The Rudolf Steiner Archive

I. Report in the “Deutsche Warte - Tageblatt für Politik und Gesellschaft, geistiges und wirtschaftliches Leben” from August 29, 1899

On Monday evening, the Freie Volksbühne held a Goethe celebration in Keller's Festsäle at Koppenstraße 29, which was attended by a large number of members and guests. Dr. Rudolf Steiner spoke about: “Goethe and the Present”. The speaker presented Goethe as a child of the 18th century, but at the same time as a man of the future who placed science above all other things. Even as a boy, he had instinctively sensed the scientific worldview of the future, and early on had opposed the prevailing worldview. At the age of six, on the occasion of the great earthquake in Lisbon, in which thousands died, he rejected the idea of a benevolent God and created his own natural religion. The same thoughts had guided him during his studies in Leipzig, where he had enthusiastically followed the natural science lectures but had stayed away from the philosophy classes. Thus, he became convinced that man is a natural product, like any other, and has not received any special moral qualities from a higher being, and he expressed this conviction in the words: “Noble, helpful and good, let each one be, for that alone distinguishes him from all other creatures we know.” A new idea of God then emerged for him from the sight of Greek works of art in Italy, as he expressed in his “Hymn to Nature”: “She, nature, has put me in, she will lead me out – I trust her.” The lecturer then went on to explain how the mighty spirit titan had undertaken to embody the entire workings of the world in a single idea handed down from the sixteenth century, in “Faust”, the contrasting figure to Luther. In Faust, Goethe wanted to show how man can find satisfaction through his own deeds; however, he was unable to carry out his work because he was not a man of action, but an artist who observed. This truth also emerges when we look at his personal life – Goethe was an experimenter in life. Now followed a detailed discussion of “Faust,” as it has become, along with a description of the individual phases of the Olympian's life and the influence these had on his work.

II. Report at the “Freie Volksbühne” in October 1899

In accordance with the decision of the last general assembly, the association's board had organized a Goethe celebration on August 28, 1899 in Keller's festival halls. Dr. Rudolf Steiner had been won for the evening. He gave a lively lecture that captivated the audience and said roughly the following:

One does not show proper reverence to a mind like Goethe's by engaging in blind worship, but rather by separating the lasting aspects of his creations from the ephemeral trappings, in which he reveals himself to be only a child of his time. Goethe is the herald of the scientific world view that is bearing fruit in the present, and at the same time the son of the eighteenth century. Despite its enlightenment, this century could not rise above the prejudice that man is a special, higher being than other creatures of nature; it could not come to the realization that nature produces man according to the same eternal and necessary laws as the simplest animal or plant creature. The assumption of a creative God outside and above nature was held fast. From his earliest youth, Goethe worshipped nature as the only gradual, creative entity. He sought to gain insight into the course of world events not through supernatural truths but by immersing himself in the natural sciences. He also saw only higher natural laws at work in the work of artists. When he saw the works of art of the ancient Greeks in Italy, he became convinced that they had been created according to the same laws that nature itself follows. He wrote down the words “There is necessity, there is God” after seeing these works of art. In the prime of his career, Goethe's work was a service to nature. Goethe gave the most forceful rejection of all supernatural deities in his Prometheus. Everything that man can be and become, he should strive for out of himself, not through the prospect of an otherworldly existence. He originally wanted to express this idea in his Faust as well. The aim was to show that man can achieve a satisfying existence by developing his own powers. Nothing of heaven and hell, of God and devil, was contained in the Faust plan which Goethe had in mind in the early seventies in Frankfurt. Instead of the later God, there was at that time the Earth Spirit, who is only a personification of the forces of nature; and Mephistopheles was not conceived as the devil, but as the embodiment of evil; he was not a messenger of God, but of the Earth Spirit. When, at the end of the 1890s, Schiller encouraged Goethe to continue Faust, a break in his world view had already occurred. He had interwoven his earlier ideas, through which he had become the prophet of the nineteenth century, with the thoughts of a dying time. He could no longer finish Faust as he had begun it. He introduces God and the devil into the poem. These now become the main characters, fighting for Faust's soul. Faust, a great character, an image of striving humanity, became a plaything in the hands of heavenly and infernal powers. This is how Faust says in the first part of the poem of the earth spirit:

You lead the line of the living
before me, and teach me to know my brothers
in the silent bush,
in the air and water,

in other words, how a Darwinian understands nature and man together as a single great unity. And in the second part, the same Faust is redeemed not by his own strength but by the blessed host, because “love from above” has taken hold of him. The Goethe who drafted the first plan for Faust continues to influence our views and perceptions to this day; the Goethe who completed Faust belongs to the eighteenth century. The speaker was thanked with enthusiastic applause.

Report in the “Berliner Hochschul-Zeitung” of June 25, 1901.

On Tuesday, June 18, the Natural Science Section experienced a momentous evening. Around one hundred people listened to Dr. Rudolf Steiner's lecture on “Goethe's View of Nature and the Present.” The lecture culminated in the answer to the question: To what extent was Goethe a forerunner of the modern materialistic worldview? The whole of Goethe's position in relation to today's natural science, the speaker explained, characterizes the poet's own words: He would most like to take a trip around the world to India, not to make new discoveries, but to look at what had already been discovered from his perspective. It is said that Goethe was incapable of an objective view of nature. This is not true. Goethe proceeded methodically, like any of the modern researchers. And his greatest merit was that the scientific way of thinking led him first to man himself as a creature of nature. His goal was to understand the whole human being as a natural product, and that is what makes Goethe appear to us as imbued with thoroughly modern views of nature. He fought against the outdated theological concept of creation, he fought against Linnaeus' system of classification. He sought to comprehend nature as a whole from a comprehensive point of view. His well-known investigations into the intermediate jaw show us his tireless efforts to remove the last anatomical barrier that was intended to separate man, the highest link in the natural chain of development, from the rest of the animal world. Man is not qualitatively different from the rest of the organic world, only quantitatively; for he is still building a moral world for himself. “Noble, helpful and good should man be,” but he too must bow to the ‘eternal, brazen, great laws.’ What Kant sought in the physical world, Goethe sought in the organic world: the inner connection, the natural lawfulness of all being and all phenomena. This is where Goethe was so infinitely ahead of his time, which makes him appear as the spirit of the new era. If he had known Darwin and Haeckel, he would have said an enthusiastic “Yes” to what they said. His skull studies show how he was the first to consciously enter the field of modern comparative anatomy. As everywhere, Goethe, as a naturalist, consciously pursued a clear idea; it was not accidental lucky discoveries that he made, as one so often wants to reproach him for today.

