The Rudolf Steiner Archive

I would like to say a few words about the color in which we have held our meetings here. There is good reason for this being red. When we see red on the outside, it forms its counter-image on the inside, because the eye has the tendency to create the greenish-blue from within when it sees red in front of it: this is the inner activity of the eye. With children, a great deal depends on how the body responds to external impressions. I refer here to what I said about the color red when we were discussing education. The eye responds to a red environment with a tendency towards green-blue activity, and this inner work is calming. Therefore, the color red in the environment has a calming effect on excited children. If you remember that later stages of human development always lead back to the childhood stage at a higher level, you will understand why the color was chosen for a place – which, even if it is not a place of initiation, should remind us of it through its symbols – that triggers the color in the child's body that is directed towards the sacred. It is not without reason that the Bible says: Unless you become like little children, you cannot enter the Kingdom of Heaven. Our inner being must become as pure as the ether of the cosmos, which meets us in blue. The education for this is expressed in the red color of our environment. If red surrounds us externally, the contrary color lives within us. This explains the red in all esoteric cult sites, while exoteric sites, where the secret teachings are spoken of externally and in symbols, are blue. The Rosicrucian worldview expresses the esoteric in the color red. If the room is fully furnished in the sense of the Rosicrucian worldview, then blue arches should still rise above.

What do the two columns mean to the Rosicrucians? If one wants to explain these two columns standing here before us, one must start from the so-called Golden Legend. This says:

When Seth, the son of Adam – who had taken the place of Abel – was ready, he was allowed to gain an insight into Paradise, allowed to pass the angel with the sword whirling in the fire, into the place from which man had been expelled. There Seth saw something very special. He saw how the two trees, the tree of life and the tree of knowledge, entwined each other. Seth got three seeds from these two entwined trees, took them with him and put them in the mouth of his father Adam when he had died. A mighty tree then grew out of Adam's grave. This tree appeared to some who had psychic senses, as if it were glowing with fire, and this fire coiled itself for him who could see into the letters B, the first letters of two words that I am not authorized to pronounce here, but the meaning of which is: “I am who was, I am who is, I am who will be.” This tree divided into three limbs. Seth took wood from it, and it was used in many ways in the evolution of the world. A staff was made from it; the magic wand of Moses, legend says. It was the same wood that was used to form the beams of Solomon's Temple. They remained there as long as people understood the ancient secrets. Then the wood was thrown into a pond in which the lame and the blind were healed at certain times. After it had been taken out again, it formed the bridge over which the Redeemer passed as he made his way to the cross. And finally, so the legend goes, the cross itself, on which the Redeemer hung, was made from the wood of this tree, which had grown out of Adam's mouth after the seeds of the entwined trees of life and knowledge had been placed in his mouth.

This legend has a deep symbolic meaning. Remember the process, the transformation that the disciple must think of when he goes through the fourth stage of the Rosicrucian training: the production of the philosopher's stone. We remember that it has to do with a certain treatment of our red blood. Let us think of the significance of this red blood, not only because Goethe's saying, “Blood is a very special fluid,” points us to it, but because occultism has taught it at all times. The way this red blood appears is a result of breathing oxygen. We can only touch on this briefly. When we are now referred to such an important moment in the legend and in the Bible, to the re-entry of Seth into Paradise, we must remember what caused man to be driven out of Paradise. He was driven out of Paradise, man's ancient state in the bosom of the higher spiritual world, by the following, which is already hinted at in the Bible as the physical process that goes hand in hand with the descent. Those who want to understand the Bible must learn to take it literally. It says: “God breathed into the man the breath of life, and he became a living soul.” This breathing in of the breath was a process that is here expressed figuratively and that extended over millions of years. What does it mean?

In the development of mankind, in the formation of the physical body, there were times when there were no lungs in the human body, so that oxygen could not yet be inhaled. There were times when man more or less floated in liquid elements, when he had an organ, a kind of swim bladder, from which the lungs later developed. This swim bladder of the past has been transformed into the lungs, and we can follow the process of transformation. When we do this, it shows itself as the process that the Bible expresses with the image: “And God breathed into the man the breath of life, and the man became a living soul.” It was only with this breathing of the breath that the production of red blood became possible. Thus the descent of man is connected with the production of the red blood tree in his inner being.

Imagine that the human being stands before you and you can only follow the trickling of the red blood: you would have before you a living red tree. Of this the Christian esoteric says: It is the tree of knowledge. Man has usurped it, he has enjoyed the red blood tree. The erection of the red blood tree, which is the true tree of knowledge: that is sin. And God drove man out of paradise so that he would not also enjoy the tree of life. We have another tree in us, which you can imagine in the same way as the other. But it has red-blue blood. This blood is the stuff of death. The red-blue tree was implanted in man at the same time as the other. When man rested in the bosom of the Godhead, the Godhead in him was able to interweave what his life and his knowledge meant. And in the future lies the point in time when man, through his expanded consciousness will be able to transform the blue blood into the red blood; then he will have within himself the source for the blue blood tree to be a tree of life. Today it is a tree of death. In this image, there is both a retrospective and a prospective view! You see that in man a red blood tree and a red-blue blood tree are entwined. The red blood is the expression of the I, it is the lower part of the knowledge of the I. The blue blood is the expression of death. As a punishment, the blue blood tree was added to the red tree of knowledge as the tree of death. In the distant future, this tree of death will be transformed into the tree of life, just as it was originally a tree of life. When you imagine man as he stands before you, his whole life is based on the interaction of these two trees.

The fact that Seth was allowed to enter Paradise again means that he was an initiate and was allowed to look back on the divine-spiritual state where the two trees were intertwined. And he put three seeds of the entwined trees into Adam's mouth, from which a tree divided into three arose. This means: the tree that grows out of man, Manas, Buddhi, Atma, these three parts that make up the upper part of man, are found in him by nature. The legend thus indicates how the trinity of the divine is already present in the human disposition, even in Adam, how it grows out of him and how it is initially seen only by the initiate. Man must go his course of development. All the things that have taken place in the development of mankind and that lead to initiation are further expressed to us by the legend.

From the realization that the threefold tree rests within us, the tree of the eternal, which expresses itself in the words: “I am that was - I am that is - I am that will be!” we gain the power that moves us forward and gives us the magic wand. Hence Moses' wand. Hence the wood of the tree growing out of the seed is taken to build the temple of wisdom. Hence the cross is hewn out of it, that sign of initiation which signifies the overcoming of the lower limbs in man by the three higher ones.

Thus this legend shows how the initiate looks forward to a future state where the tree of knowledge - the red blood tree - and the tree of life - the blue-red blood tree - will be entwined, where they will intertwine in man himself. Now, the one who wants to develop inscribes in his heart what the two columns – the red column on the one hand, suggesting the red blood column; the blue-red, suggesting the blue blood column – want to tell us. Today, both are separate. Therefore, in the hall, the red column stands on the left and the blue-red column on the right. They want to challenge us to overcome the present state of humanity, to direct our path to the point where, through our expanded consciousness, they will intertwine in a way that is called: J-B. The red column is designated J, the blue-red column B.

The sayings on the pillars will help you to visualize the connection between the individual pillars. The words on the red pillar are:

In pure thought you will find
The Self that can sustain itself.

Transform your thoughts into images,
And you will experience creative wisdom.

Those who meditate on this will, through the power of their thoughts, instill in their red blood column the power that leads to the goal: the wisdom column.

The power needed for the life column is instilled when one devotes oneself to the thought that stands on the other, the blue column:

When you condense feeling into light,
You reveal the forming power.

You objectify the will into being,
Thus you create in the world's being.

Some words relate to knowledge, others to life. The formative power first “reveals” itself in the sense of the first saying; it only becomes “magical” in the sense of the second saying. The transition from mere cognitive power to magical action lies in the transition from the power of the saying on the first column to that of the saying on the second.

Thus you see how what these symbols, the two pillars, mean, is directly related to the ideals and goals of the Rosicrucian student. In some esoteric societies, these two pillars are also erected. The esotericist will always associate the meaning that has been attached to them.

The seven images that adorn the hall are symbolic expressions of very specific ancient wisdoms. They represent the so-called seven seals of ancient and ever-new wisdom. The Apocalypse of John also talks about it, and this apocalypse is also a kind of interpretation of an occult sign language. Those who study it will recognize these very seals in the visions of the writer of the Apocalypse.

Every letter, every color of the images means something. If we look at things in the right way and sense the context, then very specific feelings are triggered that can become the creators of inner strength. The point is that we are not dealing here with leather allegories, but with a living expression of what anyone [initiate] can experience as real facts on the astral plane.

The first picture is the man with the fire sword in his mouth. This sword – and this one move is crucial – is connected with a secret of development. Speech has always been compared to the sword. But this is not just a poetic image. In occultism, everything is to be taken literally. One must only understand it.

There is a certain mysterious connection between what lives in our language, what expresses itself through our larynx in our words, and today's lower human drives of reproduction. The human form is undergoing transformation. Some can already see on the astral plane today what will be physically available in the future. In such a picture, the seer sees a state that man will one day reach, as in the first of the seven. This picture is an astral one today. It expresses a state of evolution of the physical human body in the future.

If we want to imagine this state, we have to think of it in this way: through his present, lower reproductive power, man exercises a production in the involuntary and unconscious. Through the reproductive instinct he can bring forth forms filled with matter. Now there is another power in man that does not yet enable him to produce lasting forms: that is the power of his speech. By speaking here, I also produce something. If you follow what is happening in this room while I speak, you can follow oscillating air waves. These are nothing other than words set in motion: movement. In the distant past, such words set in motion were also what is expressed today in the reproductive life. What is condensed today was, when it was still spirit, a word set in motion. What man today can only do out of his word as movement will later become truly reproductive power. Imagine you were able to freeze my words in a moment, so that the solidified air waves would fall down. You would find a special form for each word: a different one for “and” than for “God” ; a shell shape, for all I care. When I say “God”, other forms would be there than when I say “and”. Occultism shows us that everything around us in the form of physical objects has really come into being in this way. The spirit of the Logos resounded into space and matter took shape; the rest is a process of solidification. What is around us today are formed words, condensed divine word. The forces within us are condensed divine forces. What was once created through the word is now being transformed into natural forms. Thus, in the course of evolution, the human larynx will become a reptile-reproducing organ. We will not only be able to create movements, but the larynx will become the true reproductive organ. What is language today will become the creator of its own kind. The larynx is the future organ of reproduction, elevated to spirituality; hence, in man, the parallel in sexual development and laryngeal development can already be seen. The transformation of the voice at sexual maturity points to the creative power that will one day develop from the human voice. The true power of reproduction will arise from speech, the conscious power of human beings to bring forth. And just as you know that we give the name fire spirits to the spirits who were our ancestors because they were related to fire as we are to air, so we will develop from an air spirit to a fire spirit again as we ascend. Not only will the one power flow from the larynx, but also the power of the fire spirits.

You can see this expressed in the first picture, in the fiery sword of the one who represents the eternal essence of man that continues through all incarnations. This eternal element in man is at the same time the divine creator. It is true that what passes through our incarnations as our eternal essence is of the same nature as that which created the sevenfold planetary series. Therefore, the man in his right hand holds the symbols of the seven planets.

The second picture shows the so-called apocalyptic animals: the lion, eagle, bull and human. We get an idea of them when we remember that the animal today does not have an ego soul like we do. The animal does not have its ego soul on the physical plane; the individual animal relates to the ego of a group like a limb of the human being relates to the whole ego. Therefore, we speak of group souls in animals, and if you investigate these group souls, you will find them on the astral plane. Now everyone will realize that man, in his evolution, has also gone through conditions where that which was on the physical plane did not yet have the I-soul. Man also went through conditions where he had a group soul. At the same time — which is called the Lemurian Age — that the soul descended into physical corporeality, the group soul transformed into the individual soul. In the distant future, man will again rise to the state of the group soul, only consciously, in a higher sense. The symbol for that higher group soul is the second picture. The unity in the distant future is represented by the outer forms of those group souls that humanity had in the past. These group souls, from which the human individual soul has emerged and to which it will return, are divided into four typical groups. These are four real astral groups. One is characterized by the group soul as it is still embodied today in rudiments of the soul of Taurus; the other as it develops in the soul of Leo; the third as in the soul of the bird; but the soul that elevated man, allowed him to enter into individuality, is called the human being. Man emerged from these four group souls and into them he will return. The group soul that is the most advanced, which is already individualized on the astral plane as a human soul, we see in the middle of the symbol. It is the Christ-soul, symbolized by the lamb. It complements the four other group souls.

Then you see here in the rainbow, which surrounds the whole in the seven colors, the creative world principle in a second form. It is the sevenfold creative principle that effectively underlay the inner, human path of evolution when man was still at that stage. And regarding the numbers I to XII, which can be read like the numbers on a clock on the colors of the rainbow, we must remember that the earth, moon and sun were once one body.

This unity is connected with conditions as shown here. This form of cosmic order was necessary for man to be a group soul. Our present time division is connected with the position of the world bodies. In that very distant past, when there was not yet an earth revolving around the sun, all time relationships must have been different. In those days there was no day and hour. The sun itself made its way, and there was a great cosmic clock face. This represented the places the sun passed through. The hour hand on our clocks passes the clock twice a day; so in that ancient cosmic calendar, the sun did not pass through the zodiac once, but twice, through a period of brightness and darkness. This double passage, this double passing through these stations, is called passing by the elder brothers of the cosmic order. They are the twenty-four elders of the Apocalypse. Hence a kind of world clock is arranged.

If we look at the distant future, you will see cosmic, future states expressed in the sixth picture, where man will have risen again in his outer form; we see that the earth and sun will be united and what is eliminated will be eliminated as a moon body. Remember that Goethe calls the highest thing the soul can strive for the eternal feminine. What overcomes the unusable substances in human nature is called feminine. When the earth has united with the sun, then man himself will be the sun-woman; man will have created the union. The unusable substance is represented as the moon, which is trampled underfoot. What must come out when the earth becomes the sun again is represented by the dragon. It will be overcome when the earth becomes the sun again.

The third image shows an open book, surrounded by bowls and angels blowing trumpets, surrounded by flowing light and colors.

The trumpeting angels express the harmony of the spheres. When one ascends from the astral plane to the devachan plane, one experiences the floating world of light and color of the astral plane being permeated by the harmony of the spheres. That which can be seen within the astral plane as floating light and color begins to resound, revealing itself as an expression of the essence of the mental plane. The Pythagorean school called this harmony the music of the spheres. Goethe also speaks of it when he says: “The sun sounds according to ancient ways...” and “The new day is already born sounding for spiritual ears!”

