The Rudolf Steiner Archive

Today I want to bring you something about the transformations around the concept of the Christ from various viewpoints but set in a specific period of time. In a certain sense one can speak about the influence of the Mystery of Golgotha in every cultural sphere and in order to elucidate the correct idea of its influence on the earth's evolution it is necessary, where possible, to examine this impact independently from each cultural area.

Within the evolution of art, it is possible to speak about the important changes brought about as a result of the impact of the Mystery of Golgotha in the general progress of humanity. However, these thoughts will not suffice without the awareness which link to, I might call it, intimate artistic changes in the evolution of individual arts.

When we start looking for the starting point of when people in Europe depicted the Christ figure, it is repeatedly shown that the attempt to depict the Christ figure artistically actually only started from the moment when, within historical development, the concept of the Gospels as a literal perception of Christianity experienced a conclusion to a certain extent, a view of the Mass and Gospel traditions through participation in the church thus rejecting some declarations considered questionable at the time. When the foundation of Gospel literature was completed and also the transition was made to a certain degree in the minds of those looking at the content of the Gospels, a desire started in the West to artistically depict scenes and figures found in the Gospels.

This should not be lost sight of. Before the Gospels were concluded and rounded off in the minds of those calling themselves Christians, they limited their imagination to a depiction as a signature which you can see in this slide of the monogram of Christ:

710 Christ monogram

See in the centre the Χ and the Ρ, ie. Chi and Rho, which is simultaneously the angled Cross with the Rho.

Or you see it in a similar form, as you see here:

712 Christ monogram

... or combined with animal figures:

713 Christ monogram with two doves.

... or the changed form, as we have here:

711 Christ monogram:

This is what people limited themselves to during that time, during which the mass of the Gospels became unified and gradually penetrated people's minds. This is the reason why actual pictorial representation of the holy history can only be spoken of as originating from the 2nd or 3rd centuries onwards.

In the course of our local art observations which I have emphasized I want to point out another relationship today by referring to what I've highlighted before. I have stressed that the first representations which were created still obeyed the forms of the old, ancient pagan artistic development.

People simply transposed the pagan artistic expression on to the content of the Christian development. This is very important. One can say that before and up to the 3rd Century nothing had been done in the western cultural development to depict images of the Gospel scenes as such, which had not come as a transfer from pagan art. Here we find figures which we connect to Christian representation as similarly depicted to what we usually see in pagan myths. Today we want to limit our observations to the Christ figure Himself. In this regard we find at the start of the first times the Christ is represented, most frequently of all, the image of the Good Shepherd, in the most varied forms in antiquity, presented in the pre-Christian times. This image—chosen from one out of many representations of “The Good Shepherd”:

714 Mosaic of the Good Shepherd, Mausoleum of Galla Placidia, Ravenna ...

... reminds us of the depiction of David amongst the animals. It reminds us of other Greek images.

If we limit ourselves in particular to the Christ figure in this image, as it still stands, you see an absolutely antique expression. We notice the endeavour in this pictorial representation towards the expression of a mild, noble face, generally found in these olden times, beardless, still with tousled hair, youthful, gracious. These were the endeavours which live in all these images. We already see in this representation of the Christ imagery the pagan imagery imposed on it as the basis because in such images everything is still pagan. Now a question about such a statement is created: what precisely characterizes the paganism in this imagery—I'm speaking from an artistic point of view. So much has been written and spoken about art but the essential vigour, if I may call it that, of the pagan artistic expression has not been stressed. When you—as much as it is possible from what is still available—study Greek imagery you will very gradually find the fact that this Greek imagery, studied realistically in the sense we speak of realism today, did not exist. The forms of the human body were not presented by the Greeks as a direct likeness of a portrait of some model, corresponding in any way at all as a mere copy of the human body as it walks the earth because the Greek simply had an ideal body in mind. This ideal body they had in mind, actually incorporated something quite different from what human eyes could actually see in a model. In order to really understand the most important Greek bodily depictions, the artistic physical forms, one has to refrain from considering what the eyes see in the model and its form; one should remember what I already mentioned in previous years: the Greek depiction is according to the inner feelings experienced within the body. A muscle wasn't merely a direct rendering according to what the eye saw but how it was being experienced, how with inner feeling it cooperated with movement, streamlined with muscle contraction. The rendering in artistic matter carried a feeling which was being experienced within the physical itself.

What single factor made this possible? Indeed, it was only possible as a result of the Greek artist, when connecting his thoughts to the physical nature of a person in the majority of his creative images, he relinquished the individual nature of the person. He refrained from including it. When he looked, he saw only the physical expressed in the human form. Pay attention—he looked at the physical nature of mankind as if it represented the outcome of the entire cosmos, as a total spiritual depiction of the cosmos. When you look at a Zeus figure, at a Pallas Athena figure, an Apollo, an Aphrodite figure, you find the soul within it. However, these souls which are within these physical forms are not individual human souls but they are souls that live as results of the entire cosmos: world souls in a human physical form. One could say that what the Greeks searched for as souls in this realm they saw as absolutely beyond the idea that the human is a result of the universe, but that through their thinking they considered the forces cooperating in the universe as striving to produce the crowning glory of its creative forces, the crown of its creative power as a product resulting in the human organism. How focussed and concentrated the creative cosmic forces were, to bring the human form into existence! In such Greek human organisms are the forms I have been telling you about, and here we also find the concentrated expression as seen in laws creating the entire culture, and also through which the entire Spiritual All rules: the creativity of the cosmos condensed in the human being.

One could say the Greeks configured the body in this way. Indeed it seems extraordinary but much more correct if one thinks of what I want to say now. One imagines that when people are asleep, the soul, therefore the `I' and the astral body are outside the physical body and that the sleeping body is ensouled by universal spirituality, absorbed by this spirituality which belongs to the cosmos and through the spiritual aspect being driven out of the human body it has the result of enabling the individual spirituality during earth evolution to enter into humanity and thus one acquires the Greek inspired shaping of human form in such figures, as I have indicated to you. Not that the Greek had no understanding of individual spirituality but he saw the individual soul qualities as not yet penetrating the human form; the human form was for him still something universal. So it happens, which is extraordinary enough, that the individual soul aspect, the specific human soul aspect in Greek art only appears when the Greek does not represent forms which in Greek art, in their higher development, are regarded as typical. When the Greek presents an Apollo or a Zeus, Pallas Athena or Hera or Aphrodite then something typical is presented; when these are not presented, when Satyr or Faun is depicted, then what is presented is pertaining to the individual human aspect, applicable to every soul which is present when it is awake and which leaves the body when it is asleep.

You see this is the curious thing in pagan art development in its highest configuration in Greece. Specific human soul qualities had not penetrated the art forms when the ideal-type aspects were adopted. By contrast all that was working in the soul, the emotions and impulses permeating the soul with the preference of the Satyr and Faun figures, one could say these reminded one of animals. When the Greek presented the god Apoll, then in the god Apoll lived a super human, a super individual soul as an artistic figure of Apollo. Swinging over to the humanistic we first find, in the Greek depiction of a Mercury-type, the Hermes-type. We can find many—you can study the Hermes-type - inspired by the Faun- and Satyr-type. One could say it was the conviction of Greek art that the human soul had not come sufficiently far in its development that it had its own powers to express itself in the human form, when this human form wanted to come out in its full glory.

If we now go even further back in Greek art history we encounter the oriental art form, to discover the total universal cosmic coming into expression. Thus Greek art was the final flowering of universal cosmic expression, the representation having been attempted in the physical human form. It is extremely important that this is looked at.

One can now say that as the Christ became the redeemer in relation to the rest of the powers of evolution in humanity, so He also became the redeemer in relation to this view of art. Imagine an elevated mind posing a question such as this: how can one idealize a representation in order to reach an expression in contemporary art, an expression of something spiritual, something human, how can one idealize something which earlier was merely represented by using the mentioned deviation of an ideal type, namely a Faun-type, a Satyr-type and so on? How can the problem be solved in connection with the specific human form, how can something be idealised which in ancient times did not want to be idealised but that the divine humanistic be kept in contrast to the all-too-human aspect? This question was never stated on the physical plane yet it is answered in the further development of art. It is basically also being answered in the history of humanity.

It will always be part of extraordinary interesting facts that one man in Greece, who so deeply descended into the Greek life that he through his own destiny, to a certain extent, he prepared the redeemer destiny—Socrates traditionally didn't represent and ideal type of Hellenism but more something of a Satyr or Faun.

It is as if world history itself wanted to create the specific human out of the subhuman.

715 Greek sculpture, 4BC, Socrates, scale down copy (London, British Museum)

Here we see in the continued progress in the shaping of something which had not been achieved in the ideal humanistic form in Greek counter art, in the Satyr- and Faun art, by wanting to achieve a breakthrough as a human form only originating from the cosmos.

The individually human conforms according to spiritual lines and forms obtained only from the cosmos. Oriental forms we must always look for in the cosmic, but western form in the individually human.

So we see, the moment humanity wanted to conquer the pagan, just then the Christ-type entered in order to penetrate the specifically human into the commonly typically cosmic element. Just observe how that penetrates the typical ...

715 Socrates (London, British Museum)

Here we have a

716 Catacomb painting of a Christ depiction (Rome, catacomb of Pontianus)

...out of a somewhat later time of ancient Christian art, complete with an added beard, while many Christ representations in the first centuries were beardless. We see how there is a continual attempt to not only make the cosmic aspect in the figure a reality, but to show how the cosmic element is at war with the individuality, how the one is working against the other. The cosmic element here still carries more weight, but actually it outweighs only as tradition. What had to be overcome in the oriental-Hellenistic still carried the most weight, and would still outweigh it for a long time. Only gradually the penetration of the specific enters as the individually human element into the form. So we see how gradually this happens.

I have to show you the next image as a result:

717 Catacomb painting of Christ amidst his apostles.

Here you see—it belongs to the first centuries—how the endeavour existed to maintain the whole arrangement of lines originating from the cosmos, and so on, but as something entering which is specifically human. As a result of this the strange battle started which had particular importance during these ancient centuries, the old battle of how Christ had to be represented; should He correspond more to the Apollo beauty or should He be represented as an individual human soul? The endeavour was to represent Him as an individual man with a soul. Now here is actually the peculiar thing, you see. Here one accomplishes one of those reversals, as we have encountered in other areas during the last days: to represent the human individualism, simply by pulling up again what earlier had been frowned upon. This was developing in the highest degree within Greek trends while in the west, in Latin circles, the continuation was being developed of something which once had been quite oriental—to depict a certain cosmic figure. This was in a time when the unfolding of art in the west dwindled and one could not be sure about the correct explanation any more.

Thus it happened that the depiction of the Christ-form itself triumphed for the eastern, the oriental and Byzantine type of depiction, while the Christ individuality was not included. However, while artistic evolution was on a downwards path one can say that this type degenerated, He no longer retained the lofty dignity which the East wanted to give Him but He was depicted as becoming, one could say, the downward trend of humanity. He became the kind of representation of humanity's characteristics which enter in a degenerative way. His hair was parted, his beard took on particular forms, his expression became such that people saw: the superhuman-cosmic was now being conquered by the human aspect. However people were not yet in the position to really depict this human element as a kind of ideal-type.

We see this exactly when we allow further Christ images to work on us, for example even this very beautiful mosaic in Ravenna:

718 Mosaic: “Christ with Archangels crowning the Holy Vitalis” (San Vitale in Ravenna) in which we find neither great beauty, nor a cosmic-universal image, but in which we can already see that an attempt was being made to bring in the human element.

Even more clearly we can be impressed by the expressive images in the mosaic of Palermo—the Monreale Dom, in the apse:

719: Mosaic, 12th Century, Christ, and below Him, Our Lady with the Child.

This is an image which evokes the most immensely impressive thoughts through its wonderful craft of mosaic. However, precisely within these images we see the battle of both streams which we have been speaking about. Exactly as a result of this battle, this image is one of the most interesting regarding what we have ahead.

All of this belongs to the general course of humanity's evolution. We see how in a loop line the individual jumps over the abstract cosmic aspect coming from the East, and lets it go over to the West. I say: the abstracted cosmic element transported over to the West! If you want to understand that then you must above all completely enter into the art of being, into a soul nature which was found in Romanism. Imagine how this Romanism worked. You must free yourself from everything which educated people are so inoculated with today because Romanism has conquered the schools; our entire education is Roman based. However we must not forget the actual content of Romanism when we look at the first blossoming which drew its content for two centuries from Greece, right up the blossoming of Romanism under the Julian Empire. Roughly 150 to 200 years before the Mystery of Golgotha and somewhat later se see how Greek imagery, how Greek culture was conquered by fantasy-deprived Romanism, how this fantasy-less Romanism took over Greek content.

Rome became ever bigger in precisely this peculiar insult of which I have spoken, the transference of abstracted cosmic elements on human affairs. In Rome originated that distinctive talent to launch world domination, the talent for world domination which in ancient times—while the slandering they were initiating had not yet happened, or taken over—the peculiarity was the great oriental empire of the 3rd post-Atlantean cultural epoch—that went over to Romanism. World domination was actually the Roman Empire's ideal. To bring the then total cultural world under Roman rule was the Roman Kaiser's ideal. The content from Hellenism to Romanism was prescribed by the desire to represent the individual. Indeed, one finds in Romanism this Greek yearning to represent individualism, even as ugliness, thus letting Latinism conquer the Greek type. Initially there was resistance to do this because the former desire was for the beautiful type and because of this at first it didn't strike them as beautiful but as ugly. It reminds us of the Latin old Faun- and Satyr-types, which are elevated as the highest human quality. Gradually within the Greek being itself came the cosmic Zeus type, the Apollo, the Pallas Athena, Aphrodite in a state of decadence; out of this came something which had formerly only lived in the area of ugliness and now was being striven for in idolised moral beauty.

From the West, in Romanism, quite a different Christ-type was depicted, it was actually depicted as a consequence of the pagan Apollo-type and this is due to the background of Italian humanity in that century and their sculptural inventions because they didn't have an inventiveness of their own, in fact had none at all, because Romanism in essence was without imagination.

We can now continue. You see, we then find fallow centuries, tendencies towards Hellenism but simultaneously decay in Romanism. A time of hope only started in the time Augustine appeared, but now from Greece conquering Christianity. The same thing appears again: Romanism prepares to snatch spiritual world domination, but suitably turns to the begotten content of Greece. The same phenomenon again.

During this period Hieronymus translated the Bible into Latin. Throughout the following centuries everything developed out of Rome, the striving was to make Rome the earthly human central point of world order. In order to inculcate the cosmic element into this social structure of the world it was turned completely abstract; this was the prevailing teaching. Art—in as far as one can speak of art in this way—was on a parallel path up to the 13th Century with suggestions coming time and again from the East, building up whatever wanted to be developed. So we see the then completed period in art form of the image of Christ Jesus Himself brought nothing new because the Greek-Oriental type was transported over to the West. This is essentially what can be seen as expressed by Cimabue.

Now we want again to hold on to the 13th Century form which the Christ-type had taken on:

720a-7 Christ on the Cross by Cimabue.

Here with Cimabue we see something, one might say, which has been flowing into souls during all the previous centuries. You see what lives here which came over from the Orient into Hellenism. We see in the image how earth and heaven are linked, how heaven is as active in its essence as the earth too, is active. Even in the depiction of the crucified Christ we can observe the two streams weaving through one another, as I have been speaking about.

Within the world of art itself artistic creativity could not exist, while positive suggestions towards imagination was still being received out of the East.

The next image I want to show is done by Giotto:

720b-36 Giotto (?) The Crucifixion, Assisi, San Francesco

You nearly see this Giotto painting developing out of the earlier one (720a-7). You can still see the heaven activated by its beings. Still, the complete descent created out of the universality of the world has not taken place and entered into the earthly world. We already see the earthly, which still quite bashfully and shamelessly throbs in the Satyr- and Faun-types, we see rising here, their control spreading, idealizing, enforcing the human being, because what wanted to be expressed here could only show itself when it was permeated by Christ, through and through.

Three things can be distinguished. Firstly those forms which exist in every cosmic soul are found in ancient art. You find then the battle of the human soul in the first depictions of Christian art. We are still in the kind of a battle as we have before us here. The cosmic element is still everywhere—I mean the spiritual cosmic, not the Copernican materialistic cosmic, but the spiritual cosmic—sparkling everywhere, yet at the same time from below the specific human soul is striving to take on the form which the soul gives to the body, wanting it to be revealed. This was the second element I want to present to you where the two battle with one another, where the human-soul opposes the cosmic-soul element. Perhaps this battle is most intensively depicted by Giotto compared to other artists. For this reason it is interesting that this particular battle can always be studied in a Giotto. Giotto strives from this one side quite significantly back to this model. He has a strong naturalistic vein yet in him remains the non-specific, one might say forms originating out of the spiritual world which were not yet so completely mastered by Cimabue. In the following image you see another “crucifixion” of Giotto:

721a-35 Giotto: Crucifixion (Padua, Arena-Chapel)

The previous painting was not even a real Giotto, perhaps originating from someone else. Here we see Giotto in the most genuine sense. See how the heaven is not only implicated but definitely contributes to the image. Notice something entering here, also with the Redeemer's form—and this is our main focus today—something depicting the soul wretchedness in the way the bodies are constituted. Here we already see the human aspect coming in, which one never could see in an Apollo form.

I ask you now to not consider the fact I'm about to reveal as inappropriate. What I want to say, I say reluctantly now and I hope that you will be mistaken if you want to believe the facts are inappropriate. Research orientated at truth results in something extraordinary. When we delve into an image such as this one by Giotto, we see a new element surface in the old tradition, a Greek orientated idealization which could only appear in the Faun and Satyr, a super-imposed idealisation of the human if we look at a Giotto, and then we may essentially put Giotto as an opponent to his master, Cimabue, who was fructified from the Orient. How does something new happen to be introduced here?—Now we arrive at something which is difficult to say: it spread out from an external point, outer territories of Europe which actually had their origin in Central Europe itself, which we have often seen originating from Central Europe: the very new impulse to configure the individual human element within the soul. Very little Roman blood flow for example in the present day Italians, really very little. A great deal has flowed in—refer to historical studies as far as ancient documents allow—much has flowed into Central European blood: from this comes fructification. The naturalistic, soul principle which lived in Giotto was created by the fructification through Romanism, the unimaginative Romanism plus this emanation from Central Europe. Romanism was actually great only in ideas which pre-occupied themselves, the social structure in the sense of abstract cosmology; what one regards as “State” is really a speciality product of Romanism, originating out of the Roman soul. The state which wanted to spread out over everything is a copy of what sprung in the Roman head where it originated.

We now go to the next image, another Giotto:

721b-32 Giotto: Christ on the throne (Rome, St Peters)

Here we see a Christ. I have chosen this image because here Giotto was most inspired to represent the old type of depiction as it came from the East. Only, look at the face, how much individuality he has brought into it! Look at each of these fingers lifted in the right hand, how many individual soul qualities have been brought into it, how in the best sense the spiritual-naturalistic lives in it! Here one gradually enters into the southern art in which the oriental essence is linked, with the cosmic-oriental essence; here enters something we have seen in images of Central Europe, something in its purity, without the cosmological essence, merely out of the human soul itself.

The next image is once again a Giotto:

722a-21 Giotto: The Baptism of Christ. (Padua., Arena Chapel)

Here too you see heaven and earth play into it. Now just look at the Christ figure itself and you will find how Giotto made the effort to allow the soul quality of the divine form to come to expression, not only in the face but in the entire figure, in the main bearing and hand gestures.

Here we have another Giotto, the evening meal:

722b-34 Giotto: Evening meal (Padua, Arena Chapel)

You see Christ on the left side partly coming to expression as the Greek Christ-type yet the effort to express the individuality of soul is also being made. Everywhere this insertion is apparent and so we see this extraordinary thing streaming forth which in the highest sense is artistic, oriental and still in the old Persian cultural impulse dependant on Central Europe, one could say, having a rendezvous with the inartistic, assessed purely on a State structured unimaginative basis.

Another Giotto:

723a-40 Giotto: Journey into Jerusalem (Padua, Arena Chapel)

... which I have chosen again to present the same phenomenon to you. Just by taking these images of Christ in various biblical scenes does one see how Giotto endeavours to bring the individual expression into the soul nature.

723b-33 Giotto: Crowned by Thorns (Padua, Arena chapel)

We want to bring these changes of the Christ depiction itself to you as it took place through these centuries.

Now think of the first tentative efforts we found in the ancient Christian art. Certainly a great deal depends on the material, but that materials were applied, that it was particularly used for these ideas, that is the important aspect which we see here. Now:

724a-31 Giotto: Resurrection (Padua, Arena Chapel)

Everywhere you'll find the confluence of both streams of which I have spoken, confirmed. Perhaps at the same time you'll notice the intensity which works further with the Greek Christ-ideal type, because in the background, one could say, in the sleeping powers of the artists it was present everywhere.

Now we come a little further. I have now chosen an image from the 14th century, by Orcagna depicting Christ as the World Ruler:

725 Andrea Orcagna: the Youngest Court (Florence, St Mary, Novella)

It comes out of the church of Saint Mary Novalla in Florence. Here you clearly see the old type as an endeavour for a complete individualisation, the soul gently appearing.

With this we are already in the 14th century. The various developmental streams of human culture move at different speeds. Up to here we don't only see the influence of the Greek Christ type but we also see some of the inspirational powers found in oriental art. I would like to state a fact and not a criticism: in all these images it does not come to be expressed what the Roman worldwide church domination within its full historical rights had initiated itself since the 9th century. The Greek influence actually existed in art with little influence from central Europe.

Understand, this had to be so, from the second half of the 9th century it went well in Rome. Everyone knew, as I expressed it once, this `Eastern Being' had to be kept back. The western world had to be permeated with it out of the basis of the life of the folk striving towards something higher. Out of this we see a sentiment which I have characterised for you, which I identified with the liberated city culture, this free city culture which has its point of origin from central Europe and spread itself over various other territories. These free city cultures had the urge to express the specifically human soul element. Now in the 9th century Rome understood and thus considered this European impetus and carried it into account.

The specific western form of Catholicism which spread through the institutionalised world churches was by contrast being held back in the Orient, and this Catholicism came to a specific expression in those artists and their art as most wonderfully expressed by Fra Angelico:

724b-65 Fra Angelico: Evening Meal.

Here firstly we see—when we have an understanding for such things—the western Catholic element poured out in art. The differences between the previous (725) and this image (274b-65) as well as the previous Evening Meal (722b-34) and this image (724b-65) are unbelievable, because in these images, as it lives in well loved art, the western catholic sentiment is alive. Look at the forms into which the sacrifice has been brought, woven equally into the composition as a reminder of the Last Supper before the event of Golgotha. You don't only see the Last Supper but you see the continuation of the evening meal within the composition of the catholic sacrifice. Catholic sentiment is poured out over the image of the evening meal and particularly over the figure of the Redeemer. Here, primarily, the Redeemer is shown as a model in art to western priests. In reality He had been there much earlier, in outer reality.

Thus we see the Roman world domination church spread its rule also over art in a totally decisive manner. In addition we can say Giotto created his artistic offering of Francis of Assisi out of a freed individual soul. Here we can see Fra Angelico who paints as well as Messe reads in San Marco in Florence. An aura of Catholicism permeates these images. He isn't an individual sacrifice, but paints the church with it.

No less you see this in the following image of

726a-64 Fra Angelico: Crucifixion

Catholicism paints into the art.

I ask you please to look closely at the next image and see how the being of the Catholic art actually is alive in the Catholic organization, that even in world domination, one could say, the organisational power of the Catholic Church works right into the realm of supernatural beings.

726b-68 Fra Angelico: World domination

We find this now increasing with another friar, of which I want to show you the following image:

727 Friar Bartholemeo: Christ and the Four Evangelists

Here we see the third stage in this interesting process. Look at the interplay of a new freshness as a resurrection out of old Hellenism. This entered now again, the old Greek influence.

So we notice how for a long time the individualized soul concept of the Christ-type, which is of interest to us today, prevailed. Take the entire design as it evolved from the cosmic forces working from the beginning, which are then taken up as the individualised soul through the Greek impulses influencing it ever more, and how through this it became increasingly individualised. How was Christ individualised, my dear friends? Now we see how antiquity so recently intervened just a little but it is already in it. It is again working from the characteristic towards the typically-beautiful. This is notable as being continuous, because this is actually the secret of the Renaissance. These images I want to show you in conclusion are the starting point for the Renaissance artist, we see how the Renaissance artists completely renewed a rise in Hellenism but they didn't enter into that which conquered the form of an individual.

Here you have the Evening Meal of Andrea del Sarto which is in Florence.

728 of Andrea del Sarto: Evening Meal.

Again there are beautiful forms, with still a touch of cosmic consciousness which the Greeks still had, something of the traditions of a cosmic element brought into the forms but purely out of tradition and no longer from direct observation, with direct feelings as found among the Greeks. We discover it here; this is brought further by Raphael, Leonardo da Vinci and Michelangelo. We see something developing here which is particular to Leonardo da Vinci, in this image of the baptism by Verrocchio, the teacher of Leonardo.