Goethe was a naturalist through and through, and this is no less evident in his concept of art. That is why the works of Greek art seemed so sublime to him, because they created according to the same laws as nature itself. In his opinion, every artist had to feel the laws of nature before he could form organic figures himself.

And what about Goethe's God? His concept of God was the feeling of a unified world order. Goethe also sought harmony between the inorganic and organic world. Kant had described this striving as an adventure of reason, Goethe dared to persist in it.

Even if one does not want to see Goethe as an important link in the development of natural science, one thing is certain: he was the first to develop within himself the great materialistic-monistic view of nature that was to determine the character of the 19th century. Modern science has confirmed what his genius had anticipated. He initiated the great spiritual revolution, which was called to overthrow old prejudices and evoke a new spirit of the age. We must always look to him when we seek the connection between the phenomena and the great sentiments of the entire world view.

The brilliant words of the proven speaker were followed by stormy applause. After a short discussion, in which Mr. cand. phil. Rehe took the floor, the evening was concluded with the usual cozy part.

Report in “Pädagogische Reform, also the organ of the Hamburg Teaching Materials Exhibition” of August 10, 1904

It is not difficult to see how Goethe's Faust drama is virtually a tragedy of the pursuit of education. And through the student, who receives instruction from Mephistopheles and then, in the second part, shares his own wisdom, the tragedy also becomes a comedy at times. But even more! It is not only education in general that we see here being striven for and even ridiculed. It is also a matter of very special historical institutions of the educational system that are presented to us here. The medieval university comes to life again.

To the extent that our knowledge of all aspects of education advances, it will also become more valuable to us to understand more deeply such images as Goethe has given us here. His work is a late manifestation of a long literary tradition, the many-faceted Faust saga and Faust poetry that has been unfolding since the 16th century. A modern movement, which aims to promote and research the highest levels of all education and training, cannot ignore such deeply characteristic literary representations. The movement, which has set itself this task, and which therefore seeks to cultivate the pedagogy of the sciences and the arts as such, has in fact sought to grasp the significance of the Faust theme for itself.

The somewhat cumbersome and misleading term “science and art education” has been replaced by the simpler term “higher education” by that movement. This indicates the decisive role that the high schools actually play in the education of the sciences and arts. Even in the poems composed for Faust, the various institutions of the higher education system play a role. Nevertheless, for this literature and for this movement, the role of the school system is primarily only an external matter. The main thing here as there is the way in which the discipleship of a science or even of an art develops in terms of the subject matter and the person. And Goethe's Faust gives unique pictures of this. The author of these lines has made a few suggestions in two other places, in the two essays: 'Faustschüler und Genossen' ('Ethische Kultur', 11 April 1903) and 'Ein neuer Faust' ('Neue Freie Presse', 5 July 1903). It seemed urgently necessary, however, to treat the subject more thoroughly than these brief allusions allowed. The Association for University Pedagogy, which seeks to provide an external framework for this modern movement, therefore turned to a researcher who has long been devoted to its tendencies and who has special knowledge of Goethe's work. Dr. Rudolf Steiner took on the task of a lecture on this subject, entitled: 'Faust as a Problem for Pedagogy of Science'. The lecture took place in the above-mentioned association in Berlin and also gave rise to a lively discussion in that circle. We can hardly continue our own treatment of the subject better than by simply leaving the floor to the aforementioned lecturer and the voices of the debate that are added to his lecture. Dr. Steiner explained approximately:

The idea of the theme of Faust as a pedagogical problem in science arose from the founder of the Association for University Pedagogy. A certain shudder – the lecturer continued – initially seized me, as if it were just a continuation of the old habit of linking everything to Goethe. On careful consideration, however, I found an intimate connection to what we represent under the name of university pedagogy. Pedagogy finds its special application at all levels of school institutions: at elementary schools, at secondary schools, and also at universities in the broader sense of the word. The fact that these should also be subject to a kind of pedagogy is precisely the point of our endeavors. If a comprehensive literary account of this is ever undertaken, the last chapter will be dedicated to the topic at hand. After all his other remarks, the author will have to answer the important question: How does a subject dealt with at university relate to the ideal aspects of life? What does our higher education have to offer us in terms of a higher conception of life? Everywhere we have to go through one-sided educational paths. How do we get a free and broad view? To a satisfying conception of life?

The question thus posed also underlies the Faust problem in its historical form, which it has taken on since the 16th century and which was still found in the 19th century in Nikolaus Lenau. In a nutshell, it is the question: What does the university have to offer people?

The historical Faust is said to have become a bachelor in Heidelberg in 1509, later a magister and doctor, and also to have studied in Ingolstadt, etc. There is no question about the historical figure of Dr. Faust and the significant impression he made on his contemporaries. Faust comes across as a highly dangerous person. As early as 1505, Abbot Tritheim wrote about him. According to this, Faust was already a famous personality at that time, who appeared in many places in a dizzying manner. Later he went to Krakow to study magic. Now the question arises for us as to how a doctor of theology and medicine could go to Krakow for the sake of the local odds and ends and then move on as a magician. In addition, his dissolute lifestyle, etc. is also reported. So this was a personality who had done his studies in the best possible way and yet got so little support for his life from them. Did science offer him so little strength? Is it possible to reach the pinnacles of learning and still not be able to cope with life?

It is an eminently pedagogical question that asks about the value of academic study in life. We also see it in Goethe. Faust was not a pathological personality, however, but rather a phenomenon of his time. And Goethe put his most personal experiences into Faust. Remember the way he speaks of himself on the occasion of his leaving the University of Strasbourg. The higher education issues are swirling around us.