The bowls signify the so-called bowls of wrath, that is to say that the human being will have attained the spirit when he has overcome and transformed what is called wrath. All that is wrathful must be cast out; therefore the bowls of wrath are poured out.

The book is not intended to imply anything other than that man himself, in his development, if we know how to solve his secrets correctly, represents an image of the eternal evolution of the world. When he recognizes this, that man is an image of the evolution of the world, then he can read himself, he has become a book to himself. Then the moment will arrive of which it says in the Apocalypse that John must devour the book. This is explained in more detail in the next seal.

The two columns of the fourth picture represent the devouring red and blue blood tree. The cloud is the present-day air, which the larynx only controls. From this, the productive power of man, which creates into the solid, will arise in the future. Above the two blood columns, the initiated human being who has devoured the book will emerge. And man generates within himself the power that will transform the earth into the sun. This power is characterized in the face that is born out of the sun. When man has reached this stage, his vision is a vision into the astral world. This is indicated to you in the rainbow above the face of the sun. This rainbow indicates the power that man will have acquired when he himself becomes a cosmic creator being.

In the fifth picture we have a being that conquers the dragon. This is the future human being who will have completely subdued what is called the lower self. This is connected with cosmic conditions that arise when what is called Kama is trampled underfoot.

The state that will occur when this has happened is symbolized in the Holy Grail of the narrated image. The transparent cube below represents a transparent diamond cube made of pure carbon. When man has progressed to the point where he uses carbon itself to build his body - without the help of plants - he will create the cube. This cube of crystallized pure carbon is the best indication of the future state of man. Man will have progressed so far that he will not only recognize the three dimensions, but also the oncoming contra-dimensions: hence the three other dimensions meet the three in the mirror image. These counter-dimensions represent what man will one day achieve when he has overcome the physical in spirit. The serpents signify the upward development to the higher. This is indicated in the seal in violet-bluish coils as a luminous image. This luminous image of the serpent signifies the devoted nature of knowledge. Only this devoted nature can grasp the world spiral in the Caduceus, which will then be fiery, which winds itself out of pure knowledge. Then it transforms into the downward-pointing pure chalice. The chalice of the plant is today directed upwards, pure and chaste; in man it is the other way round. But the human chalice will again be chaste and will turn downwards - that is why the Grail is represented here as a chalice turned downwards. The pure man, the man who has become innocent, is represented by the dove. The rainbow indicates the sevenfold creative man.

Thus the entire evolution of humanity is indicated in the seven seals. Contemplation of such images is intended to evoke the feelings that we must gain and that themselves represent effective evolutionary moments.

The program book is inscribed with the signature of the Rosicrucian school: E.D.N. I.C.M. P.S.S.R. This means:

Ex deo nascimur
In Christo morimur
Per spiritum sanctum reviviscimus.

The seven seals express the secrets of initiation; in the seven pillars, they are expressed in planetary terms. These pillars support the heavens, that is to say, all evolution. The capitals have their own specific meaning in all their individual features. If you feel vividly how the upper part slopes towards the lower, feelings are triggered in you that give an account of the currents in the respective states of these world bodies. The motifs of the first column have simple inclinations and curvatures. Contemplation of them evokes a feeling of the currents that permeated the Earth when it was embodied in its first state, which is called the Saturn state. That is why this is the Saturn pillar.

When you feel the progression of the motifs when looking at the second column – the lower part is structured like the ovary of a plant, and from above it is structured in such a way that it can become a calyx – feelings are triggered in you that correspond to the currents that flowed through the earth when it was in the sun state. That is why we speak here of the sun column. And so it is with the consideration of the third, fourth and further pillars. When one passes from one to the other, different currents of feeling develop again and again.

The first half of the evolution of the earth has its special peculiarity from the influence of Mars. Now, in the second half, it is under the influence of the power that the occultist sees emanating from Mercury. The evolution of the earth is therefore divided into the two halves of Mars and Mercury. If we now omit the volcanic state as a kind of octave of the Saturn state, the following series of states in the evolution of the earth emerges: Saturn, Sun, Moon, Mars, Mercury, Jupiter, Venus.

In the Mercury column, the Saturn motif is interwoven with the Mercury motif. The snake staff emerges organically from what has gone before. It develops further. And as we delve into the motifs of the other capitals, we sense the earth currents that arise from further development. In the last one, we have the goblet shape again.

The secret of the seven planetary states of our earth has been incorporated into the names of the seven days of the week. They are: Saturday, Samedi, Samstag; Sunday; Monday, Monday; Martian Day: Mardi or Ziu, Tuesday; Mercury Day: Mercredi (Wednesday is a profane name); Jupiter Day: Jeudi, Thor, Donar, Thursday; Venus Day: Vendredi, Freya, Friday. The names of the days of the week are deeply symbolic. In their succession, we see something by which the initiates wanted to say: Remember that you have been placed in the living evolution of time. This is how the highest teaches us to understand the very nearest, that which is in our immediate surroundings.

The idea of the evolution of humanity was to be hinted at in the pillars. It is expressed as it has always been expressed in occult symbolism. The sites of occultism were symbolically structured and designed. One should see what lives in the soul in form, in image, in color. What lives in the soul should shine out to us from the outside, then one has worked in the sense of world evolution. Above all, it is our task to think selflessly about this great evolution. It will be fulfilled when we allow the inner life to flow into the outer life completely.

The Munich Congress, the fourth – after Amsterdam, London and Paris – should in a certain respect be a stage in the development of our Theosophical movement. It will create a kind of connection between the different nations, also in relation to our Theosophical cause within Europe. I do not want to give a proper report of the congress today, but just a few remarks for those who could not attend.

It should show one thing that I have emphasized over and over again with regard to our Theosophical cause – it should show that Theosophy should not be just a matter of personal brooding and introspection. The Theosophical cause should intervene in practical life, should be a matter of education, a matter of becoming immersed in all branches of practical existence. Only those who have a deeper understanding and a deeper concept of the actual impulses of the theosophical cause already know today what possibilities this 'theosophy will offer in the future. It will be the harmony between what we see and look at and inwardly feel. For those who can see more deeply, an important reason for the distraction of people lies in the disharmony between what is and what Theosophy wants. Not only Theosophists have felt this, but also other important natures, such as Richard Wagner.

In earlier times, every door lock, every house, every structure was a structure of the soul. Soul substance had flowed into it. In ancient times, the work of art belonged to human feeling and thinking. The forms of Gothic churches were in ancient times corresponding to the mood of those who made the pilgrimage to the Kitchen. They were the expression of their own spiritual mood. Those who made a pilgrimage to the church felt at that time that the forms were like the folding of hands, just as the ancient Teuton felt in the folding of the trees a folding of hands. In those times, everything was more familiar to people. You can still see this wonderfully expressed in Michelangelo and Leonardo da Vinci. The gathering of the entire village around the church was nothing more than an expression of the life of its soul. The whole ether currents gathered at the place where the church stood. The materialistic age has cleft all that. Those who cannot contemplate life do not know that. But the seer knows that today, when you walk through a city, there is almost nothing to see but things that concern the stomach or the obsession with cleanliness. He who can follow the secret threads of life also knows what materialistic culture has brought to this cleft. A recovery of the outside world can arise from the fact that it becomes an expression of what our most inner soul moods are. One cannot immediately reach for the most perfect, but an example of this was given in Munich. The theosophical world view was expressed in the room. There was nothing but theosophy to be seen. The whole hall was decorated in red. There is often a great misunderstanding about the color red, but the red could not be mistaken in its deeper meaning.

The development of humanity is a process of ascent and descent. Look at the original peoples. They live in a natural environment of green. And what do they love most? Red. The occultist knows that red has a special effect on the healthy soul. It releases the active forces in the healthy soul, those forces that inspire action, those forces that are to move the soul from the comfort into the discomfort of doing. A room with a festive atmosphere must be papered in red. Anyone who papers a living room in red shows that they no longer know what a festive atmosphere is and profane the red color. Goethe has said the most beautiful words about such things: “The effect of this color is as unique as its nature. It gives an impression of both seriousness and dignity as well as of grace and charm. It does this in its dark, condensed state, and in its light, diluted state. And so the dignity of age and the loveliness of youth can be clothed in one color.”

These are the moods that are triggered by red; moods that can be proven in an occult way. Look at the landscape through a red glass and you get the impression: this is how it must look on Judgment Day. Red makes you happy about what man has achieved in his further development. Red is an enemy of retarding moods, of sinful moods.

Then there were seven column motifs for the time when a building could also be built for Theosophy. The motifs of the columns are taken from the teachings of the initiates, from ancient times. Theosophy will have the opportunity to give architecture truly new column motifs. The old columns have actually no longer meant anything to people for a long time. The new ones relate to Saturn, the Sun, the Moon, Mars, Mercury, Jupiter and Venus. The laws were expressed in the capitals. Between the columns we had placed the seven apocalyptic seals in the Rosicrucian manner. The Grail seal has been revealed to the public for the first time.

Theosophy can also be built: it can be built in architectonics, in education and in the social question. The principle of Rosicrucianism is to introduce the spirit into the world, to do fruitful work for the soul. We will also succeed in elevating art to a mystery art, for which Richard Wagner had such a great longing. An attempt has been made in Edouard Schuré's mystery drama. Here Edouard Schur has tried to recreate the Greek mystery plays.

The program showed the festive color red and bore a black cross with roses entwined in the blue field. Rosicrucianism carries forward into the future what Christianity has given. The initials on the program reflect the basic ideas.

The underlying intention was to crystallize theosophy in the construction of the world.

The subject of our study today will appear at first comparatively remote; nevertheless, these things can interest us in a certain sense even for our everyday life. The motif of today's lecture will be what is called by a name borrowed from ancient times; namely, Chaos. What this word really refers to lies even beyond what we understand as Heaven. Not only the wonderful old Grecian myth speaks of Chaos when it says that the most ancient Gods were born out of the Chaos; the legends and myths of other nations, too, are acquainted with this Chaos, albeit under a different name. In the Norse Saga we find it designated as Ginnungagap, the Yawning Abyss, from which there arises on the one hand the cold Niflheim, and on the other hand, the hot Muspelheim. The beginning of the Bible also refers to it in the words: “In the Beginning God created the Heaven and the Earth; and the Earth was without form and void, and darkness was upon the face of the waters. Then there resounded the Word of the Godhead: “May Light become.” And it became light. And the Godhead perceived the Light and perceived that it was beautiful, and severed the World of Light from the World of Darkness.”

“The earth was without form and void”—these are only other words for the Chaos out of which the highest Spiritual Beings are born. What is the Chaos? With these old words for very lofty concepts things have taken a strange course in human evolution. For a long time past men have lost the right feeling and right conception of them; they no longer know what was meant when such words were said. The materialistic age scarcely has words any more to truly characterize what underlies such concepts as of Chaos. Indeed, many words have assumed quite a different meaning. Formerly it was different; the word corresponded to the spiritual meaning of the object; that is to say, to the concept. Our words today have been divided and distributed, so to speak, into so many materialistic meanings, referring, as they do, to the outer and material objects. They are no longer applied to the spiritual meaning. Whoever hears a word today applies it to what it represents in the sense world, and no longer thinks of relating it to the Spiritual World. Among the manifold reasons for the founding of this spiritual movement is one that is connected with the transmutation of the word. If this spiritual movement, this spiritual stream, did not find entry into the world before the end of this century, such a movement would probably be quite impossible in a hundred years' time. We have just been able to catch at the favourable conditions. Why so? In a hundred years' time it would be no longer possible at all to express in the words of ordinary language the ideas of super-sensible facts in their true nature. We should no longer understand them, for the words are more and more assuming the character where they can only be applied to material things and conditions. So it would gradually have come about that people would no longer understand the spiritual teachings at all, because everything would at once be applied to the material world. Spiritual knowledge must bring about an actual renewal of language. The words must be given a new stamp; new values must be lent to the words once more. Men must once more gain the feeling that there is something inherent in these words, that certain words intend something that points to higher worlds. It is the task of this spiritual movement to carry up into the higher worlds not only deeds, but words. In former ages this was done; and we must try to find again the feelings of those human beings who were far more directed to the non-material ideas—far more attracted to the Spiritual World than the feelings of our time.

It is very interesting to take up an old book and enter into it, and transplant one's feelings into such an ancient work, and read out of it the spirit of the author. Take, for instance, the Physica by Amos Comenius, who lived from 1592–1671. His Physica are physics of which the man of today will not be able to make very much in his way of thinking. He speaks of physical things, yet always referring to the spiritual background of spiritual forces and beings. Many things are described in this book, which were objects of real knowledge at that time. Comenius, the great educationist and thinker of the 17th Century, not only comprised all the knowledge of his time, but developed deep and original thoughts of his own on men and events, and discovered deep spiritual relationships. He is a remarkable and very strange personality.

In the 14th and 15th centuries there were quite a number of such people. In that time the Rosicrucian Order was founded; it guarded and preserved the occult secrets in their form for the New Age. Originally it consisted of seven members only. Down to our own times it has secretly carried on and handed on the great occult teachings. No one in the outer world ever discovered anything about Rosicrucians—no one who was not a Rosicrucian himself; no one could write about it. Whatever has been published on it is either quite unreliable, or if correct, came out of betrayal. Only today has the time come when something of the teachings of the Rosicrucians can be published and can be communicated to the world in general. But there are, and there were in those times, many ways and means of letting such spiritual movements flow into the general life of culture. It was, for instance, through such an influence, from a secret Rosicrucian stream, that Lessing said at the conclusion of his essay, The Education of the Human Race, that man is born again and again in the world: “Is not the whole of Eternity mine?” For one who knows, this is a sign that something of the Rosicrucian Movement worked upon Lessing, albeit in a way of which he himself remained unconscious, when he wrote these words on reincarnation. There are, in fact, many ways and means whereby this influence was poured out on men without their even knowing it. Nor does it matter if the work that is done, the influence that is wielded, is or is not attached to a name. Nowadays lawsuits are enacted against the stealing of thoughts, of the spiritual property of others. Lawsuits against plagiarism were never instituted by the Rosicrucians. They did not mind what the personal source was from which such things went out; the main thing was that they came into the world. It is a vicious custom of our time to institute legal proceedings against the stealing of thoughts.