729a-92 Verrocchio: Baptism of Christ

The same motive done by Masolino during the same time period:

729b-50 Masolino: the Baptism of Christ

Yet again I want to include the image “The Baptism” by Giotto:

722a-21 Giotto: the Baptism of Christ

Look at the Baptism where the battle is still on between the two principles, without the Greek influence, also without the antique Greek impact, without the impact from antiquity, to the new Greek, the Christian impact particularly strong.

Now we bring out the two other images:

729a-92 Verrocchio: Baptism of Christ

729b-50 Masolino: the Baptism of Christ

You see how the Renaissance works. Out of a Verrocchio comes a Leonardo; perhaps Leonardo even worked on these paintings too.

Now I would in closing still show 2 paintings, in which you would be able to see what came over from the North, from Central Europe and how all of this mixed into the others. We have a northern product here, the Man of Sorrows, by Dürer:

730a-303 Dürer: Man of Sorrows

Here we have the endeavour without a cosmic aspect: the human Christ. Where Fra Angelico poured the Catholic aspects over his artistic creations, here we see the formation against world domination, here we see how the human individual wants to depict His Christ. Here a single human being worked on one image. While Fra Angelico painted in the San Marco Church in Florence, the whole Catholic sentiment painted with him. Here a single person worked on his biblical depiction. This became fixed in this particular time. Later the Renaissance came but moved South, mixing with other influences.

I still have another image which depicts a similar kind of thing:

730b-311 Dürer: Christ on the Cross.

These things should show us how through the centuries the Christ image changed. I have demonstrated this with these two images from later centuries. I would like in the further progress of these ideas, if it is possible, to show you how these Christ images develop further. A world history can be written since the Mystery of Golgotha by simply describing the changes in the development of the Christ paintings and images. Everything which in reality contributed to it is expressed clearly. One could continue with this right up to the present.

Christ depictions are researched at the present time: years ago I saw a whole collection of Christ images in an exhibition, the one more hideous than the next! Today the attempt is to make reflections of present events thus reflecting the chaos leading up to events in which we live. If we try—without this tendency I've just spoken about in the creation of Christ figures—if we try to introduce what lies within this form in the spiritual world, shaped initially by our first efforts through painting, as good as it gets with limited material, then it does appear as a further progress on this cultural line of the realities of humanity's unfolding.

RUDOLF STEINER

731 Painting (Plant colours) in the small cupola of the First Goetheanum, Dornach, detail with the central motif, with part of the architraves.

732 Painting (Plant colours) in the small cupola of the First Goetheanum, Dornach, Central Motif: The Representative of Man between Lucifer and Ahriman.

732 Painting (Plant colours) in the small cupola of the First Goetheanum, Dornach, Central Motif: The Representative of Man between Lucifer and Ahriman.

732 Painting (Plant colours) in the small cupola of the First Goetheanum, Dornach, Central Motif: The Representative of Man between Lucifer and Ahriman.

734 Painting in the small cupola of the First Goetheanum, Dornach. Section: Bust of The Representative of Man.

735 Visage of The Representative of Man, pencil sketch.

736 Wood sculptural group: The Representative of Man between Lucifer and Ahriman.

737 Wood sculptural group: Detail: The Representative of Man.

738 Maquette for the wood sculptural group, a Plaster of Paris cast.

739 Wood sculptural group, detail: Head of The Representative of Man, side view.

740 Wood sculptural group, detail: Head of The Representative of Man.

741 Study of the head of The Representative of Man, plasticine.

It is really good in the present time to fructify ourselves with such ideas which can be gained from cultural areas of art, and see a bit of the truth, because in the present time gods will be offered to mankind to be worshipped, while mankind will have no talent for seeing the truth.

In our time (1917) it is possible to say that four fifths of the world should ally itself against a fifth, in a time when so much indifference is accepted, it is time for recorded concepts to be taken out of the history of humanity's evolution and to revise them a little.

We will begin by making a preliminary survey of our educational task; and to this I would like to give you a kind of introduction to-day. Of necessity our educational task will differ from those which mankind has set itself hitherto. Not that we are so vain or proud as to imagine that we, of ourselves, should initiate a new world-wide order in education, but because from anthroposophical spiritual science we know that the epochs of human evolution as they succeed each other must always set humanity fresh tasks. The task of mankind in the first Post-Atlantean epoch was different, it was different again in the second, and so on down to our fifth Post-Atlantean epoch. And we must realise that, in actual fact, what has to be accomplished in any one epoch of human evolution does not enter into the consciousness of mankind until some time after this epoch has begun.

The epoch of evolution in which we live to-day began in the middle of the fifteenth century. And only now is there coming forth, from spiritual depths as it were, a perception of what has to be done in this epoch, particularly in the realm of education.

Hitherto, even with the best will in the world, men's work in education has been done in the light of the old education; I mean in the sense of the education of the fourth Post-Atlantean epoch. Now much will depend on our placing ourselves in the right relation to our task at the outset. We must learn to understand that we have to give a very definite guidance to our age—guidance which is of importance, not because it is considered valid for the whole evolution of humanity, but because it is valid just for this age of ours. For, amongst other things, materialism has brought it about that men have no idea of the particular tasks of a particular age. Please do understand this at the very beginning: particular epochs have their own particular tasks.

You will have to take over children for their education and instruction—children who will have received already (as you must remember) the education, or mis-education given them by their parents. Indeed our intentions will only be fully accomplished when we, as humanity, will have reached the stage where parents, too, will understand that special tasks are set for mankind to-day, even for the first years of the child's education. But when we receive the children into the school we shall still be able to make up for many things which have been done wrongly, or left undone, in the first years of the child's life. For this we must fill ourselves with the consciousness through which alone we can truly teach and educate.

In devoting yourselves to your task do not forget that the whole civilisation of to-day, even into the sphere of the most spiritual life, is founded on the egoism of humanity. In the first place, consider with an open mind that domain of spiritual life which receives men's reverence to-day—the domain of religion. Ask yourselves if our present civilisation, particularly in the religious sphere, is not so constituted, as to appeal to man's egoism. It is typical of all sermons and preaching of our time that the preacher tries to reach men through their egoism. Take for example that question which should concern people most deeply—the question of immortality. You will see how almost everything to-day, even in sermons and exhortations, is directed by the preachers to appeal to man's egoism in the super-sensible sphere. Egoism impels man to cling to his own being as he passes through the gate of death, to preserve his Ego. This is a form of egoism, however refined. And to-day every religious denomination appeals largely to this egoism when treating of immortality. Hence official religion mostly forgets one end of our earthly existence in addressing man, and takes account only of the other. It fixes its gaze on death and forgets birth. Though these things may not be openly acknowledged, they are nevertheless underlying tendencies.

We live in a time when this appeal to human egoism must be combated in every domain, if the life of mankind is not to decline further and further on its present downward course. We must become more and more conscious of the other end of man's development on earth, namely birth. We must consciously face this fact: that man evolves through a long period between death and a new birth and that then, within this evolution, he reaches a point where he dies, as it were, for the spiritual world—where conditions of his life in the spiritual world oblige him to pass over into another form of existence. He receives this other form of existence in that he lets himself be clothed with the physical and etheric body. What he has to receive by being clothed with the physical and etheric body he could not receive if he were simply to go on evolving in a straight line in the spiritual world. Hence although from his birth onwards we may only look upon the child with physical eyes, we will all the time be conscious of the fact—“this too is a continuation.” And we will not only look to what human existence experiences after death, i.e. to the spiritual continuation of the physical; but we will be conscious that physical existence here is a continuation of the spiritual, and that we, through education, have to carry on what has hitherto been done by higher beings without our participation. This alone will give the right mood and feeling to our whole system of teaching and education, if we fill ourselves with the consciousness: here, in this human being, you, with your action, have to achieve a continuation of what higher beings have done before his birth.

In this age when men have lost connection with the spiritual worlds in their thought and feeling, we are often asked an abstract question which in the light of a spiritual conception of the world has no real meaning. We are asked how so-called pre-natal education should be conducted. There are many people to-day who take things abstractly, but, if one takes them concretely,' then in certain domains one simply cannot continue asking questions in an arbitrary manner. I once gave this example: on a road we see tracks. We can ask: Why are they there? Because a carriage has been driven over the road. Why was the carriage driven? Because its occupants wanted to reach a certain destination. Why did they want to reach a certain destination? The asking of questions must come to a stop somewhere in reality. If we remain in abstractions we can continue for ever asking: Why? We can go on turning the wheel of questions without end. Concrete thought will always find an end, but abstract thought goes on running round like a wheel for ever. And so it is with the questions that are asked about domains that do not lie so close at hand. People begin thinking about education and then they ask about pre-natal education. But, my dear friends, before birth the human being is still in the protection of Beings who stand above the physical. It is to them that we must leave the immediate and individual relationship between the world and the human being. Hence a pre-natal education cannot be addressed to the child itself. It can only be an unconscious result of what the parents—especially the mother—achieve. If until birth the mother behaves in such a way that she brings to expression in herself what is morally and intellectually right, in the true sense of the word, then of its own accord what the mother achieves in this continuous self-education will pass over to the child. The less we think of beginning to educate the child before it sees the light of the world and the more we think of leading a right and proper life ourselves, the better will it be for the child. Education can only begin when the child becomes a true member of the physical world—and that is when he begins to breathe the external air.

Now when the child has come forth on to the physical plane, we must realise what has really happened for him in the transition from a spiritual to a physical plane. Firstly, we must recognise that the human being is really composed of two members. Before the human being comes down to earth a union is entered into between the spirit and the soul—meaning by spirit what for the physical world of to-day is still entirely hidden, and what in Spiritual Science we call Spirit-Man, Life-Spirit, Spirit-Self. These three members of man's being are present in a certain way in the super-sensible sphere to which we must now work our way through. And between death and a new birth we do already stand in a certain relationship to Spirit-Man, Life-Spirit, Spirit-Self. Now the force which proceeds from this trinity permeates the Soul element in man: Consciousness Soul, Intellectual or Mind Soul, and Sentient Soul. And if you were to observe the human being when, having passed through the existence between death and a new birth, he is just preparing to descend into the physical world, then you would find the spiritual which we have just described united with the soul. Man descends, as it were, as Spirit-Soul or Soul-Spirit from a higher sphere into earthly existence. He clothes himself with earthly existence.

In a similar way we can describe the other member of man's being which unites itself with the one just described. We can say: down there on the earth the Spirit-Soul is met by what arises through the processes of physical inheritance. And now the Soul-Spirit or Spirit-Soul meets with the Life-Body in such a way that two trinities are united with two other trinities. In the Spirit-Soul: Spirit-Man, Life-Spirit and Spirit-Self are united with that which is soul, namely: Consciousness-Soul, Intellectual Soul and Sentient Soul. These two trinities are united with one another, and descend into the physical world where they are now to unite with the Sentient or Astral body, Etheric body and Physical body. But these in turn are united—first in the body of the mother and then in the physical world—with the three kingdoms of the physical world: the mineral, the plant and the animal kingdoms. So that here again, two trinities are united with one another.

If you regard with an open mind the child who has found his way into earthly life, you will observe that here in the child, Soul-Spirit or Spirit-Soul is as yet dis-united from the Life-Body. The task of education conceived in the spiritual sense is to bring the Soul-Spirit into harmony with the Life-Body. They must come into harmony with one another. They must be attuned to one another; for when the child is born into the physical world, they do not as yet fit one another. The task of the educator, and of the teacher too, is the mutual attunement of these two members.

Let us now consider this task more concretely. Amongst all the relationships which man has to the external world, the most important of all is breathing. We begin breathing at the very moment we enter the physical world. Breathing in the mother-body is still, if I may put it so, a preparatory breathing: it does not yet bring the being into a complete connection with the external world. The child only begins to breathe in the right sense of the word when he has left the mother-body. Now this breathing signifies a very great deal for the human being, for in this breathing there dwells already the whole threefold system of physical man. You know that amongst the members of the threefold physical human system we reckon, in the first place, the digestion and metabolism. But the metabolism, the assimilation, is intimately connected at one end with the breathing. The breathing process is connected with the blood circulation through metabolism. The blood circulation receives into the human body the substances of the external world which are introduced by another path, so that on the one hand the breathing is connected with the whole metabolic system or digestive system.

On the other hand the breathing is also connected with the nerve-sense life of man. As we breathe in, we are continually pressing the cerebro-spinal fluid into the brain: and, as we breathe out, we press it back again into the body. Thus we transplant the rhythm of breathing to the brain. And as the breathing is connected on the one hand with digestion and assimilation, so on the other hand it is connected with the life of nerves and senses. We may say: the breathing is the most important mediator between the outer physical world and the human being who is entering it. But we must also be aware that this breathing cannot yet, by any means, function so as fully to maintain the life of the body. This applies particularly to the one side of breathing. At the beginning of his physical existence man has not yet achieved the right harmony, the right connection between the breathing process and the nerve-sense process. Observation of the nature of the child will show us that he has not yet learnt to breathe in such a way that breathing maintains the nerve-sense process rightly. In this lies the finer characterisation of what we really have to do with the child. We must first gain an Anthropological-Anthroposophical understanding of the human being. Thus, the most important measures in education will consist in paying attention to all that rightly organises the breathing process into the nerve-sense process. In the higher sense the child has to learn to take up into his spirit what is bestowed on him in that he is born to breathe.

This part of education will, you see, tend to the side of the soul and spirit. By harmonising the breathing with the nerve-sense process we draw all that is soul and spirit into the physical life of the child. To express it roughly we may say: the child cannot yet breathe in the right inner way, and education will have to consist in teaching the child to breathe rightly.

But there is yet another thing which the child cannot do rightly, and this must be taken in hand, in order that a harmony may thereby be created between the two members of the child's being—between the bodily corporeality and the Spirit-Soul. What the child cannot do properly at the beginning of his existence is this: he cannot yet accomplish the alternation between waking and sleeping in the way proper to man. It will strike you that what we have to emphasise from the spiritual side generally appears to be in contradiction to the external world-order. Externally speaking it is of course possible to say: “But the child can sleep perfectly well: indeed he sleeps far more than the human being at a later stage of life. The child sleeps his very way into life.” Nevertheless, what inwardly underlies sleeping and waking, this the child cannot yet do. The child experiences all sorts of things on the physical plane. He uses his little limbs: he eats, drinks and breathes. He alternates between sleeping and waking, but he is not able to carry into the spiritual world in sleep all that he experiences on the physical plane—all that he sees with his eyes, and hears with his ears, and does with his little hands, and the way he kicks and tosses with his little legs. All this he is not able to carry into the spiritual world and work upon there, carrying the results of this work back again on the physical plane. The child's sleep is characterised by the very fact that it is a different sleep from that of the grown-up person. What distinguishes the sleep of the adult is that his experiences during waking life are then worked upon, are metamorphosed. The child is not yet able to carry into his sleep what he has experienced between waking and falling asleep again. Thus in sleep the child still lives his way into the universal world order without being able to take with him what he has experienced externally in the physical world. It is this that a rightly guided education must accomplish: it must enable the human being to carry over his experiences on the physical plane into what the Soul-Spirit or Spirit-Soul is engaged upon during sleep. We, as teachers and educators, cannot really teach the child anything about the higher world. For what enters the human being from the higher world enters in during the time between falling asleep and waking again. All we can do is to use the time which the human being spends on the physical plane in such a way that he gradually becomes able to carry over into the spiritual world what we have done with him here; and that, in carrying it over, he can receive and bring back with him power from the spiritual world which will help him to be a true human being in physical existence.

Thus you see that all our activity of teaching and education is first directed to a very lofty domain—namely to the teaching of right breathing, and to the teaching of the right rhythm in the alternation of sleeping and waking. Needless to say, my dear friends, in our educational practice there will be no question of direct training of the breathing, or of direct training of sleeping and waking. All this will only be in the background. What we have to learn will be concrete measures of educational practice. But we must be conscious of what we are doing, right down to the foundations. When we teach this subject or that, we must be fully aware that we are working either in the one direction to bring the Spirit-Soul more into the earthly Body, or in the other direction to bring the bodily nature into the Spirit-Soul. Do not let us underestimate the importance of what has now been said. For you can only become good teachers and educators if you pay attention not merely to what you do, but also to what you are. It is really for this reason that we have Spiritual Science with its anthroposophical outlook: to perceive the significance of the fact that man is effective in the world not only through what he does, but above all through what he is. Truly, my dear friends, it makes a very great difference whether one teacher of the school or another comes through the classroom door to any group of children. There is a big difference; and the difference is not merely that the one teacher is more skilful in his practice than the other. No, the main difference—the one that is really influential in teaching—lies in what the teacher bears within him, as his constant trend of thought, and carries with him into the classroom. A teacher who occupies himself with thoughts of the evolving human being will work very differently upon his pupils from a teacher who knows nothing of all these things, and never gives them a thought. Once you begin to know the cosmic significance of the breathing process and of its transformation through education, and the cosmic significance of the rhythm between sleeping and waking—what is it that happens? The moment you have such thoughts something in you is combating your purely personal nature. The moment you have such thoughts the very basis of this spirit of personality is of less effect. In that moment all that enhances a personal spirit is damped down, all that man possesses through the fact that he is a physical man. If you have quenched this personal spirit, then, as you enter the classroom, it will come about through inner forces that a relationship is established between the pupils and yourself.

Now it may be that at first external facts will contradict this. You enter the school and perhaps you find yourself faced with scamps, both boys and girls, who make fun of you. Now you must be so strengthened with such thoughts as we shall here cultivate, that you do not pay any attention to their ridicule but accept it as something perfectly external. Accept it, shall I say, like the external circumstances that when you go out without an umbrella it suddenly begins to rain. Undoubtedly this is an unpleasant surprise. But we usually make a distinction between being ridiculed and being taken by surprise in a shower when we have no umbrella. This distinction must not be made. We must evolve thoughts so strong that the distinction is not made—that we take ridicule like a good shower of rain. If we are permeated by these thoughts and have real faith in them then (perhaps after a week, or a fortnight, or maybe longer still), we shall certainly find that however much the children may laugh at us, we have nevertheless established a relationship with them such as we would wish.

Through what we make of ourselves we must come to this relationship, even in the face of difficulty and resistance. And we must above all become conscious of this first of educational tasks: that we must first make something of ourselves, so that a relationship in thought, an inner spiritual relationship, may hold sway between the teacher and the children. So that we enter the classroom with the conscious thought: this spiritual relationship is present—not only the words, not only all that I say to the children in the way of instruction and admonition, not only my skilfulness in teaching. These are externals which we must certainly cultivate, but we shall only cultivate them rightly if we establish the importance of the relation between the thoughts that fill us and the effects of our teaching on the children, in body and soul.

Our whole conduct and bearing as we teach will not be complete unless we keep this thought in our minds: the human being was born. Thereby the possibility was given him to do what he could not do in the spiritual world. We have to teach and educate first of all so as to give the breathing its right harmony in relation to the spiritual world. The human being could not accomplish the rhythmical alternation between waking and sleeping in the same way in the spiritual world as in the physical world. By education, by teaching, we must regulate this rhythm in such a way that the bodily nature in the human being becomes properly membered with the Soul-Spirit. Needless to say, this is not something that we should have before us as an abstraction, and apply it as such directly to our teaching, but this thought about the human being must be our rule and guide.

This is what I wanted to give you in this present introduction. To-morrow we will begin with the subject of education proper.

In the future all teaching must be founded on a real psychology—a psychology which has been gained through an anthroposophical knowledge of the world. Of course it has been widely recognised that instruction and education generally must be built up on psychology, and you know that Herbartian pedagogy, for instance, which has influenced great numbers of people, founded its educational standards on Herbartian psychology. Now during the last few centuries and up to recent times there has been something present in the life of man which prevents a real practical psychology from coming into being. This can be traced to the fact that in the age in which we now are, the age of the Consciousness Soul, man has not yet reached the spiritual depth which would enable him to come to a real understanding of the human soul. But those concepts which have been built up in past times in the sphere of psychology—the science of the soul—out of the old knowledge of the fourth Post-Atlantean period, have become more or less devoid of content to-day: they have become mere words. Anyone who takes up psychology or anything to do with psychological concepts will find that there is no longer any real content in the books on the subject. They will have the feeling that psychologists only play with concepts. Who is there to-day for instance who develops a really clear conception of what mental picture or will is? In psychologies and theories of education you can find one definition after another of mental picture and of will, but these definitions will not be able to give you a real mental picture, a real idea, either of mental picture itself or of will. Psychologists have completely failed—owing to an external, historical necessity, it is true—to make any connection between the soul life of the individual human being and the whole universe. They were not in a position to understand how the soul-life of man stands in relation to the whole universe. It is only by perceiving the connection between the individual human being and the whole universe that it is possible to arrive at the idea of the being “man.”

Let us look at what is ordinarily called mental picture. We must develop this, as well as feeling and willing, in the children, and to this end we must first of all gain a clear conception of the mental picture. Anyone who looks with an open mind at what lives in men as this activity will at once be struck by its image character. The mental picture is of the nature of an image. And those who try to find in it the character of existence or being are subject to a great illusion. What would it be for us if it were “being”? We certainly have elements of being in us also. Think only of our bodily elements of being: to take a somewhat crude example: your eyes, they are elements of being, your nose or your stomach, that is an element of being. It will be clear to you that you live in these elements of being, but you cannot make mental pictures with them. You flow out with your own nature into the elements of being, and you identify yourself with them. The possibility of understanding, of grasping something with your mental pictures arises from the fact that they have an image character, that they do not so merge into us that we are in them. For indeed, they do not really exist, they are mere images. One of the great mistakes of the last period of man's evolution during the last few centuries, has been to identify being with thought as such. Cogito ergo sum (I think therefore I am), is the greatest error that has been put at the summit of recent philosophy, for in the whole range of the Cogito there lies not the sum but the non sum. That is to say, as far as my knowledge reaches I do not exist, but there is only image.

Now when you consider the image character of mental picturing you must above all think of it qualitatively. You must consider its mobility, one might almost say its activity of being, but that might give too much the impression of being, of existence, and we must realise that even activity of thought is only an image activity. Everything which is purely movement in mental picturing is a movement of images. But images must be images of something; they cannot be merely images as such. If you think of the comparison of mirror images you can say to yourselves: out of the mirror there appear mirror images, it is true, but what is in the mirror images is not behind the mirror, it exists independently somewhere else. It is of no consequence to the mirror what is to be reflected in it; all sorts of things can be reflected in it. When we have thus clearly grasped that the activity of mental picturing is of this image nature, we must next ask: of what is it an image? Naturally no outer science can tell us this, but only a science founded on Anthroposophy. Mental picturing is an image of all the experiences which we go through before birth, or rather conception. You cannot arrive at a true understanding of it unless it is clear to you that you have gone through a life before birth, before conception. And just as ordinary mirror images arise spatially as mirror images, so your life between death and re-birth is reflected in your present life and this reflection is mental picturing. Thus when you look at it diagrammatically you must mentally picture the course of your life to be running between the two horizontal lines bounded on the right and left by birth and death.

You must then further represent to yourself that mental picturing is continually playing in from the other side of birth and is reflected by the human being himself. And it is because the activity which you accomplish in the spiritual world before birth or conception is rejected by your bodily nature that you experience mental picturing. For true knowledge this activity is a proof, because it is an image, of life before birth.

I want to place this first before you as an idea (we shall come back to a real explanation of these things later) in order to show you that we can get away from the mere verbal explanations which you find in psychologies and theories of education, and arrive at a true understanding of what the activity of mental picturing is, by learning to know that in it we have a reflection of the activity which was carried on by the soul before birth or conception, in the purely spiritual world. All other definitions of mental picturing are of absolutely no value, because they give us no true idea of what it is.

We must now investigate will in the same way. For the ordinary consciousness will is really a very great enigma. It is the crux of psychologists simply because to the psychologist will appears as something very real but basically without content. For if you examine what content psychologists give to will you will always find that this content comes from mental picturing. As for will itself it has no immediate real content of its own. Then again the fact is that there are no definitions of will: these definitions of will are all the more difficult because it has no real content. But what is will really? It is nothing else but the seed in us of that which after death will be reality of spirit and of soul. Thus when you picture to yourself what will be our spirit-soul reality after death, and picture it as seed within us, then you have will. In our drawing our life's course ends with death on the one side, and will passes over beyond it.

Thus we have to picture to ourselves: mental picturing on the one hand, which we must conceive of as an image from pre-natal life; and will, on the other hand, which we must conceive of as the seed of something which appears later. I beg you to bear clearly in mind the difference between seed and image. For a seed is something more than real, and an image is something less than real; a seed does not become real until later, it carries within it the ground of what will appear later as reality; so that the will is indeed of a very spiritual nature. Schopenhauer had a feeling for this truth, but naturally he could not advance to the knowledge that will is a seed of the Spirit-Soul as it unfolds after death in the spiritual world.

