the Mask of Hades, the God of Wealth, in a masquerade. He is desired to add to the amusements by charming Paris and Helena from the Underworld. This shows us that Faust had attained to that stage in his soul life where he under-stood the dying and becoming.” He participates joyfully in the Feast, but while it is going on he sets out on the path to the Mothers,” where alone he can find the figures of Paris and Helena which the emperor wishes to see. The eternal archetypes of all existence are preserved in the realm of the Mothers. It is a realm which man can only enter when he has given up his existence in order to exist.” There, too, Faust is able to find the part of Helena that has outlived the ages. But Mephistopheles, who has up to now been his guide, is not able to lead him into this realm. This is characteristic of his nature. He says emphatically to Faust:

Thou deem'st the thing is quickly fixed:
Here before steeper ways we're standing;
With strangest spheres would'st thou be mixed.

[ 28 ] Mephistopheles is a stranger to the realm of the Eternal. This may well appear inexplicable when we consider that Mephistopheles belongs to the kingdom of Evil, itself a kingdom of Eternity. But the difficulty is solved when we take Goethe's individuality into account. He had not experienced eternal Necessity” within the realm of Christianity where, to him, Hell and the Devil belong. This idea of the Eternal arose for Goethe in a region alien to the conceptions of Christendom. It is to be admitted of course that the ultimate origin of a figure like Mephistopheles is to be found in the conceptions of Heathen religions too. (Cp. Karl Kiesewetter's Faust in history and tradition.”) So far as Goethe was concerned, however, this figure belonged to the Northern world of Christendom, and the source of his creation was there. He could not in personal experience find his kingdom of the Eternal within the scope of this world of conceptions. To understand this, we need only be reminded of what Schiller said of Goethe in his deeply intuitive letter of 23rd August, 1794: If you had been born a Greek or even an Italian with a special kind of Nature and an idealistic Art around you from the cradle, your path would have been infinitely limited and perhaps made quite superficial. Even in the earliest conception of things you would have absorbed the Form of Necessity and you would have developed a mighty style together with your earliest experience. But being born a German with your Greek spirit thrown into the milieu of this Northern world, you had no choice but to become either an Artist of the North, or to re-establish in your Imagination by the help of the power of thought, what Reality withheld from you, and so, as it were, from within outwards, and on a rationalistic path, give birth to a Greek world.

[ 29 ] It is not our task here to embark upon a consideration of the different conceptions formed by man as to the meaning of the Mephistopheles figure. These conceptions express the endeavour to change figures of Art into barren allegories or symbols, and I have always opposed this. So far as an esoteric interpretation is concerned, Mephistopheles must be accepted, in the sense, naturally, of poetical reality, as an actual being. For an esoteric interpretation does not look for the spiritual value which certain figures in the first instance receive from the poet, but the spiritual value they already have in life. The poet can neither deprive them of this nor can he impart it; he takes it from life, as he would anything visible to the eye. It is, however, part of the nature of Mephistopheles that he lives in the material sense world. Hell, too, is nothing but incarnate materiality, The Eternal in the womb of the Mothers can only be an entirely alien realm to anyone who lives in materiality as intensely as Mephistopheles. Man must penetrate through materiality in order again to enter into the Eternal, the Divine, whence he has sprung. If he finds the way, if he gives up his existence in order to exist,” then he is a Faust being; if he cannot abandon materiality he becomes a character like Mephistopheles. Mephistopheles is only able to give to Faust the key” to the realm of the Mothers. A mystery is connected with this key.” Man must have experienced it before he can fully penetrate it. It will be most easy of attainment to those who are scientists in the true sense.

[ 30 ] It is possible for a man to accumulate much scientific learning and yet for the spirit of things,” the realm of the Mothers, to remain closed to him. Yet in scientific knowledge we have, fundamentally, the key to the spiritual world in our hands. It may become either academic erudition or wisdom. If a man of wisdom makes himself master of that dry erudition” which a man who is merely scientific has accumulated, he is led into a region which to the other is entirely foreign. Faust is able to penetrate to the Mothers with the key given him by Mephistopheles. The natures of Faust and Mephistopheles are reflected in the way in which they speak of the realm of the Mothers.

...Naught shalt thou see in endless Void afar,—
Not hear thy footstep fall, nor meet
A stable spot to rest thy feet.

... I to the Void am sent,
That art and power therein I may augment;
To use me like the cat is thy desire,
To scratch for thee the chestnuts from the fire.
Come on then! We'll explore, whate'er befall;
In this, thy Nothing, may I find my All!

[ 31 ] Goethe told Eckermann how he came to introduce the “Mothers ” scene. “I can only tell you,” he says, “that in Plutarch I found that in Greek Antiquity the Mothers were spoken of as Divinities.” This necessarily made a profound impression upon Goethe, who as the result of his mystical knowledge, realised the significance of the “eternal feminine.

[ 32 ] From the realm of the Mothers, Faust conjures up the figures of Helena and of Paris. When he sees them before him in the imperial palace he is seized by an irresistible desire for Helena. He wants to take possession of her. He sinks unconscious to the ground and is carried off by Mephistopheles. Here we come to a stage of great significance in Faust's evolution. He is ready and ripe to press forward into the spiritual world. He can rise in spirit to the eternal archetypes. He has reached the point where the spiritual world in an infinite perspective becomes visible to man.