Amos Comenius, the great educationalist, was among those who possessed higher knowledge as a result of a high spiritual development, and who, in consequence of the Rosicrucians, raised himself into the higher worlds by a strong and energetic will. It is very useful for mankind to enter into the thoughts of Comenius. Likewise it is useful to enter deeply into the thoughts of John van Helmont, a contemporary of Amos Comenius, who was also a Rosicrucian.

We all of us are familiar with the word which many people believe to be very old—the word ‘gas’. Many people today are only familiar with it as the gas we use for lighting. But we know from Physics that most substances can be transformed into gas. Without further thought one might imagine that the word was as old as any other. Gas and ‘gaseous’ were unknown concepts before the time of Comenius and Helmont. Helmont was the first; he invented the word ‘gas’. It was in 1615 that he wrote the work in which this word first occurs.

When one uses a new word, one must have some definite occasion to do so. Helmont was the first to give to mankind the idea, the concept of a gas which is current today. What occasion had he for the concept of a gas? When you heat water, and cause it to evaporate, water vapour or steam arises in the first place. Steam is not yet a gas; it is something you can still see with your eyes. It is the same substance which was formerly there in the water, divided there into finer particles. You can divide the great majority of substances into vapour. But you can heat them still further. By further heating you can get a condition where the substance is no longer visible; it passes over into quite another form. This new condition, the vapourous state in a higher form of development, is what we call the gaseous state; it is a vapourous condition at a higher level of temperature. Helmont, who was also a Rosicrucian, worked like Comenius, and with similar results. Before the Rosicrucians Helmont and Comenius, the gaseous state was unknown in this form. It was in the case of carbonic acid gas that Helmont first realized the nature of the gas. Helmont came to the idea that among the states of substance there is also the gaseous state, and in his work Ortus Medicinale we find the following sentence: “This spirit which was hitherto unknown, I will name with a new name: ‘Gas’.” We can learn a great deal from this sentence. Helmont calls what he describes as gas, “Spiritum”; that is, a Spirit. That is to say, the transparent substance he has constituted is for him the instrument for a spiritual being. He sees in it the expression for a spiritual being, and he calls this Spirit by a new name: Gas. He was well aware that when the gas was cooled, strange, cloud-like phenomena appeared. The gas became vapourous and watery again. To him the gas was a transparent and clear foundation from out of which something more dense and condensed arises. To him the gas was a parable in the sense of Goethe's saying: “Everything transient is but a parable.” Hence we can understand how much Van Helmont recognized in the process wherein a gas is cooled and condensed. Miniature worlds went forth from the gas, for Helmont. A human being who could feel in this way could also say: This unknown Spirit, I name “Gas.’ In contemplating this world he said to himself: How did all this that is here, originally come to be? Originally it arose from something that one cannot see, from out of which, however, as from a gas, the Universe was formed. Once upon a time, the whole Universe was Spiritum, purely spiritual. As the clouds of misty vapour are formed out of the gas, so out of the transparent, radiant, unclouded infinity of the Spiritual, all things that now exist emerged.

Already in primeval times and among primitive peoples we find good parables and comparisons for that which we have just described. Primitive peoples sometimes see even the material world still in a spiritual way. In the breath that flows from the mouth, that turns to steamy vapour by contact with the outer air, they see something arising out of the soul's nature, and condensing. This was regarded as a parable of the origin of the world out of the Spirit. The breath, for them, came from the inner being, from the soul; thus the whole world to them was the result of the outbreathing of the Godhead. This ancient idea contains quite another concept of Spirit than man has today. Space, to them, was not a great infinite void in which there is absolutely nothing, as it is to the man of today. For those who stood on the ground of Occult Science, space was the all-spreading spirit whose parable they saw in the unclouded gas. In it they saw the source from out of which all seeds of things are created, and spring forth through the Word of the original Divine Spirit. Not endless emptiness is space; space is originally Spirit. We are ourselves condensed space, for space is Spirit. If all things were dissolved again, seemingly there would be an endless void around us; but this apparent void would contain all things that have ever been. It is no empty nothingness. The visible world is space condensed. This was clear to Helmont, too; he knew the world foundation, the world origin, from out of which all beings are condensed. Van Helmont had this thought: the gas is very thin, transparent; the light goes through. You do not even divine its existence. But in relation to the world origin, even the gas is a condensation. Nevertheless, one can understand, one can conceive the cosmic origin thereof. You can gain an idea of the Spiritual if you imagine that the gas is itself a vapour of the Spirit, just as the steam is vapour of the gas. With this conception in his soul, Van Helmont said: “I have described this vapour by the name ‘gas;’ it is not far removed from the Chaos of the ancients. Helmont coined the word ‘gas’ from the word ‘chaos.’ It is an extremely interesting connection in the world order. We are thus led by Helmont to a living conception of space, not empty and infertile like the concept of space for the man of today, but a concept of space appearing infinitely fertile, bearing countless seeds. The infinitude that is spread out is the seed from out of which we issue. Everything that is in the world is space condensed; it is the infinite Spirit who shows Himself to us in place of a mere empty space.

When we transplant ourselves into the condition of space (when space was still altogether spiritual) and we trace its condensation out of the laws of this space itself, then we shall clearly feel the beautiful words of the Bible: “In the beginning God created Heaven and Earth, and the Earth was without form and void, and the Spirit of the Godhead brooded and weaved over the depths.”

Imagine how originally the pure, spiritual transparent space was there. What happened in this pure transparent space? In this same space is also the extended gaseous air. As the thoughts that rise from our soul, when they are spoken in the word, bring the air around us into vibration, and every word shapes itself into forms in the air, quite silently and unseen by us, so did the Spirit of God hover over the waters. Into the waters the creating words of the Godhead were spoken. Now let us imagine the empty widespread cosmic space; fertile, rich in seeds, and resounding into it, the Word of the Godhead, working formatively into this space. Then we hear the words of the Bible. This Chaos, this cloud mist of the earth that was emerging was still waste and void: and the Spirit of the Godhead worked and wove, brooding thereover. First was the Spiritual World; then the Chaos revealed to begin with, in a kind of cloudiness, all that was to become. So do we recognize the depths of the religious documents. Human beings must gradually regain the feelings with which we understand such things.

But the Chaos works not only in the beginning of world evolution; it works on and on; it is present even today. Just as around us are the harmonies of the spheres, the harmonious heaven, so all around us is the Chaos, all things are permeated by it. It was the first and original foundation. Then it became cloudy; the seeds were formed; the shapes and forms arise; worlds were formed out of the Chaos. But just as when a gaseous mass condenses, something remains behind that works on between the single condensing particles, so likewise of the original Spirit something remained behind. And so the Chaos works on and lives on, along with the world. Everything is still permeated by the Chaos—every stone, every plant, every animal is permeated by the Chaos. Our soul and our Spirit are permeated with the Chaos. Such as he here is, the soul and the Spirit of man also partake in the Chaos.

This Chaos is at the same time the essential reason of the constant and ever-present fertility in nature. Let us take a simple example: the working of Chaos appears wherever animal excrements occur. The New Year's crop springs from the ploughed land, after manure has been put into it—manure which lends the land fertility and causes the crop to spring and thrive. What has happened in such a case? What was the manure, to begin with? The manure, too, was perhaps at one time a beautiful, marvelously-formed plant, an entity in the world that had also once been formed out of the Chaos. Then it served as nourishment for the animals, and the useless substances were excreted again. Now the manure mingles with the soil; it is a return of beings into Chaos. Chaos is working in manure, in all that is cast out; and unless, at some time or other, you mingle Chaos with the Cosmos, further evolution is never possible. The process we here have before us on its lowest level will enable us to rise to an understanding of the word ‘chaos’ with respect to higher realms. Cosmos cannot work alone. Everything in the Cosmos has grown from causes, from things that went before—not only all physical things, but intellectual and moral teachings, too, arise from causes that were planted once before.

It is Cosmos when a Goethe, a Schiller, a Lessing have done their work. When a schoolmaster comes and assimilates and passes on all the beautiful things that are found in the works of these great men, he can only do so because the causes are already there for him. But with the man of genius it is not so; he works out of the Chaos. New impulses, new entries into evolution, new concepts arise and begin to take effect. Genius is like a fresh spark; it is out of the ordinary just because a union there takes place between the Cosmos and the Chaos; thereby a new thing arises not connected with the laws of evolution that come from olden time. It enters in from other worlds like a Divine spark. Genius is the marriage of the past with the present, of the Cosmos with the Chaos. Hence the peculiar feeling and influence which the occult pupils of olden times experienced when the name ‘Chaos’ was spoken. It is only felt as merely waste and void by those human beings who stand entirely on the ground of what is working from the past. But something new must arise out of the Chaos; there must be a union with something new to work in this spiritual movement. This movement has arisen because mankind needs to be fertilized with a fresh spiritual seed; and we must realize that it is not a question here of carrying on and merely evolving existing things and past things, but that entirely new seeds must spring forth from the Chaos. He who would understand this movement must understand that in this movement we cannot work out of the Cosmos of our worthy forebears, but that new things must come into the world as if out of the Chaos. Thereby humanity is spiritually fertilized. Spiritual Science realizes concepts and ideas that are not taken from the past, as when the geologist, for instance, derives his knowledge from the past of our earth. For Spiritual Science the future form is the important thing. There are laws of the future that must flow out of the Chaos into the Cosmos. It is important for man to receive into himself ideas, feelings and impulses of will, taken directly from that form which the Spirit had, before it took shape out of the Chaos. Such ideas out of the Chaos, taken from the higher worlds, are the signs and symbols. Such symbols and signs were intended to be given to us among those things that underlie all occult science, all imaginative knowledge. In the Cosmos that is about to become, there are the Spiritual Beings. Out of the Chaos they work in upon the human soul in new impulses; new condensations arise and take effect.

That which is presented in the Seven Seals is not yet in the Cosmos, but it is in the Chaos. Out of the Chaos they work upon the human soul. If they work in the right way, then the Chaos works livingly, and leads the human being into worlds that lie beyond the Cosmos. This is what it means when the human being has recourse to such pictures. We feel the overwhelming influence of the Chaos that contains the seed of all things, when we let these things work upon us. Thus we can see how comprehensive the idea of Chaos is for anyone who understands it in the right way. It is the Chaos from out of which the physical arises. Whether it be the Greek Philosophy or the Bible, or the Indian Philosophy of the A-Chaos, the Akasha—all this shall remind us that that which was in the Beginning works throughout all time. To him who is bound to the sense world, the Chaos appears waste and void. But he who penetrates it in a spiritual sense can hear the harmonies of the spheres resounding through it. Today it is still possible for single human beings to get a feeling for some of these words that come from the spiritual world. Hence it is the time to speak of these things.

... What we were also responsible for in international terms was the holding of the Munich Congress. You were able to get an idea of our intentions from the design of the congress hall, the images of the seals and columns with which the hall was decorated, and the nature of the entire program. The intention was to make a start, to allow Theosophy to be more than just a collection of abstract dogmas, but to give it influence over the life that surrounds us. No one can be under the illusion that the way in which we have succeeded in harmonizing the entire organization of the congress was more than a weak beginning compared to what lives as Theosophical thought. But everything has to start somewhere. If the German Section has only shown what intentions could prevail at such a congress, shown how the life that lives in the soul can also be expressed in form, in art and in being together, then the German Section has done what it was able to contribute on this particular occasion. From such inspiration, the strength can arise that will gradually make it possible for the Theosophical Society to be not just a place for spreading these or those dogmas, but to intervene deeply in the whole life of the human being.

What also needs to be mentioned is the fact that the budgeted expenditure for the congress, which amounted to 4,500 marks, has been greatly exceeded. The congress has become all the more beautiful as a result. It is deeply gratifying to note that on this occasion in particular there has been such a spirit of understanding, especially in the German Section. We needed a lot of money; but it has been shown that where it matters to sustain the Theosophical life, there is also understanding and a willingness to make sacrifices. Therefore, there is no deficit to report.

No less emphasis should be placed on the deeply satisfying fact that those who were able to have worked in an incredibly dedicated manner. Everything that had to be done was done by our dear friends in Munich in a way that was not only dedicated but also thoroughly understanding, so that what is called Theosophical unity and harmony was most beautifully realized in this work. There was no one who was not willing to do the most demanding spiritual work alongside the most menial work, which is necessary at such a congress. People who had never done such work in their entire lives carried large items that were intended for this or that purpose; others hammered, others painted large columns; in short, it was all dedicated work. Donations ranging from the thousand-mark note to the ten-pfennig piece were collected. The administration, which had been taken over from Munich, was prudent in everything except the work that showed how real achievement, real cooperation, harmonizes people. We brought it to the point where the deeply satisfying performance of the Mystery Drama of Eleusis could take place. If you could realize what had to be done to make it happen, from the translation from the French to the sandals on the feet of the actors, who were all members and had to undergo weeks of rehearsals; if you knew how it all went , how beautifully and harmoniously everything went, how the work was carried by the common idea and the devotion of the feeling, then you could appreciate the practical value that arises when a common bond of work embraces everyone. Just as the plant harmoniously strives towards the sun, so people become harmonious when they are ruled by the same feelings.

We have the good spirit of this corps of contributors to our Munich Congress to thank for the fact that everything has turned out as it has. The spirit of harmony really did live in the Munich working group during all these preparations, and in this respect it could, to a certain extent, serve as a model for the way in which people in the Theosophical Society can work together and collaborate in general. It is to be hoped that this somewhat different way of working, which the German Section has been trying to achieve for five years, will not only be recognized in the International Theosophical Society, but will also have a somewhat fruitful effect. The International Theosophical Society can only flourish if each section contributes its share on the altar of joint, theosophical international activity.

It hardly needs saying that the most heartfelt thanks of the German Section of the Theosophical Society go to Fdonard Schure, the author of the mystery drama. However, it should be emphasized that we are deeply indebted to Bernhard Stavenhagen, the famous pianist and sensitive composer, who, in the midst of his busy and demanding workload, took it upon himself to provide the musical part of the dramatic performance at my request. The deep impression that this composition made on all those present will remain in their memories. The beautiful harmony between the musical creation and the mystery was felt by everyone.