Now we have divided man's soul-life into two spheres, as it were: into mental picturing, which is in the nature of image, and will, which is in the nature of seed, and between image and seed there lies a boundary. This boundary is the whole life of the physical man himself who reflects back the pre-natal, thus producing the images of mental picturing, and who does not allow the will to fulfil itself, thereby keeping it continually as seed, allowing it to be nothing more than seed. Now we must ask: what are the forces that really bring this about?

We must be quite clear that in man there are certain forces which reflect back the pre-natal reality and hold the after death reality in seed. And now we come to the most important psychological concepts of facts which are reflections of the forces described in my book Theosophy—reflections of sympathy and antipathy. Because we can no longer remain in the spiritual world (and here we come back to what was said yesterday) we are brought down into the physical world. In being brought down into the physical world we develop an antipathy for everything spiritual so that we radiate back the spiritual, pre-natal reality in an antipathy of which we are unconscious. We bear the force of antipathy within us, and through it transform the pre-natal element into a mere mental picture or image. And we unite ourselves in sympathy with that which radiates out towards our later existence as the reality of will after death. We are not immediately conscious of these two, sympathy and antipathy, but they live unconsciously in us, and they signify our feeling, which consists continually of a rhythm, of an alternating between sympathy and antipathy.

We develop within us all the world of feeling, which is a continual alternation—systole, diastole—between sympathy and antipathy. This alternation is continually within us. Antipathy on the one hand changes our soul life into picture image: sympathy, which goes in the other direction, changes our soul life into what we know as our will for action, into that which holds in germ what after death is spiritual reality. Here we come to the real understanding of the life of soul and spirit. We create the seed of the soul life as a rhythm of sympathy and antipathy.

Now what is it that you ray back in antipathy. You ray back the whole life, the whole world, which you have experienced before birth or conception. That has in the main the character of cognition. Thus you really owe your cognition to the shining in, the raying in of your pre-natal life. And this cognising, which possesses great reality before birth or conception, is weakened to such a degree through antipathy that it becomes only a picture image. Thus we can say: this cognising comes up against antipathy and is thereby reduced to mental picture.

If antipathy is sufficiently strong something very remarkable happens. For in ordinary life after birth we could not picture mentally if we did not do it in a measure with the very force which has remained in us from the time before birth. When you use this faculty to-day as physical man you do not do it with a force which is in you, but with a force which comes from a time before birth, and which still works on in you. You might suppose it ceased with conception, but it remains active, and we make our mental pictures with this force which continues to ray into us. You have it in you, continually living on from pre-natal times, only you have the force in you to ray it back. You have this force in your antipathy. When in your present life you make mental pictures, each such process meets antipathy, and if the antipathy is sufficiently strong a memory image arises. So that memory is nothing else but a result of the antipathy that holds sway within us. Here you have the connection between the purely feeling nature of antipathy which rays back in an indefinite manner, and the definite raying back, the raying back of the activity of perception in memory, an activity which is carried out in a pictorial way. Memory is only heightened antipathy. You could have no memory if you had so great a sympathy for your mental pictures that you could devour them; you have a memory only because you have a kind of “disgust” for them, you fling them back and in this way make them present. That is their reality.

When you have gone through this whole process, when you have produced a mental picture, reflected this back in the memory, and held fast the image element, then there arises the concept. This then is one side of the soul's activity: antipathy, which is connected with our pre-natal life.

Now we will take the other side, that of willing, which is in the nature of a germ in us and belongs to the life after death. Willing is present in us because we have sympathy with it, because we have sympathy with this seed which will not be developed until after death. Just as our thinking depends upon antipathy, so our willing depends on sympathy. Now if this sympathy is sufficiently strong—as strong as the antipathy which enables mental picturing to become memory—then out of sympathy there arises imagination. Just as memory arises out of antipathy so imagination arises out of sympathy. And if your imagination is sufficiently strong (which only happens unconsciously in ordinary life), if it is so strong that it permeates your whole being right down into the senses, then you get the ordinary picture forms* through which you make mental pictures of outer things. This activity has its starting point in the will. People are very much mistaken when in speaking psychologically they constantly say: “We look at things, then we make them abstract, and thus we get the mental picture.” This is not the case. The fact that chalk is white to us is a result of the application of the will, which by way of sympathy and imagination has become picture form.¹ But when we form a concept, on the other hand, it has quite a different origin; for the concept arises from memory.

Here I have described to you the soul processes. It is impossible for you to comprehend the being of man unless you understand the difference between the elements of sympathy and antipathy in man. These elements, as I have described, find their full expression in the soul world after death. There sympathy and antipathy hold sway undisguised. I have been describing the soul-man who, on the physical plane, is united with the bodily man. Everything pertaining to the soul is expressed and revealed in the body, so that on the one hand we find revealed in the body what is expressed in antipathy, memory and concept. All this is bound up with the nerves in the bodily organisation. While the nervous system is being formed in the body all that belongs to the pre-natal life is at work there. The pre-natal life of the soul works into the human body through antipathy, memory and concept, and hereby creates the nerves. This is the true concept of nerves. All talk of classifying nerves as sensory and motor is meaningless, as I have often explained to you.

Similarly, in a certain sense, the activity of willing, sympathy, picture-forming and imagination works out of the human being. This is bound to the seed condition; it can never really come to completion but must perish at the moment it arises; it has to remain as a seed, and the seed must not evolve too far. Thus it must perish in the moment of arising. Here we come to a very important fact about the human being. You must learn to understand the whole man, spirit, soul and body. Now in man there is something continually being formed which always has the tendency to become spiritual. But because out of our great love, albeit selfish love, we want to hold it fast in the body, it never can become spiritual; it loses itself in its bodily nature. We have something within us which is material but which is always wanting to pass over from its material condition and become spiritual. We do not let it become spiritual, and therefore we destroy it in the very moment when it is striving to become spiritual—I refer to blood, the opposite of the nerves.

Blood is really a “very special fluid.” For it is the fluid which would whirl away as spirit if we were able to remove it from the human body so that it still remained blood and was not destroyed by other physical agencies—an impossibility while it is bound to earthly conditions. Blood has to be destroyed in order that it may not whirl away as spirit, in order that we may retain it within us as long as we are on the earth, up to the moment of death. For this reason we have perpetually within us: formation of blood—destruction of blood—formation of blood—destruction of blood: through in-breathing and out-breathing.

We have a polaric process within us. We have those processes within us which, working through the blood and blood-vessels, continually have the tendency to lead our being out into the spiritual. To talk of motor nerves, as has become customary, does not correspond to the facts, because the motor-nerves would really be blood-vessels. In contrast to the blood all nerves are so constituted that they are constantly in the process of dying, of becoming materialised. What lies along the nerve-paths is really extruded, rejected material. Blood wants to become ever more spiritual—nerve ever more material. Herein consists the polaric contrast. In the later lectures we shall follow these fundamental principles further and we shall see how this can give us help to arrange our teaching in a hygienic way, so that we can lead a child to health of soul and body, and not to decadence of spirit and soul. The amount of bad education now prevalent is because so much is unknown. Although physiology believes it has discovered a truth when it talks of sensory and motor nerves, it is nevertheless only playing with words. Motor nerves are spoken of because of the fact that when certain nerves are injured, i.e. those which go to the legs, a man cannot walk when he wants to do so. It is said that he cannot walk because he has injured the nerves which, as motor nerves, set the leg in motion. In reality the reason why he cannot walk is that he has no perception of his own legs. This age in which we live has been obliged to entangle itself in a mass of errors, so that, through having to disentangle ourselves from them, we may become independent human beings.

Now you will have seen, from what I have here developed, that really the human being can only be understood in connection with the cosmos. For when we make mental pictures we have what is cosmic within us. We were in the cosmos before we were born, and our experience there is now mirrored in us; we shall be in the cosmos again when we have passed through the gate of death, and our future life is expressed in seed form in what rules our will. What works unconsciously in us works in full consciousness for higher knowledge in the cosmos.

We have a threefold expression of this sympathy and antipathy revealed in our physical body. We have, as it were, three centres where sympathy and antipathy interplay. First we have a centre of this kind in the head, in the working together of blood and nerves, whereby memory arises. At every point where the activity of the nerves is broken off, at every point where there is a gap, there is a centre where sympathy and antipathy interplay. Another gap of this kind is to be found in the spinal marrow; for instance, when one nerve passes in towards the posterior horn of the spinal marrow and another passes out from the anterior horn. And again there is such a gap in the little bundles of ganglia, which are embedded in the sympathetic nerves. We are by no means such simple beings as it might seem. In three parts of our organism, in the head, in the chest and in the lower body, there are boundaries at which antipathy and sympathy meet. In perceiving and willing it is not that something leads round from a sensory to a motor nerve, but a direct stream springs over from one nerve to another, and through this the soul in us is touched; in the brain and in the spinal marrow. At these places where the nerves are interrupted we unite ourselves with our sympathy and antipathy to the soul-life; and we do so again where the ganglia systems are developed in the sympathetic nervous system.

We are united with our experience with the cosmos. Just as we develop activities which have to be continued in the cosmos, so does the cosmos constantly develop with us the activity of antipathy and sympathy. When we look upon ourselves as men, then we see ourselves as the result of the sympathies and the antipathies of the cosmos. We develop antipathy from out of ourselves, the cosmos develops antipathy together with us; we develop sympathy, the cosmos develops sympathy with us.

Now as human beings we are manifestly divided into the head system, the chest system, and the digestive system with the limbs. But please notice that this division into organised systems can very easily be combated, because when men make systems to-day they want to have the separate parts neatly arranged side by side. If we say that a man is divided into a head system, chest system, and a system of the lower body with the limbs, then people expect each of these systems to have a fixed boundary. People want to draw lines where they divide, and that cannot be done when dealing with realities. In the head we are principally head, but the whole human being is head, only what is outside the head is not principally head. For though the actual sense organs are in the head, we have the sense of touch and the sense of warmth over the whole body. Thus in that we feel warmth we are head all over. In the head only are we principally head, but we are secondarily head in the rest of the body. Thus the parts are intermingled, and we are not so simply divided as the pedants would have us be. The head extends everywhere, only it is specially developed in the head proper. The same is true of the chest. Chest is the real chest but only principally, for again the whole man is chest. For the head is also to some extent chest as is the lower body with the limbs. The different parts are intermingled. And it is just the same in the lower body. Some physiologists have noticed that the head is “lower body.” For the very fine development of the head-nerve system does not really lie within the outer brain layer of which we are so proud; it does not lie within but below the outer layer of the brain. For the outer covering of the brain is, to some extent, a retrogression; this wonderful artistic structure is already on the retrograde path; it is much more a system of nourishment. So that in a manner of speaking, we may say a man has no need to be so conceited about the outer brain for it is a retrogression of the complicated brain into a brain more used for nourishment. We have the outer layer so that the nerves which are connected with knowing may be properly supplied with nourishment. And the reason that our brain excels the animal brain is only that we supply our brain nerves better with nourishment. We are only able to develop our higher powers of cognition because we are able to nourish our brain nerves better than the animals are able to do. Actually the brain and the nervous system have nothing to do with real cognition but only with the expression of cognition in the physical organism.

Now the question is: why have we the contrast between the head system (we will leave the middle system out of account for the present) and the polaric limb system with the lower body? We have this contrast because at a certain moment the head system is breathed out by the cosmos. Man has the form of his head by reason of the antipathy of the cosmos. When the cosmos has such aversion for what man bears within him that it pushes it out, then the image or copy arises. In the head man really bears the copy of the cosmos in him. The roundly formed head is such a copy. The cosmos, through antipathy, creates a copy of itself outside itself. That is our head. We can use our head as an organ for freedom because it has been pushed out by the cosmos. We do not regard the head correctly if we think of it as incorporated in the cosmos as intensively as is our limb-masses system, in which are included the sexual organs. Our limb system is incorporated in the cosmos and the cosmos attracts it, has sympathy with it, just as it has antipathy towards the head. In the head our antipathy meets the antipathy of the cosmos; there they come into collision. And in the rebounding of our antipathies upon those of the cosmos our perceptions arise. All inner life which rises on the other side of man's being has its origin in the loving sympathetic embrace between the cosmos and the limb system of man.

Thus the human bodily form expresses how a man, even in his soul nature, is formed out of the cosmos, and also what he then takes from the cosmos. If you look at it from this point of view you will more easily see that there is a great difference between the formation of the mental picture and the formation of will. If you work exclusively and one-sidedly on the building up of the former, then you really point the child back to his pre-natal existence, and you will harm him if you are educating him rationalistically, because you are coercing his will into what he has already done with—the pre-natal life. You must not introduce too many abstract concepts into what you bring to the child. You must rather introduce imaginative pictures. Why is this? Imaginative pictures stem from picture-forming and sympathy. Concepts, abstract concepts, are abstractions; they go through memory and antipathy, and they stem from the pre-natal life. If you use many abstractions in teaching a child, you involve him too intensely in the production of carbonic acid in the blood, namely in processes of the hardening of the body, and decay. If you bring to the child as many imaginations as possible, if you educate him as much as possible by speaking to him in images, then you are actually laying in the child the germ for the preservation of oxygen, for continuous growth, because you point to the future, to what comes after death. In educating we take up again in some measure the activities which were carried out with us men before birth. We must realise that mental picturing is an activity connected with images, originating in what we have experienced before birth or conception. The spiritual Powers have so dealt with us that they have planted within us this image activity which works on in us after birth, If in our education we ourselves give the children images we are taking up this cosmic activity again. We plant images in them which can become germs, seeds, because we plant them into a bodily activity. Therefore, whilst as educators we acquire the power to work in images we must continually have the feeling: you are working on the whole man; it echoes, as it were, through the whole human being, if you work in images.

If you yourselves continually feel that in all education you are supplying a kind of continuation of pre-natal super-sensible activity, then you will give to all your education the necessary consecration, for without this consecration it is impossible to educate at all.

To-day we have learnt of two systems of concepts: cognition, antipathy, memory, concept: willing, sympathy, picture-forming, imagination: two systems which we shall be able to apply practically in all that we have to do in our educational work. We will speak further of this tomorrow.

• 1. Imaginationen

The teacher of the present day should have a comprehensive view of the laws of the universe as a background to all he undertakes in his school work. And clearly, it is particularly in the lower classes, in the lower school grades, that education demands a connection in the teacher's soul with the highest ideas of humanity. A real canker in school constitution of recent years has been the habit of keeping the teacher of younger classes in a kind of dependent position, in a position which has made his existence seem of less value than that of teachers in the upper school. Naturally this is not the place for me to speak in general of the spiritual branch of the social organism. But I must point out that in future everything in the sphere of teaching must be on an equal footing; and public opinion will have to recognise that the teacher of the lower grades, both spiritually and in other ways, has the same intrinsic value as the teacher of the upper grades. It will not surprise you, therefore, if we point out to-day in the background of all teaching—with younger children as with older—there must be something that one cannot of course use directly in one's work with the children, but which it is essential that the teacher should know if his teaching is to be fruitful.

In our teaching we bring to the child the world of nature on the one hand and the world of the spirit on the other. In so far as we are human beings on the earth, on the physical plane, fulfilling our existence between birth and death, we are intimately connected with the natural world on the one hand and the spiritual world on the other hand. Now the psychological science of our time is a very weak growth. It is still suffering from the after-effects of that dogmatic Church pronouncement of A.D. 869—to which I have often alluded—a decree which obscured an earlier vision resting on instinctive knowledge: the insight that man is divided into body, soul and spirit. When you hear psychologists speak to-day you will nearly always find that they speak only of the twofold nature of man. You will hear it said that man consists of matter and soul, or of body and spirit, however it may be put. Thus matter and body, and equally soul and spirit, are regarded as meaning much the same thing.¹ Nearly all psychologies are built up on this erroneous conception of the twofold division of the human being. It is impossible to come to a real insight into human nature if one adopts this twofold division alone. It is for this fundamental reason that nearly everything that is put forward to-day as psychology is only dilettantism, a mere playing with words.

This is chiefly due to that error, which reached its full magnitude only in the second half of the nineteenth century, and which arose from a misconception of a really great achievement of physical science. You know that the good people of Heilbronn have erected a memorial in the middle of their city to the man they shut up in an asylum during his life: Julius Robert Mayer. And you know that this personality, of whom the Heilbronn people are to-day naturally extremely proud, is associated with what is called the law of the Conservation of Energy or Force.

This law states that the sum of all energies or forces present in the universe is constant, only that these forces undergo certain changes, and appear, now as heat, now as mechanical force, or the like. This is the form in which the law of Julius Robert Mayer is presented, because it is completely misunderstood. For he was really concerned with the discovery of the metamorphosis of forces, and not with the exposition of such an abstract law as that of the conservation of energy.

Now, considered broadly and from the point of view of the history of civilisation, what is this law of the conservation of energy or force? It is the great stumbling-block to any understanding of man. For as soon as people think that forces can never be created afresh, it becomes impossible to arrive at a knowledge of the true being of man. For the true nature of man rests on the fact that through him new forces are continually coming into existence. It is certainly true that, under the conditions in which we are living in the world, man is the only being in whom new forces and even—as we shall hear later—new matter is being formed. But as modern philosophy will have nothing to do with the elements through which alone the human being can be fully comprehended, it produces this law of the conservation of energy; a law which, in a sense, does no harm when applied to the other kingdoms of nature, to the mineral, plant and animal kingdoms—but which applied to man destroys all possibility of a true understanding and knowledge.

As teachers it will be necessary for you on the one hand to give your pupils an understanding of nature, and on the other hand to lead them to a certain comprehension of spiritual life. Without a knowledge of nature in some degree, and without some relation to spiritual life, man cannot take his place in social life. Let us therefore first of all turn our attention to external nature.

Outer nature presents itself to us in two ways. On the one side, we confront nature in our thought life which as you know is of an image character and is a kind of reflection of our pre-natal life. On the other side we come into touch with that nature which may be called will-nature, which, as germ, points to our life after death. In this way we are continuously involved with nature. This might of course appear to be a two fold relationship between man and the world, and it has in point of fact given rise to the error of the twofold nature of man. We shall return to this subject later. When we confront the world from the side of thinking and of the mental picture, then we can really only comprehend that part of the world which is perpetually dying. This is a law of extraordinary importance. You must be very clear on this point: you may come across the most marvellous natural laws, but if they have been discovered by means of the intellect and the powers of the mental picture, then they will always refer to what is in process of dying in external nature.

When, however, the living will, present in man as germ, is turned to the external world, it experiences laws very different from those connected with death. Hence those of you, who still retain conceptions which have sprung from the modern age and the errors of present-day science, will find something difficult to understand. What brings us into contact with the external world through the senses—including the whole range of the twelve senses—has not the nature of cognition, but rather of will. A man of to-day has lost all perception of this. He therefore considers it childish when he reads in Plato that actually sight comes about by the stretching forth of a kind of prehensile pair of arms from the eyes to the objects. These prehensile arms cannot of course be perceived by means of the senses; but that Plato was conscious of them is proof that he had penetrated into the super-sensible world. Actually, looking at things involves the same process as taking hold of things, only it is more delicate. For example, when you take hold of a piece of chalk this is a physical process exactly like the spiritual process that takes place when you send the etheric forces from your eyes to grasp an object in the act of sight. If people of the present day had any power of observation, they would be able to deduce these facts from observing natural phenomena. If, for example, you look at a horse's eyes, which are directed outwards, you will get the feeling that the horse, simply through the position of his eyes, has a different attitude to his environment from the human being. I can show you the causes of this most clearly by the following hypothesis: imagine that your two arms were so constituted that it was quite impossible for you to bring them together in front, so that you could never take hold of yourself. Suppose you had to remain in the position of “Ah” in Eurythmy and could never come to “0,” that, through some resisting force, it were impossible for you by stretching your arms forward to bring them together in front. Now the horse is in this situation with respect to the super-sensible arms of his eyes: the arm of his right eye can never touch the arm of his left eye. But the position of man's eyes is such that he can continually make these two super-sensible arms of his eyes touch one another. This is the basis of our sensation of the Ego, the I—a super-sensible sensation. If we had no possibility at all of bringing left and right into contact; or if the touching of left and right meant as little as it does with animals, who never rightly join their fore-feet, in prayer for instance, or in any similar spiritual exercise—if this were the case we should not be able to attain this spiritualised sensation of our own self.

What is of paramount importance in the sensations of eye and ear is not so much the passive element, it is the activity, i.e. how we meet the outside world in our will. Modern philosophy has often had an inkling of some truth, and has then invented all kinds of words, which, however, usually show how far one is from a real comprehension of the matter. For example, the Localzeichen of Lotze's philosophy exhibit a trace of this knowledge that the will is active in the senses. But our lower sense organism, which clearly shows its connection with the metabolic system in the senses of touch, taste and smell, is indeed closely bound up with the metabolic system right into the higher senses—and the metabolic system is of a will nature.

You can therefore say: man confronts nature with his intellectual faculties and through their means he grasps all that is dead in Nature, and he acquires laws concerning what is dead. But what rises in Nature from the womb of death to become the future of the world, this is comprehended by man's will—that will which is seemingly so indeterminate, but which extends right into the senses themselves.

Think how living your relationship to Nature will become if you keep clearly in view what I have just said. For then you will say to yourselves: when I go out into Nature I have the play of light and colour continually before me; in assimilating the light and its colours I am uniting myself with that part of Nature which is being carried on into the future; and when I return to my room and think over what I have seen in Nature, and spin laws about it, then I am concerning myself with that element in the world which is perpetually dying. In Nature dying and becoming are continuously flowing into one another. We are able to comprehend the dying element because we bear within us the reflection of our prenatal life, the world of intellect, the world of thought, whereby we can see in our mind's eye the elements of death at the basis of Nature. And we are able to grasp what will come of Nature in the future because we confront Nature, not only with our intellect and thought, but with that which is of a will-nature within ourselves.

Were it not that, during his earthly life, man could preserve some part of what before his birth became purely thought life, he would never be able to achieve freedom. For, in that case, man would be bound up with what is dead, and the moment he wanted to call into free activity what in himself is related to the dead element in Nature, he would be wanting to call into free activity a dying thing. And if he wished to make use of what unites him with Nature as a being of will, his consciousness would be deadened, for what unites him as a will being with Nature is still in germ. He would be a Nature being, but not a free being.

Over and above these two elements—the comprehension of what is dead through the intellect, and the comprehension of what is living and becoming through the will—there dwells something in man which he alone and no other earthly being bears within him from birth to death, and that is pure thinking; that kind of thinking which is not directed to external nature, but is solely directed to the super-sensible nature in man himself, to that which makes him an autonomous being, something over and above what lives in the “less than death” and “more than life.” When speaking of human freedom therefore, one has to pay attention to this autonomous thing in man, this pure sense-free thinking in which the will too is always present.

Now when you turn to consider Nature itself from this point of view you will say: I am looking out upon the world, the stream of dying is in me, and also the stream of renewing: dying—being born again. Modern science understands but little of this process; for it regards the external world as more or less of a unity, and continually muddles up dying and becoming. So that the many statements about Nature and its essence which are common to-day are entirely confused, because dying and becoming are mixed up and confounded with one another. In order clearly to differentiate between these two streams in Nature the question must be asked: how would it be with the world if man himself were not within it?

This question presents a great dilemma for the philosophy of modern science. For, suppose you were to ask a truly modern research scientist: what would Nature be like if man were not within it? Of course he might at first be rather shocked, for the question would seem to be to him a strange one. Then, however, he would consider what grounds his science gives for answering such a question, and he would say: in this case, minerals, plants and animals would be on the earth, only man would not be there; and the course of the earth right through from the beginning, when it was still in the nebulous condition described by Kant and Laplace, would have been the same as it has been, only that man would not have been present in this progress. Practically speaking this is the only answer that could result. He might perhaps add: man tills the ground and so alters the surface of the earth, or he constructs machines and thereby also brings about certain alterations; but these are immaterial in comparison with the changes that are caused by Nature itself. In any case the gist of the scientist's answer would be that minerals, plants and animals would develop without man being present on the earth.

This is not correct. For if man were not present in the earth's evolution then the animals, for the most part, would not be there either; for a great many animals, and particularly the higher animals, have only arisen in the earth's evolution because man was obliged—figuratively speaking, of course—to use his elbows. The nature of man formerly contained many things which are not there now, and at a certain stage of his earthly development he had to separate out from himself the higher animals, to throw them off, as it were, so that he himself could progress. I will make a comparison to describe this throwing out: imagine a solution where something is being dissolved, and then imagine that this dissolved substance is separated out and falls to the bottom as sediment. In the same way man was united with the animal world in earlier conditions of his development and later he separated out the animal world like a precipitate, or sediment. The animals would not have become what they are to-day if man had not had to develop as he has done. Thus without man in the earth evolution the animal forms as well as the earth itself would have looked quite other than they do to-day.

But let us pass on to consider the mineral and plant world. Here we must be clear that not only the lower animal forms but also the plant and mineral kingdoms would long ago have dried up and ceased to develop if man were not upon the earth. And, again, present-day philosophy, based as it is on a one-sided view of the natural world, is bound to say: certainly men die, and their bodies are burned or buried, and thereby are given over to the earth, but this is of no significance for the development of the earth; for if the earth did not receive human bodies into itself it would take its course in precisely the same way as now, when it does receive these bodies. But this means that men are quite unaware that the continuous giving over of human corpses to the earth—whether by cremation or burial—is a real process which works on in the earth.