Goethe's personality certainly has a lot to say to us here, despite the fact that his studies were disrupted. He was in a similar situation to Faust. He studied in Leipzig and in Strasbourg in a scientific way that was close to us moderns, and in doing so he also sought enlightenment about the riddles of life. He confronts us with a harsh doubt, but this was also a fundamental mood in Goethe's personality. With the necessary distinctions, we find Goethe similar to Faust, only without his lack of grounding. So in Goethe's case, too, university education seems to be powerless to provide the ideal goods of life. How does the student come to such a state of helplessness? Goethe reflected on this throughout his life. However, he sought redemption for his Faust from outside. If he had been an older man still in the Age of Enlightenment, he would (according to his own statement) have concluded Faust with the words:

A good man in his dark urges
is well aware of the right path.

Now, however, in his old age, he had to close with mysticism. Goethe was unable to say how the scholar as such could relate to life.

We are therefore confronted with a depressing thought; and this raises two further questions. Firstly, how do such personalities in particular arrive at such questions? The naive person will indeed be easily satisfied; but how do these questions arise in the scientific person in particular? One thinks of Lenau's “Faust at the Corpse”, from which no answer ever comes! But then, secondly, the question arises: does such doubt arise from the necessary limits of science itself or rather from our inadequate university education? In the former case, we understand it epistemologically; in the latter, in terms of university pedagogy. The lecturer said that he would like to show that the latter is correct.

We see a much-studied personality who is powerless in the face of life's mysteries. The point is that something takes the place of science. Through science, questions arise in the student that would otherwise not come to him. That is not the purpose, but it is a necessary side effect of scientific endeavor. Jurisprudence may teach us this and that; but in addition, questions arise with it, such as that of human responsibility, which the naive do not ask. National economics awakens questions in us about the social context. The natural sciences have a similar effect: think of biology, especially the question of the gradual development of organic life. And the study of ancient classical art leads us to question the psychology of the Greek people and the development of humanity as a whole. Thus, our studies present us with scrupulous questions precisely about the highest enigmas of human life. We cannot become proficient lawyers, etc. without those side effects.

It is natural that our studies, whatever else they may offer, initially make us uncertain; and all the more so because every study must be one-sided. Dilthey's “Introduction to the Spiritual Sciences” shows that we can only ever see the whole from individual perspectives. How do we go about overcoming these unavoidable limitations? How do we move from one-sidedness to all-sidedness? It is only natural that someone who has gone through one-sidedness becomes unstable. However, Goethe could not solve the question in a professional, university-like manner. And I, too, said the lecturer, must proceed one-sidedly here and not also, for example, become aesthetic.

Goethe could not find what he was looking for in the knowledge of the universities of his time. During his studies in Leipzig, he sought a world view. Later, his association with Fräulein von Klettenberg and his study of Paracelsus came.

What then follows from this necessary relationship? The sciences burden us with questions, but cannot free us from them in the first instance. The challenge is to give people what they have the right to demand here. Goethe sought to show this in his own way. Our question is: How can we organize university teaching with regard to the side effects described? That final chapter of a complete work on university pedagogy will go from branch to branch and ask about the doubts about life that arise there. Furthermore, how are these doubts to be dealt with at the university itself, so that the student is equipped to face life? In a sense, if we may speak in extremes, the university sins by burdening us. The task of its pedagogy will be to answer the question of what demands are to be made on university pedagogy in this regard. Even in primary school pedagogy, it is similar. The goal of true university pedagogy must be to not dispel those doubts, but to equip us to fight them. But that is precisely what is usually neglected.

Now we know why the historical Faust could become unstable. It was precisely in his time that it was possible for the student to find no summary consolidation of his studies. In the Middle Ages, it was theology that provided this crowning. From the fifteenth to the sixteenth century, a major turnaround took place in the scientific community; its expression is precisely the Faust saga. How do you cope with life without the Bible and theology? These had, of course, resolved doubts in their own way. In the eighteenth century, university studies had not yet progressed that far.

Kant's question: How is science possible? It also has a university pedagogical side. We recognize it in Kant's two writings, the first from 1796: “On a newly raised, noble tone in philosophy,” and the second from 1798: “The dispute between the faculties.” And well into the nineteenth century, this instability can be found as a psychological basis for scientific personalities. Our poet also took on this fundamental question of the time before Goethe. Thus he became the poet of the university pedagogical problem.

We put forward the thesis: Our task with regard to university pedagogy will only be complete when we solve these scruples. If we do not do this, if we let the student go without what we mean, then there is an ethical-university pedagogical breach of duty. Each individual specialized course of study must be accompanied by a careful deepening of the life questions that arise from that study. If the university educator does not carelessly pass by the human soul, he must come to terms with this question. We will not advance in our profession, but we will promote the life questions in the spirit of what has been studied. We can make the Faust-like natures, even the small ones, disappear in this way.

It is impossible here to go into detail about Goethe. We must not mistake Mephistopheles's mockery, the expression of the banal life, for Goethe's words. It is from these contexts that the sultry atmosphere arises, that peculiar milieu that characterizes the first part of the tragedy. Opposite the narrow-minded Famulus Wagner stands the helpless Faust; and then again the student, who is longing for the problems, but does not find the solution in the unpedagogical treatment of science! Goethe has Mephistopheles express this false scientific approach. In the second part of the tragedy, we then see how Goethe, in his poetic way, thinks about it. In the meantime, he had also undergone practical university pedagogical studies – at the institutions of the University of Jena, which he headed as minister. The scenes of the first part had been written by longing and demand. The scenes of the second part were different. Goethe had gained intimate experience as the supervisor of the university. Anyone who has even slightly examined the files of the Weimar Ministry recognizes Goethe as the most ideal university administrator, who on the one hand pays attention to the most immediate practical demands of life and on the other hand to scientific demands, but strives to harmoniously unite the two. Goethe knew very well how to get out of the university. With the help of these experiences and his own efforts, he wrote the second part of his tragedy, especially the second act. The character of Homunculus has been the subject of a wide range of commentaries, all of which are valid, since figures like this have endless layers of meaning. In any case, one thing is symbolically expressed here: the connection between scientific knowledge and the highest goals in life. Goethe also incorporated his knowledge of science education into the second part. There he shows symbolically how science is developed step by step; the observation of living nature is important, the progression from the dry conceptual to the human. But the homunculus has a second task: it leads to antiquity. From Goethe's Italian Journey, we see how the poet seeks knowledge of nature step by step, but also transforms this knowledge into skill and leads it to the summit of human existence. What is the goal of art? “There is necessity, there is God” and so on. He now shows us this psychological development of his own mind in the second part. In this way, knowledge should never become dry, nor should it ever stand alone; it should always lead to life. The homunculus had a longing for reality, a longing to step out of one-sidedness. May people only ever be led to dry study: this must also have the power to lead beyond itself.