[ 33 ] At this point it is possible for a man either to resign himself to the realisation that this perspective cannot be gauged in one bound, but must rather be traversed by numberless life stages; or he may determine to make himself master of the final aim of Divinity at one stroke. The latter was Faust's desire. He undergoes a new test. He must experience the truth that man is bound to matter and that only when he has passed through all stages of materiality is he made pure for attainment of the final aim.

[ 34 ] Only a purely spiritual being, born in a spiritual fashion, can unite himself directly with the spiritual world. The human tspirit is not a being of this kind and it must pass through the whole range of material existence. Without this life-journey the human spirit would be a soulless, lifeless entity. The very existence of the human spirit implies that the journey through materiality has been begun at some point. For man is what he is only because he has passed through a series of previous incarnations. Goethe had also to express this conception in Faust. On 16th December, 1829, he speaks of Homunculus to Eckermann: “A spiritual being like Homunculus, not yet darkened and circumscribed by a fully human evolution, is to be counted a Daemon.

[ 35 ] Homunculus, therefore, is a man but without the element of materiality that is essential to man. He is brought into existence by magical methods in the laboratory. On the date above mentioned Goethe speaks further of him to Eckermann: “Homunculus, as a being to whom actuality is absolutely clear and transparent, beholds the inner being of the sleeping Faust. But because everything is transparent to his spirit, the spirit has no point for him. He does not reason; he wants to act.” In so far as man is a knower, the impulse to will and action is awakened through knowledge. The essential thing is not the knowledge or the spirit as such, but the fact that this spirit must be led to pass through the material, through action. The more knowledge a being possesses, the greater will be the impulse to action. And a being who has been produced by purely spiritual means must be filled with the thirst for action. Homunculus is in this position. His powerful urge towards reality leads Faust with Mephistopheles to Greece, into the “Classical Walpurgis Night.” Homunculus is bound to become corporeal in the realm where Goethe found the highest reality. It then becomes possible for Faust to find the real Helena, not merely her archetype. Homunculus leads him into Greek reality. To understand fully the nature of Homunculus we need only follow his journeys through the Classical Walpurgis Night. He wants to learn from two Greek Philosophers how he can come into being, that is, to action. He says to Mephistopheles:

From place to place I flit and hover.
And in the best sense. I would fain exist.
And most impatient am. my glass to shatter;
But what till now I've witnessed, is't
Then strange if I mistrust the matter?
Yet I'll be confidential. if thou list:
I follow two Philosophers this way.
'Twas ‘Nature! Nature!’—all heard them say;
I'll cling to them and see what they are seeing,
For they must understand this earthly being,
And I shall doubtless learn, in season.
Where to betake me with the soundest reason.

[ 36 ] His wish is to gain knowledge of the natural conditions of the genesis of corporeal existence. Thales leads him to Proteus. the Lord of Change, of the “eternal Becoming.” Thales says of Homunculus:

He asks thy counsel, he desires to be.
He is, as I myself have heard him say.
(The thing's a marvell!) only born half-way.
He has no lack of qualities ideal,
But far too much of palpable and real.
Till now the glass alone has given him weight,
And he would fain be soon incorporeate.

[ 37 ] And Proteus gives utterance to the Law of Becoming:

No need to ponder here his origin;
On the broad ocean's breast must thou begin!
One starts there first within a narrow pale.
And finds, destroying, lower forms, enjoyment:
Little by little, then, one climbs the scale,
And fits himself for loftier employment.

[ 38 ] Thales gives the counsel:

Yield to the wish so wisely stated,
And at the source be thou created!
Be ready for the rapid plan!
There, by eternal canons wending,
Through thousand, myriad forms ascending,
Thou shalt attain, in time, to Man.

[ 39 ] Goethe's whole conception of the relationship of all beings, of their metamorphic evolution from the imperfect to the perfect is here expressed in a picture. At first the spirit can only exist germinally in the world. The spirit must pour itself out, must dip down into matter, and into the elements, before it can take on its sublimer form. Homunculus is shattered by Galatea's shell chariot and is dissolved• into the elements. This is described by the Sirens:

What fiery marvel the billows enlightens,
As one on the other is broken and. brightens?
It flashes and wavers, and hitherward plays!
On the path of the Night are the bodies ablaze,
And all things around are with flames overrun:
The Eros be ruler, who all things began!

[ 40 ] Homunculus as a spirit no longer exists. He is blended in the Elements and can arise from out of them. Eros, desire, will, action, must go forward to the spirit. The spirit must pass through matter, through the Fall into Sin. In Goethe's words, the spiritual essence must be.darkened and circumscribed, for this is necessary to a full human development. The second Act of Part II. presents the mystery of human development. Proteus, the Lord of corporeal metamorphosis, discloses this Mystery to Homunculus:

In spirit seek the watery distance!
Boundless shall there be thine existence,
And where to move, thy will be free.
But struggle not to higher orders!
Once Man, within the human borders,
Then all is at an end for thee.