Peasant women in the country know much better than town women that yeast plays an important part in bread making, although only a little is added to the bread; they know that the bread could not rise unless yeast were added to the dough. In the same way the earth would long ago have reached the final stage of its development if there had not been continuously added to it the forces of the human corpse, which is separated in death from what is of soul and spirit. Through the forces present in human corpses which are thus received by the earth, the evolution of the earth itself is maintained. It is owing to this that the minerals can still go on producing their powers of crystallisation, a thing they would otherwise long ago have ceased to do; without these forces they would long ago have crumbled away or dissolved. Plants, also, which would long ago have ceased to grow are enabled, thanks to these forces, to go on growing to-day. And it is the same with the lower animals forms. In giving his body over to the earth the human being is giving the ferment, the yeast for future—development.

Hence it is by no means a matter of indifference whether man is living on the earth or not. It is simply untrue that the evolution of the earth with respect to its mineral, plant and animal kingdoms, would continue if man himself were not there. The process of Nature is a unified whole to which man belongs. We only get a true picture of man if we think of him as standing even in death in the midst of the cosmic process.

If you will bear this in mind then you will hardly wonder at what I am now going to say: when man descends from the spiritual into the physical world he receives his physical body as a garment. But naturally the body received as a child differs from the body as we lay it aside in death, at whatever age. Something has happened to the physical body. And what has happened could only come about because this body is permeated with forces of spirit and soul. For, after all, we eat what animals also eat. That is to say, we transform external matter just as the animals do; but we transform it with the help of something which animals have not got; something that came down from the spiritual world in order to unite itself with the physical body of man. Because of this we affect the substances in a different way than do animals or plants. And the substances given over to the earth in the human corpse are transformed substances, something different from what man received when he was born. We can therefore say: man receives certain substances and forces at birth; he renews them during his life and gives them up again to the earth process in a different form. The substances and forces which he gives up to the earth process at death are not the same as those which he received at birth. In giving them up he is bestowing upon the earth process something which continuously streams through him from the super-sensible world into the physical, sense-perceptible, earth process. At birth he brings down something from the super-sensible world; this he incorporates with the substances and forces which make up his body during his earthly life, and then at death the earth receives it. Man is thus the medium for a constant be-dewing of the physical sense world by the super-sensible. You can imagine, as it were, a fine rain falling continuously from the super-sensible on to the sense world; but these drops would remain quite unfruitful for the earth if man did not absorb them and pass them over to the earth through his own body. These drops which man receives at birth and gives up again at death, bring about a continual fructification of the earth by super-sensible forces; and through these fructifying super-sensible forces the evolutionary process of the earth is maintained. Without human corpses therefore, the earth would long ago have become dead.

With this presupposition we can now ask: what do the death forces do to human nature? The death-bringing forces which predominate in outer nature work into the nature of man; for if man were not continually bringing life to outer nature it would perish. Now how do these death-bringing forces work in the nature of man? They produce in man all those organisations which range from the bone system to the nerve system. What builds up the bones and everything related to them is of quite a different nature from what builds up the other systems. The death-bringing forces play into us. We leave them as they are, and thereby we become bone men. But the death-bringing forces play further into us and we tone them down, and thereby we become nerve men. What is a nerve? A nerve is something which is continually wanting to become bone, and is only prevented from becoming bone by being in a certain relationship to the non-bony, or non-nervous elements of human nature. Nerve has a constant tendency to ossify, it is constantly compelled towards decay; while bone in man is dead to a very large extent. With animal bones the conditions are different—animal bone is far more living than human bone. Thus you can picture one side of human nature by saying: the death-bringing stream works in the bone and nerve system. That is the one pole.

The other stream, that of forces continuously giving life, works in the muscle and blood system and in all that is connected with it. The only reason why nerves are not bones is that their connection with the blood and muscle system is such that the impulse in them to become bone is directly opposed by the forces working in the blood and muscle. The nerve does not become bone solely because the blood and muscle system stands over against it and hinders it from becoming bone. If during the process of growth bone develops a wrong relationship to blood and muscle, then the condition of rickets will result, which is due to the muscle and blood nature hindering a proper deadening of the bone. It is therefore of the utmost importance that the right alternation should come about in man between the muscle and blood system on the one hand and the bone and nerve system on the other. The bone nerve system extends into the eye, but in the outer covering the bone system withdraws, and sends into the eye only its weakened form, the nerve; this enables the eye to unite the will nature, which lives in muscles and blood, with the activity of mental picturing. Here again we come upon something which played an important role in ancient science, but which is scorned as a childish conception by the science of to-day. But modern science will come back to it again, only in another form.

In the knowledge of ancient times men always felt a relationship between the nerve marrow, the nerve substance, and the bone marrow, the bone substance. And they were of the opinion that man thinks with his bone nature just as much as with his nerve nature. And this is true. All that we have in abstract science we owe to the faculty of our bone system. How is it, for instance, that man can do geometry? The higher animals have no geometry; that can be seen from their way of life. It is pure nonsense when people say: “Perhaps the higher animals have a geometry, only we do not notice it.” Now, man can form a geometry. But how, for example, does he form the conception of a triangle? If one truly reflects on this matter, that man can form the conception of a triangle, it will seem a marvellous thing that man forms a triangle, an abstract triangle—nowhere to be found in concrete life—purely out of his geometrical, mathematical imagination. There is much that is hidden and unknown behind the manifest events of the world. Now imagine, for example, that you are standing at a definite place in this room. As a super-sensible human being you will, at certain times, perform strange movements about which as a rule you know nothing; like this, for example: you go a little way to one side, then you go a little way backwards, then you come back to your place again. You are describing unawares in space a line which actually performs a triangular movement. Such movements are actually there, only you do not perceive them.

But since your backbone is in a vertical position, you are in the plane in which these movements take place. The animal is not in this plane, his backbone lies otherwise, i.e. horizontally; thus these movements are not carried out. Because man's backbone is vertical, he is in the plane where this movement is produced. He does not bring it to consciousness so that he could say: “I am always dancing in a triangle.” But he draws a triangle and says: “That is a triangle.” In reality this is a movement carried out unconsciously which he accomplishes in the cosmos.

These movements to which you give fixed forms in geometry—when you draw geometrical figures, you perform in conjunction with the earth. The earth has not only the movement which belongs to the Copernican system; it has also quite—different, artistic movements, which are constantly being performed; as are also still more complicated movements, such as those, for example, which belong to the lines of geometrical solids: the cube, the octahedron, the dodecahedron, the icosatetrahedron and so forth. These bodies are not invented, they are reality, but unconscious reality. In these and other geometrical solids lies a remarkable harmony with the subconscious knowledge which man has. This is due to the fact that our bone system has an essential knowledge; but your consciousness does not reach down into the bone system. The consciousness of it dies, and it is only reflected back in the geometrical images which man carries out in figures. Man is an intrinsic part of the universe. In evolving geometry he is copying something that he himself does in the cosmos.

Thus on the one hand we look into a world which encompasses ourselves and which is in a continuous process of dying. On the other hand we look into all that enters into the forces of our blood and muscle system; this is continuously in movement, in fluctuation, in becoming and arising: it is entirely seedlike, and has nothing dead within it. We arrest the death process within ourselves, and it is only we as human beings who can arrest it, and bring into this dying element a process of life, of becoming. If men were not here on the earth, death would long ago have spread over the whole earth process, and the earth as a whole would have been given over to crystallisation, though single crystals could not have maintained themselves. We draw the single crystals away from the general crystallisation process and preserve them, as long as we need them for our human evolution. And it is by doing so that we keep alive the being of the earth. Thus we human beings cannot be excluded from the life of the earth for it is we who keep the earth alive. Theodore Eduard von Hartmann hit on a true thought when, in his pessimism, he declared that one day mankind would be so mature that everybody would commit suicide; but what he further expected—viewing things as he did from the confines of natural science—would indeed be superfluous: for Hartmann it was not enough that all men should one day commit suicide, he expected in addition that an ingenious invention would blow the earth sky-high. Of this he would have no need. He need only have arranged the day for the general suicide and the earth would of itself have disintegrated slowly into the air. For without the force which is implanted into it by man, the evolution of the earth cannot endure. We must now permeate ourselves with this knowledge once again in a feeling way. It is necessary that these things be understood at the present time.

Perhaps you remember that in my earliest writings there constantly recurs a thought through which I wanted to place knowledge on a different footing from that on which it stands to-day. In the external philosophy, which is derived from Anglo-American thought, man is reduced to being a mere spectator of the world. In his inner soul process he is a mere spectator of the world. If man were not here on earth—it is held—if he did not experience in his soul a reflection of what is going on in the world outside, everything would be just as it is. This holds good of natural science where it is a question of the development of events, such as I have described, but it also holds good for philosophy. The philosopher of to-day is quite content to be a spectator, that is, to be merely in the purely destructive element of cognition. I wished to rescue knowledge out of this destructive element. Therefore I have said again and again: man is not merely a spectator of the world: he is rather the world's stage upon which great cosmic events continuously play themselves out. I have repeatedly said that man, and the soul of man, is the stage upon which world events are played. This thought can also be expressed in a philosophic abstract form. And in particular, if you read the final chapter about spiritual activity in my book Truth and Science. you will find this thought strongly emphasised, namely: what takes place in man is not a matter of indifference to the rest of nature, but rather the rest of nature reaches into man and what takes place in man is simultaneously a cosmic process; so that the human soul is a stage upon which not merely a human process but a cosmic process is enacted. Of course certain circles of people to-day would find it exceedingly hard to understand such a thought. But unless we permeate ourselves with such conceptions we cannot possibly become true educators.

Now what is it that actually happens within man's being? On the one hand we have the bone-nerve nature, on the other hand the blood-muscle nature. Through the co-operation of these two, substances and forces are constantly being formed anew. And it is because of this, because in man himself substances and forces are recreated, that the earth is preserved from death. What I have just said of the blood, namely that through its contact with the nerves it brings about re-creation of substances and forces—this you can now connect with what I said yesterday: that blood is perpetually on the way to becoming spiritual but is arrested on its way. To-morrow we shall link up the thoughts we have acquired in these two lectures and develop them further. But you can see already how erroneous the thought of the conservation of energy and matter really is, in the form in which it is usually put forward; for it is contradicted by what happens within human nature, and it is only an obstacle to the real comprehension of the human being. Only when we grasp the synthesizing thought, not indeed that something can proceed out of nothing, but that a thing can in reality be so transformed that it will pass away and another thing will arise, only when we substitute this thought for that of the conservation of energy and matter, will we attain something really fruitful for science.

You see what the tendency is which leads so much of our thinking astray. We put forward something, as for example, the law of the conservation of force and matter, and we proclaim it a universal law. This is due to a certain tendency of our thought life, and especially of our soul life, to describe things in a one-sided way; whereas we should only set up postulates on the results of our mental picturing. For instance, in our books on physics you will find the law of the mutual impenetrability of bodies set up as an axiom: at that place in space where there is one body no other body can be at the same time. This is laid down as a universal quality of bodies. But one ought only to say: bodies and beings of such a nature that in the place where they are in space no other similar object can be at the same time are “impenetrable” bodies. You ought only to apply your concepts to differentiate one province from another. You ought only to set up postulates, and not to give definitions which claim to be universal. And so we should not lay down a “law” of the conservation of force and substance, but we should find out what beings this law applies to. It was a tendency of the nineteenth century to lay down laws and say: this holds good in every case. Instead of this we should devote our soul powers to acquainting ourselves with things, and observing our experiences in connection with them.

• 1. The words here translated as matter and body are Körper and Leib, for which we have no precise equivalent in English. Körper is equivalent to physical body. Leib denotes a living body, i.e. an organism penetrated with life.

The education and teaching of the future will have to set particular value on the development of the will and the feeling nature. It is constantly being emphasised, even by those who have no thought of a new educational impulse, that special attention must be paid, in education, to the feeling nature and to the will. But with the best will in the world they can accomplish little in this sphere. Feeling and will are left more and more to what is called chance, because there is no insight into the real nature of will.

By way of introduction I should like to say the following: it is not until the nature of the will is really known that it is possible to understand even a part of the other emotive powers, a part of the feelings. We can ask the question: what is a feeling in reality? A feeling is very closely related to will. I may even say that will is only the accomplished feeling, and feeling is will in reserve. Will which does not yet express itself, which remains behind in the soul, that is feeling: feeling is like blunted will. On this account the nature of feeling will not be understood until the nature of will has been thoroughly grasped.

Now you will know from what I have already developed that nothing that lives in the will fully takes shape in the life between birth and death. Whenever a man makes a resolution with his will there is always something over, something which is not exhausted even up to his death; a remainder of every resolution and act of will lives on and continues beyond death. During the whole of life, and especially in the age of childhood, notice must be taken of this part of the will which remains.

We know that when we observe man in his totality, we consider him as body, soul and spirit. The body, at least the main constituents of it, is born first. (You will find details about this in the book Theosophy. Thus the body is involved in the stream of inheritance and bears the inherited characteristics. The soul, in the main, is a principle which comes out of prenatal existence and unites itself with the body; it descends into the body. But the spiritual part of man to-day is only present in embryo—though in future this will be different. And now, when we want to lay the foundations for a good theory of education, we must pay heed to this embryonic form of the spirit in the man of this epoch in evolution. Let us first of all be quite clear as to what it is that exists in embryo for a far distant future of humanity.

First there is, in embryonic form, what we call the Spirit-Self. We cannot include the Spirit-Self among the constituents or members of human nature when we are speaking of the present-day man; but there is a clear consciousness of the Spirit-Self in men who are able to see into the spiritual. You know that the whole oriental consciousness, in so far as it is educated consciousness, calls this Spirit-Self Manas, and that Manas is always spoken of in the oriental spiritual teaching as indwelling in man. But amongst western peoples too, even if they are not exactly “learned,” there is a clear consciousness of this Spirit-Self. And I say deliberately: that this clear consciousness exists; for amongst the people, at least before they had completely absorbed the materialistic point of view, that part of man which remains over after death was called the Manes: people said that after death there remains over, the Manes—Manas is the same as the Manes. I say that the people have a clear consciousness of this, for the people in this case use the plural, the Manes. We who from a scientific standpoint connect the Spirit-Self more with man before death, use the singular form, “the Spirit-Self.” The people who speak of the Spirit-Self more realistically from a naive knowledge use the plural number because at the moment in which a man passes through the gate of death, he is received by a plurality of spiritual beings. I have already pointed this out in another connection: we each have a spirit who leads us personally, belonging to the Hierarchy of the Angels; over them we have the spirits belonging to the Hierarchy of the Archangels, who enter into a man immediately he passes through the gate of death, so that he then exists in a certain way in the plural, because many archangels have entered into his being. The people feel this very clearly because they know that after death man perceives himself (to a greater or lesser degree) as a plurality, in contrast to his appearance in this life which is a unity. Thus the Manes live on in the naive folk consciousness as the plural aspect of the Spirit-Self, of Manas.

A second higher principle of man is that which we call Life-Spirit. In the Life-Spirit we come to something which is less perceptible in present-day man. It is something of a very spiritual nature in man which will develop in the very distant future of humanity. And then there is the highest in man which at present is only in the very earliest embryonic stage, the real Spirit-Man.

But although these three higher principles of human nature are only present in embryo in the earthly life of the man of to-day, yet, albeit under the guardianship of higher spiritual Beings, they develop in a very significant way between death and a new birth. Thus when man dies and enters again into the spiritual world, these three principles develop very markedly, pointing, in a measure, to a future existence of humanity. Thus just as a man in his present life develops in soul and spirit between birth and death, so after death he goes through definite development, only then he is attached, as it were by an umbilical cord to the spiritual beings of the higher Hierarchies.

Let us now add to these scarcely perceptible higher members of man's nature others which we can already perceive. These express themselves in the three soul principles: the Consciousness soul, the Intellectual or Mind-soul, and the Sentient soul. These are the true soul constituents of man. If to-day we want to speak of the soul of man as it lives in the body, then we must speak of the three soul principles just mentioned. If we are speaking of his body, we speak, as you know, of the sentient body (which is the finest of all and is also called the astral body), the etheric body and the grosser physical body, which we see with our eye and which external science analyses. With these we have the whole man before us.

Now you know that the physical body as we have it belongs also to the animals. It is only when we compare this whole man, according to these nine principles, with the animal world that we can arrive at a useful picture of the relation of man to the animals. I mean a mental picture which enters truly into the life of feeling and which the Will itself can apprehend. We must know that just as the soul of man is clothed with a physical body the animal also is clothed with a physical body, which, however, in many ways is formed differently from that of man. The physical body of man is not really more perfect than that of the animal. Think of some of the higher animals, the beaver, for instance, how he builds his dams. A man could not do this unless he had learned it, unless indeed he had gone through a very complicated training for the purpose, including the study of architecture and kindred subjects. The beaver makes his dam by means of the organisation of his body. He is so related to his environment that he uses the very forces which build up his own physical body in the construction of his dam. His physical body itself is, in this respect his teacher. We can observe the wasps and bees, also the so-called lower animals, and we shall find something inherent in the form of their physical bodies which is not in the physical body of man to the same degree of intensity. This is all that we include in the concept instinct; and we can only make a real study of instinct if we consider it in connection with the form of the physical body. If we study all the different species of animals as distributed in the world we shall find that the forms of their physical bodies always give us the clue to the study of the different kinds of instinct.

When we want to study the will, we must first seek it in the sphere of instinct and we must be aware that we find instinct in the forms of the physical bodies of the various animals. If we were to look at the chief animal forms and were to draw them, we should then be able to draw the different spheres of instinct. The form of the physical body in the different animals is a picture of what the instinct is as will. You see that when we are able to apply this view of things it brings meaning into the world. We contemplate the animal bodies and see them as a picture drawn by Nature herself to express what existence holds.

Now in our physical body, forming and permeating it throughout, there lives the etheric body. To the external senses it is super-sensible, invisible. But when we look at the will nature we find the following: just as the etheric body permeates the physical body so it also takes hold of what in the physical body manifests as instinct. And then instinct becomes impulse. In the physical body will is instinct: as soon as the etheric body dominates instinct, will becomes impulse*. (*German Trieb: another translation would be Drive, as used in some modern psychology).

Now, when instinct—which one can understand more concretely in external form—is viewed as impulse, it is very interesting to observe how it becomes more inward, and also more of a unity. When speaking of instinct, either in animals or in its weaker form in man, we shall always regard it as something stamped upon the being from without: whereas impulse, more inward in its nature, also comes more from within, because the super-sensible etheric body transforms instinct into impulse.

Now man has also the sentient body. That is of a still more inward nature. In its turn it takes hold of impulse, and then not only is this made more inward, but instinct and impulse are both lifted into consciousness, and in this way desire arises. You find desire also in the animal, as you find impulse, because the animal has also these three principles, physical body, etheric body and sentient body. But when you speak of desire you will quite instinctively regard it as something of a very inward nature. You describe impulse as a thing which manifests in a uniform manner from birth to old age; while in speaking of desire you speak of something which is created afresh by the soul every time. A desire is not necessarily something belonging to the character; it need not be attached to the soul, but it comes and goes. Thus we see that desire has more of the soul character than mere impulse.

And now let us put the question which cannot apply to the animal: when man takes up into his ego—i.e. into his sentient soul, intellectual or mind-soul, and consciousness soul—the instinct, impulse and desire of the body what do they become? We do not distinguish so clearly here as we do within the body, because in the soul, particularly just now, everything is mixed up more or less. Psychologists of to-day are puzzled to know whether to keep the principles of the soul completely apart or let them intermingle. Some psychologists are haunted by the old, strict differentiation between will, feeling and thought; in others, e.g. in the more Herbartian psychologists, everything is directed more to the side of the mental picture, while in the followers of Wundt it goes more to the side of will. They have no true conception of how to deal with the membering of the soul. This is because in actual practical life the ego really permeates all the capacities of the soul, and in the present day human being the differentiation with regard to the three members of the soul does not appear clearly even in practice. Hence language has no words for differentiating the will nature in the soul—instinct, impulse, desire, when it is taken hold of by the ego. But instinct, impulse and desire in man when taken hold of by the ego we generally call motive, so that when we speak of the will impulse in the individual soul, in what belongs to the “I,” we are speaking of motive; and we realise that animals can have desires, but no motives. It is only man who can raise the level of desire by bringing it into the soul world, and hence comes the urge to conceive a motive inwardly. It is only in man that desires grow into a true motive of will. It is a description of the nature of will in man to-day to say: in man instinct, impulse and desire from the animal world still persist, but he raises them to motive. Anyone considering the will nature in man to-day will say: “If I know the man's motives, then I know the man.” But not quite! For when the human being develops motives, something is sounding quietly in the depths, and this gentle undertone must now be very, very carefully observed.

I beg you to distinguish what I call this undertone very carefully from anything of a mental image, or conceptual nature. I do not now mean what is more of the nature of mental picture or idea in the will impulse. You can, e.g., have the following idea: something I wished to do, or did, was good; or you can have some other idea; but that is not what I mean. I mean something that can be faintly heard beneath the impulse of will, but which is still of the nature of will. There is something which always works in the will when we have motives; that is, the wish. I do not now mean the strongly developed wishes out of which the desires are formed, but an undercurrent of wishes that accompany all our motives. They are always present. We perceive this wishing particularly clearly when we carry out something which arises out of a motive in our will, and then we think it over and say to ourselves; what you did then you could do much better. But what is there we do in life, without a feeling that we could have done it better? It would be sad if we were completely contented with anything, for there is nothing which we could not do better still. And this is where we see the difference between a man who is somewhat more civilised and one who is not so advanced, for the latter always has the tendency to be satisfied with himself. The more advanced man never wants to be so thoroughly satisfied with himself because he has always in him the soft undertone of a wish to do better, even to do differently. There is much sinning in this domain. Men regard it as a tremendously noble thing to repent of a deed; but that is not the best that can be done with a deed; for often repentance is based upon sheer egoism: one would like to have done something better in order to be a better man. That is egoistic. Our efforts will only cease to be egoistic when we do not wish to have done a thing better than we have done it, but consider it far more important to do the same thing better next time. The intention which a man has is the more important thing, not the repentance—the endeavour to do the same thing on another occasion. And in this intention wish sounds as an undertone; so that we may well ask the question: What is this undertone of wish which accompanies our intention? For anyone who can really observe the soul this wish is the first element of all that remains over after death. It is something of this remainder which we feel when we say: we ought to have done it better: we wish we had done it better. In the wish, in the form in which I have described it to you, we have something which belongs to the Spirit-Self.

Now the wish can become more concrete, it can take on a clearer form, Then it becomes similar to an intention. Then there is formed a kind of mental picture of how a thing would be done better if it had to be done again. I do not, however, lay the greatest stress on the mental picture, but on the feeling and the will elements which accompany each motive, the intention to do a thing better in a similar case. Here the so-called sub-conscious in man plays a prominent part. If in your ordinary consciousness to-day you perform an action out of your own will, you do not necessarily make an idea in your mind of how you will do it. But the other man living in you, the “second” man, he always forms—not indeed as a mental picture, but in the region of the will—a clear picture of how he would act if he were again in the same position. Be sure you do not undervalue such knowledge as this. Above all do not fail to appreciate this second man who lives in you.

That so-called scientific line of thought which calls itself analytical psychology, “psycho-analysis,” talks a lot of nonsense about this “second man.” This psycho-analysis usually starts from the following classic example in setting forth its principles. I have already told you this story, but it is good to call it to mind again. It is as follows: A man gives an evening party at his house, and it is known that, immediately after the party is over, the lady of the house is going away to a Spa. There are at the party various people, among them a lady. The party is given. The lady of the house is taken to the train that she may travel to the Spa. The rest of the party leaves and with them the lady already mentioned. She, with the other members of the party, is overtaken at a crossroads by a carriage which, coming round a corner from another street, is not seen until it is quite close. What do the people coming from the party do? Of course they avoid the carriage by going right and left, with the exception of the lady. She runs as fast as she can in front of the horses down the middle of the street. The coachman does not stop and the rest of the party are terrified. But the lady runs so fast that the others cannot follow her, and she runs until she comes to a bridge. And even then it does not occur to her to get out of the way. She falls into the water, but she is saved and brought back to her late host's house. And there she is able to spend the night.

You find this as an example in many works on psychoanalysis. But something in it is always falsely interpreted. For the question is: what was at the back of this whole incident? The will of the lady. What did she really want to do? She wanted to return to her host's house as soon as his wife had gone away, for she was in love with him. This, however, was not a conscious wish, but something which had its seat in the sub-conscious. And this sub-consciousness of the second man, within us, is often much more shrewd than a man is in his upper consciousness. So clever was the sub-conscious in this case that the lady arranged the whole proceeding up to the moment in which she fell into the water in order to be able to return to her host's house. In fact she saw prophetically that she would be saved. Psycho-analysis tries to get at these hidden soul forces, but it only speaks in general of a “second man.” But we are able to know that there does exist in every man what is at work in the subconscious soul forces, and that it often shows itself to be extraordinarily clever, much cleverer than the ordinary activity of the soul.