An Introduction to the Portfolio with Fourteen Images

The fourteen plates presented here are reproductions of the “seals and symbols” used to line the interior of the building where the Congress of the “Federation of European Sections of the Theosophical Society” took place on May 18, 19, 20 and 21, 1907 (in Munich). They are not arbitrary “symbols” that can be interpreted rationally, but spiritual-scientific “characters” that must be taken as befits true spiritual science. These do not invent such “signs” out of their own minds or arbitrary imagination, but only reflect in them what is really present as a vision to the spiritual perception in the supersensible worlds. No speculation, no intellectual explanation, however ingenious, is appropriate in the presence of such signs, because they are not invented, but merely provide a description of what the so-called “seer” perceives in the invisible worlds. The signs reproduced here are a description of experiences in the “astral” and “spiritual” (devachanic) worlds. The “seals” of the first seven tablets represent such real facts of the astral world and the seven “columns” represent similar facts of the spiritual world. However, while the seals directly reflect the experiences of “spiritual vision”, this is not the case with the seven columns. For the perceptions of the spiritual world cannot be compared to “seeing”, but rather to “spiritual hearing”. In this, it must be borne in mind that one should not think of it as too similar to “hearing” in the physical world, for although it can be compared to it, it is nevertheless very unlike it. The experiences of this spiritual hearing can only be expressed in an image if they are translated from “sounding” into form. This has been done with these “columns”, but their essence can only be understood if the forms are thought of as plastic (not painterly).

In the sense of spiritual science, the causes of the things of the physical world are to be found in the supersensible, invisible. What manifests itself physically has its archetypes in the astral world and its spiritual primal forces (primal sounds) in the spiritual world. The seven seals give the astral archetypes of human development on earth in the sense of spiritual science. When the “seer” on the “astral plane” follows this development into the distant past and distant future, it presents itself to him in the given seven seal images. He has nothing to invent, but merely to understand the facts he perceives spiritually.

SEAL I comprehensively represents the entire evolution of man on earth. This seal, as well as other seals in the series, can also be found, in a sense, described in the “Revelation of St. John” (Apocalypse). For anyone who is able to understand this writing in a spiritual-scientific sense sees in it nothing other than the description given in words of what the “seer” perceives in an archetypal way as the development of humanity on the astral plane. Thus, such a person also understands the first words of this writing, which (approximately correctly rendered) read as follows: “The Revelation of Jesus Christ, which God has offered him to illustrate to his servants how the necessary events will shortly take place; this is sent in ‘signs’ by God's angel to his servant John. He has expressed the 'Word' of God and its revelation through Jesus Christ in the way he saw it.” The ‘signs’ that he saw have been depicted by the recorder of the ‘secret revelation.’ — One can see that the following seals are in many ways similar to what is described in the Apocalypse, but not quite. For our pictures are based on a spiritual-scientific method which, although it is in harmony with all traditions, has been developed in its own form since the 14th century in those circles that have had the task of cultivating these things since that time, in accordance with the modern spiritual needs of humanity. Nevertheless, the description here, where it matters, is given with reference to the “Revelation of St. John”. It should be expressly noted that some of the seven seals have already been published in this or that work of modern times; but the initiate in such matters will be able to find that these other renderings differ in some respects from the form given here, which seeks to present the genuine spiritual-scientific basis.

The description of the first seal can be compared with that in the Apocalypse. “And I turned to hear the sound that came to me; and I saw seven golden lamps, and in the midst of the lamps the image of the Son of Man, clothed with a garment down to the foot and girded about the loins with a golden girdle. His head and hair were white like wool, as white as snow, and his eyes were like blazing fire. And his feet were like glowing coals of a fiery furnace, and his voice was like the sound of rushing waters. And in his right hand were seven stars, and out of his mouth came a sharp two-edged sword, and his face in its brightness was like the shining sun.” In general images, the most comprehensive secrets of human development are pointed out. If one wanted to present in detail what the seer can see from these images, one would have to write a thick book. Only a few hints are made. Every sign, every form on the seal images is meaningful, and what is said here can only be a little of much. Among the organs and means of expression in the human being, there are some which, in their present form, represent the downward stages of development of earlier forms, and which have thus already passed their degree of perfection. Others, however, represent the initial stages of a development that moves in an ascending direction. Such members in the human being are still imperfect today and will have to fulfill completely different, higher tasks in the future. The organ of speech represents an organ that will be something much higher and more perfect in the future than it is at present, with all that belongs to it in a human being. In touching on this, one touches on a great secret of existence, which is also called the “mystery of the creative word”. This gives a hint of the future state of this organ, which will one day, when man has spiritualized, become a productive (creative) organ.

In myths and religious stories, this future spiritualized form of production is indicated by the appropriate image of a fiery “sword” coming out of the mouth. The first stages of man's development on earth took place at a time when the earth was still “fiery”; and it was out of the element of fire that the first human embodiments took shape; at the end of his earthly career, man himself will radiate his inner being creatively outwards through the power of the element of fire. This progressive evolution from the beginning to the end of the Earth is revealed to the “seer” when he beholds the archetype of the evolving human being on the astral plane, as depicted in the first seal. The beginning of the evolution of the earth is represented by the fiery feet, the end by the fiery countenance, and the complete power of the “creative word” to be attained last of all by the fiery sword that comes out of the mouth. During this process of development, the becoming of the human being and the powers that are thereby unfolded are successively influenced by forces that are expressed in the seven stars of the right. Thus, each line and each point in the picture represents something that is connected with the comprehensive developmental secret of the human being.

SEAL II represents one of the first developmental stages of humanity on earth, with everything that goes with it. In distant prehistoric times, the human being on earth did not yet have what is called an individual soul. In those days, what was present in him was what animals, which are still at an earlier stage of human development, still have today: the group soul. When, through imaginative clairvoyance, human group souls are traced on the astral plane in retrospect to prehistoric times, it becomes clear that the various forms of these can be traced back to four basic types. And these are represented in the four apocalyptic animals of the second seal: the lion, the bull, the eagle and that figure which also approaches the individual soul of the present man as the group soul and which is therefore also called: the “human being”. This touches on the truth of what is often so dryly allegorized in the four animals.

SEAL III represents the secrets of the so-called harmony of the spheres. Man experiences these secrets in the interim between death and a new birth (in the “spirit realm” or what is called “Devachan” in the common theosophical literature). However, it should be noted that all these seals only represent the experiences of the astral world. But other worlds than the astral world itself can be observed in it. Our physical world can be observed in its astral-plane counterparts. And the spiritual world can be seen in its after-images on this plane. Thus, the third seal represents the astral after-images of the “spirit world”. The angels blowing trumpets represent the spiritual primal beings of the world phenomena; the sounds of the trumpets themselves represent the forces that flow from these primal beings into the world and through which the beings and things are built and sustained in their becoming and working. The “apocalyptic riders” represent the main points of development through which an individual human being passes in the course of many embodiments, and which are represented on the astral plane by the riders on their horses: a horse shining white, expressing a very early stage of soul development; a horse of fiery color, pointing to the warlike ; a black horse, corresponding to that stage of the soul where only the outer physical perception of the soul is developed; and a green shimmering horse, the image of the mature soul, which has mastery over the body (hence the green color, which results as an expression of the life force working from the inside out).

SEAL IV represents, among other things, two columns, one rising from the sea and the other from the earth. These columns hint at the secret of the role played by red (oxygen-rich) blood and blue-red (carbon-rich) blood in human development. The human 'I' undergoes its development in the cycle of the earth by physically expressing its life in the interaction between red blood, without which there would be no life, and the blue blood, without which there would be no knowledge. Blue blood is the physical expression of the powers that give knowledge, but which in their human form are connected with death; and red blood is the expression of life, which in its human form could not give knowledge by itself. Both in their interaction represent the tree of knowledge and the tree of life, or also the two columns on which life and the knowledge of the ego develop further to that degree of perfection where man will become one with the universal earth forces. This latter state of the future is shown on the seal by the upper body, which consists of clouds, and by the face, which has appropriated the spiritual powers of the sun. Man will then no longer absorb “knowledge” from outside into himself, but will have “swallowed” it into himself, which is indicated in the book in the middle of the seal. Only through such “devouring” on a higher level of existence do the seven seals of the book open, as they are also indicated on Seal III. In the “Revelation of St. John” we find the significant words about this: “And I took the little book out of the angel's hand and ate it...”

SEAL V represents a higher stage of human development, which will occur when the earth has united with the sun again and man will no longer work merely with the forces of the earth, but with the forces of the sun. The “Woman who gives birth to the sun” refers to this future human being. Certain forces of a lower nature, which live in man and prevent him from fully developing his higher spirituality, will then have been expelled from him. These forces are represented in the seal, on the one hand, by the beast with the “seven heads and ten horns” and, on the other, by the moon at the feet of the solar man. For spiritual science, the moon is the center of certain lower forces that still work in the human being today and that the man of the future will subjugate.

SEAL SIX represents the purified human being, not only spiritualized but also having become strongly spiritual, who has not only overcome the lower forces but transformed them so that they are at his service in an improved form. This is expressed by the tamed “beast”. In the Book of Revelation we read: “And I saw an angel come down from heaven, having the key of the bottomless pit and a great chain in his hand. And he laid hold on the dragon, that old serpent, who is the Devil, and Satan, and bound him a thousand years.”

SEAL VII is the reproduction of the “mystery of the Holy Grail”. It is the astral experience that reflects the universal meaning of human development. The cube represents the “space world”, which is not yet permeated by any physical being or physical event. For spiritual science, space is not just the “void”, but is the carrier that holds the seeds of all physicality in an as yet invisible way. Out of it, the whole physical world precipitates, as a salt precipitates out of a still completely transparent solution. And what, in relation to the human being, is formed out of the world of space, undergoes a development from the lower to the higher. Out of the three spatial dimensions, which are expressed in the cube, the lower human powers first develop, visualized by the two serpents that give birth to the purified higher spiritual nature, which is represented in the world spirals. Through the upward growth of these higher forces, the human being can become a recipient (chalice) for the reception of the pure spiritual world, expressed by the dove. Thus man becomes the ruler of the spiritual powers of the world, of which the rainbow is the image. This is only a very sketchy description of this seal, which contains within itself immeasurable depths that can reveal themselves to him who, in devoted meditation, allows it to take effect upon him. This seal is circumscribed by the truth saying of modern spiritual science: “Ex deo nascimur, in Christo morimur, per spiritum sanctum reviviscimus,” “From God I am born; in Christ I die; through the Holy Spirit I am reborn.” In this saying, the meaning of human development is fully indicated.

In the congress hall, one of the seven columns reproduced in the second series of pictures was placed between every two of these seals. As already indicated above, the capitals of these columns depict the experiences of the “seer” (which is actually no longer an appropriate name in this field) in the “spiritual world”. It is about the perception of the primal forces that exist in spiritual tones. The plastic forms of the capitals are translations of what the “seer” hears. But these forms are by no means arbitrary, but rather as they naturally arise when the “seeing man” allows the “spiritual music” (harmony of the spheres), which flows through his entire being, to act on the forming hand. The plastic forms here are truly a kind of “frozen music” that expresses the secrets of the world. That these forms appear as column capitals seems self-evident to anyone who understands the situation. The basis of the physical development of earthly beings lies in the spiritual world. From there it is “supported”. Now all development is based on a progression in seven stages. (The number seven should not be understood as the result of “superstition”, but as the expression of a spiritual law, just as the seven colors of the rainbow are the expression of a physical law.) The earth itself passes through seven states in its development, which are designated by the seven planetary names: Saturn, Sun, Moon, Mars, Mercury, Jupiter and Venus. (For an understanding of this, see my “Occult Science” or the essays “From the Akasha Chronicle” in “Lucifer-Gnosis”. But it is not only a heavenly body that advances in its evolution; every evolution passes through seven stages, which, in the sense of modern spiritual science, are designated by the terms for the seven planetary conditions. The spiritual supporting forces of these conditions are reflected in the forms of the Capitals of the Columns in the manner described above. But we shall not arrive at a true understanding of this matter if we base our observation of the forms only on a rational explanation. We must look into the forms with a feeling and intuitive perception and let the capitals act on us as forms. If we fail to do this, we shall believe that we have before us only allegories or, at best, symbols. We shall then have misunderstood everything. The same motif runs through all seven captains: a force from above and one from below, which first strive towards each other, then, reaching each other, work together. These forces can be felt in their fullness and in their inner life and then the soul itself can experience how they expand, contract, embrace, devour, unlock and so on, in a lively, formative way. We will be able to feel this complication of forces, just as we feel the plant's “shaping” from its living forces, and we will be able to sense how the line of force first grows vertically upwards in the column, how it unfolds at the bottom in the plastic forms of the capitals, which open and unlock to the forces coming towards them from above, so that a meaningful capital becomes. First the power from below develops in the simplest way, and you strive just as simply towards the power from above (Saturn column);

He who can feel all that is expressed in these “columns” of world events feels the all-embracing laws of all being, which solve the riddles of life in a very different way from abstract “laws of nature”.

These pictures are intended to show how spiritual insight can take shape, come to life and be artistically expressed. Note that the pictures depict living forces of existence in the higher world; and these higher spiritual forces have a profound effect on the observer of the pictures. They act directly on forces that, corresponding to them, lie dormant in every human being. But their effect is only right if one looks at these pictures with the right inner soul disposition. Those who look at the pictures with theosophical mental images and theosophical feelings in their hearts will receive the most sacred from them. If you want to hang them anywhere or put them anywhere, where you will encounter them with everyday thoughts and feelings, you will feel an unfavorable effect, which can go as far as a bad influence on your physical life. You should act accordingly and only enter into a relationship with the pictures that is in harmony with a devotion to the spiritual worlds. Such pictures should serve as decoration for a room that serves a higher life; they should never be found or viewed in places where people's thoughts are not in harmony with them.

Description of the situation by Max Gümbel-Seiling

We were in the living room of the family home, which stood alone in the forest. There were about 24 people present. Rudolf Steiner stepped in front of the table, behind which we were standing, with the document he had written. First he explained the sign of the macrocosm, which he had drawn on it with simple lines. Around the six-pointed star formed by two intersecting triangles, two dragons closed, biting each other's tails. Above was a white, winged dragon, below a dried-up, dark one. On the right were the words, one above the other: “Above all as below,” and one read, starting from the left, going up: “Below all as above.” Then we all signed the document, which Rudolf Steiner rolled up and placed in a bottle under the foundation stone. It was late in the evening, but Rudolf Steiner wanted to wait for the moon before we followed him outside to a forest ravine where the small, open-topped building lay. “Dear sisters and brothers,” Rudolf Steiner began. We were standing close together in front of him, filling the small space. First he spoke of the laying of the foundation stone in ancient times, when a priest voluntarily allowed himself to be walled into the ground, then of the slave whom the Romans forced to do so, and finally of the present-day meaning of the foundation stone. He then performed the laying of the foundation stone himself.

