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The Rudolf Steiner Archive

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Search results 5991 through 6000 of 6456

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30. Collected Essays on Philosophy, Science, Aesthetics and Psychology 1884–1901: Karl Jentsch 11 Jun 1898, N/A

Rudolf Steiner
Leipzig 1898 Under this title, Karl Jentsch has just published a book. The application of the scientific way of thinking of our time to the development of mankind leads to this concept.
While others, such as Huxley, Alexander Tille and so on, understand the progress of mankind in the same way as the rest of nature in the sense of Darwinism, Jentsch does not believe he can do without the assumption of a purposeful arrangement of historical facts.
30. Collected Essays on Philosophy, Science, Aesthetics and Psychology 1884–1901: Paul Nikolaus Cossmann 30 Dec 1899, N/A

Rudolf Steiner
Coßmann believes that organic natural science should incorporate teleology, he must be told that he does not understand the relationship of modern natural science to teleology. A locomotive is undoubtedly purpose-built, and Mr.
30. Collected Essays on Philosophy, Science, Aesthetics and Psychology 1884–1901: Heinrich V. Schoeler 06 Jan 1900, N/A

Rudolf Steiner
For a century, the proud-sounding word has been uttered again and again: Kant had liberated thinking humanity from the shackles of philosophical dogmatism, which made empty assertions about the essence of things without undertaking a critical investigation into whether the human mind was also capable of making out something absolutely valid about this essence.
No supporter of the modern scientific world view need contradict this conclusion. For those who understand the modern theory of development, it is a necessary consequence of it. H. v. Schoeler would have found proof of this if he had added to the wealth of knowledge he has acquired the knowledge of my "Philosophy of Freedom" published five years ago.
30. Collected Essays on Philosophy, Science, Aesthetics and Psychology 1884–1901: Goethe and Medicine 13 Jan 1901, N/A

Rudolf Steiner
Once again, it was the physicians from whom he drew his most important inspiration. He studied anatomy in depth under the guidance of Court Councillor Loder. A manuscript he left behind (now published in Volume VIII of the Weimar Goethe Edition) shows how he pursued this science entirely in the spirit of a rational comparative method.
But this preoccupation also caused the poet to develop a deep understanding of medical science. The nature of this understanding is shown clearly enough by a description he gives in "Dichtung und Wahrheit" of the medical movement of the seventies of the last century.
A part of the letter to him is printed in Goethe's works under the title "Plastic Anatomy". Here he mentions that this "plastic anatomy" has been practiced in Florence for many years and adds the remark: "But should one not immediately think of Berlin when calling for such a location, where everything - science, art, taste and technology - is together and therefore a highly important, admittedly complicated undertaking could be carried out immediately by word and will?"
29. Collected Essays on Drama 1889–1900: Dr. Wüllner as Othello 01 Dec 1896, N/A
Translated by Steiner Online Library

Rudolf Steiner
I wanted to see Othello and all I saw all evening was Mr. Wüllner. I wanted to understand how Othello could gradually fall into this terrible rage of jealousy, and I only got to know the feelings that dominate Mr.
29. Collected Essays on Drama 1889–1900: On the Opening of the Marie Seebach Foundation 20 Apr 1895, N/A
Translated by Steiner Online Library

Rudolf Steiner
It can only be regarded as a fortunate and very grateful suggestion. However, the founder has understood how to set an example that is truly worthy of imitation. If imitation were to take place in abundance and if the same sure sense of what meets the needs were always demonstrated as with Marie Seebach, then an important social issue for German stage artists would indeed be solved.
29. Collected Essays on Drama 1889–1900: Ermete Zacconi 06 Nov 1897, N/A
Translated by Steiner Online Library

Rudolf Steiner
And I must confess that I, too, cannot quite understand the excitement in Vienna. Zacconi has taught me only one thing. When the art of acting emancipates itself from drama and appears obtrusive and self-important to us, it becomes repulsive.
This is the secret of the great actor for anyone of understanding. There is no other. Zacconi has not given us the slightest explanation of this problem. Basically, his art has nothing to do with this kind of acting.
29. Collected Essays on Drama 1889–1900: Adele Sandrock 28 May 1898, N/A
Translated by Steiner Online Library

Rudolf Steiner
They should therefore - in Adele Sandrock's opinion - have more understanding than men when it comes to working out these arrangements on stage. One thing is not taken into account: It is another to do a thing in real life, another to imitate it in the field of art.
29. Collected Essays on Drama 1889–1900: Theater Chronicles 1897-1899 N/A
Translated by Steiner Online Library

Rudolf Steiner
If one considers the tremendous success of the popular performances of the people of Schliersee everywhere, one can open up the best prospects for the future to undertakings such as the Alsatian folk theater. Such ventures are very much in line with a remarkable trend of our time.
And the term "good Europeans" is by no means a mere phrase today. Today, we understand the Parisian mores shown to us from the stage almost as well as those of our home town. In addition to this one extreme direction, however, there is another.
They want to live too, but the young man can't understand that. Today I say to myself: I have my taste, other people have a different one; whoever writes what I like is my author, but the others want their authors too, that's just cheap..."
29. Collected Essays on Drama 1889–1900: On My Departure 29 Sep 1900, N/A
Translated by Steiner Online Library

Rudolf Steiner
From the very beginning of my editorial work, I was under no illusion that my intentions could only be achieved through sacrifices of the most varied kind and, as the circumstances were, only through difficult struggles.
More than anything else, the fact that it has maintained its existence to this day testifies to the importance of this existence. Under different management, it will continue to serve art, science and public life. I am not handing over the reins with a light heart, because over the past three years I have become more attached to this magazine than I would like to say.
Cronbach and his publishing house, who have met me with true understanding, interest in the cause and willingness to make sacrifices. The fact that the publishing house is being continued by this company gives me particular satisfaction.

Results 5991 through 6000 of 6456

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