In every man there dwells, underground, as it were, the “other” man. In this other man there lives also the “better” man, who always makes up his mind, when he has done a thing, to do it better next time, so that always, as an undertone to every deed, there is the intention, the unconscious, subconscious intention to do it better when a similar occasion arises.

Not until the soul is freed from the body does this intention become a resolution. This intention remains like a seed in the soul, and the resolution follows later. The resolution has its seat in the Spirit-Man, the intention in the Life-Spirit and the pure wish in the Spirit-Self. When you then consider man as a being of Will you can find all these component parts in him: instinct, impulse, desire and motive, and then, playing in as a gentle accompaniment: wish, intention and resolution which are already living in Spirit-Self, Life-Spirit, and Spirit-Man

This has a great significance in the development of the human being. For what is thus present under the surface, waiting for the time after death, is expressed in man in image form between birth and death. We describe it there in the same words. We experience wish, intention and resolution through our mental picturing. But we shall only experience wish, intention, resolution as they accord with true manhood when these things are developed and nurtured in the right manner. What wish, intention and resolution really are in deeper human nature, does not appear in the external man between birth and death. Images of them appear in the life of mental pictures. If you only develop ordinary consciousness you know nothing at all of what “wish” is. You have only an idea, a mental picture of a “wish.” Hence Herbart maintains that the very idea of a wish contains activity and effort. It is the same with intention; you have only a mental picture of it. You want to do something or other which involves a real activity in the depths of the soul, but you do not know what goes on in the depths. And now as to resolution, who knows anything about that? Ordinary psychology speaks only of a “general willing.” Yet the teacher and educator has to enter into all these three soul forces in order to guide and regulate them. To be a teacher and educator one must work with what is taking place in the depths of human nature.

It is of the utmost importance that the teacher or educator should realise continually: it is not enough to base our teaching on ordinary life, it must come forth from an understanding of the inner man.

Popular socialism is prone to this mistake of arranging education on the basis of everyday life. This is how the current Marxist socialism would like to establish the education of the future. In Russia this has already happened. In the Lunatscharsky school reform there is something terrible. It is the death of all culture. Many dreadful things have come out of Bolshevism, but the most dreadful of all is the Bolshevist method of education, which would entirely eradicate all that former ages have contributed to human culture. This will not be achieved in the first generation but will certainly be attained in following generations, with the result that all culture will soon vanish from the face of the earth. Some people must see this. You have heard in this very room people singing a song of praise to Bolshevism, who have not the faintest idea that through it the Devil has entered socialism.

We must take great care that there are men who know that progress in the social sphere demands and depends upon more intimate understanding of the human being in the sphere of education. Hence it must be known that the educator and the teacher of the future must understand the innermost being of man, must live with this inner being and that the ordinary intercourse which takes place between adults cannot be applied to education. What do the ordinary Marxists want? They want to run the Schools socialistically; they want to do away with all authority and let the children educate themselves. Something dreadful would come out of this!

We once visited a boarding-school and wanted to see one of the most important lessons, a religion lesson. When we entered the classroom one little ruffian was lying on the window-sill, kicking with his feet out of the window; another was lying on his stomach with his head outside, and all the pupils were behaving in similar fashion. The religion teacher entered and read a story by Gottfried Keller, which the children accompanied with all sorts of racket. Then, when the lesson came to an end, they went out to play. I had the impression that the boarding-school was nothing more than a stable for animals (the sleeping quarters were only a few paces away). Of course we must not make too much of such things. Much good may live underneath them. But they give a good impression of what the future has in store for the life of culture.

What do we commonly find advocated? That children should have the same sort of relationship with each other as is usual among adults. But this is the most spurious thing that can be done in education. People must realise that a child has to develop quite different powers of soul and of body than those which adults use in their intercourse with each other. Thus education must be able to reach the depths of the soul; otherwise no progress will be made. Hence we must ask ourselves: what part of education, what part of teaching affects the will nature of man? Once and for all this problem must be faced.

If you think of what was said yesterday you will remember that everything intellectual is will grown old, will in its old age. Thus all ordinary exhortation, anything in the form of a concept has no effect upon a child at the usual school age. Let us once more summarise what has been said, so that we may be clear on this point: feeling is will in the becoming, will that has not yet become; but the whole human being lives in the will, so that in a child too the subconscious resolutions must be reckoned with. But let us at all costs guard against believing that we can influence a child's will by all the things we have thought out so well—in our own opinion. We must ask ourselves how we can have a good influence on the feeling nature of the child. This we can only achieve by introducing actions which have to be constantly repeated. You direct the impulse of the will aright, not by telling a child once what the right thing is, but by getting him to do something to-day and tomorrow and again the day after. It is not the right thing to begin by exhorting the child and giving him rules of conduct: you must lead him to do something which you think will awaken his feeling for what is right, and get him to do it repeatedly. An action of this sort must be made into a habit. The more it becomes an unconscious habit, the better it is for the development of the feeling; the more conscious a child is of doing the action repeatedly, out of devotion, because it ought to be done, because it must be done, the more you are raising the deed to a real impulse of will. A more unconscious repetition cultivates feeling: fully conscious repetition cultivates the true will impulse, for it enhances the power of resolution, of determination. The power of determination, which is dormant in the sub-conscious, is spurred and aroused when you lead the child to repeat things consciously. In cultivating the will, therefore, we must not expect to do what is of importance in cultivating the intellect. Where the intellect is concerned we always consider that when an idea is given to a child, the better he “grasps” it, the better it is: the single presentation of the thing is of the greatest importance: after that it has to be retained, remembered. But a thing taught once and afterwards retained has no effect on feeling or will: rather the feeling and will are affected by what is done over and over again, and by what is seen to be the right thing to do because circumstances demand it.

The earlier, more naive patriarchal forms of education achieved this in a naive patriarchal way: it simply became a habit of life. In all the things which were used in this way there is something of educational value. Why, for instance, should we use the Lord's Prayer every day? If a man nowadays were expected to read the same story daily, he simply would not do it; he would find it far too dull. The man of to-day is trained to do things once. But men of an earlier time not only said the same Lord's Prayer every day, they also had a book of stories which they read at least every week. And for this reason their wills were stronger than those produced by the present methods of education: for the cultivation of the will depends upon repetition and conscious repetition. This must be taken into consideration. And so it is not enough to say in the abstract that the will must be educated. For then people will believe that if they have good ideas themselves for the development of the will and apply them to the child by some clever methods, they will contribute something to the cultivation of the will. But in reality this is of no use whatever. Those who are exhorted to be good become only weak nervous men. Those become inwardly strong to whom it is said in childhood: “You do this to-day and you do that, and both of you do the same tomorrow and the day after.” And they do it merely on authority because they see that one in the school must command. Thus to assign to the child some kind of work for each day that he can do every day, sometimes even the whole year through, has a great effect upon the development of the will. In the first place it creates a contact amongst the pupils; then it also strengthens the authority of the teacher, and doing the same thing repeatedly works powerfully on the children's will.

Why then has the artistic element such a special effect, as I have said already, on the development of the will? Because, in the first place, practice depends upon repetition; but secondly because what a child acquires artistically gives him fresh joy each time. The artistic is enjoyed every time, not only on the first occasion. Art has something in its nature which does not only stir a man once but gives him fresh joy repeatedly. Hence it is that what we have to do in education is intimately bound up with the artistic element.

We will go further into this tomorrow. I wanted to show to-day that the education of the will must be brought about in a different way from the education of the intellect.

Yesterday we discussed the nature of will in so far as will is embodied in the human organ. Today we will use this knowledge of man's relationship to will to fructify our consideration of the rest of the human being.

You will have noticed that in treating of the human being up to now I have chiefly drawn attention to the intellectual activity, the activity of cognition, on the one hand, and the activity of will on the other hand. I have shown you how the activity of cognition has a close connection with the nerve nature of the human being, and how the activity of will has a close connection with the activity of the blood. If you think this over you will also want to know what can be said with regard to the third soul power, that is, the activity of feeling. We have not yet given this much consideration, but today, by thinking more of the activity of feeling, we shall have the opportunity of entering more intensively into an understanding of the two other sides of human nature, namely cognition and will.

Now there is one thing that we must be clear about, and this I have already mentioned in various connections. We cannot put the soul powers pedantically side by side, separate from each other, thus: thinking, feeling, willing, because in the living soul, in its entirety, one activity is always merging into another.

Consider the will on the one hand. You will realise that you cannot bring your will to bear on anything that you do not represent to yourself as mental picture, that you do not permeate with the activity of cognition. Try in self-contemplation, even superficially, to concentrate on your willing, you will find that in every act of will the mental picture is present in some form. You could not be a human being at all if mental picturing were not involved in your acts of will. And your willing would proceed from a dull instinctive activity, if you did not permeate the action which springs forth from the will with the activity of thought, of mental picturing.

Just as thought is present in every act of will, so will is to be found in all thinking. Again, even a purely superficial contemplation of your own self will show you that in thinking you always let your will stream into the formation of your thoughts. In the forming of your own thoughts, in the uniting of one thought with another, or passing over to judgments and conclusions—in all this there streams a delicate current of will.

Thus actually we can only say that will activity is chiefly will activity and has an undercurrent of thought within it; and thought activity is chiefly thought activity and has an undercurrent of will. Thus, in considering the separate faculties of soul, it is impossible to place them side-by-side in a pedantic way, because one flows into the other.

Now this flowing into one another of the soul activities, which is recognisable in the soul, is also to be seen in the body, where the soul activity comes to expression. For instance, let us look at the human eye. If we look at it in its totality we shall see that the nerves are continued right into the eye itself; but so also are the blood vessels. The presence of the nerves enables the activity of thought and cognition to stream into the eye of the human being; and the presence of the blood vessels enables the will activity to stream in. So also in the body as a whole, right into the periphery of the sense activities, the elements of will on the one hand and thought or cognition on the other hand are bound up with each other. This applies to all the senses and moreover it applies to the limbs, which serve the will: the element of cognition enters into our willing and into our movements through the nerves, and the element of will enters in through the blood vessels.

But now we must also learn the special nature of the activities of cognition. We have already spoken of this, but we must be fully conscious of the whole complex belonging to this side of human activity, to thought and cognition. As we have already said, in cognition, in mental picturing lives antipathy. However strange it may seem, everything connected with mental picturing, with thought, is permeated with antipathy. You will probably say, “Yes, but when I look at something I am not exercising any antipathy in this looking.” But indeed you do exercise it. When you look at an object, you exercise antipathy. If nerve activity alone were present in your eye, everything you looked at would be an object of disgust to you, would be absolutely antipathetic to you. But the will, which is made up of sympathy, also pours its activity into the eye, that is, the blood in its physical form penetrates into the eye, and it is only by this means that the feeling of antipathy in sense-perception is overcome in your consciousness, and the objective, neutral act of sight is brought about by the balance between sympathy and antipathy. It is brought about by the fact that sympathy and antipathy balance one another, and by the fact also that we are quite unconscious of this interplay between sympathy and antipathy.

If you take Goethe's Theory of Colour, to which I have already referred in this connection, and study especially the physiological-didactic part of it, you will see that it is because Goethe goes more deeply into the activity of sight that there immediately enters into his consideration of the finer shades of colour the elements of sympathy and antipathy. As soon as you begin to enter into the activity of a sense organ you discover the elements of sympathy and antipathy which arise in that activity. Thus in the sense activity itself the antipathetic element comes from the actual cognitive part, from mental picturing, the nerve part—and the sympathetic element comes from the will part, from the blood.

As I have often pointed out in general anthroposophical lectures there is a very important difference between animals and man with regard to the constitution of the eye. It is a significant characteristic of the animal that it has much more blood activity in its eye than the human being. In certain animals you will even find organs which are given up to this blood activity, as for example the ensiform cartilage, or the “fan.” From this you can deduce that the animal sends much more blood activity into the eye than the human being, and this is also the case with the other senses. That is to say, in his senses the animal develops much more sympathy, instinctive sympathy with his environment than the human being does. The human being has in reality more antipathy to his environment than the animal only this antipathy does not come into consciousness in ordinary life. It only comes into consciousness when our perception of the external world is intensified to a degree of impression to which we react with disgust. This is only a heightened impression of all sense-perceptions; you react with disgust to the external impression. When you go to a place that has a bad smell and you feel disgust within the range of this smell, then this feeling of disgust is nothing more than an intensification of what takes place in every sense activity, only that the disgust which accompanies the feeling in the sense impression remains as a rule below the threshold of consciousness. But if we human beings had no more antipathy to our environment than the animal, we should not separate ourselves off so markedly from our environment as we actually do. The animal has much more sympathy with his environment, and has therefore grown together with it much more, and hence he is much more dependent on climate, seasons, etc., than the human being is. It is because man has much more antipathy to his environment than the animal has that he is a personality. We have our separate consciousness of personality because the antipathy which lies below the threshold of consciousness enables us to separate ourselves from our environment.

Now this brings us to something which plays an important part in our comprehension of man. We have seen how in the activity of thought there flow together thinking (nerve activity as expressed in terms of the body) and willing (blood activity as expressed in terms of the body). But in the same way there flow together in actions of will the real will activity and the activity of thought. When we will to do something, we always develop sympathy for what we wish to do. But it would get no further than an instinctive willing unless we could bring antipathy also into willing, and thus separate ourselves as personalities from the action which we intend to perform. But the sympathy for what we plan to do is predominant, and a balance is only effected by the fact that we bring in antipathy also. Hence it comes about that the sympathy as such lies below the threshold of consciousness, and part of it only enters consciously into that which is willed. In all the numerous actions that we perform not merely out of our reason but with real enthusiasm, and with love and devotion, sympathy predominates so strongly in the will that it penetrates into the consciousness above the threshold, and our willing itself appears charged with sympathy, whereas as a rule it merely unites us with our environment in an objective way. Just as it is only in exceptional circumstances that our antipathy to the environment may become conscious in cognition, so our sympathy with the environment (which is always present) may only become conscious in exceptional circumstances, namely, when we act with enthusiasm and loving devotion. Otherwise we should perform all our actions instinctively. We should never be able to relate ourselves properly to the objective demands of the world, for example in social life. We must permeate our will with thinking, so that this will may make us members of all humanity and partakers in the world's process itself.

Perhaps it will be clear to you what really happens if you think what chaos there would be in the human soul if we were perpetually conscious of all this that I have spoken of. For if this were the case man would be conscious of a considerable amount of antipathy accompanying all his actions. This would be terrible! Man would then pass through the world feeling himself continually in an atmosphere of antipathy. It is wisely ordered that this antipathy as a force is indeed essential to our actions, but that we should not be aware of it, that it should lie below the threshold of consciousness.

Now in this connection we touch upon a wonderful mystery of human nature, a mystery which can be felt by any person of perception, but which the teacher and educator must bring to full consciousness. In early childhood we act more or less out of pure sympathy, however strange this may seem; all a child does, all its romping and play, it does out of sympathy with the deed, with the romping. When sympathy is born in the world it is strong love, strong willing. But it cannot remain in this condition, it must be permeated with thought, by idea, it must be continuously illumined as it were by the conscious mental picture. This takes place in a comprehensive way if we bring ideals, moral ideals, into our mere instincts. And now you will understand better the true significance of antipathy in this connection. If the impulses that we notice in the little child were throughout our life to remain only sympathetic, as they are sympathetic in childhood, we should develop in an animal way under the influence of our instincts. These instincts must become antipathetic to us; we must pour antipathy into them. When we pour antipathy into them we do it by means of our moral ideals, to which the instincts are antipathetic, and which for our life between birth and death bring antipathy into the childlike sympathy of instincts. For this reason moral development is always somewhat ascetic. But this asceticism must be rightly understood. It always betokens an exercise in the combating of the animal element.

This can show us to what a great extent willing in man's practical activity is not merely willing but is also permeated with idea, with the activity of cognition, of mental picturing.

Now between cognition or thinking on the one hand and willing on the other hand we find the human activity of feeling. If you picture to yourselves what I have now put forward as willing and as thinking, you can say: From a certain central boundary there stream forth on the one hand all that is sympathy, willing, and on the other hand all that is antipathy, thinking. But the sympathy of willing also works back into thinking, and the antipathy of thinking works over into willing. Thus man is a unity because what is developed principally on the one side plays over into the other. Now between the two, between thinking and willing, there lies feeling, and this feeling is related to thinking on the one hand and to willing on the other hand. In the soul as a whole you cannot keep thought and will strictly apart, and still less can you keep the thought and will elements apart in feeling. In feeling, the will and thought elements are very strongly intermingled.

Here again you can convince yourselves of the truth of these remarks by even the most superficial self-examination. What I have already said will lead you to this conviction, for I told you that willing, which in ordinary life proceeds in an objective way, can be intensified to an activity done out of enthusiasm and love. Then you will clearly see willing as permeated with feeling—that willing which otherwise springs forth from the necessities of external life. When you do something which is filled with love or enthusiasm, that action flows out of a willing which you have allowed to become permeated by a subjective feeling. But if you examine the sense activities closely—with the help of Goethe's theory of colour—you will see how these are also permeated by feeling. And if the sense activity is enhanced to a condition of disgust, or on the other hand to the point of drinking in the pleasant scent of a flower, then you have the feeling activity flowing over directly into the activity of the senses.

But feeling also flows over into thought. There was once a philosophic dispute which—at all events externally—was of great significance—there have indeed been many such in the history of philosophy—between the psychologist Franz Brentano and the logician Sigwart, in Heidelberg. These two gentlemen were arguing about what it is that is present in man's power of judgment. Sigwart said: “When a man forms a judgment, and says, for example, ‘Man should be good’; then feeling always has a voice in a judgment of this kind; decision concerns feeling.” But Brentano said, “Judgment and feeling (which latter consists of emotions) are so different that the faculty of judgment could not be understood at all if one imagined that feeling played into it.” He meant that in this case something subjective would play into judgment, which ought to be purely objective.

Anyone who has a real understanding for these things will see from a dispute of this kind that neither the psychologists nor the logicians have discovered the real facts of the case, namely that the soul activities are always flowing into one another. Now consider what it is that should really be observed here. On the one hand we have judgment, which must of course form an opinion upon something quite objective. The fact that man should be good must not be dependent on our subjective feeling. The content of the judgment must be objective. But when we form a judgment something else comes into consideration which is of a different character. Those things which are objectively correct are not on that account consciously present in our souls. We must first receive them consciously into our soul. And we cannot consciously receive any judgment into our soul without the co-operation of feeling. Therefore, we must say that Brentano and Sigwart should have joined forces and said: True, the objective content of the judgment remains firmly fixed outside the realm of feeling, but in order that the subjective human soul may become convinced of the rightness of the judgment, feeling must develop.

From this you will see how difficult it is to get any kind of exact concepts in the inaccurate state of philosophic study which prevails to day. One must rise to a different level before one can reach such exact concepts, and there is no education in exact concepts to-day except by way of spiritual science. External science imagines that it has exact concepts, and rejects what anthroposophical spiritual science has to give, because it has no conception that the concepts arrived at by spiritual science are by comparison more exact and definite than those commonly in use to-day, since they are derived from reality and not from a mere playing with words.

When you thus trace the element of feeling on the one hand in cognition, in mental picturing, and on the other hand in willing, then you will say: feeling stands as a soul activity midway between cognition and willing, and radiates its nature out in both directions. Feeling is cognition which has not yet come fully into being, and it is also will which has not yet fully come into being; it is cognition in reserve, and will in reserve. Hence feeling also, is composed of sympathy and antipathy, which—as you have seen—are only present in a hidden form both in thinking and in willing. Both sympathy and antipathy are present in cognition and in will, in the working together of nerves and blood in the body, but they are present in a hidden form. In feeling they become manifest.

Now what do the manifestations of feeling in the body look like? You will find places all over the human body where the blood vessels touch the nerves in some way. Now wherever blood vessels and nerves make contact feeling arises. But in certain places, e.g., in the senses, the nerves and the blood are so refined that we no longer perceive the feeling. There is a fine undercurrent of feeling in all our seeing and hearing, but we do not notice it, and the more the sense organ is separated from the rest of the body, the less do we notice it. In looking, in the eye's activity, we hardly notice the feelings of sympathy and antipathy because the eye, embedded in its bony hollow, is almost completely separated from the rest of the organism. And the nerves which extend into the eye are of a very delicate nature and so are the blood vessels which enter into the eye. The sense of feeling in the eye is very strongly suppressed.

In the sense of hearing it is less suppressed. Hearing has much more of an organic connection with the activity of the whole organism than sight has. There are numerous organs within the ear which are quite different from those of the eye, and the ear is thus in many ways a true picture of what is at work in the whole organism. Therefore the sense activity which goes on in the ear is very closely accompanied by feeling. And here even people who are good judges of what they hear find it difficult to discriminate clearly—especially in the artistic sphere—between what is purely thought-element and what is really feeling. This fact explains a very interesting historical phenomenon of recent times, one which has even influenced actual artistic production.

You all know the figure of Beckmesser in Richard Wagner's “Meistersinger.” What is Beckmesser really supposed to represent? He is supposed to represent a musical connoisseur who quite forgets how the feeling element in the whole human being works into the thought element in the activity of hearing. Wagner, who represented his own conceptions in Walther, was, quite one-sidedly, permeated with the idea that it is chiefly the feeling element that should dwell in music. In the contrast between Walther and Beckmesser, arising out of a mistaken conception—I mean mistaken on both sides—we see the antithesis of the right conception, viz. that feeling and thinking work together in the hearing of music. And this came to be expressed in a historical phenomenon, because as soon as Wagnerian art appeared, or became at all well known, it found an opponent in the person of Eduard Hanslick of Vienna, who looked upon the whole appeal to feeling in Wagner's art as unmusical. There are few works on art which are so interesting from a psychological point of view as the work of Eduard Hanslick On Beauty in Music. The chief thought in this book is that whoever would derive everything in music from a feeling element is no true musician, and has no real understanding for music: for a true musician sees the real essence of what is musical only in the objective joining of one tone with another, and in Arabesque which builds itself up from tone to tone, abstaining from all feeling. In this book, On Beauty in Music Hanslick then works out with wonderful purity his claim that the highest type of music must consist solely in the tone-picture, the tone Arabesque. He pours unmitigated scorn upon the idea which is really the very essence of Wagnerism, namely that tunes should be created out of the element of feeling. The very fact that such a dispute as this between Hanslick and Wagner could arise in the sphere of music is a clear sign that recent psychological ideas about the activities of the soul have been completely confused, otherwise this one-sided idea of Hanslick's could never have arisen. But if we recognise the one-sidedness and then devote ourselves to the study of Hanslick's ideas which have a certain philosophical strength in them, we shall come to the conclusion that the little book On Beauty in Music is very brilliant.

From this you will see that, regarding the human being for the moment as feeling being, some senses bear more, some less of this whole human being into the periphery of the body, in consciousness.

Now in your task of gaining educational insight it behoves you to consider something which is bringing chaos into the scientific thinking of the present day. Had I not given you these talks as a preparation for the practical reforms you will have to undertake, then you would have had to plan your educational work for yourselves from the pedagogical theories of to-day, from the existing psychologies and systems of logic and from the educational practice of the present time. You would have had to carry into your schoolwork the customary thoughts of the present day. But these thoughts are in a very bad state even with regard to psychology. In every psychology you find a so-called theory of the senses. In investigating the basis of sense-activity the psychologist simply lumps together the activity of the eye, the ear, the nose, etc., all in one great abstraction as “sense-activity.” This is a very grave mistake, a serious error. For if you take only those senses which are known to the psychologist or physiologist of to-day and consider them in their bodily aspect alone, you will notice that the sense of the eye is quite different from the sense of the ear. Eye and ear are two quite different organisms—not to speak of the organisation of the sense of touch which has not been investigated at all as yet, not even in the gratifying manner in which eye and ear have been investigated. But let us keep to the consideration of the eye and ear. They perform two quite different activities so that to class seeing and hearing together as “general sense-activity” is merely “grey theory.” The right way to set to work here would be to speak from a concrete point of view only of the activity of the eye, the activity of the ear, the activity of the organ of smell, etc. Then we should find such a great difference between them that we should lose all desire to put forward a general physiology of the senses as the psychologies of to-day have done.

In studying the human soul we only gain true insight if we remain within the sphere which I have endeavoured to outline in my Truth and Science, and also in The Philosophy of Freedom. Here we can speak of the soul as a single entity without falling into abstractions. For here we stand upon a sure foundation; we proceed from the point of view that man lives his way into the world, and does not at first possess the whole of reality. You can study this in Truth and Science, and in The Philosophy of Freedom. To begin with man has not the whole reality; he has first to develop himself further, and in this further development what formerly was not yet reality becomes true reality for him through the interplay of thinking and perception. Man first has to win reality. In this connection Kantianism, which has eaten its way into everything, has wrought the most terrible havoc. What does Kantianism do? First of all it says dogmatically: we look out upon the world that is round about us, and within us there lives only the mirrored image of this world. And so it comes to all its other deductions. Kant himself is not clear as to what is in the environment which man perceives. For reality is not within the environment, nor is it in phenomena: only gradually, through our own winning of it, does reality come in sight, and the first sight of reality is the last thing we get. Strictly speaking, true reality would be what man sees in the moment when he can no longer express himself, the moment in which he passes through the gateway of death.