[ 41 ] This is all that the Lord of corporeal metamorphosis can know about human development. So far as his knowledge goes evolution comes to an end when man, as such, has come into existence. What comes after that is not his province. He is only at home in the corporeal; and as a result of man's development the spiritual element separates itself from the merely corporeal. The further development of man proceeds in the spiritual world. The highest point to which the process is brought by the Eros of Nature is the separation into two sexes, male and female. Here spiritual development sets in; Eros is spiritualised. Faust enters into union with Helena, the archetype of Beauty. Goethe was well aware of all that he owed to his intimate connection with Greek beauty. The mystery of spiritualisation was for him of the nature of Art. Euphorion arises out of Faust's union with Helena. Goethe himself tells us what Euphorion is. (Eckermann quotes Goethe's words of 20th December, 1829): “Euphorion is not a human but an allegorical being. Euphorion personifies poetry that is bound neither to place nor person.” Poetry is born from the marriage experienced by Faust in the depths of his soul. This colouring of the spiritual Mystery must be traced back to Goethe's personal experience and nature. He saw in Art, in Poetry, “a manifestation of secret Laws of Nature,” which without them would never be revealed. (Compare his Prose Aphorisms.) He attained the higher stages of soul life as an artist. It was only natural that he should ascribe to poetry not only quite general qualities but those of the poetical creations of his time. Byronic qualities have passed over to Euphorion. On 5th July, 1827, Goethe said to Eckermann: “I could never choose anyone else but Byron as the representative of the most modern school of poetry, for he has unquestionably the greatest talent of the century. Byron is neither ancient nor modern, but like the present day itself. I had to have one like him. Besides this, he was typical, on account of his unsatisfied nature and that warlike temperament which led him to Missolonghi. It is neither opportune nor advisable to write a treatise on Byron, but in the future I shall not fail to pay him incidental tribute and to point to him in certain matters of detail.

The union of Faust with Helena cannot be permanent. The descent into the depths of the soul, as Goethe also knew, is only possible in “Festival moments” of life. Man descends to those regions where the highest spirituality comes to birth. But with the metamorphosis which he has there experienced he returns again to the life of action. Faust passes through a process of spiritualisation, but as a spiritualised being he has to work on in everyday life. A man who has passed through such “Festival moments” must realise how the deeper soul element in him vanishes again in everyday actuality. Goethe expressed this in a picture. Euphorion disappears again into the realm of darkness. Man cannot bring the spiritual to continuous earthly life, but the spiritual is now inwardly united with his soul. This spiritual element, his child, draws his soul into the realm of the Eternal. He has united himself with the Eternal. As a result of the loftiest spiritual activity man enters into the Eternal in his highest being, in the depths of his soul. The union into which his soul has entered enables him to ascend to the All. The words of Euphorion sound forth as this eternal call in the heart of ever-striving man:

Leave me here, in the gloomy Void,
Mother, not thus alone!

A man who has experienced the Eternal in the Temporal perpetually hears this call from the spiritual in him. His creations draw his soul to the Eternal. So will Faust live on. He will lead a dual life. He will create in life, but his spiritual child binds him on his earthly path to the higher world of the spirit. This will be the life of a mystic, but in the nature of things not a life where the days are passed in idle observation, in inner dream, but a life where deeds bear the impress of that nobility attained by man as the result of spiritual deepening.

[ 42 ] Faust's outer life, too, will now be that of a man who has surrendered his existence in order to exist. He will work absolutely selflessly in the service of humanity. But still another test awaits him. At the stage to which he has attained he cannot bring his activity in material existence into full harmony with the real needs of the spirit. He has taken land from the sea and has built a stately abode upon it. But an old hut still remains standing and in it live an aged couple. This disturbs the work of new creation. The aged couple do not want to exchange their dwelling for any nobler estate. Faust must see how Mephistopheles carries out his wish, turning it to evil. He sets the homestead on fire and the aged couple die of fright. Faust must experience once again that “perfect human evolution darkens and circumscribes,” and that it must lead to guilt. It was his material sense life that laid this blow, this test upon him. As he hears the bell sound from the aged couple's Chapel he breaks forth into the words:

Accurséd chime! As in derision
It wounds me, like a spiteful shot:
My realm is boundless to my vision,
Yet at my back this vexing blot!
The bell proclaims; with envious bluster,
My grand estate lacks full design:
The brown old hut, the linden-cluster,
The crumbling chapel are not mine.
If there I wished for recreation,
Another's shade would give no cheer:
A thorn it is, a sharp vexation,—
Would I were far away from here!

Faust's senses engender in him a fateful desire. There still remains in him some element of that existence which he must “surrender in order to exist.” The homestead is not his. In the “midnight hour” four grey women appear. Want, Blame, Care, Need. These are they who darken and circumscribe man's existence. He passes through life under their escort, and at first he cannot exist without their guidance. Life alone can bring emancipation from them. Faust has reached the point where three of these figures have no power over him. Care is the only one from whom this power has not been taken away. Care says:

Ye sisters, ye neither can enter, nor dare:
But the keyhole is free to the entrance of Care.

And Care exhorts him in a voice that lies deep in the heart of every man. No man can eradicate the last doubt as to whether he can with his life's reckoning stand steadfast in face of the Eternal. At this moment Faust has such an experience. Has he really only pure powers around him? Has he freed his “inner man” from all that is impure? He has taken Magic to his aid along his path, and acknowledges this in the words:

Not yet have I my liberty made good:
If I could banish Magic's fell creations,
And totally unlearn the incantations,
Stood I, O Nature! Man alone in thee,
Then were it worth one's while a man to be!