Thus, in a final chapter on university pedagogy, we have to show what great life puzzles the individual scientific endeavors pose, and how the puzzles are to be solved. This is not an insurmountable task. The individual branches of science today make great demands; but it must nevertheless be possible to satisfy those demands of science.

My intention was — the lecturer concluded — to gain a result from Goethe, and indeed only one demand. How this demand is to be fulfilled will be the subject of many further pedagogical considerations at the School of Spiritual Science. I have endeavored to prove that thesis to be necessary.

The lecturer — this voice stated — showed how the positive sciences stimulate us to pose questions, but do not solve the ultimate 'metaphysical' questions. What is true, at any rate, is that science does not want to and cannot give more. However, the reason why science is nevertheless capable of more than just the specific lies in the fact that the naive mind passes by the deeper questions, since it lacks experience and the work of previous generations. To put a problem right is as much as to solve it halfway. The sciences rise above superficial observation, delve deeper, show things better than those and ask new questions. With knowledge comes doubt. The deeper we penetrate, the more we ask. But how can this misfortune be eliminated? Uncertainty can be depressing for us. Ms. Beneke has used the motif of this insurmountable burden to support the assumption of immortality. In any case, it is one of the healthiest motives for her. However, those questions cannot be answered by Goethe. I don't know, said the interpellant, what can be done for university education there. Only the individual teacher can give the individual student something beyond philistinism. Antiquity also offers something here, but far too little.

Another voice, this time from the field of medicine, put it as follows: It would be asking too much to review everything. Given that there is so much agreement, it would be ungrateful not to fulfill the necessary obligations. We have been led to a pseudo-university level, so to speak. One could even cite the preacher Salomonis and Friedrich Schiller to prove that all knowledge leads to doubt. But it seems that the individual sciences have to show that these puzzles raised by them are insoluble, and every single teacher could ensure that. But this goes beyond our previous knowledge. The lecturer was clever in not saying how to do it. Perhaps it means that we should go back to our philosophical college as we once did. But does philosophy have an answer to everything? Rather, it seems to us that it is necessary to point out that the search for truth is paramount. Today, due to the natural sciences, the circumstances are different than they used to be.

The author of these lines emphasized that the topic is eminently pedagogical and will actually be treated in a chapter of a comprehensive work.

Another speaker then said that we cannot do justice to the wealth of material presented in the lecture, and that he intends to emphasize only a single point. Goethe was so universal that it is impossible to pin down any single thing as the poet's personal opinion. With him, everything is in a state of becoming. According to Hegel, this corresponds to the dialectical development in things. What science is it then that gives a comprehensive picture and thus a concentrated effect on the personality? First of all, philosophy comes into play, especially metaphysics, which Goethe himself despised. The fact that one no longer wants to deal with it is a modern fear product. For a long time now, it has been practiced at his university for the first time. The problems in question are well known, mainly those concerning the relationship between our world of ideas and the real world. But one can arrive at this problem from every science. Just as the natural sciences can be referred to, for example, jurisprudence can be referred to. It has to establish the i8&i0oxpayia tüs vvxig; with that we become master of the problem of life. The most despised science, dogmatics, takes intensive account of those problems. In this way, all the individual sciences could be cited. The division of labor makes this understandable. Metaphysics cannot solve the problem of life without the other sciences. The great change that has taken place in the course of the last few decades has led us to see as the actual knowable only that which lies within consciousness. W. Jerusalem (Vienna), in his essay on the judgment function, takes refuge in a realism that the “you problem” compels. So we are referred to the practical purpose and to the police! I cannot go along with this sacrilege against the absoluteness of the cognitive drive. We say: if you want to teach, you have to have something (Goethe). There is a need to create knowledge in others. So we move from science to the “you problem”. However, we still need a science for the connection between science and life. And this is probably pedagogy. In it, all sciences come into their own. Furthermore, one of the purposes of higher education is also to educate university educators. We also need a university education seminar. The question that has been raised several times as to who should train its teachers is easily answered by the fact that the older ones train the younger ones.

In a final word, the lecturer added the following: My task was strictly pedagogical. Therefore, I could not get involved with the capabilities of the individual sciences. The student must become resilient. And that includes resilience to resignation. It was necessary for me to remain strictly pedagogical here. I only wanted to discuss the psychological fact of those longings. Something must be done about them. Goethe, however, only grasped our higher education problem intuitively and exemplified it for us in the same way that he can exemplify nature for us. He did not have to think about higher education at all. As for the “how”, a course in philosophy is not enough. Rather, we have to explore pedagogically how the individual teacher has to come to terms with the tasks of life. We cannot offer detailed solutions, but we can point the way. This “how” is a major philosophical study. Therefore, the question of epistemological standpoints cannot be discussed here any further, despite the good suggestion of a seminar. The main thing is: we want to become fit for life. So it is not about dogmatic solutions, but rather about finding ways.

Goethe is one of those minds in world history that have always inspired a very special response in observers. If you approach a poem or any other of Goethe's works, regardless of which one – I emphasize that this also applies to Goethe's so-called scientific writings – at any age, you will find beauty and depth, wisdom and art in abundance in all of his works. You will encounter satisfaction from reading or any other kind of contemplation. If, perhaps after years, you approach the same work of Goethe, having matured in the meantime, having come to know the world and people yourself, you will discover that when you first approached Goethe's work, you overlooked a great deal in it, that you were unable to recognize the abundance of wisdom, beauty, depth and truth in Goethe's works. This is the case with all great and significant people in world history. And one certainly comes to know the actual significance of the truly leading spirits precisely from the circumstance that, when one approaches them, one discovers something new in them again and again, depending on the degree of spiritual maturity that one has attained. And then there is the added fact that these discoveries, so to speak, never reach an end in human life. With Goethe, if we study his truly fundamental works from five to five years, we discover something new every five years, provided that we ourselves continue to develop and do not remain at the level we have once attained. We see into an almost unfathomable depth when we begin to understand Goethe's work.