Many false elements have entered into our civilisation, and these work at their deepest in the sphere of education. Therefore we must strive to put true conceptions in the place of the false. Then, also, shall we be able to do what we have to do for our teaching in the right way.

Up to now we have tried to understand the human being from the point of view of the soul, in so far as this understanding is necessary in the education of the child. We must keep the three standpoints distinct—the standpoints of spirit, of soul and of body, and, in order to arrive at a complete anthropology, we shall study the human being from all three. The first to be taken is the psychic, or soul point of view because this is nearest to man in his ordinary life. And you will have felt that in taking sympathy and antipathy as principal concepts for the understanding of man we have been directing our attention to the soul. It will not answer our purpose if we pass straight over from the psychical to the physical, for we know, from what spiritual science has told us, that the physical can only be understood when it is looked upon as a revelation of the spiritual and also of the soul. Therefore to what we have already sketched in general lines as a study of the soul we will now add a contemplation of the human being from the point of view of spirit, and finally we shall come to a real “anthropology,” as it is now called, a consideration of the human being as he appears in the external physical world.

If you want to examine the human being effectively from any point of view you must return again and again to the separation of man's soul activities into cognition (which takes place in thought) and into feeling and willing. Up till now we have considered thinking (or cognition), feeling and willing in the light of antipathy and sympathy. Now we will study willing, feeling and cognition from the point of view of the spirit.

From the spiritual point of view, also, you will find a difference between willing, feeling and thinking-knowing. If I may speak pictorially (for the pictorial element will help us to form the right concepts): when you have knowledge through thought you must feel that in a certain way you are living in the light. You cognise, and you feel yourself with your ego right in the midst of this activity of cognition. It is as though every part, every bit of the activity which we call cognition, were there within all that your ego does; and again what your ego does is there within the activity of cognition. You are entirely in the light; you live in a fully conscious activity, if I may express myself in such a concept. And it would be bad indeed if you were not in a fully conscious activity in cognising. Suppose for a moment that you had the feeling that while you were forming a judgment something happened to your ego somewhere in the subconscious and that your judgment was the result of this process. For instance you say: “That man is a good man,” thus forming a judgment. You must be conscious that what you need in order to form this judgment—the subject “man” the predicate “is good”—are parts of a process which is clearly before you and which is permeated by the light of consciousness. If you had to assume that some demon or some mechanism of nature had tangled up the man with the “being good” while you were forming the judgment, then you would not be fully, consciously present in this act of thought, of cognition: in some part of the judgment you would be unconscious. That is the essential thing about thinking cognition, that you are present in complete consciousness in the whole warp and woof of its activity.

That is not the case in willing. You know that when you perform the simplest kind of willing, for instance walking, you are only really fully conscious in your mental picture of the walking. You know nothing of what takes place in your muscles whilst one leg moves forward after the other; nothing of what takes place in the mechanism and organism of your body. Just think of what you would have to learn of the world if you had to perform consciously all the arrangements involved when you will to walk. You would have to know exactly how much of the activity produced by your food in the muscles of your legs and other parts of your body is used up in the effort of walking. You have never reckoned out how much you use up of what your food brings to you. You know quite well that all this happens unconsciously in your bodily nature. When we “will” there is always something deeply, unconsciously present in the activity. This is not only so when we look at the nature of willing in our own organism. What we accomplish when we extend our will to the outer world, that, too, we do not by any means completely grasp with the light of consciousness.

Suppose you have here two posts set up like pillars. (See drawing.)

Imagine you lay a third post across the top of them. Now notice carefully, please, how much fully conscious knowing activity there is in what you have done; how much fully conscious activity such as there is when you pass the judgment “a man is good,” where you are right in the midst of it with your knowledge. Distinguish, please, what is present as the activity of cognition here from that of which you know nothing although you had to do it with all your will: why these two pillars through certain forces support the beam that is lying on them? Up to now physics has only hypotheses concerning this, and if men believe that they “know” why the two pillars support the beam they are under an illusion. All the concepts that exist of cohesion, adhesion, forces of attraction and repulsion are, at bottom, only hypotheses on the part of external knowledge. We count upon these external hypotheses in our actions; we are convinced that the two posts supporting the beam will not give way if they are of a certain thickness. But we cannot understand the whole process which is connected with this, any more than we can understand the movements of our legs when we move forwards. Here, too, there is in our willing an element that does not reach into our consciousness. Willing in all its different forms has an unconscious element in it.

And feeling stands midway between willing and thinking-cognition. Feeling is also partly permeated by consciousness, and partly by an unconscious element. In this way feeling on the one hand shares the character of cognition-thinking, and on the other hand the character of feeling or felt will. What is this then really from a spiritual point of view?

You will only arrive at a true answer to this question if you can grasp the facts characterised above in the following way. In our ordinary life we speak of being awake, of the waking condition of consciousness. But we only have this waking condition of consciousness in the activity of our knowing-thinking. If therefore you want to say absolutely correctly how far a human being is awake you will be obliged to say: A human being is really only awake as long and in so far as he thinks of or knows something.

What then is the position with regard to the will? You all know the sleep condition of consciousness—you can also call it, if you like, the condition of unconsciousness—you know that what we experience while we sleep, from falling asleep until we wake, is not in our consciousness. Now it is just the same with all that passes through our will as an unconscious element. In so far as we as human beings are beings of will, we are “asleep” even when we are awake. We are always carrying about with us a sleeping human being—that is, the willing man—and he is accompanied by the waking man, by the man of cognition and thought: in so far as we are beings of will we are asleep even from the time we wake up until we fall asleep. There is always something asleep in us, namely: the inner being of will. We are no more conscious of that than we are of the processes which go on during sleep. We do not understand the human being completely unless we know that sleep plays into his waking life, in so far as he is a being of will.

Feeling stands between thinking and willing, and we may now ask: How is it with regard to consciousness in feeling? That too is midway between waking and sleeping. You know the feelings in your soul just as you know your dreams, only that you remember your dreams and have a direct experience of your feelings. But the inner mood and condition of soul which you have with regard to your feelings is just the same as you have with regard to your dreams. Whilst you are awake you are not only a waking man in that you think and know, and a sleeping man in that you will: you are also a “dreamer” in that you feel. Thus we are really immersed in three conditions of consciousness during our waking life: the waking condition in its real sense in thinking and knowing, the dreaming condition in feeling, and the sleeping condition in willing. Seen from the spiritual point of view ordinary dreamless sleep is a condition in which a man gives himself up in his whole soul being to that to which he is given up in his willing nature during his daily life. The only difference is that in real sleep we “sleep” with the whole soul being, and when we are awake we only sleep with our will. In dreaming as it is called in ordinary life we are given up with our whole being to the condition of soul which we call the “dream” and in waking life we only give ourselves up in our feeling nature to this dreaming soul condition.

If you look at the matter in this way, from the educational point of view, you will not wonder that the children differ with regard to awakeness of consciousness. For you will find that children in whom the feeling life predominates are dreamy children; if thought is not fully aroused in such children they will certainly incline to dreaminess. This must be an incentive to you to work upon such children through strong feeling. And you can reasonably hope that these strong feelings will awaken clear thought in them, for, following the rhythm of life, everything that is asleep has the tendency sometime to awaken. If we have such a child, who broods dreamily in his feeling life, and we approach him with strong feelings, after some time these feelings awaken of themselves as thoughts.

Children who brood still more and are even dull in their feeling life, will reveal specially strong tendencies in their will life. By studying these things you bring knowledge to bear on many a problem in child life. You may get a child in school who behaves like a true dullard. If you were immediately to decide “That is a weak-minded, a stupid child,” if you tested him with experimental psychology, with wonderful memory tests and all the other things which are done now in psychological pedagogical laboratories, and if you then said, “stupid child in his whole disposition; belongs to the school for the feeble-minded, or to the now popular schools for backward children,” you would be very far from understanding the real nature of the child. It may be that the child has special powers in the region of the will; he may be one of those children who, out of his choleric nature will develop active energy in his later life. But at present the will is asleep. And if the thinking cognition in the child is destined not to appear until later, then he must be treated appropriately so that in his later life he may be able to work with active energy. At first he seems to be a veritable dullard, but it may be that he is not that at all. And you must know how to awaken the will in a child of this kind. That means that you must work into his waking sleep-condition, his will, in such a way that later on—because all sleeping has a tendency to change into waking—this sleep is gradually wakened up into conscious will, a will that is perhaps very strong, only it is at present overpowered by the sleeping element. You must treat a child of this kind by building as little as possible on his powers of knowing, on his understanding, but by “hammering” in some things which will work strongly on the will, by letting him walk while he speaks. You will not have many such children, but in a case of this kind you can call the child out from the class—which will be stimulating to the other children, and educative for the child himself—and get him to say sentences and accompany his words by movements. Thus: “The (step) man (step) is (step) good (step).” In this way you combine the whole human being in the will element with the merely intellectual element in cognition, and you can gradually bring it about that the will is awakened into thought in such a child. It is not until we realise that in the waking human being we have to do with different conditions of consciousness, with waking, dreaming, and sleeping, that we are brought to a true knowledge of our task with regard to the growing child.

But now we can put this question: How is the true centre of the human being, the ego, related to these different conditions? The easiest way to arrive at a true answer to this is to postulate—what is indeed undeniable—that what we call the world, the cosmos, is a sum of activities. These activities express themselves for us in the different spheres of elemental life. We know that forces are at work in this elemental life. Life-force, for instance, is at work all around us. And between the elemental forces and life-force there is inwoven all that warmth and fire produces. Just think what an important part fire plays in our environment.

In certain parts of the world, for instance in South Italy, you only need to light a ball of paper and immediately great clouds of smoke will begin to rise out of the earth. Why does this happen? It happens because when you light the ball of paper and thus produce warmth you rarefy the air in this place, and what is usually at work in the forces under the surface of the earth becomes perceptible through the ascending smoke: the very moment you light the paper ball and throw it on the earth, you are standing in a cloud of smoke. That is an experiment that can be made by every traveler who goes into the neighbourhood of Naples. This is an example to show you that if we do not look at the world superficially we must recognise that our whole environment is permeated by forces.

Now there are also higher forces than warmth. They too are round about us. We walk among them continually in going about the world as physical men. Indeed our physical bodies are so constituted that we can endure this, though we are unaware of it in our ordinary knowledge. With our physical body we can pass through the world in this way.

With our ego, the youngest member of the human being, we could not pass through these world forces if this ego were to give itself up directly to them. This ego cannot give itself up to all that is round it and in the midst of which it is placed. This ego must still be guarded from having to pour itself out into the world forces. In course of time it will evolve so that it will be able to enter into these world forces. But it cannot do so yet. It is necessary, therefore, that in our fully awakened ego we be not forced to enter into the real world that is around us, but only into the image of that world. Hence in our thinking-cognition we have only images of the world—as already described when speaking from the point of view of the soul. Now we view it also from the point of view of spirit.

In thinking-cognition we live in images; and, in our present stage of evolution, while we live between birth and death in our fully wakened ego—it is only in images of the cosmos that we human beings can live, not yet in the real cosmos. Therefore when we are awake our body has to produce images of the cosmos for us. And then our ego dwells in these images.

Psychologists take endless trouble to define the relation between body and soul: they speak of the interplay between body and soul, of psycho-physical parallelism and many other things. All these are in reality childish concepts. For the process really at work is this: when the ego in the morning passes over into the waking condition, it enters into the body, but not into the physical processes of the body, only into the world of images, which the body creates from out of the external processes in the very depths of its being. In this way thinking-cognition is communicated to the ego.

In feeling it is different. There the ego does enter into the real body, not only into the images. But if, as it enters into the body, it were fully conscious, then (remember this is spoken now of the soul) it would literally “burn up” in the soul. If the same thing happened to you in feeling that happens to you in thinking when you penetrate with your ego into the images which your body has produced in you, you would burn up in your soul. You could not bear it. This penetration which is proper to feeling can only be experienced by you in a dreaming, dulled condition of consciousness. It is only in a dream that you can bear what really happens in your body in the process of feeling.

And what happens in willing you can only experience in a sleeping condition. You would experience something most terrible if in your ordinary life you were obliged to participate in all that happens when you will. The most terrible pain would lay hold of you if, for instance, as I have already indicated, you really had to experience how the forces brought to your organism by your food are used up in your legs when you walk. It is lucky for you that you do not experience this, or rather that you only experience it in a condition of sleep. For if you were awake it would mean the greatest pain imaginable, a fearful pain.

Hence you will understand it if I now characterise the life of the ego during what is usually called waking consciousness—which comprises: complete waking, dreaming-waking, sleeping-waking—you will understand it if I characterise what the ego actually experiences while it is living in the body in the ordinary waking condition. This ego lives in “thinking-cognition” in that it wakes up into the body; here it is fully awake. But it lives in it only in images. Hence man between birth and death lives in images only, when using his thinking-cognition unless he does such exercises as are indicated in my book Knowledge of the Higher Worlds and How to Attain It.

Next the ego, in awaking, also sinks into those processes which condition feeling. In feeling life we are not fully awake, but dreaming-awake. How do we actually experience what we go through in feeling in this dream-waking condition? We actually experience it as what has been called “Inspiration,” inspired—unconsciously inspired—mental pictures. In the artist this is the centre whence rises all that comes out of the feelings into waking consciousness. There it is first worked through. There too are worked through all those “inklings,” which turn to image in waking consciousness. The “Inspirations” spoken of in my book Knowledge of the Higher Worlds and How to Attain It are the same as these; only that the experience of the unconscious inspirations deep within the feeling life of every man is lifted, in these, into clarity and full consciousness.

And when especially gifted people speak of their inspirations they really speak of that which the world has laid into their feeling life and has avowed to come into their fully awake consciousness by means of their capacities. It is a matter of world content, no less than thought content is world content. But in the life between birth and death these unconscious inspirations reflect world processes which we can only experience in dreaming, for if we experienced them otherwise our ego would burn up in these processes, or rather it would suffocate. You sometimes find suffocation setting-in in abnormal conditions. Suppose you have a nightmare. This means that the interplay between man and the outer air has come into consciousness in an abnormal way because something in this interplay is out of order. In trying to enter the ego consciousness it does not become conscious as a normal mental picture, but as a tormenting picture, as a nightmare. And just as this abnormal breathing in a nightmare is tormenting, so the breathing process as a whole would be torment if man experienced his breathing with full consciousness. He would experience it in feeling, but it would be torment to him. For this reason it is dulled, and so it is not experienced as a physical process, but only in the dreamlike feeling.

And as to the processes which take place in willing as I have already indicated to you they would mean fearful pain. So that we can add a third statement: the ego in action of the will is asleep. What a man really experiences in such action, with a greatly dimmed consciousness (a sleeping consciousness in fact), is unconscious intuitions. A human being has unconscious intuitions continually; but they live in his will. He is asleep in his will. Therefore in ordinary life he cannot call up these intuitions; it is only at auspicious moments in life that they well up. Then in a dim way the human being participates in the spiritual world.

Now there is something remarkable in the ordinary life of man. We all know the full consciousness in complete awakeness that we have in our thinking-cognition. Here we are, so to speak, in the clear light of consciousness; here we find certitude. But you know that people when thinking about the world, sometimes say: “We have intuitions.” Vague feelings emanate from these intuitions. What people then relate is often very confused, but it can also be, unconsciously, quite well-ordered. Finally when a poet speaks of his intuitions, that is entirely right for he does not produce them immediately from the region nearest to him—from the inspired representations of his feeling life—but he brings them forth, these completely unconscious intuitions, from the region of his sleeping will.

Anyone who looks deeply into these things sees that what appear as the chances of life, are governed by deep laws. For instance, when you read the second part of Goethe's “Faust” you want to study deeply how the structure of this remarkable verse could be achieved. Goethe was already old when he wrote the second part of his “Faust”—at least the greater part of it. This was how it was written: His secretary John sat at the writing table and wrote what Goethe dictated. If Goethe had had to write it down himself he would probably not have been able to produce such marvelously chiseled verses in the second part of his “Faust.” While he was dictating in his little room in Weimar, Goethe continuously walked up and down, and this walking up and down is part and parcel of the conception of the second part of “Faust.” While Goethe was producing this unconscious willed activity in walking, something of his intuitions pressed upwards and this outer motion brought to light what the other man wrote down for him on paper.

If you want to make a diagram of the life of the ego in the body it is possible to make it in the following way:

but if you do this you will not be able to make it clear why intuition, of which men speak instinctively, comes up more readily to the image knowing of every day than the inspired feeling which lies nearer to us. If you now want to draw the diagram correctly (for the above is not correct) you must draw it in the following way, and then you will be able to understand the facts more easily. For then you will say: knowing in images descends in the direction of arrow 1 into inspirations, and it comes up again out of intuitions (arrow 2). But this knowing, which is indicated by arrow 1 is the descent into the body.

And now observe yourself; you are at first quite quiet, sitting or standing, giving yourself up to thinking-cognition, to the observation of the external world. There you live in images. What further the ego experiences in the outward processes descends into the body—first into the feeling, then into the will. You do not notice what is in your feeling; neither at first do you notice what is in your will. Only, when you begin to walk, when you begin to act, what you first observe outwardly is not the feeling but the will. And then in the descent into the body and the re-ascent, which happens in the direction of arrow 2, it is nearer for intuitive willing to come to the image consciousness than for the dreaming inspired feeling. Hence you will find that people so often say: “I have a vague intuition.” In such a case what are called intuitions in my book Knowledge of the Higher Worlds and How to Attain It are being confused with the superficial intuition of ordinary consciousness.

Now you will be able to understand something of the formation of the human body. Imagine to yourself for a moment that you are walking but observing the world. Imagine to yourself that it was not your lower body that was walking with your legs, but that your head had your legs directly attached to it and that it had to walk itself. Then your observing of the world and your willing would be woven into a unity, and the result would be that you could only walk in a sleeping condition. Because your head is placed upon your shoulders and upon the remaining part of your body, it is at rest there. It is at rest, and since you only move with these other parts of your body, you carry your head. Now the head must be able to rest on the body, otherwise it could not be the organ of thinking-cognition. It must be withdrawn from the sleeping-willing; for the moment you brought it into movement, brought it out of relative rest into independent movement, it would fall asleep. It allows the body to carry out the real willing, and it lives in this body as in a carriage and allows itself to be conveyed by this carriage. And it is only because the head allows itself, as in a carriage, to be conveyed by the body, and because it acts while it is being conveyed during the resting condition, that the human being is awake in action. It is only when you see things in such connections as these that you can come to a true understanding of the form of the human body.

Your task is to gain an insight into what the human being really is. Up to now in our survey of general pedagogy we have endeavoured to comprehend this nature of man first of all from the point of view of the soul and then from that of the spirit. To-day we will continue from the latter point of view. We shall of course continually have to refer to the conceptions of pedagogy, psychology and the life of the soul, which are current in the world to-day; for in course of time you will have to read and digest the books which are published on pedagogy and psychology, as far as you have time and leisure to do so.

If we consider the human being from the point of view of the soul, we lay chief stress on discovering antipathies and sympathies within the laws which govern the world; but if we consider the human being from the spiritual point of view, we must lay the chief stress on discovering the conditions of consciousness. Now yesterday we concerned ourselves with the three conditions of consciousness which hold sway in the human being: namely, the full waking consciousness, dreaming and sleeping: and we showed how the full waking consciousness is really only present in thinking-cognition; dreaming in feeling; and sleeping in willing.

All comprehension is really a question of relating one thing to another: the only way we can comprehend things in the world is by relating them to each other. I wish to make this statement concerning method at the outset. When we place ourselves into a knowing relationship with the world, we are first of all observing. Either we observe with our senses, as we do in ordinary life, or we develop ourselves somewhat further and observe with soul and spirit, as we can do in Imagination, Inspiration and Intuition. But spiritual observation too is “observation,” and all observation requires to be completed by our comprehension or conception. But we can only comprehend if we relate one thing to another in the universe and in our environment. You can form good conceptions of body, soul and spirit if you have the whole course of human life clearly before you. Only you must take into account that in this relating of things to each other, as I shall now explain, you have only the rudiments of comprehension. You will need to develop further the conceptions you arrive at in this manner.

For instance if you consider the child as he first comes into the world, if you observe his physical form, his movements, his expressions, his crying, his baby talk and so on—you will get a picture which is chiefly of the human body. But this picture will only be complete if you relate it to the middle age, and old age of the human being. In the middle age the human being is more predominantly soul, and in old age he is most spiritual. This last statement can easily be contended. People will certainly come and say: “But a great many old people become quite feeble-minded.” A favourite objection of materialism to those who speak of the soul and the spirit is that people get feeble-minded in old age, and, with true consistency, the materialists argue that even such a great man as Kant became feeble-minded in his old age. The statement of the materialists and the fact are quite right. Only they do not prove what they set out to prove. For even Kant, when he stood before the gate of death, was wiser than in his childhood; only in childhood his body was capable of receiving all that came out of his wisdom, and thereby it could become conscious in his physical life. But in old age the body became incapable of receiving what the spirit was giving it. The body was no longer a proper instrument for the spirit. Therefore on the physical plane Kant could no longer come to a consciousness of what lived in his spirit. In spite of the apparent force of the above-mentioned argument, then, we must be quite clear that in old age men become wise and spiritual and that they come near to the Spirits. Therefore in the case of people who, right into their old age, can preserve elasticity and life power for their spirit, we must recognise the beginnings of spiritual qualities. For there are such possibilities.

In Berlin there were once two professors. One was Michelet the disciple of Hegel, who was over ninety years old. And as he was considerably gifted he only got as far as being Honorary Professor, but although he was so old he still gave lectures Then there was another called Zeller, the historian of Greek philosophy. Compared with Michelet he was a mere boy, for he was only seventy. But everybody said how he was feeling the burden of age, how he could no longer give lectures, or, in any case, was always wishing to have them reduced. To this Michelet always said: “I can't understand Zeller; I could give lectures all day long, but Zeller, though still in his youth, is always saying that it is getting too much of a strain for him!” So you see one may find isolated examples only of what I have stated about the spirit in old age; yet it really is so.

If, on the other hand, we observe the characteristics of the human being in middle age, we shall get a first basis for our observations of the soul. For this reason, too, a man in middle life is more able, as it were, to belie the soul element. He can appear to be either soulless or very much imbued with soul. For the soul element lies within the freedom of man, even in education. The fact that many people are very soulless in middle life does not prove that middle age is not the age of the soul. If you compare the bodily nature of the child—kicking and sprawling and performing unconscious actions—with the quiet contemplative bodily nature of old age, you have on the one hand a body that shows its bodily side predominantly, in the child, and on the other hand you have a body that as it were withdraws its bodily side in old age, a body that to a certain degree belies its own bodily nature.

Now if we turn our attention more to the soul life we shall say: the human being bears within him thinking-cognition feeling and willing. When we observe a child the impression we get of the child's soul shows a close connection between willing and feeling. We might say that willing and feeling have grown together in the child. When the child kicks and tumbles about he is making movements which precisely correspond to his feelings at the moment; he is not capable of keeping his movements and his feelings separate.

With an old man the opposite is the case: thinking-cognition and feeling have grown together within him, and willing stands apart, independently. Thus human life runs its course in such a way that feeling, which is at first bound up with willing, gradually frees itself from it. And a good deal of education is concerned with this, with this freeing of the feeling from the will. Then the feeling which has been freed from willing unites itself with thinking-cognition. And this is the concern of later life. We can only prepare the child rightly for his later life if we bring about the proper release of feeling from willing; then in a later period of life as a grown man or woman he will be able to unite this released feeling with thinking-cognition, and thus be fitted for his life. Why is it that we listen to an old man, even when he is relating his life history? It is because in the course of his life he has united his personal feeling with his concepts and ideas. He is not telling us theories: he is really telling us about the feelings which he personally has been able to unite with his ideas and concepts. With the old man, who has really united his feelings with thinking-cognition, the concepts and ideas ring true; they are filled with warmth, and permeated with reality; they sound concrete and personal. Whilst with those who have ceased to develop beyond the stage of middle-aged manhood or womanhood the concepts and ideas sound theoretical, abstract, scientific. It is an essential factor of human life that the evolution of soul powers runs a certain course; for the feeling-willing of the child develops into the feeling-thinking of the old man. Human life lies between the two, and we can only give an education befitting this human life when our study of the soul includes this knowledge.

Now we must take notice that something arises straight-away whenever we begin to observe the world—indeed in all psychologies it is described as the first thing that occurs in observation of the external world; and that is sensation. When any one of our senses comes into touch with the environment, it has a sensation. We have sensations of colour, tones, warmth and cold. Thus sensation enters into our contact with our environment.