Faust too is unable to cast the last doubt away from him. Care may say of him also:

Though no ear should choose to hear me,
Yet the shrinking heart must fear me:
Though transformed to mortal eyes,
Grimmest power I exercise.

In the face of Care, Faust would first ask himself whether those remains of doubt as to his life's reckoning have vanished:

The sphere of Earth is known enough to me,
The view beyond is barred immutably:
A fool, who there his blinking eyes directeth,
And o'er his cloud of peers a place expecteth!
Firm let him stand, and look around him well!
This world means something to the Capable,
Why needs he through Eternity to wend?

In these very sentences Faust shows that he is about to fight his way to full freedom. Care would urge him on to the Eternal after her own fashion. She shows him how men on the earth only unite the Temporal to the Temporal. And even if they do this, believing that this world means something to the ‘Capable,’ she, nevertheless, remains with them to the last. And what she has been able to do in the case of others, Care thinks she can also do in the case of Faust. She believes in her power to enhance in him those doubts that beset a man when he asks himself whether all his deeds have indeed any significance or meaning. Care speaks of her power over men:

Shall he go, or come?—how guide him?
Prompt decision is denied him;
Midway on the trodden highway
Halting he attempts a by-way;
Such incessant rolling, spinning,
Painful quitting, hard beginning,—
Now constraint, now liberation,
Semi-sleep, poor recreation,
Firmly in his place ensnare him
And, at last, for Hell prepare him!

Faust's soul has progressed too far for him to fall into the power of Care to this extent. He is able to cry in rejoinder:

And yet, O Care, thy power, thy creeping shape,
Think not that I shall recognize it!

Care is only able to have power over his bodily nature. As she vanishes she breathes on him and he becomes blind. His bodily nature dies in order that he may attain a higher stage:

The Night seems deeper now to press around me,
But in my inmost spirit all is light.

After this it is only the soul element in Faust which comes into consideration. Mephistopheles who lives in the material world has no power here. Since the Helena Scene the better and deeper soul of Faust has lived in the Eternal. This Eternal takes full possession of him after his death. Angels incorporeate Faust's immortal essence into this Eternal:

This noble Spirit now is free,
And saved from evil scheming:
Who'er aspires unweariedly
Is not beyond redeeming.
And if with him celestial love
Hath taken part,—to meet him
Come down the angels from above;
With cordial hail they greet him.

The “Celestial Love” is in strong contrast to “Eros,” to whom Proteus refers when he says at the end of the second Act, Part II.:

All things around are with flames overrun:
Then Eros be ruler who all things began!

This Eros is the Love “from below” that leads Homunculus through the elements and through bodily metamorphosis in order that he may finally appear as man. Then begins the “Love from above” which develops the soul further.

[ 43 ] The soul of Faust is set upon the path to the Eternal, the Infinite. An unending perspective is open before it. We can dimly sense what this perspective is. To make it poetically objective is very difficult. Goethe realised this and he says to Eckermann: “You will admit that the conclusion, where the soul that has found salvation passes heavenward, was very difficult to write and that in reference to such highly supersensible and hardly conceivable matters I could have very easily fallen into vagueness if I had not, by the use of sharply defined Christian-Theological figures and concepts, given a certain form and stability to my poetical intentions.” The inexhaustible content of the soul must be indicated, and the deepest inner being expressed in symbol. Holy Anchorites “dispersed over the hill,” “stationed among the clefts” represent the highest states of the evolution of the soul. Man is led upwards into the regions of consciousness, of the soul,—wherein the world becomes to an ever increasing extent the “symbol” of the Eternal.

[ 44 ] This consciousness, the deepest region of the soul, are mystically seen in the figure of the “eternal feminine,” Mary the Virgin. Dr. Marianus in rapture prays to her:

Highest Mistress of the World!
Let me in the azure
Tent of Heaven, in light unfurled
Here thy Mystery measure!

[ 45 ] With the monumental words of the Chorus Mysticus, Faust draws to its conclusion. They are words of Wisdom eternal. They give utterance to the Mystery that “All things transitory are only a symbol.” This is what lies before man in the farthest distance; to this leads the path which man follows when he has grasped the meaning of this “dying and becoming:

Here the Inadequate
Becomes attainment.

This cannot be described because it can only be discovered in experience; this it is that the Initiates of the “Mysteries” experienced when they were led to the path of the Eternal; it is unutterable because it lies in such deep clefts of the soul that it cannot be clothed in words coined for the temporal world:

The indescribable,
Here it is done.

And to all this man is drawn by the power of his own soul, by the powers that are dimly sensed when he passes through the inner portals of the soul, when he seeks for that divine voice within calling him to the union of the “eternal masculine,”—the universe, with the “eternal feminine,”—consciousness:

The Eternal Feminine draws us
Upwards and on.

• 2. The author of this essay is in agreement with the opinion of Ad. Rudolf expressed in his Archives of Modern Languages LXX., 1883, that the writing of the word Ereignis” (event) is only due to an auditory mistake of Goethe's stenographer, and that the correct word is Erreichnis,” attainment.
• 3. Miss Swanwick's translation.