Approximate rendering of the words of Dr. Rudolf Steiner at the laying of the foundation stone of the Rose Cross Temple of the Malsch Lodge, “Francis of Assisi.” Rendering from the memory of Hilde Stockmeyer.

Human skeletons have been found among the ruins of many old buildings. The reason for this is that people used to know that a building had to develop an inner life. Originally, however, this meant the spiritual life, which must flow through every building if it is to bring blessing. A decadent time took this to mean something external and created the custom of walling a slave alive under the building. What should really be buried with the foundation stone are the feelings and thoughts and blessings of those who build the building and those who want to use it.

So we too want to lower the foundation stone of this temple into the lap of our mother earth, in the light of the rays of the full moon, which shine on us, surrounded by the green plant world that entwines the building. And like the moon reflects the bright sunlight, so we want to reflect the light of the spiritual-divine beings. We want to turn trustingly to our great Mother Earth, who lovingly carries and protects us, and we want to entrust her with the charter of the building... [Here followed the description of the document].

At the same time as the document, we want to lower our wishes, our blessings, all of us who are gathered here, and remember this moment often and often and what has made our hearts and souls glow. Then our intentions will continue to work, promoting and protecting the construction of this temple, the existence of the Malsch Lodge. We implore the blessing of the Masters of Wisdom and of the harmony of feelings upon this stone and upon the Lodge of Malsch, and the blessing of all high and highest beings, of all spiritual hierarchies connected with the evolution of the earth. We implore them to let their power flow into this foundation stone and continue to work in it, so that everything that is thought, felt, willed and done through this stone may be in harmony with them and inspired by their spirit.

May the light of the spirits of the East shine upon this building
The spirits of the West may reflect it;
The spirits of the North may solidify it
And the spirits of the South may warm it,
So that the spirits of the East, West,
North and South may flow through it.

With great pain, our mother earth has solidified. Our mission is to spiritualize her again, to redeem her, by reworking her into a spirit-filled work of art through the power of our hands. May this stone be a first foundation stone for the redemption and transformation of our planet, and may the power of this stone increase a thousandfold.

When we still rested in the bosom of the Godhead, sheltered by divine powers, the all-pervading and enveloping Father Spirit wove in us. But we were still unconscious, not in possession of independence. Therefore we descended into matter to learn to develop self-awareness here. Then came evil, then came death. But in matter also worked the Christ and helped us to conquer death. And so, by dying in Christ, we live. We shall overcome death and, through our mighty strength, spiritualize matter and deify it. Thus will awaken in us the power of the Holy Spirit.

So let the word resound as a truth here at this point:

Ex Deo nascimur,
In Christo morimur,
Per Spiritum sanctum reviviscimus.

From God I am born,
In Christ I die,
Through the Holy Spirit I resurrect.

Address by the architect Carl Schmid-Curtius

As the builder of this house, it is my privilege to address the first words of greeting and welcome to you at today's house dedication.

The abundance of feelings that move me at the handover of this building, our new Theosophical home, should above all find expression in my heartfelt thanks to all those who, with their advice and support, have actually made this building possible. Once I have thus fulfilled the noblest duty of someone who has accomplished a work with the help of others, I may summarize my many wishes for this house, in which Theosophy is to be taught for many generations to come, that I say: In these rooms, the occult motifs have been arranged according to a fundamental idea under higher guidance and approval; we know that everything that surrounds us here is the expression of a spiritual. May these forms all serve to promote Theosophical work and may this building always be dedicated to the spirit in which it was built!

I hereby hand over the keys of the house to the building association of the Stuttgart branch association, and express my heartfelt thanks for their loyal support. I also wish them all the best and much success in their work in these beautiful rooms.

Address by the chairman of the Stuttgart branch association's building association, Jost del Monte

On behalf of the building association, I take over the key of this house.

If you, my dear Mr. Schmid, have addressed words of thanks to all those who have helped you to accomplish this work, we are well aware that these thanks must go above all to the one whose profound knowledge alone made it possible to develop the ideas embodied in these rooms, and each of us shares your sentiments with all our hearts. And as far as these thanks are directed at us, let me tell you that we have regarded it as a very special favor to be allowed to participate in this work. We leave it to our dear guests to judge the extent to which the work has been successful; but let me add one thing: working together with you in harmony has given us great satisfaction, and we fully appreciate the amount of dedicated work this work has required of the builder. We thank you very much and are pleased to be able to say this to you from this point.

Furthermore, we would like to thank all those who have generously contributed to this undertaking, and in particular we would like to mention one of our members who, with a large, fundamental donation, has made it possible to fulfill our long-held wish.

And finally, on behalf of the building association, let me express our joy at being able to celebrate the inauguration of the house together with so many friends from outside. We thank you for your interest in our celebration and warmly welcome you. We have been able to create a stronghold for theosophical life through our loyal cooperation; this house is now complete, and the building association has thus fulfilled its primary task. I now hand over the key to this house to the Stuttgart branches, which may become a place of loyal work for them.

Address by the Chairman of the Association of Stuttgart Branches Adolf Arenson

On behalf of the Association of Stuttgart Branches, I take possession of the key to this house.

It has been designed and built in accordance with spiritual rhythms and spiritual laws that have been transmitted to us by our esteemed teacher.

The forms and designs that confront us, the signs and images that give the room its character, are drawn from those spheres that underlie our earthly one; we should always be mindful of this, and the work we do in this house should strive to achieve harmony with our surroundings. The symbols that look down on us – they shall become inner life through our work.

Sacred is the space in its arrangement - in its holiness it shall be animated by our work. It shall become a home for the Highest, which has become ours through high spiritual powers. And we want to protect with all our strength the good that has been entrusted to us. We solemnly swear this.

In this spirit, we ask our esteemed leader to consecrate the place of our future work.

Consecration speech by Rudolf Steiner

All of us gathered here today feel the significance and consecration of this moment. And perhaps at this hour many a heart here will ask itself what the greater significance and the greater consecration lies in, whether in the fact that we have before us, and whose importance for the theosophical life in our circles we cannot sufficiently feel, or whether in the symbolic meaning, in the symbolic importance of what we are allowed to begin here today. The most beautiful and solemn words at this moment are undoubtedly those that resonate quietly in the hearts of those gathered here, and it is hardly my duty to express these unspoken words that now fill our hearts. We feel the significance of the fact that from now on, for the first time, the spirit that has been maintained for years within our Central European Theosophical Society can be realized in a space that, wherever we we turn our eyes, surrounds us with signs and features of what is so intimately connected with all that we strive for as an impulse for our knowledge, which should lead us into the supersensible worlds. And basically, the full weight of this moment can be summed up in a few words: for the first time we are surrounded by a home, by a space that is ours. A concept can easily be associated with such words, but it must be a distant one. Such a word can be associated with the concept of selfishness; but the word cannot and must not be understood by us in this sense, but solely and exclusively in the sense that we now have a space around us that belongs in an intimate and personal way to what we strive for in the spiritual worlds; and if we allow the weight of these words to weigh on our soul, then the all-embracing feeling of gratitude to all those who have made it possible for us to stand today before such a fact will spring up.

However, if we want to go back to the first sources of this possibility, we have to go back years, we have to look back on the dedicated theosophical work that has been done here in this place for years, and we have to remember the beautiful way in which the most diverse most diverse theosophical impulses have interacted here in this place, how mystical-inner and theosophical-intellectual striving have been lovingly combined here for years, and how harmoniously people with of the most diverse temperaments and working methods, but who were all able to harmonize their working methods, temperaments and characters because the deepest impulse lived in them, which we can express as theosophical love, as a theosophical feeling and striving for peace. We would have to reach far into what has been achieved here on the horizon of our theosophical life if we wanted to characterize everything that has finally been condensed into one impulse. So we can say: born here out of diligent, energetic work in the theosophical field was an understanding of the needs of real theosophical life.

This has captured the heart of one of our dear friends, who was able to turn an idea into reality, which must surely always live in all our hearts. Therefore, our thanks must go to the person who made the basic donation for this building, which was conceived in the noble theosophical spirit and can be entered in the memory of the theosophical development. Thus, relatively early in our theosophical striving, a home for our 'Theosophy' was created here, showing a reflection of our thinking and feeling in every detail. The impulse given by our dear friend is, first of all, an invitation to work in a dignified manner in the home that has been given to us. Thus, we feel, as we have done from the very beginning, that not only what lies before our eyes, what affects our senses, is theosophically ours, but we feel at this moment that space is also, in a sense, morally ours; and we feel this space permeated by theosophical love and theosophical willingness to make sacrifices, the love of those who have worked here for years, devotedly and self-sacrificingly, to give the impulse of theosophical understanding, and the love of the one who first made this room possible. And we may say that we also feel the exemplary nature of this present moment in many respects. It has often been emphasized how Theosophy must find its way into all branches and activities of the human spirit, of the soul life and of the outer life.

Just as everything comes from the spirit, so should all human activity be imbued and inspired by the spirit, and so we must regard it as a fact to be recognized in the true sense as a theosophical result, that we have found in our own midst the man who with what our theosophical spirit is. And you all undoubtedly feel at this moment that our dear Mr. Schmid, who has executed this building, has combined his best theosophical feeling and thinking with what the outside world has given him as his artistic ability. We can feel happy with him about this fact. What do we feel when we take a look at everything that surrounds us! Above all, we feel that not only the skill of a master builder, but also the heart of a theosophical master builder has worked here. As true as it is that we stand in awe of the way our friend Schmid implements what 'Theosophy is' in his art, it must also be true that we are full of gratitude for all the love that he was able to put into this building. I think it has also been a task for you, my dear Mr. Schmid, which filled your heart with joy, with the kind of joy that belongs to the realm of spiritual feeling and that arises when a person is allowed to let his ability to work, his creative urge, his skill flow into the forces of spiritual life. But we consider it a favorable karma of our theosophical movement that we have found precisely this master builder, who — as I, perhaps more than anyone outside Stuttgart, can assure you — has shown a wonderful devotion and understanding for what architecture in this case can offer to spiritual life. And we may be glad if a similar relationship can be achieved in the future.

And now let us, who have come together from the most diverse regions to celebrate this hour with our friends here, remember not only the general, sacrificial and dedicated work that has been done, but also the more specific work that has had to be done in recent years. Just think back to nine and a half months ago, when we were able to lay the foundation stone for this building, and consider all the selfless work that had to be done beforehand. Consider further what had to be done by our friends in Stuttgart, by the inner circle of the Society, which today took possession of this building, so that we can be united within this theosophical new structure. It would be impossible to describe this laborious and devoted work. But one thing in particular should be emphasized about this work. Let me mention a fundamental aspect of such theosophical work! You are all undoubtedly filled with joy and heartfelt satisfaction at how our Theosophical Society has grown; but on such an occasion we should not forget that, although it is the greatest happiness in the sense that one can speak of it here, that it has grown so much, with the growth the difficulties in the management of the affairs of this very Society are also growing considerably.

Things such as those that are now appearing before us, full of significance and laden with meaning, must be accomplished by people who, at the time of their creation, can put their whole hearts into the work. This makes it necessary to speak of the fundamental nerve of such a matter at this moment. The more our Society grows, the more it seems as if such work should be placed in the hands of all theosophists. That cannot be! That is impossible! But something else is possible: that the genuine work on such a project should be carried out in an exemplary manner, almost pedagogically, for all those who profess to be our followers. What will be the best in social terms if our movement is to realize in numerous fruits what it has as a germ? It will not be voting and majority decisions, but the trust that one person can place in another personally and individually; that trust that consists in letting the small groups that have to carry out one or the other work work without hindrance. Then they can work as we have worked here. Let us not disturb those who, sacrificing their hearts, are attached to what should promote our great goal, and let us give them complete freedom to work, let us not surround them with the obstacles of know-it-alls who cannot possibly be there! And when the small circle here has been working quietly for years, demanding that trust, then we may say: If we may judge from the fruit on the germ, then what is in any case in line with the theosophical work has proven itself here in the most brilliant way. The work that we see today is, in the fullest sense, a glorious vindication of the trust that we had in the faithful work of this small building association that has been at work here. With understanding and trust, we express our gratitude for the exemplary work of this building association.

When you leave this room today or tomorrow, take this feeling with you: how different it is to be able to devote ourselves to theosophical thoughts in such an environment than in an environment that we encounter when we have to work elsewhere. Let us feel in this moment how the word can expand for us: This space is ours. What does this mean in yet another sense? What was said at the laying of the foundation stone can be repeated in a modified way: “We have built a temple for the Spirit we serve.” How differently we can feel connected to this spirit within such a building! And we then understand the longing for images of the beautiful, magnificent model that has been given to us here. Perhaps more than any words that could otherwise be spoken, this room itself can speak to those who are able to create afterimages; it speaks in a clearly audible way of the necessity to be surrounded by that which is our spirit's temple. And if there has been talk in Munich of another, similar building, only to be executed on a larger scale, then consider as a beautiful intensification of all these words, which can only be spoken with the mouth, what this room is able to say to you. When we enter it with understanding, dwell in it, and leave it to return to it again and again, does it not emphasize the necessity of such buildings in other places as well?

If we allow our feelings free rein for a moment, we cannot but say that human karma works in the strangest ways. We could be filled with emotion that this building of ours could be placed in this region of this country. Let us remember how much of the intellectual life of Central Europe has sprung precisely from these regions. Think of how, in a quiet, earnest, intimate way, a 18th-century spirit wrote the fervent worship of the spirit that reigns and weaves through all worlds in a friend's book with three words: “One in All.” The unfortunate ZZölderlin, from a sense of the spirit in the universe, wrote the words to his philosophical friend in this very area: “One in All.” The word that was written out of deep feeling in this area has often been repeated. It was written in the family register of a man whose philosophical spirit filled all of Germany and, in fact, the whole of the educated world.

Let us also remember how intellectual life in the 18th and 19th centuries took its starting point from this very area. Theosophy, which could only have existed at that time, originated in this very area. Within the Swabian region, there were theosophical centers in the 18th century from which many colonies originated, some of which are still active today. Let us remember that it was a son of this area who came to an 18th-century seer in Thuringia, Oetinger, who represented the theosophy that was possible at that time. Through his own temperament, he found that seer personality of Central Germany who bore a name that has local significance here. Let us remember that from the vision of the 'Thuringian peoples, the theosophy of this region drew rich sources of seership. Let us remember that the great philosophers were sent to us from the same spiritual substance of this region, let us remember that the one who has become so popular within the spiritual life and who spoke the beautiful word: “Thought is an immeasurable realm, and the word is a winged tool.”