This is how it is with Goethe's “Faust”. Anyone who has seriously approached Goethe's “Faust” will be able to say, in a completely different sense than is often claimed, that Goethe's “Faust” really does contain a kind of modern gospel. If the statement that a kind of modern gospel is contained in Goethe's Faust is justified, then the statement that the little-known poem, the so-called Fairy Tale of the Green Snake and the Beautiful Lily contains Goethe's apocalypse, Goethe's secret revelation, is equally justified.

This fairy tale of the green snake and the beautiful lily contains Goethe's world view and philosophy of life in their depths. Those who read this fairy tale for the first time will usually be able to make little of it. Those who try to gain the key to it will first recognize that Goethe wanted to express something special through this fairy tale. This fairy tale of the green snake and the beautiful lily can be found in every major edition of Goethe's works. I emphasize this because I have been asked again and again: Where can I find the “fairy tale”? If you look it up in the “Conversations of German Emigrants,” you will find it at the end. This fairy tale is designed, as it were, as a completely independent piece of writing.

Before the reading of the “fairy tale” by Ms. H[olger], let me just say a few words about how Goethe came to write this fairy tale. It was in the mid-1790s, when Goethe was at the height of his creative powers. It was the time when he had gained that deep insight into nature that is expressed in his scientific writings. It was the time when he had completed the first part of Faust, which was published as a fragment in 1790. It was during this time that the idea came to him of developing Faust into a great, comprehensive picture of humanity. This work of Goethe's, which was found sealed in his estate when he died, presents itself to us as the second part of Faust. Eckermann spoke repeatedly about this second part of Faust. I would like to emphasize just one characteristic saying. Goethe says: Those who enjoy my second part of Faust as a series of dramatic images may have an aesthetic pleasure. But there will also be those who, from time to time, will intuitively recognize what I have secretly hidden in these images. And Goethe again indicates in his conversations with Eckermann that in the second part of Faust, there is a hidden, as we would say in theosophical language, an esoteric meaning. A meaning that is hidden behind the images, which one then expresses in the way that Goethe did in the second part of Faust. When we find the ordinary language of the intellect, the language of words, too poor, too dry, too barren, too sober, too mundane to express the rich abundance of the spirit that we have to present when we want to express our own deep opinion about the life of the world. The esotericists, the priests of wisdom of all times, spoke in a pictorial language. The deeper we enter into the world of ancient legends, the more we recognize that this world of legends contains symbolic disguises of great, eternal truths. It was in this sense that Goethe spoke in the second part of Faust. But he spoke even more in this sense in the fairy tale of the green snake and the beautiful lily.

In 1794, he described how he had once again set out to solve for himself the problem that occupied the minds of the time. The problem or question of human destiny, or the problem of freedom. After the great struggles for freedom had stirred hearts in Germany and France, the problem of freedom was also that of the greatest minds. Schiller was involved and he asked himself: Is a person free who is trapped in eternal necessity? Are his actions to be understood as taking place with inner necessity, like external natural phenomena with the external? Like a falling stone, or in such a way that they arise from within the person himself and he is the author of his actions? Is man a free being? That is the question that occupied not only the great minds, but the hearts of all people. Hegel, Fichte, Schelling, Novalis, the Schlegel brothers, and so on, belong in this circle. The problem of freedom is a heart problem. Schiller dealt with freedom in one of his most important works, his “Letters on the Aesthetic Education of Man”. He argued that man is a threefold being, that on the one hand he is subject to nature, and there is man in terms of corporeality. Then, at the highest pinnacle of his being, we have man as a rational being, as a spiritual being. There, according to Schiller's extraordinarily spirited explanations, he is governed by the laws of eternal life, eternal truth and goodness. These laws permeate human life. Man cannot escape them because he is clear about the fact that his destiny can only be achieved in the realm of truth and goodness. Body and mind are the two poles. And Schiller says: even the mind is subject to necessity, to logical and dutiful necessity. In this area, there can be no question of freedom, because man cannot be free. Nor can the spirit be free, for it would have to voluntarily submit to the laws of truth and goodness. On the one hand, we have the necessity of nature, on the other hand, the necessity of the spirit. Between nature and spirit, Schiller interposes the soul of man. The soul, which is in the middle, and as the connecting link between body and spirit, constitutes the actual personality of man. That which causes man to experience joy and sorrow, that which rises above natural necessity and has not yet ascended to the brazen necessity of reason. On the other hand, there is the duty of eternal truth and eternal goodness, which has a compelling effect on man. But joy and sorrow take up our laws of goodness and truth in such a way that they develop sympathy for them in their souls, that they bring them to the spirit. Thus Schiller says: “Nature's necessity is raised up to the spirit and [truth] and goodness are brought down and felt as beauty. And in this way it is incorporated.” In the sense of Schiller, Kant emphasized the eternal necessity too harshly in his categorical imperative. Schiller rejected this with the words: “No categorical imperative!”

I am happy to serve my friend, but unfortunately I do it with inclination, and so it bothers me that I am not virtuous.

– because he does not make service a matter of compelling natural necessity. Man should not be so deeply immersed in his passions that they pull him down. He should inspire them and elevate them. On the other hand, he should allow himself to be imbued by the laws of the good and the true, so that he can surrender himself to his inclinations and his inclinations give him a soul that represents eternal necessary truth and goodness. That is Schiller's problem of natural necessity. At its center stands freedom, that is Schiller's solution.

But Goethe says that all problems in man can only be solved if they are considered in the context of the greater world. He says to himself: I also want to solve the problem, but in a different way. I need a rich, comprehensive imaginative life to solve this problem. Man is a small world, and when I consider him in the context of the cosmos, then I can solve this problem.