[ 1 ] The inner soul's conflict which Goethe has embodied in the personality of Faust comes to light at the very beginning of the Drama, when Faust turns away from the sign of the Macrocosm to that of the Earth Spirit. The content of the first Faust Monologue up to this experience of the soul is preliminary. Faust's dis-satisfaction with the sciences and with his position as a man of learning is far less characteristic of Goethe's nature than the kinship which Faust feels to the Spirit Universal on the one side and to the Earth Spirit on the other. The all-inclusive harmony of the universe is revealed to the soul by the sign of the macrocosm:

How each the Whole its substance gives,
Each in the other works and lives!
Like heavenly forces rising and descending,
Their golden urns reciprocally lending,
With wings that winnow blessing
From Heaven through Earth I see them pressing,
Filling the All with harmony unceasing!

[ 2 ] If we take these words in conjunction with Goethe's knowledge of the sign of the Macrocosm, we come upon an experience of great significance in the soul of Faust. There appears before Faust's soul a sense picture of the Universe,—a picture of the sun itself, of the earth in connection with the other planets of the solar system, and of the activity of the single heavenly bodies as a revelation of the Divine Being guiding movement and reciprocal interplay. This is not a mechanical heaven, but a cosmic weaving of spiritual hierarchies whose effluence is the life of the world. Into this life man is placed, and he comes forth as the apotheosis of the work of all these Beings. Faust, however, cannot find in his soul the experience for which he is seeking even in the vision of this universal harmony. We can sense the yearning that gnaws in the depths of this soul: “How do I become Man in the true sense of the word?” The soul longs to experience what makes man consciously truly Man. In the sense image hovering there, the soul cannot call up from the depths of being that profound experience which would make it able to realise itself as the epitome of all that is there as the sign of the macrocosm. For this is the “knowledge” that can be trans-formed through intense inner experience, into “Self-Knowledge.” The very highest knowledge cannot directly comprehend the whole being of man. It can only comprehend a part of man. It must then be borne through life, and in inter-relation with life its range is gradually extended over the whole being of man. Faust lacks the patience to accept knowledge with those limitations which, in the early stages, must exist. He wants to experience instantaneously a soul-realization which can only come in the course of time. And so he turns away from the revelation of the Macrocosm:

[ 3 ] How grand a show! but, ah! a show alone.

[ 4] Knowledge can never be more than a picture, a reflection of life. Faust's desire is not for a picture of life, but for life itself. He turns therefore to the sign of the Earth Spirit, in which he has a symbol before him of the whole infinite being of man as a product of earth activity. The symbol calls forth in his soul a vision of all the infinitude of being which man bears within him, but which would stun him, overwhelm him, if he were to receive it gathered up into the perception of a single moment of discovery rather than drawn out into the many pictures of that knowledge which is discovered to him in the long course of life.

In the phenomenon of the Earth Spirit Faust sees what man is in reality, but the result is confusion when in the weakened reflection of the forces of cognition it does not penetrate to the consciousness. There was present in Goethe, not of course in a philosophical form, but as a living concept, that spiritual fear which overtakes man in his life of thought: what would become of me if I suddenly were to behold the riddle of my existence and had not the knowledge to master it!

[ 5 ] It was not Goethe's intention to express in his Faust the disillusionment of a misguided yearning for knowledge. His aim was rather to represent the conflict associated with this yearning—a conflict that has its seat in the being of man. Man in every moment of his existence is more than can be disclosed if his destiny is to be fulfilled. Man must evolve from his inner being; he must unfold that which he can only fully know after the development has taken place. The constitution of his forces of knowledge is such that when brought to bear prematurely upon what at the right time they must master, they are liable to deception as the result of their own operations. Faust lives in all that the words of the Earth Spirit reveal to him. But this, his own being, confuses and deceives him when it appears objectively before his soul at a time when the degree of maturity, to which he has attained, does not yield him the know-ledge whereby he can transform this being into a picture:

Thou'rt like the Spirit which thou comprehendest. Not me!

[ 6 ] Faust is profoundly shocked by these words. He has really looked upon himself, but he cannot compare himself to what he sees, because he does not know what he really is. The contemplation of the Self has deceived and confused the consciousness that is not ripe for it. Faust puts the question: “Not thee? Who then?” The answer is given in dramatic form. Wagner enters and is himself the answer to this, “Who then?” It was pride of soul in Faust that at this moment made him desire to grasp the secret of his own being. What lives in him is at first only the striving after this secret; Wagner is the reflected image of what he is able at the moment to know of himself. The scene with Wagner will be entirely misunderstood if the attention is merely directed to the contrast between the highly spiritual Faust and the very limited Wagner. In the meeting with Wagner after the Earth Spirit scene Faust has to realise that his power of cognition is really at the Wagner stage. In the dramatic imagination of this scene Wagner is the reflected image of Faust.