But you cannot get a true conception of sensation from the way it is described in current books on psychology. When the psychologists speak of sensation they say: in the external world a certain physical process is going on, vibrations in the light ether or waves in the air; this streams on to our sense organ and stimulates it. People speak of stimulus, and they hold to the expression they form, but will not make it comprehensible. For through the sense organ the stimulus releases sensation in our souls, the wholly qualitative sensation which is caused by the physical process (for example by the vibration of air waves in hearing). But how this comes about neither psychology nor present-day science can tell us. This is what we generally find in psychological books.

You will be brought nearer to an understanding of these things than you will by these psychological ideas, if, having insight into the nature of sensations themselves, you can yourself answer the question: to which of the soul forces is sensation really most closely related? Psychologists make light of it; they glibly connect sensation with cognition, without more ado, and say: first we have a sensation, then we perceive, then we make mental pictures, form concepts and so on. This indeed is what the process appears at first to be. But this explanation leaves out of account what the nature of sensation really is.

If we consider it with a sufficient amount of self-observation we shall recognise that sensation is really of a will nature with some element of feeling nature woven into it. It is not really related to thinking-cognition, but rather to feeling-willing or willing-feeling. It is of course impossible to be acquainted with all the countless psychologies there are in the world to-day, and I do not know how many of them have grasped anything of the relationship between sensation and willing-feeling or feeling-willing. It would not be quite exact to say that sensation is related to willing; rather it is related to willing-feeling or feeling-willing. But there is at least one psychologist, Moritz Benedikt of Vienna, who especially distinguished himself by his power of observation, and who recognised in his psychology that sensation is related to feeling.

Other psychologists certainly set very little store by this psychology of Moritz Benedikt, and it is true that there is something rather peculiar about it. Firstly, Moritz Benedikt is by vocation a criminal-anthropologist; and he proceeds to write a book on psychology. Secondly, he is a naturalist—and writes about the importance of poetic works of art in education, in fact he analyses poetic works of art to show how they can be used in education. What a dreadful thing! The man sets up to be a scientist, and actually imagines that psychologists have something to learn from the poets! And thirdly, this man is a Jewish naturalist, a scientific Jew, and he writes a book on Psychology and deliberately dedicates it to Laurenz Mullner, a priest, the Catholic philosopher of the theological faculty in the University of Vienna (for he still held this post at that time). Three frightful things, which make it quite impossible for the professional psychologists to take the man seriously. But if you were to read his books on psychology, you would find so many single apt ideas, that you would get much from them, although you would have to repudiate the structure of his psychology as a whole, his whole materialistic way of thought—for such it is indeed. You would get nothing at all from the book as a whole, but a great deal from single observations within it. Thus you must seek the best in the world wherever it is to be found. If you are a good observer of details, but are put off by the general tendency of Moritz Benedikt's work, you need therefore not necessarily repudiate the wise observations that he makes.

Thus sensation, as it appears within the human being, is willing-feeling or feeling-willing. Therefore we must say that where man's sense sphere spreads itself externally—for we bear our senses on the periphery of our body, if I may express it rather crudely—there some form of feeling-willing and willing-feeling is to be found. If we draw a diagram of the human being (and please note it is only a diagram) we have here on the outer surface, in the sphere of the senses, willing-feeling and feeling-willing. (see drawing further on) What then do we do on this surface when feeling-willing and willing-feeling is present, in so far as this surface of the body is the sphere of the senses? We perform an activity which is half-sleeping, half dreaming; we might even call it a dreaming-sleeping, a sleeping-dreaming. For we do not only sleep in the night, we are continually asleep on the periphery, on the external surface of our body, and the reason why we as human beings do not entirely comprehend our sensations, is because in these regions where the sensations are to be found we are only dreaming in sleep, or sleeping in dreams. The psychologists have no notion that what prevents them from understanding the sensations is the same thing as prevents us from bringing our dreams into clear consciousness when we wake in the morning. You see, the concepts of sleeping and dreaming have a meaning which differs entirely from that we would give them in ordinary life. All we know about sleeping in ordinary life is that when we are in bed at night we go to sleep. We have no idea that this sleeping extends much further, and that we are always sleeping on the surface of the body, although this sleeping is constantly being penetrated by dreams. These “dreams” are the sensations of the senses, before they are taken hold of by the intellect and by thinking-cognition.

You must seek out the sphere of willing and feeling in the child's senses also. This is why we insist so strongly in these lectures that while educating intellect we must also work continually on the will. For in all that the child looks at and perceives we must also cultivate will and feeling; otherwise we shall really be contradicting the child's sensations. It is only when we address an old man, a man in the evening of his life, that we can think of the sensations as having already been transformed. In the case of the old man sensation has already passed over from feeling-willing to feeling-thinking or thinking-feeling. Sensations have been somewhat changed within him. They have more of the nature of thought and have lost the restless nature of will—they have become more calm. Only in old age can we say that sensations approach the realm of concepts and ideas.

Most psychologists do not make this fine distinction in sensations. For them the sensations of old age are the same as those of the child, for sensations for them are simply sensations. That is about as logical as to say: the razor (Rasermesser) is a knife (Messer), so let us cut our meat with it, for a knife is a knife. This is taking the concept from the verbal explanation. This we should never do, but rather take the concept from the facts. We should then discover that sensation has life, that it develops, and in the child it has more of a will nature, in the old man more of an intellectual nature. Of course it is much easier to deduce everything from words; it is for this reason that we have so many people who can make definitions, some of which can have a terrible effect on you.

On one occasion I met a schoolfellow of mine, after we had for some time been separated and had gone our several ways. We had been at the same primary school together; I then went to the Grammar School (Realschule) and he to the Teachers' Training College, and what is more to a Hungarian College—and that meant something in the seventies. After some years we met and had a conversation about light. I had already learnt what could be learnt in ordinary physics, that light has something to do with ether waves, and so on. This could at least be regarded as a cause of light. My former schoolfellow then added: “We have also learnt what light is. Light is the cause of sight!” A hotchpotch of words! It is thus that concepts become mere verbal explanations. And we can imagine what sort of things the pupils were told when we learn that the gentleman in question had later to teach a large number of pupils, until at last he was pensioned off. We must get away from the words and come to the spirit of things. If we want to understand something we must not immediately think of the word each time, but we must seek the real connections. If we look up the derivation of the word Geist (spirit) in Fritz Mauthner's History of Language to discover what its original form was, we shall find it is related to Gischt (“froth” or “effervescence”) and to “gas.” These relationships do exist, but we should not get very far by simply building on them. But unfortunately this method is covertly applied to the Bible and therefore with most people, and especially present-day theologies, the Bible is less understood than any other book.

The essential thing is that we should always proceed according to facts, and not endeavour to get a conception of spirit from the derivation of the word, but by comparing the life in the body of a child with the life in the body of an old person. By means of this connecting of one fact with another we get true conception.

And thus we can only get a true conception of sensation if we know that it is able to arise as willing-feeling or feeling-willing in the bodily periphery of the child, because compared with the more human inward side of the child's being this bodily periphery is asleep and dreaming in its sleep. Thus you are not only fully awake in thinking-cognition, but you are also only awake in the inner sphere of your body. At the periphery or surface of the body you are perpetually asleep. And further: that which takes place in the environment, or rather on the surface of the body, takes place in a similar way in the head, and increases in intensity the further we go into the human being into the blood and muscle elements. Here, too, man is asleep and also dreaming. On the surface man is asleep and dreaming, and again towards the inner part of his body he is asleep and dreaming. Therefore what is more of a soul nature, willing-feeling, feeling-willing, our life of desires and so on, remain in the inner part of our body in a dreaming sleep.

Where then are we fully awake? In the intervening zone, when we are entirely wakeful. Now you see that we are proceeding from a spiritual point of view, by applying the facts of waking and sleeping to man even in a spatial way, and by relating this to his physical form so that we can say: from a spiritual point of view the human being is so constituted that at the surface of the body and in his central organs he is asleep and can only be really awake in the intervening zone, during his life between birth and death. Now what are the organs that are specially developed in this intervening region?

Those organs, especially in the head, that we call nerves, the nerve apparatus. This nerve apparatus sends its shoots into the zone of the outer surface and also into the inner region where they again disperse as they do on the surface: and between the two there are middle zones such as the brain, the spinal cord and the solar plexus. Here we have the opportunity of being really awake. Where the nerves are most developed, there we are most awake. But the nervous system has a peculiar relationship to the spirit. It is a system of organs which through the functions of the body continually has the tendency to decay and finally to become mineral. If in a living human being you could liberate his nerve system from the rest of the gland-muscle-blood nature and bony nature—you could even leave the bony system with the nerves—then this nerve system in the living human being would already be a corpse, perpetually a corpse. In the nerve system the dying element in man is always at work. The nerve system is the only system that has no connection whatever with soul and spirit. Blood, muscles, and so on always have a direct connection with soul and spirit. The nerve system has no direct connection with these: the only way in which it has such a connection at all is by constantly leaving the human organisation, by not being present within it, because it is continually decaying. The other members are alive, and can therefore form direct connections with the soul and spirit; the nerve system is continually dying out, and is continually saying to the human being: “You can evolve because I am setting up no obstacle, because I see to it that I with my life am not there at all.” That is the peculiar thing about it. In psychology and physiology you find the following put forward; the organ that acts as a medium for sensation, thinking and the whole soul and spirit element, is the nerve system. But how does it come to be this medium? Only by continually expelling itself from life, so that it does not offer any obstacles to thinking and sensation, forms no connections with thinking and sensation, and in that place where it is it leaves the human being “empty” in favour of the soul and spirit, Actually there are hollow spaces for the spirit and soul where the nerves are. Therefore spirit and soul can enter in where these hollow spaces are. We must be grateful to the nerve system that it does not trouble about soul and spirit, and does not do all that is ascribed to it by the physiologists and psychologists. For if it did this, if for five minutes only the nerves did what the physiologists and psychologists describe them as doing, then in these five minutes we should know nothing about the world nor about ourselves; in fact we should be asleep. For the nerves would then act like those organs which bring about sleeping, which bring about feeling-willing, willing-feeling.

Indeed it is no easy matter to state the truth about physiology and psychology to-day, for people always say: “You are standing the world on its head.” The truth is that the world is already standing on its head, and we have to set it on its legs again by means of spiritual science. The physiologists say that the organs of thinking are the nerves, and especially the brain. The truth is that the brain and nerve system can only have anything to do with thinking-cognition through the fact that they are constantly shutting themselves off from the human organisation and thereby allowing thinking-cognition to develop.

Now you must attend very carefully to what I am going to say, and please bring all your powers of understanding to bear upon it. In the environment of man, where the sphere of the senses is, there are real processes at work which play their part unceasingly in the life of the world. Let us suppose that light is working upon the human being through the eye. In the eye, that is, in the sphere of the senses, a real process is at work, a physical-chemical process is taking place. This continues into the inner part of the human body, and finally indeed into that inner part where, once again, physical-chemical processes take place (the dark shading in the drawing). Now imagine that you are standing opposite an illumined surface and that rays of light are falling from this surface into your eye. There again physical-chemical processes arise, which are continued into the muscle and blood nature within the human being. In between there remains a vacant zone. In this vacant zone, which has been left empty by the nerve organ, no independent processes are developed such as that in the eye or in the inner nature of the human being; but there enters what is outside: the nature of light, the nature of colour. Thus, at the surface of our bodies where the senses are, we have material processes which are dependent on the eye, the ear, the organs which can receive warmth and so on: similar processes also take place in the inner sphere of the human being. But not in between, where the nerves spread themselves out: they leave the space free, there we can live with what is outside us. Your eye changes the light and colour. But where your nerves are, where as regards life there is only hollow space, there light and colour do not change, and you yourself are experiencing light and colour. It is only with regard to the sphere of the senses that you are separated from the external world: within, as in a shell, you yourself live with the external processes. Here you yourself become light, you become sound, the processes have free play because the nerves form no obstacle as blood and muscle do.

Now we get some feeling of how significant this is: we are awake in a part of our being which in contrast to other living parts may be described as a hollow space, whilst at the external surface and in the inner sphere we are dreaming in sleep, and sleeping in dreams. We are only fully awake in a zone which lies between the outer and inner spheres. This is true in respect to space.

But in considering the human being from a spiritual point of view we must also bring the time element of his life into relationship with waking, sleeping and dreaming. You learn something, you take it in and it passes into your full waking consciousness. Whilst you are occupying yourself with this thing and thinking about it, it is in your full waking consciousness. Then you return to your ordinary life. Other things claim your interest and attention. Now what happens to what you have just learnt, to what was occupying your attention? It begins to fall asleep; and when you remember it again, it awakens again. You will only get the right point of view about all these things when you substitute real conceptions for all the rigmarole's you read in psychology books about remembering and forgetting. What is remembering? It is the awakening of a complex of mental pictures. And what is forgetting? It is the falling asleep of the complex of mental pictures. Here you can compare real things with real experiences, here you have no mere verbal definitions. If you ponder over waking and sleeping, if you look at your own experience or another's on falling asleep, you have a real process before you. You relate forgetting, this inner soul activity, to this real process—not to any word—and you compare the two and say: forgetting is only falling asleep in another sphere, and remembering is only waking up in another sphere.

Only so can you come to a spiritual understanding of the world, by comparing realities with realities. Just as you have to compare childhood with old age to find the real relationship between body and soul, at least the elements of it, so in the same way you can compare remembering and forgetting by relating it to something real, to falling asleep and waking up.

It is this that will be so infinitely necessary to the future of mankind; that men accustom themselves to enter into reality. People think almost exclusively in words today; they do not think in real terms. How could a present-day man get at this conception of awakening which is the reality about memory? In the sphere of mere words he can hear of all kinds of ways of defining memory; but it will not occur to him to find out these things from the reality, from the thing itself.

Therefore you will understand that when people hear of something like the Threefold Organism of the State, which springs entirely out of reality and not out of abstract conceptions, they find it incomprehensible at first because they are quite unaccustomed to produce things out of reality. They do not connect any of their conceptions with getting things out of reality. And the people who do this least are the Socialist leaders in their theories; they represent the last word, the last stage of decadence in the realm of verbal explanations. These are the people who most of all believe that they understand something of reality, but when they begin to talk they make use of the veriest husks of words.

This was only an interpolation with reference to the current trend of our times. But the teacher must understand also the times in which he lives, for he has to understand the children who out of these very times are entrusted to him for their education.

We saw yesterday that we can only understand memory, the power of remembering, if we connect it with sleeping and waking, which are more open to outer observation. You will see from this that it must be our constant endeavour in our pedagogy to connect the unknown with the known, even in the formation of spiritual ideas.

You may say that sleeping and waking are actually even more obscure than remembering and forgetting, and therefore will not help much towards a comprehension of remembering and forgetting. Nevertheless, anyone who can observe carefully what man loses in disturbed sleep, can form some idea of the disturbance introduced into the soul when forgetting is not in a right relation to remembering. We know how in ordinary life if we do not sleep long enough the ego-consciousness becomes weaker and weaker, it becomes hypersensitive, too much given up to all the impressions of the outer world. Even when there is a relatively slight disturbance through sleep, or rather through lack of sleep, you can see that this is the case. Let us suppose that during one night you did not sleep well. I am supposing that your lack of sleep was not because you were particularly diligent and spent the night in working; then matters are different. But let us suppose that your sleep was disturbed by some bodily condition or by mosquitoes, in short by something more outside your soul. Then you would see that perhaps even on the next day things affect you more unpleasantly than usual. It has made you to some extent susceptible in your ego.

It is the same if we allow forgetting and remembering to play into our soul life in the wrong way. But when do we do this? When we cannot regulate our remembering and forgetting with our own will. There are very many people—and the disposition is seen even in early childhood—who doze through life. The outer things make an impression on them, and they give themselves up to these impressions, but they do not attend to them rightly; they allow the impressions to dart past them, as it were. They do not connect themselves properly with these impressions through their ego. And if they are not rightly given up to the outer world, then they also doze half asleep with regard to the mental pictures which rise up freely in them. They do not try of their own free will to call up the treasure of their mental pictures, when they are in need of it, in order properly to understand this or that; but they allow the thoughts, the mental pictures, which rise up from within to rise up of themselves. Sometimes this mental picture comes, sometimes that; but their own will has no special say in the matter. This is indeed the soul condition of many men, a condition which appears especially in this way in childhood.

It will help us to bring remembering and forgetting ever more under our control, if we know that in remembering and forgetting, conditions of sleeping and waking are playing into the waking life. How does remembering come about? It comes about in this way, that the will, in which we are asleep, takes hold of a mental picture down in the unconscious and raises it into consciousness. Just as the human ego and the astral body, when outside the physical and etheric bodies from the time of falling asleep until waking up, collect force in the spiritual world in order to refresh the physical and etheric bodies, so what is effected through the process of remembering comes from the force of the sleeping will. But the will is indeed “asleep.” and therefore you cannot give a child a direct training in the use of his will. For to try and make a child use his will, would be like admonishing him to be very good in his sleep, in order to bring this goodness into his life when he awakes again in the morning. Thus it is impossible to demand that this sleeping part, the sleeping will, should exert itself directly in single actions in order to regulate memory. What then can we do? Naturally we cannot demand that a person should by a single effort regulate his memory, but we can educate the whole man in such a way that he will develop habits in soul, body and spirit which conduce to such an exertion of the will on particular occasions. Let us look at this more in detail.

We will suppose that through our special treatment of the subject we awaken in the child a vivid interest in the animal kingdom. We shall naturally not be able to do this in a day. We must so plan our lessons that the interest we arouse for the animal world becomes greater and greater. The greater the interest such lessons arouse the more they affect the child's will; so that, when mental pictures of animals and ideas about them are required by the normally regulated memory, the will has the capacity to bring them forth from the subconscious, from the region of forgetting. Only by working through the force of habit and custom in man can you give order to his will and therewith also to his memory. In other words, you must understand how everything that awakens an intense interest in the child also contributes to a very great extent towards making his memory strong and efficient. For the power of the memory must be derived from the feeling and will and not from mere intellectual memory exercises.

But you will have seen from what I have explained that everything in the world, especially in the human world, is in a certain sense separated into different parts, and yet these parts work together. We cannot understand the human being with regard to his soul life if we do not divide the soul into thinking, or thinking-cognition, feeling and willing. But neither pure thinking-cognition, nor pure feeling, nor pure willing is ever present alone; the three always work together, weave together into a unity. And this is true of the whole human being even in the physical body.

I have pointed out to you that the human being is principally head in the head region, but that he is really all head: he is principally chest as a chest being, but he is all chest or breast-man, for the head too partakes of the chest nature, and so does the limb-man. The limb-man is principally limb-man, but really the whole human being is limb-man: for the limbs partake of the head nature and also of the chest nature: they take part, for example, in the breathing through the skin and if we want to come near to reality, especially the reality of human nature, we must be clear that all separation proceeds from unity: if we were only to recognise an abstract unity then we should learn to know nothing whatever. If we never differentiated, the whole world would remain vague, just as all cats are grey at night. Hence people who want to grasp everything in terms of abstract unities see the world grey in grey. On the other hand if we only differentiated, if we only separated, keeping everything apart, we should never come to a real knowledge: for then we should only understand the different parts, and knowledge would elude us.

Thus everything in man is partly of a knowing nature, partly of a feeling nature and partly of a willing nature. The knowing is principally knowing, but also of a feeling and willing nature; the feeling is principally feeling, but also of a knowing and willing nature: and the same is true of willing. We are now in a position to apply this to what we characterised yesterday as the sphere of the senses. In striving to understand what I am now going to bring before you, you must really lay aside all pedantry, otherwise you may perhaps find the most glaring contradiction to what I said before. But reality consists in contradictions. We do not understand reality unless we see the contradictions in the world.

The human being has altogether twelve senses. The reason that only five, six or seven senses are recognised in ordinary science, is that these five, six or seven senses are the most conspicuous, and the others which complete the twelve less conspicuous. I have often spoken of these twelve senses of the human being; we will call them to mind once more to-day. Usually people speak of the senses of hearing, warmth, sight, taste, smell, touch—and it even happens that the senses of warmth and touch are considered as one, which, in the realm of external objects would be something like regarding “smoke” and “dust” as one because they have the same-external appearance. It ought not to be necessary now to say that the senses of warmth and touch are two completely different ways in which a human being can relate himself to the world. But these are the senses differentiated by present-day psychologists with possibly the addition of the “sense of balance.” Some add yet another sense, but even so a complete physiology and psychology of the senses is not reached, because people do not observe that when a man perceives the ego of another human being he has a relationship to his environment similar to that which he has in the perception of a colour by the sense of sight.

In the present day people are inclined to mix everything up. When a man thinks of his conception of the ego, he thinks at once of his own soul-being and that usually satisfies him. Psychologists do almost the same thing. They do not consider in the least that it is one thing if I describe as “I” all that I experience as myself, the sum indeed of this experience, and that it is a completely different thing when I meet a man and through the kind of relationship I have with him describe him as an ego, an “I.” These are two quite different activities of the soul and spirit. In the first instance when I sum up the activities of my life in the comprehensive synthesis “I,” I have something purely inward; in the second instance when I meet another man and through my relationship to him discover that he too is something of the same kind as my ego, I have an activity before me which takes place in the interplay between me and the other man. Hence I must realise that the perception of my own ego within me is something different from the recognition of another man as an ego. The perception of the other ego depends upon the ego-sense just as the perception of colour depends upon the sense of sight, and the perception of sound upon the sense of hearing. The organ of seeing is open to our sight, but nature does not make it so easy for a man to see the organ which perceives the ego. But we might well use the word “to ego” (German: ichen) for the perception of other “I's” or egos as we use the word “to see” for the perception of colour. The organ for the perception of colour is external to man; the organ for the perception of egos is spread out over the whole human being and consists of a very fine substantiality, and on this account people do not talk about this “organ for perceiving the ego.” And this “organ for perceiving the ego” is a different thing from that whereby I experience my own ego. There is indeed a vast difference between the experience of my own ego and the perception of the ego in another. For the perception of the ego of another is essentially a process of knowledge, at least a process which is similar to knowledge, whereas the experience of a man's own ego is a process of will.

We have now come to the point where a pedant might feel very pleased. He might say: yesterday you said that the activities of all the senses were pre-eminently activities of the will: now you construe the ego sense and say that it is principally a sense of knowledge. But if you characterise the ego sense as I have tried to do in the new edition of my Philosophy of Freedom you will realise that this ego sense really works in a very complicated way. On what does the perception of the ego of the other man really depend? The theorists of the present day say things that are quite extraordinary. They say: you see the form of the outward man, you hear his voice, and moreover you know that you look human yourself like the other man, and that you have within you a being who thinks and feels and wills, who is thus also a man of soul and spirit. So you conclude by analogy: as there is in me a thinking, feeling and willing being, so is there also in the other man. A conclusion is drawn by analogy from myself to the other. This conclusion by analogy is simply foolishness. The inter-relationship between the one man and the other contains something quite different. When you confront another man something like the following happens. You perceive a man for a short time; he makes an impression on you. This impression disturbs you inwardly; you feel that the man, who is really a similar being to yourself, makes an impression on you like an attack. The result is that you “defend” yourself in your inner being, that you oppose yourself to this attack, that you become inwardly aggressive towards him. This feeling abates and your aggression ceases; hence he can now make another impression upon you. Then your aggressive force has time to rise again, and again you have an aggressive feeling. Once more it abates and the other makes a fresh impression upon you and so on. That is the relationship which exists when one man meets another and perceives his ego: giving yourself up to the other human being—inwardly warding him off; giving yourself up again—warding him off; sympathy—antipathy; sympathy—antipathy. I am not now speaking of the feeling life, but of what takes place in perception when you confront a man. The soul vibrates: sympathy—antipathy; sympathy—antipathy: they vibrate too. (You can read this in the new edition of Philosophy of Freedom.)

This however is not all. In that sympathy is active you sleep into the other human being; in that antipathy is active you wake up again, and so on. There is this quick alternation in vibrations between waking and sleeping when we meet another man. We owe this alternation to the organ of the ego sense. Thus this organ for the perception of the ego is organised in such a way that it apprehends the ego of another in a sleeping, not in a waking will and then quickly carries over this apprehension accomplished in sleep, to the region of knowledge, i.e., to the nervous system. Thus when we view the matter truly, the principal thing in the perception of another man is after all the will, but essentially a will which acts in a state of sleep, not waking. For we are constantly weaving moments of sleep into the act of perception of another ego. What lies between them is indeed knowledge that is immediately carried over into the domain of the nervous system. So that I can really call the perception of another a process of knowledge, but I must know that this process of knowledge is only a metamorphosis of a sleeping process of the will. Thus this sense process is really a process of the will, only we do not recognise it as such. We do not experience in conscious life all the knowledge which we experience in sleep.