Therefore, Goethe puts all the imagery that he has acquired from his studies to date at the service of solving this question. On the other hand, he puts all the experiences he has had as a truly spiritual participant in the work of Freemasonry at this service. It was through Freemasonry that he was able to absorb the ideas he wanted to express. Therefore, all of this must be taken into account in order to somehow solve this Goethean fairy tale of the green snake and the beautiful lily, which is so rich in content. People already tried to solve it during Goethe's lifetime. And Goethe himself said: “I do not want to talk about the ‘fairy tale’ before there are a hundred solutions from others.” There were not that many at the time, or they did not come to his attention. But then many, all too many solutions came. People have tried to solve it from the point of view of criticism, of rationalists, from a purely Masonic point of view and so on. But these are only individual points of view and are not sufficient. They are one-sided points of view. If time permits, we will make at least a few suggestions and comments after the lecture by Miss Holger about what Goethe wants to say with this enigmatic fairy tale. I will therefore only say that today, with the short time, I can only give hints. For those who want to delve deeper, I would like to draw attention to the lecture on “Goethe as a Theosophist,” where I will try to show the depth of his world view.

If Theosophy were to claim that it is something completely new, only having come into the world in the last few decades, then it could easily be dismissed as ineffective. For it is easy for people to believe that individual special truths, new acquisitions in some field of knowledge, could enrich human thought and perception in the advancing age; but not that which concerns man's deepest innermost core, the source of human wisdom, that this should appear as something completely new in any age. This is not to be believed without further ado, and it is therefore only natural that such a belief, as if Theosophy could or wanted to bring something completely new, would have to cause mistrust of the Theosophical movement. But Theosophy has always, since it first tried to influence the modern cultural movement, described itself as an ancient wisdom, as something that people have sought, that they have hoped to attain in the most diverse forms at all times. And it has been the task of the theosophical movement to search in the various religions and world views for the different forms in which people throughout the ages have tried to penetrate to the source of truth. Theosophy has revealed that at different times, even in the most ancient times, there was something deeply related to the wisdom by which man tried to recognize his goal. And so it is indeed. Theosophy makes us modest with regard to the achievements of our own time. The well-known, thoroughly immodest saying that we have come so gloriously far in this 19th century is strangely limited by a consideration of intellectual life in its deepest sense, through the centuries and the millennia.

However, I do not wish to take you back to ancient times; instead, I would like to show you a modern personality who has tried to put into practice the ancient wisdom inscribed on the Greek temple with the words “Know Thyself”, that such a modern personality, who made this saying his own, is fundamentally in complete harmony with what Theosophy describes as its doctrine and belief. This personality is none other than Johann Wolfgang von Goethe. This personality is undoubtedly familiar not only to Germans, but also to many other cultured people of the present day. He is more or less so for each individual. Goethe, however, is a mind that one relates to in a very special way. He is a spirit that one can study at any point in one's life, and one will find much that reveals not only the great artist, the great poet with outstanding qualities, but one will soon, if one delves further, be able to judge Goethe the great sage, with whom one has such an affinity that, if one returns to him after years, one can always discover something new and ever more in him. We find that Goethe is one of those minds that contain an infinite amount. And if we have learned new things time and again to add to our own little treasure trove of wisdom and then we return to Goethe, we are amazed and stand in awe once again at what was previously closed to us because we lacked the echo to the realm that spoke through him. And no matter how much such a person has cultivated his inner life, no matter how much profound wisdom he finds in Goethe when he waits a few more years and delves into his writings again, he will be convinced that he finds something new, greater, even infinite in Goethe's works. Goethe is never exhausted. This is an experience that is particularly made by those who have trust, who have faith in the deep development of the human soul.

It is said that in his “Faust” Goethe has given us a kind of modern gospel. If this saying is to be accepted, then Goethe has also given us, in addition to his gospel, a kind of secret revelation, a kind of apocalypse. This apocalypse is hidden in his works; it forms the conclusion of the “Conversations of German Emigrants” and is read only by a few. I have always been asked where this fairy tale is to be found in Goethe's works. It is in all the editions of Goethe's works and, as I said, forms the conclusion of the “Conversations of German Emigrants”. In this fairy tale, Goethe created a work of art of infinite beauty. I will attempt to give an interpretation of this fairy tale without destroying the immediate pictorial impression of the work of art. Goethe has woven his most intimate thoughts and ideas into the “Fairytale”. In the last years of his life, he said to Eckermann: “My dear friend, I want to tell you something that may be useful to you when you look at my works. My works will not become popular; a few people will understand what I wanted to say, but nothing can make my works popular.” He probably said this with the second part of Faust in mind and meant that those who enjoy Faust can have an immediate artistic impression. But those who get behind the secrets hidden in Faust will also be able to say what is hidden behind these images.

I do not wish to speak about the second part of Faust, but rather about the fairy tale of the green snake and the beautiful lily, in which Goethe expressed himself even more intimately than in the second part of Faust. I would like to speak about what Goethe has secretly hidden in these strange images. But I would also like to speak about why Goethe used the pictorial expression to express his most intimate thoughts. Both questions will be answered in the course of the lecture.

Anyone who understands the Fairy Tale of the Green Snake and the Beautiful Lily knows that in Goethe we have a theosophist, a mystic. Goethe also represented the wisdom and the view of life that Theosophy advocates in a popular form; and the “Fairy Tale” is a fully valid proof of this. But in the times when Goethe was expressing himself, people did not try to clothe the highest truths in words through the power of the intellect in public lectures, as they do today; they did not try to present these most intimate human soul truths in the same way. Those who had insight into such truths expressed them in figurative form, through parables. It was an old custom, a custom that still originated in the Middle Ages, that one cannot arrive at the highest insights in an abstract form, but that for this a kind of initiation is needed. And this initiation made it impossible for those who sensed that a certain mood, a kind of breath of the soul, was needed to grasp such truths, to speak of these higher truths; truths that indeed cannot be perceived with the mind alone. A certain mood is needed, and I call this mood the 'breath of the soul'. The language of reason seemed to them personally too sober, too dry to express the highest truths. Furthermore, they still had some conviction that the one who experiences such things must first make himself worthy of the truth.