[ 7 ] This is something that the Earth Spirit cannot immediately reveal to Faust, for it must come to pass as a result of development. And Goethe felt compelled not to allow Faust to experience the depths of higher human existence only from the point of view of forty years of life, but also to bring before his soul in a kind of retrospect, all that had escaped him in his abstract striving for knowledge. In Wagner Faust confronts himself in his soul vision. The monologue uttered by the real “Faust,” beginning with the words:

How him alone all hope abandons ...

contains nothing but waves beating up from subconscious depths of soul, expressing themselves finally in the resolve to commit suicide. At this moment of experience Faust cannot but draw the inference from his life of feeling that “all hope” must “abandon” men. His soul is only saved from the consequences of this by the fact that life invokes before him something that to his abstract striving for knowledge was formerly meaningless: the Easter Festival of the human heart in its simplicity and the Easter Procession. During these experiences, brought back to him in retrospect from his semi-conscious youth, the contact with the spiritual world that he has had as a result of the meeting with the Earth Spirit, works in him. As a result he frees himself from this attitude of soul during the conversation with Wagner when he sees the Easter procession. Wagner remains in the region of abstract scientific endeavour. Faust must bring the soul experiences through which he has passed into real life in order that life may give him the power to find another answer than “Wagner” to the question “Not thee? Then who?

[ 8 ] A man who, like Faust, has had contact with the spiritual world in its reality, is bound to face life differently from men whose knowledge is limited to the phenomenona of sense existence and consists of conceptions derived from this alone. What Goethe has called the “eye of spiri” has opened for Faust as a result of experience. Life brings him to “conquests”, other than that of the Wagner being. Wagner is also a portion of that human nature which Faust has within him. Faust conquers it in that he subsequently makes living within him all that he failed to make living in his youth. Faust's endeavour to make the word of the Bible living is also part of the awakening. But during this process of awakening still another reflected image of his own being—Mephistopheles—appears before Faust's soul. Mephistopheles is the further, weightier answer to the “Not thee? Then who?” Faust must conquer Mephistopheles by the power of the life experiences in the soul that has had contact with the spiritual world. To see in the figure of Mephistopheles a portion of Faust's own being is not to sin against the artistic comprehension of the Faust Drama, for it is not suggested that Goethe intended to create a symbolical figure and not a living, dramatic personage in his Mephistopheles. In life itself man beholds in other men portions of his own being. Man recognises himself in other men. I do not assert that to me John Smith is only a symbol when I say: ‘I see in him a portion of my own being.’ The dramatic figures of Wagner and of Mephistopheles are individual, living beings; what Faust experiences through them is Self Perception.

[ 9 ] What does the School Scene in Faust really bring before the souls of those who allow it to work upon them? Nothing more nor less than the nature which Faust manifests to the students—the Mephistophelian element in him. When a man has not conquered Mephistopheles in his own nature he can be manifested as this figure of Mephistopheles who confronts the pupils. It appears to me that in this scene Goethe allowed something from an earlier composition to remain—something that he would certainly have remodelled, if as he remodelled the older portions he had been able completely to understand the spirit which the whole work now reveals. In accordance with the import of this spirit all Mephistopheles' dealings with the students must also be experienced by Faust. In the earlier composition of Faust, Goethe was not intent upon giving everything so dramatic a form that it appears in some way as an experience of Faust himself. In the final elaboration of his poem he has simply taken over a great deal that is not an integral part of the spirit of the later dramatic composition.

[ 10 ] The writer of this Essay belongs to the ranks of those readers of Faust who return to the poem again and again. His repeated reading has afforded him increasing insight into the infinite knowledge and experience of life which Goethe has embodied in it. He has, however, always failed to see Mephistopheles—in spite of his living dramatic qualities—as an unitary, inwardly uniform being. He fully understands why the commentators of Faust do not know how they should really interpret Mephistopheles. The idea has arisen that Mephistopheles is not a devil in the real sense, that he is only a servant of the Earth Spirit. But this is contradicted by what Mephistopheles himself says: “Fain would I go over to the Devil, if only I myself were not a Devil!” If we compare all that is expressed in Mephistopheles, we certainly do not get a uniform view.

[ 11 ] As Goethe worked out his Poem he found that it drew nearer and nearer to the deepest problems of human experience. The light streaming from these problems of experience shines into all the events narrated in the poem. Mephistopheles is an embodiment of what man has to overcome in the course of a deeper experience of life. In the figure of Mephistopheles there stands an inner opponent of what man must strive for from out of his being. But if we follow closely those experiences which Goethe has woven subtly into the creation of Mephistopheles, we do not find one such spiritual opponent of the nature of Man, but two. One grows out of man's willing and feeling nature, the other out of his intellectual nature. The willing and feeling nature strives to isolate man from the rest of the universe wherein the root and source of ais existence exist. Man is deceived by his nature of will and feeling into imagining that he can traverse his life's path by relying on his inner being alone. He is deceived into a disregard of the fact that he is a limb of the universe in the sense that a finger is a limb of the organism. Man is destined to spiritual death if he cuts himself off from the universe, just as a finger would be destined to physical death if it attempted to live apart from the organism. There is a rudimentary striving in man in the direction of such a separation. Wisdom in life is not gained by shutting the eyes to the existence of this rudimentary striving, but by conquering it, transforming it in such a way that instead of being an opponent, it becomes an aid to life. A man who like Faust, has had contact with the spiritual world, must enter into the fight against this opposing force in human life much more consciously than one who has had no such contact. The power of this Luciferic adversary of man can be dramatised into a Being. This Being works through those soul forces which strive in the inner man for the enhancement of Egoism.