If we bear in mind that we wish to be servants of the spirit through the word in this building, which in symbols and forms is intended to be an expression of the spirit we serve, then in a somewhat modified form, transposed into our theosophical thoughts, a word that long, long ago moved and uplifted countless hearts, which had gathered together everything they had left to build a temple for the Spirit they served. And the one who was allowed to serve with his person in the construction of this temple spoke words that we may translate into our language:

"O Spirit of the Universe, You who proclaim yourself to our true self-awareness, You have graciously kept the word You gave us when You saw our work, as it has been done for years by Your servants; and it is becoming apparent today in this hour. Although the furthest reaches of the spirit are not able to grasp You, great Spirit of the Universe, You who permeate all Your works with Your thoughts, You who want to dwell in the words that may sound from our lips; how much less can these temple walls, which we have built for You, grasp You. But behold, Spirit of the Universe, You who make Yourself known in our true self-awareness, upon our will to understand, upon our yearning for knowledge of Your servants! Behold, Spirit of the Universe, Pervader of every ego, look down upon us, and let Your eyes be open over this structure, where You have decided to dwell! Hear our feelings, which urge us, through our work of letting Your spirit flow into the spaces we have dedicated to You, to show ourselves worthy of You!"

I had to resort to the words of the Old Testament, to the words of Solomon, to express what we ourselves, out of the spirit of human development that has progressed with the world, have to address like a prayer to the spirit of the universe, which dwells in all hearts that strive for true self-knowledge. If we can develop something in us of the devoted feelings that have been invoked in all times by the spirit of a community towards a building, then let us create this feeling in our hearts! As we continue to work in this room, we will see how differently our work can be done than in an otherwise indifferent space.

What, above all, is possible here? There is one thing we need that we can summarize in a single word: concentration of mind, seclusion of soul, while we devote ourselves to theosophical knowledge. We can feel what the voice of the universe itself can tell us if we tune into the spring mood. Even if it is autumn outside, we have spring in this room. Then we can understand from the language of the world spirit in nature how justified it is to seek contemplation and collection. If those who say, “Why do you shut yourselves away with your work, don't carry it out as a labor of love?” should come, then we will not answer, but let us let the great world spirit answer, which speaks from the works of nature itself. How much depends on what happens in spring! What is necessary for the salvation of the plant world that sprouts out of the earth in spring? That the seeds are taken from the full sunlight of outer activity; but in order to flourish, they must enter into the darkness, into the seclusion in which they enter in autumn. Thus, these spiritual seeds of life must be carried into the quiet home of meditation, of knowledge, of love and of peace, in order to work there quietly like the seed in the bosom of the earth; and only then can they be effectively carried out into the full sunshine of life. Such places are necessary for the interaction of human development, and insofar as we ourselves want to be bearers of the best seeds of our cultural life, it is necessary that what can be won from outside, what can only be cultivated and flourish here, be brought into the hiddenness.

Thus it is a wonderful fulfillment of karma that our first Theosophical house has been built on this very ground, like a tribute of the new spiritual life to the old. When the spirit we serve has received this shell, we ourselves feel integrated into the organism of the whole human spiritual life and know that we have a contemporary work in the highest and most sacred sense. It is contemporary because this work is connected to the spiritual current that flows from the source of spiritual life after the karma of all humanity in the present.

Therefore, we can admit it today: we feel that we have been allowed to serve those whom we regard as the source of our work, but also of our opportunity to work, with this work. We were allowed to serve the Masters of Wisdom and of the Harmony of Feelings, in whom lie the sources of our occult knowledge, with our outer work as well, and because we are allowed to feel this, we are also allowed to feel that they help us in our work. May their spirit prevail in this room, which has arisen out of theosophical devotion, which the masters of wisdom and of the harmony of feelings will honor by allowing the forces of the invisible worlds to flow into it, which we need to strengthen and invigorate what our souls themselves are capable of. I visualize the Masters of Wisdom and of the Harmony of Feelings looking down with favor upon this hour and especially upon the feelings that live in our hearts, which are the best when we pledge ourselves to fulfill the work of the Masters in this room that we have built for them. The spirits who have been connected with Theosophy in its best form, as long as it has existed, will send their help into this room; so speaks the feeling that they may do so, but so also speaks a prayer that may be addressed to them in a silent way. When the Masters of Wisdom and Harmony of Feeling, whom we invoke, work in a place where we strive for knowledge, for harmonization, for a foothold in our lives, then this work thrives.

May these good spirits of the theosophical movement bestow their blessings on me when I write out of all your hearts at this hour, not with physical words but only with spiritual words, something like a motto over the door of this house, which is to be written in our hearts , so that we need no physical eyes when we read it upon entering this house, and which we keep in our hearts when we are in this house, when we leave this house, taking with us the longing to gather again and again to cultivate Theosophy. Written over the door shall be:

Those who enter bring love to this home, those who stay inside seek knowledge in this place, those who leave take peace with them from this house.

To me it seems fitting today to speak of something that concerns us very closely; this our home for anthroposophical work in Stuttgart. Perhaps for all of you who have entered this room, and then with a kind of inner vision try to survey the feelings which come to you here, there is a word which may describe what we should like to indicate as the special characteristic of our experience today, namely, mood, feeling; we have doubtless a special feeling, an exalted frame of mind when we are gathered together in this hall. If one follows this feeling further occultly, one may from their standpoint look into the foundation of our life. The most noticeable thing is that we are surrounded by a certain shade of colour which has been used for this room a deep ultramarine. The fact that in many respects combinations of colour play a great part with us, you will also have seen from the way in which we have tried to present the Mystery Plays, and also from the colours of other rooms which we have been able to dedicate to anthroposophical work.

Now it is by no means a matter of indifference to a person in a certain frame of mind what kind of colour he is surrounded by. And further, it is not immaterial what principle shade of colour acts upon a person of this or that temperament, intellectual nature of character. It is also not immaterial for the whole human organisation whether a certain shade of colour acts upon him by being repeated again and again for a long time, or whether it acts only temporarily. You will remember that we covered the hall which served us for the 1907 Congress with a certain shade of red; but from this the conclusion must not be drawn that red is always the right colour for a lecture room. The room here we have covered with a different colour, and if one enquires the reason for these different procedures, the answer is that the hall at Munich was used for a few days for a particular festive occasion, and event which was over in a few days, and was intended to arouse the frame of mind appropriate to this occasion. But here we have a workroom in which our Stuttgart friends will do their anthroposophical work and carry on their classes again and again from week to week. Essentially we are dealing with a room which will be used for oft-recurring classes.

You will best realise the importance of colour if we describe how it affects occultists. For this it is necessary that a person should free himself completely from everything else and devote himself to the particular colour, immerse himself in it. If the person who devotes himself to the colour which covers these physically dense walls were one who had made curtain occult progress it would come about that after a period of this complete devotion the walls would disappear from his clairvoyant vision; the consciousness that the walls shut off the outer world would vanish. Now what which first appears is not merely that he sees the neighbouring houses outside, that the walls become like glass, but in the sphere that opens up there comes a world of purely spiritual phenomenon, spiritual facts and beings become visible. We need only reflect that behind everything around us physically there are spiritual beings and facts. That which lies at the foundation of the physical objects outside in a certain way become visible, what becomes visible is not the same if there are different surroundings. The worlds which surround us spiritually are of many kinds, many different kinds of elementary beings are around us, These elementary beings are not enclosed in boxes or in such a state that they live in various houses. The law of impenetrability only applies to the physical world; penetrability is the law for the higher worlds. But they cannot all be seen in the same way; according to the capacity of clairvoyant vision there may be visible and invisible beings in the same space. When spiritual beings become visible in any particular instance, depends upon the colour to which we devote ourselves. In a red room, other beings become visible than is a blue room, when one penetrates to them by means of colour. We may ask: what happens if one is not clairvoyant? That which the clairvoyant does consciously is done unconsciously by the etheric body of a person if it is not clairvoyantly trained; it enters into a certain relation with the same beings. The consequence of this is nothing less than that, according to our surroundings, we come in touch with one or another kind of spiritual beings. Now, further, it is a case of being able to establish a favourable or unfavourable connection with the beings that surround us. Let us suppose that we use a colour for the room which brings us into connection with beings who disturb us in what we do in this room, then the colour is unfavourable. Conversely, our etheric body may be assisted by spiritual beings though using the corresponding colour; this is then, of course, favourable. Now this room is devoted to repeated study through which we desire to progress in our knowledge. If we have to work in such a room as this, it is necessary that we should be able fully to devote ourselves with our entire human organisation to what is brought before us. We do not wish to be disturbed by anything, we wish to work under the best conditions so that we may take in these things as well as possible; naturally one person will take then in better, another not so well, but the best possible conditions are to be made, so that each one can devote himself—so far as it is possible in accordance with his inner organisation—to the studies which are here brought forward. The colour surrounding us here, brings us in touch with beings in our spiritual environment who come to help us in our etheric body in the spiritual truths within us. In such a building and such a room as this, we are least disturbed, our etheric body is not burdened with fighting against prejudicial influences of certain elementary beings, but the forces of our etheric body are able to work more easily.

Thus we see that for work which is continually repeated and for which there must be a certain calmness of soul as a foundation, exactly this surrounding must be chosen. Let us suppose that we have to deal with something particularly earnest, but which is temporary; in this case if we consider the occult law it is very advantageous—if we are to have not only a festive spirit but also inward strength—to surround ourselves with red. If we have to make a strong decision of the will, we must overcome the spiritual beings which penetrate in. That is to say, on festive occasions we must become strong, so that what we may become a permanent impulse; and unsympathetic weakness of disposition and does not allow earnest decisions of the will to be made, which although roused in a short time, are to remain permanently. The effects of colour are extremely important.

Now you know that under certain circumstances in the general state of our cosmic environment, we see a fundamental colour outspread above us; the blue sky. This blue of the sky is very important to the people of our age, for though the blue expanse of space working upon our souls they continually receive the call to come into touch with the beings in the great world, these beings act upon us through this colour and call upon our etheric body to think of the spiritual. With regard to the blue sky it was not always with man as it is now. The people of the present day think that men have always been as they are now, but the entire constitution of man has changed in the course of time. In those ancient days when man possessed an original clairvoyance there was no blue sky such as exists for present humanity, but at that time when he gazed out into the expanse of space, it was not limited by the blue sky, but he saw into the spiritual worlds which lie out there in space. When our ancient ancestors spoke of heaven beginning there above, that is to say, that the spiritual beings of the Hierarchies are to be found there, they expressed the literal truth.

With these colours which appear transparent (the coloured windows) it is again different from what it is in the case of a colour which is on a wall which we cannot see through. When we observe this shinning bright colour we have to say: Just as through the colour which is on the opaque walls we enter into relation with certain beings, so through the transparent shining colour, we enter into relation with other beings. While the beings with whom we come in touch through the opaque walls are primarily outspread in space, but really have nothing to do with the three kingdoms below us, the mineral, vegetable and animal kingdoms, through shining colours we come in touch with the beings who are directly occupied with bringing the objects of the three kingdoms of nature into being. When we look particularly through shining red, we come in touch with quite a particular type of beings within the kingdom of nature. When shining red forms a kind of window through which to look clairvoyantly into the kingdom of nature, we meet with beings whose work forms the best forces for the future of our earth existence. They have to be there in the kingdoms of nature, so that inner forces may develop in man which make him more and more chaste in his blood, that is to say, in his passion life, and when we look into the kingdom of nature in this way, we are looking upon those beings which, although we may not be aware of it, incite us the most to rouse up and push forward in the purification of our passions.

Besides being surrounded here in this room by certain shades of colour, we see all kinds of tokens and symbolic figures. These are filled with meaning, although I do not mean the meaning which can be found by the intellect. Ingenious persons may discover in them all sorts of curious things, but to occultists explanations such as these mean nothing. The chief point is that these figures are actually here, and if we turn our physical eyes to any one of them, it is not merely the physical eye, but the whole organization, above all, it is the currents of the etheric body which come into motion in quite a special way, they are roused by the course of the lines and by the forms of these figures, so that the etheric body has different movements within it, according as one looks at one figure or another. This means that within the world of etheric substance, which surrounds us, with all the beings incarnated in it, the forms which we see here, are actually present, There are beings who really have these forms in the etheric world; and when we look at one of these figures our etheric body arranges itself in such a way that in its own movements it builds up forms according to these lines, that is, it produces a thought-form which then proceeds from it; and according to the thought-form, will our etheric body be able to make a real union with one or another kind of being. These figures are the means by which this may be accomplished, for when we look at them, we produce within ourselves the thought-forms, that is, the movement-forms in our etheric body. Now these figures are chosen in such a way that when looked at in a rhythmic consecutive order they yield something which is a whole, namely, something which corresponds to a certain stream of development in the outer etheric world, something which through a particular circumstance is favourable to our etheric body; our etheric body has within it the tendency to change, in a certain way it will be different when it is more perfect. The series of forms corresponding to the gradual perfecting of our etheric body will be developed in the consecutive order shown in these figures. When we display these symbolic figures, which are in accordance with certain occult facts, and can let our vision penetrate more deeply, this is a help towards what we are aiming at, and if we produce the corresponding thought-forms in the right consecutive order, we assist our inner being which is to open our understanding for the rhythm which exists when you are speaking of the seven principles of man. We have not placed these figures there merely for decoration, but because they are inwardly connected with what we wish to accomplish here.

We are placed in touch with the surrounding etheric world by means of the thought-forms which we ought to build up in the manner just described; by means of music we are placed in touch with the astral part of our surrounding world. Music acts directly upon our astral body, so that we are made receptive—because this works from within on the etheric body—to all that is incarnated in the astral word, not in the sense in which one speaks of the astral world as contained in kamaloka, but the universal astral world into which the devachanic world also streams down. The revelation through music is a more direct one than when the higher worlds clothe themselves in the forms around us in space; but that which is outspread in space, if it is in accordance with occult results, leaves us independent, whereas music constrains us.