This conviction has meant that in ancient times, until about the third century of the Christian era, the truth about the human soul and the human spirit was not presented in such a way that it could be revealed publicly. Instead, those who were to come into possession of the highest truths had to be prepared to receive what was offered in the so-called mystery centers. These mystery temples presented all the secrets of natural and cyclic laws to the mystics as something that we would recognize as sober truth if we expressed it in dry sentences of the mind, but which the disciple had to recognize and live as living truth. It is not a matter of thinking wisdom, but of living wisdom. It is not merely a matter of permeating wisdom with the ardor of the spirit, but of becoming a completely different person. He had to approach the holiest with a certain awe; he had to understand that truth is divine, that it is imbued with the divine blood of the world, that it enters into our personality, that the divine world should revive, that knowledge means the same as what is meant by the word development. This was to be made clear to the mystic, and this he was to achieve at the purification stage of the mysteries. He was to educate himself to have a holy awe for the truth, he was to be weaned away from clinging to the sensual, from the sufferings and joys of life, from that with which everyday life surrounds us. The light of the spirit, which we need when we withdraw from profane life, could only be received when that had been discarded. When we are worthy to receive the light of the spirit, then we have become different, then we love the spirit, then we love with earnest sympathy and devotion that which we otherwise only recognized as a shadowy existence, as an abstract existence: We love the spiritual life, which for the ordinary person is only thought. But the mystic learns to sacrifice the self that clings to the everyday; he learns not only to penetrate truth through thinking, he learns to live it through, he learns to receive it as divine wisdom, as theosophy. Goethe expressed this conviction in the “West-Eastern Divan”:

And so long as you do not have this,
this: Die and become!
If you are just a gloomy guest
on the dark earth.

That was what the mystics of all times strove for: to let the lower die and to let that rise that lives in the spirit. To hold the dying of the sensual reality in low esteem, so that man may ascend into the realm of divine intentions. Dying in order to become. He who does not have this does not know what forces are at work in our world; he is only a dull guest on our earth. Goethe expressed this in the “West-Eastern Divan” and he also seeks to depict this vividly in the fairy tale of the green snake and the beautiful lily. The transformation of man from one level of existence to a higher level was the puzzle he wanted to solve. The question was: how can a person who lives in the everyday, who can only see with his eyes and hear with his ears, grasp this “die and become”? This was the question of mystics of all times. This great question was called the “spiritual alchemy” at all times, the transformation of man from the everyday soul to the spiritual soul, which grasps spiritual things as the ordinary person grasps earthly things, the table, the chair and so on, and considers them real. When this alchemy had taken place with man, then the mystery guides considered him worthy to receive the highest truths. Then they led him into the holy of holies, then he was initiated, then he was endowed with the teachings that teach him about the intentions of nature, about the intentions that permeate the plan of the world. It is such an initiation that Goethe describes [in “Fairytale”]: an initiation of the worthy person into the mysteries.

This arises for two reasons: first, in his youth, Goethe was equally eager to learn the secret that was then called the secret of alchemy. Between his studies in Strasbourg and Leipzig, he already recognized that there is a spiritual side to alchemy, and he knew that ordinary alchemy is only a distortion of the spiritual one. That everything known as alchemy could only exist because the figurative expressions were taken for realities. He meant the alchemy of the human being, which takes place with the forces of inner life. The mystery guides also gave instructions on how this alchemy can be achieved. Since they could only describe this transformation of human inner forces in parables and images, they spoke of one substance transforming into another. In what they said about the transformation of substances, they expressed what develops to a higher level in the life of the human soul, what transforms in a spiritual way. What great minds have shown in the spiritual realm to people attached to everyday life, they have applied to the transmutation of substances, of ordinary substances and metals in retorts, and have endeavored to discover what mysterious means was meant to effect the transmutation of the substance. Goethe has shown in one passage of Faust what he understood of these things. In the first part of Faust, during the walk outside the city gates, he points out exactly what is wrong, what is false and petty in the too materialistic view of alchemy. He mocks those who strive for the discovery of the secret in capricious efforts, and in the company of adepts and according to endless recipes, pour together the adverse:

There was a red lion, a bold suitor,
Married to a lily in the lukewarm bath,
And then both tormented with open flames
From one bridal chamber into another.

What Goethe ridicules here, the marriage with the lily, was what he wanted to show in the fairy tale of the green snake and the beautiful lily. The highest that man can aspire to, the highest that man should transform into, is what Goethe describes with the symbol of the lily. It is synonymous with what we call the highest wisdom, so that a person's actions see through nature, how an evolution has become an eternity. When man also observes the eternal laws, according to which we must perfect the eternal laws of existence, when he also recognizes the eternal development of his freedom, then he finds himself on a level of development, then this represents such a state of mind, such a level of knowledge, which is designated by the symbol of the lily. This lily, the highest of the soul's powers, the highest state of consciousness, where man may be free because he cannot abuse his freedom, because he can never disturb the cycles of freedom, this content of the soul, which was imparted to the mystics in the mysteries by transforming them through purification, this content has always been symbolically designated as the lily. The lily is also used to describe what Spinoza, in his “Ethics”, where he otherwise appears sober and mathematical, expresses enthusiastically and almost poetically at the end, when he says that man has ascended to the higher spheres of existence, that he imbues himself with the laws of nature. Spinoza calls this the realm of divine love in the human soul; the realm where man is no longer forced into anything, but where everything that lies within the realm of human development is done out of freedom and devotion, out of full love; where every compulsion, every arbitrariness is transformed by spiritual alchemy, where all action flows into the realm of freedom. Goethe described this love as the highest form of freedom, as freedom from all the desires and longings of everyday life. He said:

In our pure hearts there surges a striving
to voluntarily give ourselves to a higher, purer, unknown
out of gratitude,
to unravel the eternal unnamed
We call it: being pious! — Such blessed heights
I feel I am part of when I stand before her.

Before her gaze, as before the sun's reign
Before her breath, as before spring breezes
Melts, as long as the icy, rigid hold
The self-will deep in wintery tombs
No self-interest, no self-will lasts
Before her coming, they have shivered away.