[ 12 ] The other opposing force in human nature derives its power from the illusions to which man is exposed as a being who perceives and forms conceptions of the outer world. Experience of the outer world that is yielded by cognition is dependent upon the pictures which, in accordance with the particular attitude of his soul, and other multifarious circumstances, a man is able to make of this outer world. The Spirit of Illusion creeps into the formation of these pictures. It distorts the true relation to the outer world and to the rest of humanity into which man could bring himself if its operations were not there. It is also, for instance, the spirit of dissension and strife between man and man, and sets human beings into that state of subjection to circumstances which brings remorse and pangs of conscience in its train. In comparison with a figure of Persian Mythology, we may call it the Ahrimanic Spirit. The Persian Myths ascribe qualities to their figure of Ahriman which justify the use of this name.

[ 13 ] The Luciferic and Ahrimanic opponents of the wisdom of man approach human evolution in quite different ways. Goethe's Mephistopheles has clearly Ahrimanic qualities, and yet the Luciferic element also exists in him. A Faust nature is more strongly exposed to the temptations both of Ahriman and of Lucifer than one without spiritual experiences. It may now appear that instead of the one Mephistopheles Goethe might have placed two characteristic beings there in contrast to Faust. Faust would then have been led through his life's labyrinth in one way by the one figure, and in another by the second. In Goethe's Mephistopheles, the two different kinds of qualities, Luciferic and Ahrimanic, are mingled. This not only hinders the reader from making an uniform picture of Mephistopheles in his imagination, but it proved to be an obstacle to Goethe himself when again and again he tried to spin the thread of the Faust poem through his own life. One is conscious of a very natural desire to witness or hear much of what Mephistopheles does or says, from a different being. Of course Goethe attributed the difficulties which confronted him in the development of his Faust to many other things; but in his sub-consciousness there worked the twofold nature of Mephistopheles, and this made it difficult to guide the development of the course of Faust's existence into channels which must lead through the powers of opposition.

[ 14 ] Considerations of this kind call forth all too readily the cheap objection that one wants to put Goethe right. This objection must be tolerated for the sake of the necessity for understanding Goethe's personal relation-ship to his Faust poem. We need only be reminded of how Goethe complained to friends of the weakness of his creative power just at the time when he wanted to bring his “life-poem” to an end. Let us remember that Goethe in his advanced age needed Eckermann's encouragement to rouse him to the task of working out the plan of the continuation of Faust which he intended to incorporate as such into the third book of Poetry and Truth. Karl Julius Schröer rightly says (page 30, Third Edition, Part II., of his Essay on Faust): “Without Eckermann we should really have had nothing more than the plan which possibly would have had some sort of form like the ‘scheme of continuation’ of the ‘Natural daughter’ that is embodied in the work.” We know what such a plan is for the world “an object of consideration for the literary historian and nothing else.” The cessation of Goethe's work on Faust has been attributed to every kind of possibility and impossibility. People have tried in one way or another to reconcile the contradictions that are felt to exist in the figure of Mephistopheles. The student of Goethe cannot well disregard these things. Or are we to make a confession like that of Jacob Minor in his otherwise interest ing book Goethe's Faust (Vol. II., p. 28): “Goethe was approaching his fiftieth year; and from the period of his Swiss journey comes, as far as I know, the first sigh which the thought of approaching age drew from him in the beautiful poem Swiss Alps (Schweizeralpe). Thought as a harbinger of the wisdom of old age came more to the foreground even in him—with his eternal youth—who hitherto was only accustomed to behold and create. He makes plans and schemes on his Swiss journey like any real child of circumstance, just as he does in Faust.” But a consideration of Goethe's life can lead us to the view that in a poem like Faust, certain things must be presented which could only be the result of the experience of mature age. If poetic power can wane in old age—even in a Goethe—how could such a poem have some into being at all?

[ 15 ] Paradoxical as it may seem to many minds, a serious study of Goethe's personal relationship to his Faust and to the figure of Mephistopheles seem to force us to see in the latter an inner foundation of the difficulties experienced by Goethe in his life poem. The dual nature of the figure of Mephistopheles worked in the depths of his soul and did not emerge above the threshold of his consciousness. But because Faust's experiences must contain reflections of the deeds of Mephistopheles, obstacles were continually being set up when it was a question of developing dramatically the course of Faust's life, and as a result of the working of the dual nature of the opposing forces, the right impulses for the development would not come to light.

[ 16 ] The Prologue in Heaven, which with the Dedication and the Prologue of the Theatre now forms an introduction to the first Part of Faust, was first written in the year 1797. In Goethe's discussions with Schiller on the subject of the poem, and their outcome which is to be found in the correspondence between the two men, we can see that about this time Goethe altered his conception of those basic forces which revealed themselves as the life of Faust. Until then everything that comes to light in Faust flows out of that inner being of his soul that is urging him towards the consummation and widening of life. This inner impulse is the only one in evidence. Through the Prologue in Heaven Faust is placed in the whole world process as a seeking man. The spiritual powers that temper and maintain the world are revealed and the life of Faust is placed in the midst of their reciprocal co-operation and reaction. And so for the consciousness of the poet and of the reader, the being of Faust is removed into the Macrocosm where the Faust of Goethe as a youth did not wish to be. Mephistopheles appears “in Heaven” among the active cosmic beings. But just here the twofold being of Mephistopheles comes clearly into evidence. The “Lord” says:

Of all the bold denying spirits
The waggish knave least trouble doth create.