We now come to a kind of action on human beings which affects the etheric body by first stimulating the astral body, also by means of the element of space, and we may also study an example of this in this room. Up above you see two pictures which were contributed to this special occasion by our friend, Stockmeier. These two pictures will later be painted differently, and they will then produce the full effect intended. The effect of these two pictures together, not of each one singly, is somewhat as follows; when first one picture works and then the other afterwards, under all circumstances, whether it is wished or not, the one picture and afterwards the other will together rouse up thought-forms particular formations in the astral body. This remains in the sub-consciousness, and because it is contained in the intention of the pictures—it is only reproduced in an abstract way by means of ideas. Our feeling may perhaps render somewhat more perceptible the thought-forms which our actual body will produce perfectly under all circumstances from these pictures, if Mr. Stockmeier, succeeds in painting them in the right way. The picture on the right; a certain astral form, an kind of dragon is vanquished by a great being who belongs to the higher Hierarchies (Raphael) merely by his magnetic gaze; and when through the development of his will man comes to receive the power of this being into his own will we shall have the powers of which the Greeks thought in connection with the divine powers of Aesclepius with which he healed. All that is contained in the spiritually magnetic gaze, which can have curative effects when it is suitable trained, may be called forth in thought if immediately afterwards we pass over to what belongs to this feeling in the other picture. The optical effects must be conveyed to the phantom, so that with the help of the phantom-forces of the physical body, the effect is strengthened which proceeds from the dragon which is then overcome by the power of Michael. When we acquire the power to feel this thought out of the forces of the universe and think how through the physical body it may receive a vehicle through the will-forces being strengthened, so that a person need no longer say in regard to such forces that the spirit is willing but the flesh is weak, when we have these consecutive feelings and formations of the astral body, we have something which subconsciously can strengthen the moral nature very much. Thus we can draw moral power directly from the consecutive consideration of the two pictures, and still more from three. But it must be expressly pointed out that this applies only to the united notion of such themes, not to one single theme. If it were to depend upon one picture it would have to be differently formed, the two motives would have to act together, as for example, in the Sistine Madonna; in that instance there is a crossing of two motives which can strengthen the moral nature to the highest degree. Up above the clouds out of which the angels heads are formed, and when we look at the child Jesus in the arms of the mother we perceive that it has originated through the consolidation of the same forces which bring the angels only to a cloud existence. That is one motive, in which we perceive the origin of the pure light-being of man out of the cloud-light of the universe, as it were. This motive meets that which in expressed in the mother; she is full of innocence and love, and from that which appears to us as the body, the face, the lines of the mother, we see coming forth, as it were the warmest love. Light from above, condensing into the pure light-body of the child Jesus, and warming love from below, meeting and touching in the position of the arm—the two motives blending together—this gives subconsciously to our astral body, whether it wishes it or not, if a person only has the patience to devote himself to it, the feeling: It is thy duty to bring thy love towards that which can reveal itself to thee from divine heights, so that thou takest it into thine own arms and realisest it in the world, that thou bringest impulses in life from the spiritual world. The Sistine Madonna is an alter picture in which this thought-form works together with a congregation. We have here to do with two motives which are to rouse in us the frame of mind in which we may become capable of holding fast in thought the laws and the principles of action of the spiritual world. That is the essential point in our anthroposophical work. Spiritual things are always in motion and to the untrained seer they are like dreams. It is difficult to hold fast in thought these moving, fleeting peculiarities of being, and, conversely, it is also difficult in thought to give thought itself such an inner consistency that ont receives the feeling: Thou art thinking a reality of the true spiritual world. We can receive this feeling if we allow these pictures to act upon us in the manner described, not be apathetic towards these things, but look at them repeatedly. Then the forces of the astral body are obliged to experience the effect which may be described by saying, that we come more and more to perceive the true content of anthroposophical thought. We are not coerced unawares, but this recognition is quite free; the co-operation of two motives is something which liberates the free powers of man.

Thus you see that in what surrounds us here all the laws are fulfilled which so-called white magic uses, not to work by means of any overruling force upon modern humanity, but to consider that which is to be worked upon in another human being as a sacred thing which must not be touched, which is to allow the forces of the spiritual world to come forth out of itself. If you bear in mind what has been said in this lecture you will realise how important it is to anthroposophical work that it should have its own home, for you will have received the feeling that such a home must be built and arranged within according to the laws of occultism itself, and indeed, according to laws of occultism which at first are somewhat remote. You will also understand what it means on the whole when we possess no such home and are obliged to give our lectures on Anthroposophy and carry on our studies in the ordinary rooms usually at our disposal. Our age has, indeed, very little talent in the domain which has been touched upon today, and the greatest sins are committed in the realms of form and colour. For instance, the way people dress and the colours they use are outrageous, and when one goes through the streets of a large town and looks at the shop-windows with a vision sharpened by occultism, he will be obliged to decide for himself the question whether what he sees comes from sound reason or from something else. And if the judgment as regards colour is bad, it is still worse with form. But this limited talent also exists in regard to the decoration of rooms, and when it takes place in full consciousness it is frightful to be obliged to hold our anthroposophical lectures in conventional rooms. When this fact is considered and then compared with our present surroundings, with all this which has proceeded from our intentions, which surrounds us not in any way from caprice, but as we must be surrounded, if we wish to work under favourable conditions, then we shall be able to realise the importance of what has been done here; and the words that I have said to you today are intended to help us to realise it.

A spiritual movement can be injured very much by one-sidedness; and when we devote ourselves to such a subject as the occult standpoints of the Stuttgart building¹ we must clearly understand that when some single truth is specially emphasised, a strong light falls upon this truth, and one may then easily fail to recognise what should also be observed — the other side of the matter. In order to arrive at an all-round view one should always bear this in mind. For example, to all that was said yesterday² something else must be added. Certainly, a still greater perfection is attained when we are able purely in thought to erect around us such a temple, when we are able to imagine ourselves surrounded in thought by such a home. To this end our thoughts must be so strong that they act like a physical home. This may be achieved by a great power of concentration when, alone by ourselves, we follow rules such as are given in my books, The Way of Initiation and Initiation and its Results.³

But now, in order that we may have the right ideas about the necessity of such a building, we must say that when we devote ourselves to our studies in our lodge work, we require not only that we as individuals shall produce the conditions for our concentration, but also that we shall be disturbed as little as possible by what is around us. As the human being consists not only of the physical organism but also of supersensible principles, and these are active and set up relations with our environment, it is necessary when we exert our physical thought, for us to support the efforts of our will for our etheric and astral bodies. This we can do by providing for our subconsciousness — that is, for our etheric and astral bodies — conditions which may best be set up when we are in occult surroundings.

For this reason such a building is a great benefit and becomes a necessity to us.

We must bear in mind that in a certain way the great truths are at the same time difficulties to a person, something which he must first learn to bear, something which at first may be shocking, which may upset him, because it agrees so little with his everyday life. Therefore, in order to come to the higher truths in as favourable a way as possible it is necessary to provide a building such as this so that the spiritual knowledge which awaits us may indeed come into us — and in our age the Masters of Wisdom and of Harmony of Feeling are able to give us a great deal.

Since the end of the 19th century many doors have opened to the spiritual world, and many streams of spiritual life may be led into us. It may be said that just in the immediate future, towards which humanity is now going, the conditions are becoming more and more favourable for the influx of important spiritual knowledge which can enable us to progress quickly in every respect; but in order to clear away the hindrances which come through people — after they have just slipped out of materialism — not yet being sufficiently mature to receive the great truths, we must develop within ourselves a frame of mind which brings less danger of disturbance. This can be accomplished by means of suitable surroundings; and everywhere where from our standpoint just at this time care should be taken to see all is in order, there everything will really be observed which the occult point of view demands. It is natural that the needs and wishes of one who comes into Anthroposophy should go very far to one side or another, and because on the other hand there cannot be the necessary insight, it is difficult to be obliged to deny things which the other considers right. Very often it is not perceived that the denial is for the other’s welfare, and it is especially the case that some can only await the answer to one question or another with very great difficulty.

Because all knowledge is exoteric, one has grown so accustomed to expect that fundamentally everything that a person may ask can always be answered; but to this belongs two things at least. One is that the person who wants the answer should be in the position to understand it, that is to say, that through his whole anthroposophical or theosophical development he had progressed far enough to understand the answer. Abstract reasons prompt him to put the question much earlier than it is possible for him to understand the answer which is given from occult worlds. The other is that the one asked knows the answer. In regard to certain spiritual knowledge we are just at the stage when a question may be very premature, not only for individuals but for our whole age, although the answer will doubtless be given to us in the right form in the course of time. For this reason I said in the course of lectures at Karlsruhe⁴ that an essential thing in occultism is: to be able to wait. Particularly one who perhaps has undergone a certain development must be able to do this, and most of all one who has reached a certain height of occult development. When a person considers it extremely important to answer a question at a certain time, the intellect, which is always ready to answer, may very easily conjure up an answer, even from the feeling of a trained occultist. This answer is not only false or insufficient, but it takes away for a long time the possibility of a coming to the right answer at all, hence it is necessary to be able to wait until one is favoured with an answer from the spiritual world.

This applies not only to the highest questions, but also to more elementary ones. Even to the trained occultist there is a great temptation to produce the answer out of himself, but then he will be liable to fall into error. These two pictures [in our building here in Stuttgart] are an example. Our friend Stockmeyer has said for a long time that he wishes to finish them. The answer concerning the idea was promised him as soon as it was possible. That went on for a long time. To the despair of the architect the pictures were only finished very late indeed. Where did the fault lie? It was because the answer which was necessary as a kind of occult sketch for these pictures could only be given very late. One had to wait until the intuition came. These ideas might very easily be thought out, but then they would be worthless. What is so necessary is that one should not only go the straight way, as it were, but one should also have the resignation not to excogitate something; only to exercise the intellect upon occult truths when they are there, but not in order to find them. For this purpose the intellect must be absolutely laid aside. When occult truths are there they must then be taken up and established by the intellect, it must give them a logical character. One must make a practice of this if one wishes to progress; just as when one uses details which may perhaps be elementary in order to fit them into a whole. Then what will happen if in Munich we wish to build a great hall and at the right time we have not the idea which is to be embodied? We are Anthroposophists and know that karma works not only in individual beings, but in all connections, and when we have this faith we know that when a thing is necessary it can let us wait, but it will come, and indeed at the right time. We cannot judge when the right time is, for this we need confidence in the future; if it does not come, then it is not the right thing for us. This is not fatalism, for such a faith does not prevent us from making every effort, but it directs these efforts into the right lines. We make no false attempts with our intellect, but prepare ourselves for the moment when we shall be favoured. Instead of worrying oneself in front of a sheet of paper it is better to sink into prayerful meditation and ask of karma that this moment of intuition may come.

With this is also connected what might be called the right view of the Rosicrucian principle. If one who is acquainted with the Rosicrucian Temple⁵ in a pedantic, external manner were to come into this building, and if he were to remember the rules taught him from old traditions, he would say: “You have done it all wrong, that is not Rosicrucian.” We should have to reply: That which you demand we do not wish, and could not wish it, for Rosicrucianism does not mean to carry on certain truths throughout the centuries, but it means to develop the sense for what each age can give to man from the spiritual world. That which in the l4th century might perhaps be wrong is right in our age, and in our age it must be done in this way, for our relation to the spiritual powers around us requires exactly this form. This building, therefore, is not constructed after an old pattern, but it is built in accordance with the requirements of our age.

For what is the demand made of us by the spiritual powers? I give hardly a single lecture without using the word ‘theosophical’, as this is linguistically possible, although it is not grammatically correct. Perhaps many would find our address, “My dear theosophical friends,” blameworthy.⁶ This word is purposely used because the heart of our mission may be characterised by this word. Theosophy, or Anthroposophy is something which has always existed in the world and has been cultivated in all ages in the way in which humanity had to cultivate it according to its requirements — at one time in wider circles and at another in smaller ones, according to the peculiarities of the several ages. It is something which — after all the preceding developments have taken place — may now be given in such a form that, within certain limits, it can enter into each human I, into every feeling and every stage of intellectual maturity.

Today there need be no one who, if he has the goodwill, may not receive Theosophy or Anthroposophy. For this reason it is on the one hand something external and on the other a special task of our age. From this standpoint we must consider ourselves as the vehicles of the world-movement which must be described as the theosophical or anthroposophical movement.

That within this movement, according to the capacities of the individuals, the most varied shades may be found, should be self-evident, and this has been the case in our movement in every age. When Theosophy becomes conviction it provides the ground upon which the most varied knowledge may blossom forth, but they have to be obtained on the paths of actual truth. Among those who understand the heart of occultism it is always the case that they cannot disturb one another; it is impossible for persons to disturb one another who are engaged in occult practice and through proceeding from different starting-points arrive at other formulations. That is a strict law. The occultist may not fight when he sees that other occultists have correct starting-points and are striving rightly, even if he finds their formulation clumsy. The fact that various occultists formulate what they have to say in different ways may depend upon the various starting-points, and according to how they consider it necessary to bring this or that from the higher worlds.

It is different when it becomes evident that other movements are not on the same level, when they simply set to work with more elementary conditions and then assert that this is the final truth. Not to recognise a higher standpoint is wrong. If someone were to say that Christ — whose nature we have tried for years in our spiritual movement to render more and more plain — can incarnate more than once upon the earth in a fleshly body — upon what would this assertion rest? From what you have heard and will still hear you will clearly understand that there is a Being Who works in such a way that He could sojourn but once in a physical body for three years, and cannot come again and again in a physical body. This is a truth which has always been emphasised by Rosicrucianism; and it was also clearly shown in the Mysteries. One who does not know this may arrive at an incorrect formulation from a knowledge which does not extend so far into these regions; incorrect because it uses the name Christ.

On the other hand it is possible to say: Why does the other speak differently? He speaks differently because he is not thinking at all of what we have here called Christ. He designates someone else as Christ, of whom perhaps might be said what he says, but it is not the one who is spoken of in this movement, because it is the unconditional necessity of our age — as the requirements of the Masters of Wisdom and Harmony of Feeling — that we should speak of this high Being whom we call Christ. And when we read the Gospels we may recognise and identify Him with the One who for 2,000 years has been thus described. This is an historical right, not an absolute one, of course! Although the knowledge of Him has been very imperfect for 2,000 years, He has been thus described, and we do the same for historical reasons. On this account this name ought not to be used for other beings. This is something which has always been emphasised and which today can really be quite easily understood by anyone.

It is, however, interesting to notice how difficult for some to understand this matter clearly, but those who from the very beginning have no particular inclination to enter into more detailed explanations will have felt it uncomfortable that we do not by any means make the matter concerning Christ so easy. This one could see again in Karlsruhe (when the preceding course of lectures on the subject of ‘Jesus to Christ’ was given). What was said there was only possible because of everything else which had preceded it. Thus at the present time it is not yet very easy to arrive at the Christ principle, but it is a necessity which is laid upon us by the leaders of the spiritual movement.