As the next sense, but separated from the ego sense and from all other senses, we have to consider what I call the thought sense. The thought sense is not the sense for the perception of one's own thoughts, but for the perception of the thoughts of other men. Here too psychologists evolve most grotesque ideas. Above all, people are so very much influenced by the ideas of the connection of thought and speech that they believe that thought is always conveyed by means of speech. This is an absurdity. For with your thought sense you could perceive thoughts in external spatial gestures, just as easily as in spoken speech. Speech only mediates for the thoughts. You must perceive the thoughts in themselves through a special sense. And when the Eurythmy signs for all sounds are fully developed you need only see them done in Eurythmy to read the thoughts from the eurythmic movements, just as you take them in through hearing when they are spoken. In short, the thought sense is different from what is at work in the sense of sound for speech-sound. For next we have the sense of speech proper.

Then come the sense of hearing, the sense of warmth, the sense of sight, the sense of taste, the sense of smell and the sense of balance. We have, indeed, a sense-like consciousness that we live in balance. Through a certain inward sense like perception we relate ourselves to right and left, to forward and backward, we hold ourselves in balance so that we do not fall over. If the organ of our sense of balance is destroyed, we do fall over; we cannot then balance ourselves, any more than we can gain a contact with colour if the eye is destroyed. But not only have we a sense for the perception of balance, we have further a sense for our own movement, whereby we can tell whether we are at rest or in movement, whether our muscles are flexed or not. Thus besides the sense of balance we have the sense of movement and further still we have the sense of life, for the perception of the well-being of the body in the widest sense. Many people are indeed very dependent on this sense of life. They perceive if they have eaten too much or too little, and feel comfortable or uncomfortable accordingly, or they perceive whether they are tired or not, and again feel comfortable or uncomfortable as the case may be. In short the perception of the conditions of one's body is reflected in the sense of life.

Thus we get the table of the senses as twelve senses. The human being actually has twelve senses.

Now that we have disposed of the possibility of making pedantic objections to the knowledge character of some of the senses by recognising that this knowledge character rests in a subtle way upon the will, we can differentiate the senses yet further. First we have four senses; the sense of touch, sense of life, of movement and of balance. These senses are mainly penetrated by will activity. In the perception of movements by means of these senses the will works in. Feel how the will works into the perception of your movements, even when you carry out these movements while you are standing.

The will at rest also works into the perception of your balance. It works very strongly into the sense of life and it also works into the sense of touch, for when you touch anything it is really something taking place between your will and the environment. In short, you can say that the sense of balance, the sense of movement, the sense of life and the sense of touch are, in a limited aspect, senses of will. In the sense of touch a man sees externally that, for instance, he moves his hand when he touches anything, hence it is apparent to him that he has this sense. But it is not so apparent that he possesses the senses of life, of movement, and of balance. For since they are in special sense “will senses,” man is asleep with regard to these senses because he is asleep in his will. Indeed in most books on psychology you do not find these senses cited at all, because science itself is contentedly asleep to many things.

The next senses—sense of smell, sense of taste, sense of sight, sense of warmth—are chiefly feeling senses. It seems quite evident to ordinary consciousness that smelling and tasting are connected with feeling. This is not felt in the case of sight and warmth, and for a special reason. People do not perceive that the sense of warmth is very closely related to feeling rather they confuse it with the sense of touch. Things are wrongly confounded and wrongly differentiated. In reality the sense of touch belongs much more to the realm of will, whereas the sense of warmth is in the realm of feeling only. If people do not recognise the sense of sight as a feeling sense, it is because they have not carried out observations such as those for example, described in Goethe's Theory of Colour. There you have clearly set forth all that relates colour to feeling, and leads finally even to impulses of will. But how is it that people overlook the fact that in the sense of sight we have chiefly to do with feeling?

Actually we see things in the following way: in presenting an arrangement of colours to us, they show also the boundaries of these colours—lines and forms. But we do not usually attend to the way we actually perceive. If a man perceives a coloured circle he simply says: I see the colour, I see also the curve of the circle, the form of the circle. But there we have two completely different things looked upon as one. What you immediately perceive through the real activity of the eye apart from the other senses, is only the colour. You see the form of the circle by making use of the sense of movement in your sub-consciousness, and you make the form of the circle unconsciously in your etheric body, in your astral body, and then you raise it into knowledge. It is because the circle which you have taken in by means of your sense of movement comes up into knowledge, that what you have recognised as a circle connects itself with the colour which you perceive. Thus you call forth the form from your whole body by appealing to the sense of movement, which extends throughout your body. This matches what I have already explained to you: the human being actually executes geometrical forms in the cosmos and then raises them into knowledge.

Official science of the present day does not rise to an observation so fine as to distinguish between the seeing of colour and the perception of form with the help of the sense of movement, rather it mixes everything up. But in the future it will be impossible to educate through such confusion. For how is it possible to educate a child to use his sense of sight without knowing that the whole human being pours himself into the act of seeing by way of the sense of movement? This leads us on to another point: You are dealing with the act of seeing when you perceive coloured forms. This act of seeing, this perception of coloured forms is a complicated act. But since you are a unity you can re-unite in yourself what you have perceived in the two ways, through the eye and through the sense of movement. You would look at a red circle in a dull and blank way if you could not perceive the red in one way and the form of the circle in quite a different way. But you do not look upon it in a blank way because you look at it from two sides, the colour through the eye and the form with the help of the sense of movement, and life compels you to join the two together inwardly. There you form a judgment. And now you understand judgment as a living process in your own body, which comes about through the fact that the senses bring the world to you analysed into members. The world brings you what you experience divided into twelve separate members, and in your judgment you join the things together again because the separate parts do not want to continue as separate parts. The form of the circle is not content to remain mere form as it is to the sense of movement, neither is colour content to remain mere colour as it is perceived by the eye. The things compel you to combine them inwardly and you declare yourself to be inwardly ready to combine them. Thus the function of judgment becomes an expression of your whole being.

Now you see into the deep meaning of our connection with the world. If we had not twelve senses we should look at our environment like dullards, we should not be able to experience an inward judgment. But since we have twelve senses we have a fair number of possibilities of uniting what is separate. What the ego sense experiences we can connect with the other eleven senses, and that is true of each sense. In this way we get a large number of permutations in the combinations of the senses. Besides that, we have a great many possibilities through the fact that we can connect the ego sense for example with the thought sense and the speech sense and so on. There we see in what a mysterious way the human being is connected with the world. Through his twelve senses things are separated into their component parts, and the human being must attain the power to re-unite these component parts. In this way he participates in the inner life of the things. From this you will understand how infinitely important it is that man should be so educated that one sense should be developed with the same care as another, for then the connections between the senses, between the perceptions, will be sought quite consciously and systematically.

I have yet to add that the ego sense, thought sense, sense of hearing, and sense of speech are predominantly knowledge senses because the will in them is really sleeping will, the true sleeping will, in whose manifestations there vibrates also a cognitive activity. Thus willing, feeling and knowing are to be found even in the ego zone of man, and they live there with the help of waking and sleeping.

Let us be quite clear about this; to know the human being you must contemplate him from three points of view. When you are considering the spirit it is not enough to say, “Spirit! Spirit! Spirit!” Most people speak of spirit perpetually and are at a loss to handle what is given from the spirit. You can only handle it rightly if you treat it as conditions of consciousness. The spirit must be grasped by means of conditions of consciousness such as waking, sleeping and dreaming. The soul in man is grasped by means of sympathy and antipathy that is by means of conditions of life. These hold sway continuously in the unconscious. Actually the soul is in the astral body, life is in the etheric body, and within us there is always a correspondence between the two, so that of itself the soul comes to expression in the life conditions of the etheric body. And the body is perceived through conditions of form. Yesterday. (i.e., in another series of lectures published under the title Practical Course for Teachers) I used the spherical form for the head, the moon form for the breast and the linear form for the limbs; and we shall have more to say about the true morphology of the human body.

But we can only speak truly of the spirit if we describe how it finds expression in conditions of consciousness. We can only speak truly of the soul if we show how it lives between sympathy and antipathy, and of the body if we conceive of it in actual forms.

If you yourselves have a well developed knowledge of the growing child, permeated by your own will and feeling, then you will be able to teach and educate well. Through an educational instinct which will awaken within you, you will be able to apply the results of this will-knowledge in the different departments of your work. But this knowledge must be truly real, which means it must rest upon a true understanding of the world of facts. Now in order to come to a real knowledge of the human being we have sought to place him before our minds from the standpoint first of the soul, and then of the spirit. We must be clear that a spiritual conception of man makes it necessary for us to consider the different conditions of consciousness, and to know that, primarily, our life spiritually takes its course in waking, dreaming and sleeping; and that all the different manifestations of human life can be characterised as fully awake, dreaming or sleeping conditions. We will try once more to descend gradually from the spirit through the soul to the body, so that we have the whole human being before us and also may be able to sum these observations at the end into a kind of hygiene of the growing child.

Now, as you know, the period of life which concerns us in teaching and education is that which includes the first two decades; and this time, as we know, is further divided into three periods. Up to the change of teeth the child bears a very distinct character, shown in his wanting to be an imitative being; he wants to imitate everything he sees in his environment. From the seventh year to puberty we have to do with a child who wants to take on authority what he has to know, to feel and will. And only with puberty comes the longing in man to gain a relationship to the world through his own individual judgment. Therefore in dealing with children of primary school age we must remember that at this age they long for the sway of authority from the innermost depths of their beings. We shall educate badly if we are not in a position to hold our authority in this age.

Now what we have to do is to survey the whole life activity of the human being in a spiritual description. This activity as we have already shown from varied points of view, includes thinking-cognition on the one hand, and willing on the other; feeling lies between. Now with regard to thinking-cognition it is man's task between birth and death gradually to permeate it with logic, with all that enables him to think logically. But what you yourselves, as teachers, have to know about logic must be kept in the background. For logic is, of course, something pre-eminently scientific; it must be brought to the children only through your whole general attitude. But as teachers you will have to have a mastery of logic.

Our exercise of logic, that is, of thinking-cognition, is an activity of three members. Firstly, in our thinking-cognition we always have what is called conclusions. In ordinary life thinking is expressed in speech. If you examine the structure of speech you will find that in speaking you are continually forming conclusions. This activity of forming conclusions is the most conscious of all human activities. Man could not express himself in speech unless he were continually uttering conclusions nor could he understand what another person said to him unless he were continuously receiving conclusions. Academic logic usually dismembers conclusions, thus falsifying them at the outset, in so far as conclusions appear in ordinary life. Academic logic takes no account of the fact that we form conclusions every time we look at any one single thing. Suppose that you go to a menagerie and see a lion. What do you do first of all when you perceive the lion? First you bring what you see in the lion to your consciousness; and only by this bringing to consciousness do you gain an understanding of your perceptions of the lion. Before you went to the menagerie, in your ordinary life, you learned that beings that have the form and habits of the lion you are now looking at are “animals.” This knowledge acquired in ordinary life you bring with you into the menagerie. Then you look at the lion and find: the lion is doing just what you have learned that animals do. You connect this with what you have brought with you out of your knowledge of life and then you form the judgment: the lion is an animal. It is not until you have formed this judgment that you can understand the particular concept “lion.” The first thing you form is a conclusion; the second is a judgment; the last thing you come to in life is a concept. Of course you are not aware that you are continuously carrying out this activity; but it is only by means of this activity that you can lead a conscious life which enables you to communicate with other human beings through speech. It is commonly thought that one comes to concepts first of all. This is not true. The first thing in life is conclusions. And in reality, if when we go into the menagerie we do not exclude our perception of the lion from the rest of our experience, but bring it into line with the whole of our previous experience, then what we accomplish first in the menagerie is the drawing of a conclusion. We must be clear on this point; going into the menagerie and seeing the lion is merely a single act and it belongs to the whole of life. We did not begin living when we entered the menagerie and turned our attention to the lion. This action is linked on to our previous life, and our previous life plays into it too, and what we take out with us when we leave the menagerie will again be carried over into the rest of life. If now we consider the whole process, what is the lion first of all? He is first of all a conclusion. That is absolutely true: the lion is a conclusion. A little later, the lion is a, judgment. And a little later still, the lion is a concept.

If you open a book on logic, that is, one of the older sort, you usually find amongst the conclusions the following famous one: “All men are mortal. Caius is a man. Therefore Caius is mortal.” Caius is indeed the most famous logical personality. Now actually this splitting up of the three judgments: “All men are mortal. Caius is a man. Therefore Caius is mortal,” is only to be found in the teaching of logic. In real life these three judgments weave into one another, forming a unity, for the life in thinking-knowing is in continual flux. You make all three judgments simultaneously when you approach the man Caius. What you are thinking of him already contains these three judgments within it. That is to say: first comes the conclusion. And only after that do you form the judgment, which is here put as the conclusion: “Therefore Caius is mortal.” And the last thing you get is the individualised concept: “The mortal Caius.”

Now these three things, conclusion, judgment and concept, exist in the knowing process, that is, in the living spirit of man. What is their relation to each other in the living spirit of man?

The conclusion can only live in the living spirit of man: only there can it have a healthy life; that means: the conclusion is only completely healthy when it occurs in fully waking life. This is very important, as we shall see later.

Therefore you ruin the soul of the child if you make him commit to memory ready-made conclusions. What I am now saying—and shall work out in detail with you later—is of the most fundamental importance for your teaching. In the Waldorf School you will get children of all ages who bear the result of former teaching. The children will have been taught in conclusions, judgments and concepts, and you will soon experience the result of this. You will have to build on the knowledge that the children have already acquired, for you cannot begin at the beginning with each child. We are so placed that we cannot build our school up from the bottom but have to begin with classes of all ages. You will thus find that the children's souls have already been prepared, and in your method of teaching in the early days you will have to be very careful not to worry the children to draw ready-made conclusions out of their sum of knowledge. If these conclusions are too firmly fixed in the children's souls it is better to leave them dormant and try to appeal to the child's present life in the making of conclusions.

Judgment, also, will make its appearance, and this of course in the full waking life. But judgment can also sink into the depths of the human soul, to where the soul is dreaming. The conclusion should not sink into the dreaming soul; only the judgment can do this. Thus every judgment that we form about the world sinks down into the dreaming soul.

Now what does this really mean? What is this dreaming soul? It is more of the nature of feeling, as we have already learned. When in life we form judgments and then pass on from them and continue on our way, we carry these judgments with us through the world. But we carry them through the world in feeling. This has also the further implication that forming judgments brings about a kind of habit of soul. You will be forming the soul habits of the child by the way you teach the children to form judgments. You must be absolutely aware of this fact. For it is the sentence which expresses judgment, and with every sentence you say to a child you are contributing a further atom to the habits of that child's soul. Hence the teacher, who possesses authority, must always be conscious that what he says will become part of the habits of soul of the child.

Now, to come from judgment to concept: we must realise that when we form a concept it goes down into the profoundest depths of man's being; regarding the matter spiritually, it goes down into the sleeping soul. The concept makes its way right down into the sleeping soul, and this is that part of the soul that is constantly at work upon the body. The waking soul does not work upon the body. The dreaming soul works upon it a little; it produces what lies in its habitual gestures. But the sleeping soul works right into the very forms of the body. In forming concepts, that is in formulating the results of judgments in men, you are working right into the sleeping soul, or in other words, right into the body of the human being. Now when the human being is born, he has reached a high degree of completion as far as his body is concerned; and the soul can only develop in a finer way what has been given to the human being by the stream of inheritance. But the soul does carry out this refining work. We go about the world and we look at people. These people we meet with have quite distinct faces. What is the content of these physiognomies? They contain, amongst other things, the result of all the concepts which teachers and educators inculcated in these people during their childhood. From the face of the mature man streams out to us the content of the many concepts poured into the soul of the child; for, in forming the man's physiognomy it is with fixed concepts—among other things—that the sleeping soul has wrought. Here we see what power educational work has upon the human being. He receives his stamp right down into his very body through the forming of concepts.

The most striking phenomenon in the world to-day is that we find men with such unpronounced features. Herman Bahr in the course of a lecture in Berlin once described an experience of his in a very spirited manner. He said that even as far back as the 1890's, if you were to go to the Rhine in the neighbourhood of Essen, and walking down the street were to meet people coming out of the factories, you would have the feeling: no one of these people is different from another; I am really looking at one single person who is coming out like a picture in a duplicating machine; it is impossible to distinguish these people from one another. A very significant observation! And Herman Bahr made another observation which is also very significant. He said: when in the '90s you were invited out to dinner in Berlin you had a lady on your right and on your left hand, but you really could not distinguish them from each other, except that you knew one was on your right hand and the other on your left. Then another day you were perhaps invited somewhere else, and it might easily happen that you could not be sure: is this yesterday's lady, or the lady of the day before?

In short, a certain uniformity has come over humanity, and this is a proof that there has been no true education in the preceding years. We must learn from these things what is really necessary in the transformation of our educational life, for education has a deep and far-reaching influence on the whole cultural life of the times. Therefore we can say: at those times in life when man is not confronted with any one particular fact, his concepts are living in the unconscious.

Concepts can live in the unconscious. Judgments can only live as habits of judgment in the semi-conscious, in the dreaming life. And conclusions should really only hold sway in the fully conscious waking life. That is to say, you must take great care to talk over with the children beforehand anything that is related to conclusions, and not let them store up ready-made conclusions. They should only store up what can develop and ripen into a concept. Now how can we bring this about?

Suppose you are forming concepts, and they are dead concepts. Then you graft the corpses of concepts into the human being. You graft dead concepts right into the bodily nature of man when you implant dead concepts on him. What kind of a concept should we then give the children? It must be a living concept if man has to live with it. Man is alive, thus the concept must also be alive. If in the child's ninth or tenth year you graft into him concepts which are meant to retain their same form in him until he is thirty or forty years of age, then you will be imputing him with the corpses of concepts, for the concept will not follow the life of the human being as he grows and develops. You must give the child such concepts as are capable of change in his later life. The educator must aim at giving the child concepts which will not remain the same throughout his life, but will change as the child grows older. If you do this you will be implanting live concepts in the child. And when is it that you give him dead concepts? When you continually give the child definitions, when you say: “A lion is ...” this or that, and make him learn it by heart, then you are grafting dead concepts into him; and you are expecting that at the age of thirty he will retain these concepts in the precise form in which you are now say: the making of many definitions is death to living teaching. What then must we do? In teaching we must not make definitions but rather must endeavour to make characterisations. We characterise things when we view them from as many standpoints as possible. If in Natural History we give the children simply what is to be found, for example, in the Natural History books of the present day, then we are really only defining the animal for him. We must try in all branches of our teaching to characterise the animal from different sides showing for example how men have gradually come to know about this animal, how they have come to make use of its work, and so on. But in a reasonable curriculum this characterisation will arise of itself, if, for instance, the teacher does not merely describe consecutively, say: first the cuttlefish, and then the mouse, and finally man, each in turn, in natural-historical order—but rather places cuttlefish, mouse and man side by side and relates them with one another. The interrelationships will prove so manifold that there will result, not a definition, but a characterisation. A right kind of teaching will aim, from the outset, at characterisation rather than definition.

It is of very great importance to make it your constant and conscious aim not to destroy anything in the growing human being, but to teach and educate him in such a way that he continues to be full of life, and does not dry up and become hard and rigid. You must therefore distinguish carefully between mobile concepts which you give the child and such concepts as need undergo no change.

These concepts will give the child a kind of skeleton in his soul. Therefore you must realise that you have to give the child things which can remain with him throughout his life. You must not give him dead concepts of all the details of life—concepts which must not remain with him—rather must you give him living concepts of the details of life and of the world, concepts which will develop with him organically. But you must connect everything with man. In the child's comprehension of the world everything must finally flow together into the idea of man. This idea of man should endure. All that you give a child when you tell him a fable and apply it to man, when in natural history you connect cuttlefish and mouse with man, or when in teaching the children Morse telegraphy you arouse a feeling of the wonder of the earth as a conductor—all these are things which unite the whole world in all its details with the human being. This is something that can remain with him. But the concept “man” is only built up gradually; you cannot give the child a ready-made concept of man. But when you have built it up then it can remain. In fact it is the most beautiful thing you can give a child in school for his later life: the idea, which is as many-sided and comprehensive as possible, of man.

What is living in the human being tends to transform itself in life in a really living way. If you succeed in giving the child concepts of reverence and devotion, living concepts of all that we call the mood of prayer in the widest sense, such a conception, permeated by the mood of prayer, is then a living conception and it lasts right on into old age; and in old age it transforms itself into the capacity of blessing, of being able to impart to others what comes from a mood of prayer. I once expressed this in a public lecture in the following way: a man or woman will only be able to impart blessing in old age if he or she has learned to pray rightly as a child. If as a child one learned to pray rightly then as an old man or old woman one can bless rightly and with greatest power.

Thus to give children concepts of this kind, which have to do with the most intimate nature of man, is to equip them with living concepts; and this living element is open to change, it transforms itself, changing with the very life of man. Let us once more consider this threefold division of childhood and youth from a rather different point of view. Up to the change of teeth man has a desire to imitate; up to puberty he longs for an authority to look up to; after this time he wants to apply his own judgment to the world.

This can be expressed in another way. When the human being comes forth from the world of soul and spirit and receives the garment of his body, what is it that he really wants to do? He wants to make actual in the physical world what he has lived through in the past in the spiritual world. In certain respects the human being before the change of teeth is entirely involved in the past. He is still filled with the devotion that one develops in the spiritual world. It is for this reason that he gives himself up to his environment by imitating the people around him. What then is the fundamental impulse, the completely unconscious mood of the child before the change of teeth? This fundamental mood is a very beautiful one, and it must be fostered in the child. It proceeds from the assumption, from the unconscious assumption that the whole world is of a moral nature. This is not exclusively the case in souls of the present day (I have already drawn attention to this in a lecture here) but by the very fact of becoming a physical being man has the tendency at birth to proceed from the unconscious assumption that the world is moral. It is good therefore for the whole education up to the change of teeth and even beyond this age, that one should bear in mind this unconscious assumption that the world is moral. I drew your attention to this by reading you two extracts, for which I had first shown you the preparation; this preparation rested entirely on the assumption that one describes things from a moral aspect. (In the lectures Discussions with Teachers.) I tried to show in the first piece about the sheep-dog, the butcher's dog and the lap-dog how human morals can be reflected in the animal world. And in the poem about the violet, by Hoffman von Fallersleben, I aimed at giving a moral without pedantry for children up to seven or beyond; thereby working in harmony with this assumption that the world is moral. This is the greatness and sublimity in the outlook of childhood, that children are a race who believe in the morality of the world, and therefore believe that the world may be imitated. Thus the child lives in the past and is to a great extent a revealer of the pre-natal past—not of the physical past, but of the past of soul and spirit.

From the change of teeth up to the time of adolescence the child really lives continually in the present, and is interested in what is going on in the world around him. When educating we must constantly keep in mind that children of primary school age want always to live in the present. How does one live in the present? One lives in the present when one enjoys the world around one, not in an animal way, but in a human way. And indeed the child of this age wants also to enjoy the world in the lessons he receives. Therefore from the outset we must make our teaching a thing of enjoyment for the children—not animal enjoyment, but enjoyment of a higher, human kind—not something that calls forth in them antipathy and repulsion.

There have of course been various good educational experiments on these lines. But here we are faced with a certain danger, namely that this principle of making teaching a source of pleasure and enjoyment can easily deteriorate into something paltry and commonplace. This must not happen. But the only sure preventive is for the teacher and educator to be ever willing to raise himself above what is commonplace, pedantic and philistine. This he can only do if he never neglects to make a really living contact with art. For in seeking to enjoy the world in a human, and not in an animal way one proceeds from a definite assumption: namely that the world is beautiful. And from the time he changes his teeth until puberty the child really proceeds on the unconscious assumption that he shall find the world beautiful. This unconscious assumption of the child that the world is beautiful is not met by the regulations laid down for “object lessons,” regulations which are often very crude and are drawn up purely from a utilitarian point of view. But this assumption is met if one will try and immerse oneself in artistic experience so that the teaching in this period may be artistic through and through. It sometimes makes one extremely sad to read present-day books on education and to see how the good principle that education should be made into a source of joy does not come into its own because what the teacher discourses on with his pupils is inartistic and commonplace. To-day it is much in favour to conduct object lessons on the Socratic method. But the nature of the questions asked is utilitarian in the extreme instead of partaking of the beautiful. And here no demonstrations or showing of set examples will be of any help. It is not a question of instructing the teacher that he shall adopt this method or that when choosing set pieces for his object lesson. What is essential is that the teacher himself by living in art should see to it that the things he talks about to his children are artistic.

The first part of a child's life, up to the change of teeth, is spent with the unconscious assumption: the world is moral. The second period, from the change of teeth to adolescence, is spent with the unconscious assumption: the world is beautiful. And only with adolescence dawns the possibility of discovering: the world is true. Thus it is not until then that education should begin to assume a “scientific” character. Before adolescence it is not good to give a purely systematising or scientific character to education, for not until adolescence does man attain a right and inward concept of truth.

In this way you will come to see that as the child descends into this physical world out of higher worlds the Past descends with him; that when he has accomplished the change of teeth the Present plays itself out in the boy or girl of school age, and that after fourteen the human being enters a time of life when impulses of the future assert themselves in his soul. Past, present and future, and life in the midst of them, this too is planted in the growing child.