There must therefore be yet other spirits who “deny” in the world struggle. And how does this agree with Mephistopheles' unrest at the end of Part II. in reference to the corpse, when he says “in Heaven:

I much prefer the cheeks where ruddy blood is leaping
And when a corpse approaches close my house.

Let us imagine that instead of one Mephistopheles, a Luciferic and an Ahrimanic spirit oppose the “Lord” in the fight for Faust. An Ahrimanic spirit must feel unrest before a “corpse,” for Ahriman is the spirit of illusion. If we go to the sources of illusion we find them to be connected with the mortal, material element working in human life. The forces of knowledge, of cognition, which become active to the degree in which the impulses appear in them which finally bring about death, underlie the Ahrimanic illusion. The impulses of Will and of reeling work in opposition to these forces. They are connected with budding, growing life; they are most powerful in childhood and youth. The more a man preserves the impulses of youth, the more vitally do these forces emerge in his old age. In these forces lie the Luciferic temptation. Lucifer can say: “I love the cheeks where ruddy blood is leaping”; Ahriman cannot “close his house” to a corpse. And the “Lord” can say to Ahriman:

Of all the bold denying spirits
The waggish knave least trouble cloth create.

The scoffing nature is akin to the nature of illusion. And so far as the “Eternal” in man is concerned, the Ahrimanic being governing the material and transitory, is less significant than the other denying spirit who is inwardly bound up with the kernel of man's being. The perception of a dual nature in Mephistopheles is not the result of an arbitrary fancy but the self-evident feeling of the existence of a duality in the constitution of man's universe and life. Goethe could not help being aware subconsciously of an element which made him feel: I am confronting the universal form of life with the Faust-Mephistopheles paradox, but it will not harmonise.

[ 17 ] If what has here been said were taken in the sense of the pedantic, critical suggestion that Goethe ought to have drawn Mephistopheles otherwise, it could easily be refuted. It would only be necessary to point out that in Goethe's imagination this figure grew as unity,—nay had to grow as such, out of the tradition of the Faust Legend, out of Germanic and Northern Mythology. And over against the evidence of “contradictions” in a living figure, apart from the fact that what is full of life must necessarily contain “life and its contradictions,” we could adduce Goethe's own clear words: “If phantasy (imagination) did not produce things which must for ever remain problematic to the intellect, there would not be much in it. This is what distinguishes poetry from prose.” What is here suggested does not in any sense lie in this region. But what Karl Julius Schröer says (page xciv., 3rd edition of Part II. of his Essay on Faust) is indisputable: “Sparkling, witty, brilliantly descriptive, and manifesting a penetration of the obscure background of the most sublime problems of humanity ... the poem stimulates in us feelings of the most intense reverence ...” This is the whole point: all that lay before Goethe's imagination in his Faust poem appeared to him against the “obscure background of the most sublime problems of humanity” which he penetrated again and again. The attitude in which Schröer, with his deep knowledge and rare love of Goethe's genius, makes these statements is unassailable, because Schröer cannot be reproached with having wished to explain Goethe's poem in the sense of an abstract development of ideas. But because the background of the most sublime problems of humanity stood before Goethe's soul, the traditional figure of the “Northern Devil” expanded before his spiritual gaze into that dual Being to which the profound student of life and the universe will be led when he realises how Man is placed within the whole world process.

[ 18 ] The Mephistopheles figure which hovered before Goethe when he began his poem was in line with Faust's estrangement from the import of the Macrocosm. The conflicts of the soul then rising from his inner being led to a struggle against the opposing power that lays hold of man's inner nature and is Luciferic. But Goethe was bound to lead Faust into the struggle with the powers of the external world also. The nearer he came to the elaboration of the second part of Faust, the more strongly did he feel this necessity. And in the “Classical Walpurgis Night” which was meant to lead up to the actual meeting between Faust and Helena, world powers and macrocosmic events entered into connection with human experiences. Mephistopheles entering into this connection must assume an Ahrimanic character. As a result of his scientific world conception Goethe had built for himself the bridge over which he was able to bring world events into connection with human evolution. He did this in his “Classical Walpurgis Night.” The poetic value of this will only be appreciated when it is fully realised that in this part of Faust Goethe so completely succeeded in moulding Nature's conceptions into artistic form that nothing of a conceptual, abstract nature remained in them; everything flowed into imagery, into an imaginative form. It is an esthetic superstition to reproach the “Classical Walpurgis Night” with containing a distressing element of abstract scientific theories. And perhaps the bridge between supersensible, macrocosmic events and human experiences is more marked in the mighty concluding picture of the Fifth Act of Part II.

[ 19 ] There seems no doubt that Goethe's genius underwent a development in the course of his life as a result of which the dual nature of the cosmic powers opposing man came before his soul's vision and that in the development of his Faust he realised the necessity for overcoming its own beginning, for the life of Faust is turned again to the Macrocosm, from which his incomplete knowledge had at first estranged him.

A wondrous show! but ah! a show alone.

[ 20 ] Yet into this show there played the forces of all embracing macrocosmic events. The “show” became Life, because Faust strove towards goals that lead man, as a result of the life struggle in his inner being, into conflicts with Powers that make him appear not only as a struggling member of the universe, but as a match for the struggle.