It is very remarkable that there has been a certain difficulty in introducing the special investigations of Rosicrucianism into the theosophical movement, and even the position of this movement is very misunderstood here; exactly in how far does this movement merit the name of a Rosicrucian movement? But I shall never say: “My Rosicrucian friends!” You may gather from this that it was never correct to consider what belongs to Rosicrucianism as something exclusive. If someone outside our movement were to say that we were Rosicrucians, that would not only be a misunderstanding, but it would be a somewhat defamatory designation for our movement. This always reminds me of a man in the market place who once said that so and so was a phlegmatic, and a woman said, “Oh, is that what he was? But I know he is a butcher!” It is somewhat similar when in order to distinguish us someone calls us Rosicrucians. This has no meaning. Rosicrucianism has flowed into our movement, it is assimilated and to a certain extent practised. How difficult it is to let this current flow in you may see in the remarkable fate of the personality to whom all we in this movement look up with great respect: Helena Petrovna Blavatsky. If you follow her development from Isis Unveiled to The Secret Doctrine you will see that a great amount of Rosicrucian knowledge has streamed into Isis Unveiled. For reasons which cannot now be discovered she then swerved to one side in The Secret Doctrine, which did not further develop what could have been carried further, but on the contrary took a side path. But how strongly these Rosicrucian principles acted we may see in the third volume of The Secret Doctrine. There one finds the greatest truths next to really impossible things. One who is able to discriminate may connect this with what is being revealed today.

Thus it has come about that Helena Petrovna Blavatsky has very clearly said that it must never be thought that Christ Who is to come again will reappear in a fleshly body, but that the coming Christ must only be understood as an event which a person experiences through a connection with the spiritual world. We take the same ground that she did in this respect, when in a clearer way than was possible to her, we work out what she commenced. When she turns with such severity against the idea that Christ could incarnate again in the flesh it is not easy when the reproach is made against our movement that her most important knowledge, which sometimes is not well formulated, is violated. There is continuity, and there is no need to make this breach with the original starting-point, by coming into conflict with what concerns the coming of Christ. Although we always set what is true in place of what is false, in many things we may go back to the original statements of Helena Petrovna Blavatsky. And we may know that in the form in which she now lives she wished that the continuity should be developed, which should not be an adhesion to the formulas but a working in the spirit which existed at that time. It was not a spirit of standing still, and least of all a spirit of retrogression! We work in the best way when we bring out that which was still closed to Helena Petrovna Blavatsky. The doors have opened in quite a different way, especially since 1899.

Without taking into account anything that has gone before, we try to penetrate into the meaning and importance of the Christ Principle. This leads us naturally to join on to the occult investigations which have been made with special care in Rosicrucian circles since the l3th century.

But those who have heard my various courses and lectures will know that we are not now teaching the Rosicrucianism of the 13th century. We are Rosicrucians of the 20th century! It is our task to join on to the principles which Rosicrucianism possessed, to utilise them in theosophical progress. We cannot do otherwise than recognise that what has thus been found is something higher in every way than anything else in the world with respect to the Christ Principle. We must, however, admit that on account of the energy with which this principle has been worked out the teachings regarding Karma and Reincarnation passed into the background. Therefore we are dealing not with the spirit of an historical epoch, nor with the spirit of Rosicrucianism, but with the Spirit of Truth. It is quite indifferent to us where one faith or another appears, we have to deal with the Spirit of Truth, and on this account all division into categories and forms must always give rise to misunderstandings in our movement; we desire only to serve the Truth, as was described with respect to our small festival. We wish to represent not what this or that age has said, but what comes directly from the spiritual world. That which can be recognised by the human intellect is our concern; in accordance with this we shall lead our movement further, and with respect to all other creeds we may call ourselves theosophists, according to the motto of our movement: No religion is higher than Truth. In this respect we take the most theosophic ground.

For this reason we surround ourselves not with a building modelled according to Rosicrucian pattern but with one that is planned for a particular object. For example, the size of the space is the external condition for this. Perhaps we should have been quite unable to add one thing or another if the space had been larger or smaller. No scheme is of any value, but we have to wait for what comes to us as a gift from spiritual worlds. In other words, our whole effort is to understand something that sounds so simple: To open our hearts to the spiritual world which is always around us, to understand words such as those which Christ said: “I am with you always, even to the end of the world.” If someone were to examine the work we have done in past years he will not be able to say that we present Christianity in a way it was thought in the early centuries. We desire to acquire the spirit which wishes to come close to Christ as He is today; and only when we have recognised that this Christ is a living One we shall illuminate what took place in former times.

In the same way we consider Buddha as a living One, who follows his principle that Buddha does not return any more in the flesh. If someone were to affirm this, we should have to reply that he understands nothing about Buddhism, for one who has risen from Bodhisattva to Buddha does not return. For Buddha lives, and he works in our movement and illuminates what he accomplished 2,500 years ago by what he does today.

Just as only he may speak of Buddha who knows him, so also only he who knows Christ may speak about Him. Therefore if someone says that a very important being will come in a fleshly body, that may be correct, but he has nothing to do with Christ. The fact is that if a person enters deeply into the nature of Christ he comes to understand that the other is making a mistake; it can never be the reverse. This brings difficulties, but it must be borne in mind — especially by one who has occasion to practise theosophical principles in the true sense — that one should exercise tolerance even towards error. But to exercise tolerance means, not to acknowledge error but to deal with it with love, otherwise it would be a sin against the Holy Spirit. We must exercise tolerance precisely because in regard to Christ we represent the Rosicrucian principle.

We can wait until opposition comes, exactly concerning Christ. If you understand this word, the principle of the most real search for truth and on the other hand real tolerance, you will be able to answer for yourselves the question: In what sense are we Theosophists and in what sense are we Rosicrucians?

• 1. The Branch-House in Stuttgart; the first building specially erected and designed for anthroposophical work; opened by Rudolf Steiner in October, 1911.
• 2. Special Building for Anthroposophy at Stuttgart from an Occult Point of View, Stuttgart, 15 October 1911
• 3. The Way of Initiation is an early version of the first half of the book entitled Knowledge of the Higher Worlds and Its Attainment. The book Initiation and Its Results corresponds to the second half of Knowledge of the Higher Worlds and Its Attainment.
• 4. Course of lectures From Jesus to Christ, GA 131
• 5. See description of the Temple of the Holy Grail in The Younger Titurel by Albrecht von Scharfenberg, about 1270 AD.
• 6. This lecture was given prior to the exclusion of the German Section from the Theosophical Society. Since then Dr. Steiner’s movement has continued as the Anthroposophical Society.

following a lecture by painter Arild von Rosenkrantz

It was requested that I add something to the interesting remarks of Baron Rosenkrantz about art and its future task, and that I also give a picture of the Goetheanum as it will look in the future.

I would like to answer these questions only with a few suggestions, suggestions that relate more to the elaboration of an artistic impulse or artistic impulses in the future — although I do not mean that these artistic impulses can be undertaken arbitrarily or deliberately by any human beings; but to a certain extent one sees them in what is currently being prepared, in the direction that art in particular will have to take in the near future. I mean this in the following way.

On the one hand, we see the old impulses of human work and human civilization persisting in all areas, in the fields of science and artistic creation, and in the realm of religious feeling. But on the other hand, we also see how, in a great number of people, in more people than one would usually think, vague undercurrents prevail, longings for something. These longings one would like to fathom in the field of anthroposophical work; one would like to get to the bottom of them, so to speak. And it seems to me that in fact a large part of what anthroposophy wants to assert itself as in the present day actually meets such vague, more or less unconscious longings of numerous people in the present.

And precisely because in the past three to four centuries, intellectuality has basically flooded everything, because intellectuality has taken deeper root in human souls than one might think, that is why people today find it so difficult to bridge the gap between an indefinite longing and that which can give this indefinite longing a revelation in earthly work. We see this when we look at spiritual science itself.

During my lectures here, I have often had to mention how this spiritual science must be extracted from research into the supersensible worlds through imagination, inspiration and intuition, but how, when this research presents its results, ordinary common sense can approach these research results with complete understanding. And it is actually only the clinging to old prejudices when one does not find enough strength in the soul to approach the results of spiritual science without prejudice.

What people today so often object to about the results of spiritual science actually stems from an undefined fear deep within the soul. Basically, people are afraid of the results of spiritual science. Everything that the last few centuries have brought forth in human civilization so completely contradicts spiritual science that it appears as something completely unknown to most people. One always fears the unknown; but one does not want to admit this fear to oneself, and so one dresses this fear up in so-called logical refutations, in logical criticism.

Those who can see through things will recognize everywhere how the logic of the opponents of spiritual science is basically nothing more than an excuse of the soul for the fear that one has of it.

And so it is in the artistic field. One hears it said extraordinarily often: Yes, spiritual science wants to ascend to the higher worlds through ideas, through scientific discoveries; but science suppresses free artistic creation. Those who really want to create artistically must, so it is said, be free of all ideas, of all knowledge; they must create out of pure imagination. And there are very many poets, painters, musicians, in fact artists in all fields, who now have the very fear that if they approach spiritual science too much, their imagination will dry up; that they will then no longer be able to let their imagination unfold freely, but would in a sense only reproduce through colors and sounds what occurs in spiritual science.

Yes, you see, my dear attendees: there were indeed many struggles at the old Goetheanum. It is true that those who do not have a profound artistic impulse come to a kind of outer symbolism, outer allegory, out of a certain misunderstanding of this school of thought. I can readily admit that there have been an extraordinary number of anthroposophists and theosophists who have sought the artistic in ideas that are then painted, or for that matter sometimes even composed, and the like. When you entered such an anthroposophical or theosophical space and saw these symbolic and allegorical, straw-like images, you could despair! All artistic feeling had been driven out! I can say that there were certainly well-meaning friends who, when the old, burnt Goetheanum was being rebuilt, began to want to add all kinds of symbols. But I always resisted this in the strongest possible way! With this Goetheanum, everything had to be created out of a truly artistic form. Every line, every form had to be created in such a way that the matter was viewed purely from an inner artistic perspective.

Therefore, the forms of the Goetheanum were not really to be interpreted, but basically only to be looked at. When friends or other external visitors came to the Goetheanum, they always wanted to be shown around, and they then asked to be accompanied by this or that person and for explanations of how the columns are designed, the capitals are designed, the architraves are designed – how things are painted. They should be given the inner meaning everywhere.

When I myself led friends, I usually said as an introduction: What I am about to say to friends or visitors is extremely unpleasant to me. And I have never been more possessed with such antipathy towards what I myself say than when I had to explain these forms of the Goetheanum; for they were not there to be explained, to be grasped in concepts, but to be looked at, to be grasped artistically, aesthetically!

And why was this so? This can best be illustrated by the human being itself. You see, you can study the human being — study it according to what science has produced as such science over the last three to four centuries. But you can only get so far, only as far as the physical organism. At the moment one wants to go higher in the higher links of human nature, one cannot do so without letting the world enter into an artistic understanding of the human being, because the world itself creates artistically where it creates spiritually. So that no one can understand the human being who cannot let the scientific pass into the artistic in his own inner vision.

Modern science then comes along and says: Yes, the one to whom it happens that he passes from science into artistry, he strays from the path of logic, from the observations of logic that must be present in science. He is no longer a scientist.

One can continue to declaim for a long time, my dear audience, but when nature does not create as one declaims, when nature at a certain point no longer begins to be so naturalistically logical, but rather to be artistic itself, then only he who becomes artistic in the last moment can approach nature.

And so it is precisely with true anthroposophy. It does not want to and cannot, because that does not correspond to its essence. It does not want to be something merely alive and ideal, but at a certain moment, what is vividly and scientifically expressed in ideas, passes directly into the artistic and the creative. And that is why every time one only begins to describe the human etheric body, even the description, which for my sake is still similar to the currently used science, will immediately turn into artistic expression, into artistic visualization.

And as soon as one comprehends this intensively, one will find everywhere that anthroposophy, that truly spiritual science is not something alien to art or even hostile to art, but that it will lead precisely into a truly artistic future.

This was truly demonstrated in practice in the old Goetheanum. The old Goetheanum had such a ground plan that if you drew a center line, the axis was symmetrical on both sides; but then there was no further symmetry, except for the left-right symmetry.

The columns of the auditorium had capitals that were not all the same, but were in a progressive development, in such a way that the capital of the first column on the left and right was relatively simple. The second column had a somewhat more complicated capital. And so it went on. But the artistic creation of these capitals was such that, inwardly, in the sensation of the line, in this contemplation of the curves, everything in the form of the second capital emerged directly from the first, and the third from the second. And so one surrendered purely to the life in lines, surfaces, curves.

And so it turned out that, I might say, one was finished with the seventh column by itself. There one had a form with the lines, curves: one could not go beyond that, one had to stop there.

Now people see the seven columns and think: that is a deeply mystical number, it is based on an old formula, on something that lives on in superstition and the like. But that is not the case! If you create purely artistically, you have to stop at seven. Just as the rainbow has seven colors, the musical scale has seven notes from the prime to the octave - the octave is the repetition of the prime - so you have seven columns.

But something else becomes apparent in the course of such work: Now, the second capital has emerged from the first through metamorphosis, from the second through experienced metamorphosis, and so on, and seven have been created. Then you stand and look at it. You look at your own work and discover all kinds of things in it that you hadn't even thought of! For example, when I had the seventh pillar capital, I compared it with the first and discovered that, of course artistically manipulated, all the forms that were concave in the first were convex in the last; and all those that were convex in the first were concave in the last. So that if you turned some around, you could put the last one into the first: the seventh into the first, the sixth into the second, the fifth into the third, and the fourth remained in the middle by itself. That happened all by itself.

You see, you had the certainty that you had not read anything of human arbitrariness into things, but that you had worked from the life of the forms themselves; that you had connected yourself with the creative cosmic world itself; that you also this, that one also grasps what lives and rules in nature on another level; that what one did was not human allegorizing, but that one has, so to speak, woven oneself into nature's creation, and now creates like nature.

But this is also true artistic creation, and all the arts in the future will more or less return to this. That was the artistic creation in all great art epochs. And that is what has also shone through in all the individual examples given in Baron Rosenkrantz's excellent lecture. That is what you can see everywhere, especially where new artistic impulses emerge in the evolution of the earth. From new impulses one then receives the courage and hope that new art forms can really arise out of what can be experienced in spiritual science.