This Spinozian love of God, which he seeks to attain by spiritual alchemy, is what the human being, the human will, is to unite with. The human will, which is active at every level, is that which has been referred to at all times as the “lion”, the creature in which this will is most highly strained, in which this will comes to life most strongly, and so mysticism refers to the human will as the lion.

In the Persian mysteries there were seven initiations. They are as follows: First one became a raven, then a secret agent, then a warrior, then a lion. The fifth degree was the one where man already looked at life from the other side, where man was born into the actual human being. Therefore, the Persian calls the one who has overcome the point of view of the lion a “Persian”. The Persian was an initiate of the fifth degree, and the one who had brought it to the point that his actions flow as calmly as the sun completes its course in the vault of heaven, the Persian called a “sunrunner”. And the one who performs the actions out of infinite love, he calls “belonging to the degree of the fathers”. The fourth degree was where man stood at the crossroads, where man has organized himself through the physical body, the etheric double body, which is the carrier of the life force, and the astral body, which is subject to the laws of desire, of passion. According to theosophical terminology, these three bodies form the lower parts of the human being; the lower man is born out of them. The initiate, the one who has seen through this connection, is designated by the Persian as the “lion”. And here the human being stands at a crossroads. Here that which forces him to act out of nature is transformed into a free gift of love. When he ascends to the fifth degree of initiation, when he develops to become the free human being who dares to do out of free love what he was otherwise compelled to do. This connection of the lion with the free loving entity is what alchemy describes as the mystery of human development. Goethe portrays this mystery in his Fairy Tale. He begins by showing how this strong-willed man stands, how he is drawn into the physical world from higher spheres, from spheres he does not know himself. Goethe is aware that man, in his spiritual nature, comes from higher spheres, that he is led into this world, which Goethe presents as the world of material, sensual existence. This world is the land on one bank of the river. In the “Fairytale”, however, there are two lands, this side of the river and the other side of it. From the beyond, the unknown ferryman takes people across to the land of the sensual world; and between the land of the spiritual and the sensual world there is the river, the water, which separates the two lands. With the water, Goethe has symbolized the same thing that mystics of all times have symbolized. Already in Genesis, this expression means the same as in Goethe. We also find this expression in the New Testament. For example, in the conversation that Jesus had with Nicodemus. It says: “He who is not born again of water and the Spirit cannot enter the kingdom of heaven.” Goethe understood the expression “born again of water” very well, and we can see how he understood it from the “Song of the Spirits above the Waters”:

The soul of man,
How like the water you are,
The fate of man,
How like the wind you are.

He places the world of the soul, the world of desire and longing, the world of passions and cravings, between our mind and our senses. These know neither good nor evil, our senses cannot err. The one who engages in these distinctions knows that when we study the laws of nature, we cannot speak of good and evil. When we study nature in the animal kingdom, we find that we can speak of harmful and beneficial animals, but not of good and evil. It is only by man's immersion in the water, in the world of the soul, that he becomes capable of good and evil. This world, which lies between the spiritual and the sensual, is the river over which the spirit comes from unknown spheres. Across the river has come man's innermost being, his actual spiritual core, across the river of passions and desires. And if he does not undergo further development, he is like a will-o'-the-wisp. This person, who is subject to the laws that live within him, when he has come across the river but has not yet received the divine spark to take him across to the other world, is therefore set down by the ferryman who brings people across from the opposite bank of the river to this side. No one can be brought over by the ferryman, but everyone can be brought over. We feel brought over without our intervention, through the forces that lie below our consciousness, that precede our actions. Through such forces we feel placed in the world of the senses, in this world. The ferryman who has brought us across from the spiritual life beyond has placed us in this world and can no longer take us back to the land we must reach, the land of the beautiful lily. (The ferryman is therefore the power through which one unconsciously enters the world of the senses.)

The will-o'-the-wisps want to pay the ferryman the tribute due with gold. But he demands fruits of the earth, which they do not have; they only have gold. But he does not want to be paid in gold. Pieces of gold, he says, are harmful to the river. The river cannot tolerate such gold, that is, wisdom can only be paid for with fruits of the earth. This is a profound wisdom. The gold represents the power of wisdom that lives in man. This power of wisdom that lives in man is his guide through life. This power of wisdom asserts itself when man feels transported into sensuality, as the power of his knowledge, his intellect. But this wisdom is not what brings man to development; it is precisely what makes him selfish, egotistical, when it unites with human nature. If it were to merge with that which flows in the stream, this power of understanding, this knowledge, then passion would throw up tremendous waves; for wherever man does not put his wisdom at the service of selflessness and simply throws it in, indulges his passions, there the stream throws up wild waves. It is impossible to satisfy the stream with gold, with wisdom. So he rejects wisdom that has not yet passed through selflessness. He rejects it into the ravines, where the deep darkness of the earth, where the deep crevices are. There he buries it. We will hear in a moment why he buries it. So the ferryman demands three cabbages, three artichokes, three onions; he demands fruits of the earth.

How can a person achieve their development? By ennobling the lower drives of their nature, by purifying what lives in them as sensual nature, by casting that into the stream and thus nourishing the stream of passions. This is what Schiller so beautifully expressed in his Aesthetic Letters: Only the one who has emancipated his lower nature understands how to be free. When our outer nature, our sensual nature, has been so ennobled, has grown from below, that it itself strives for the good, the beautiful, because passion can no longer lead it astray, because our outer sensual nature can no longer seduce us ; when we no longer throw wisdom into it, but pay for our passions with the fruits of the earth, so that our sensuality itself is absorbed by them, as the fruits of the earth are to be absorbed by the stream, then we have reached the lowest degree of initiation. This is expressed in the words of the ferryman:

You must know that I can only be paid with the fruits of the earth.

Now the will-o'-the-wisps continue in this world, that is, the human being seeks to continue on his path in life. In this world he finds the green snake, the symbol of human striving, of human knowledge. This snake has had a strange experience. The ferryman has previously driven the gold pieces down the stream and hidden them in the crevices of the earth. The snake has found them. The wisdom that helps people to move forward is still a hidden treasure today, shrouded in mystery. That is what Goethe wanted to say. Therefore, the person who wanted to find wisdom had to seek it far from all human selfishness. Then, when the person has made himself worthy of receiving it, it is in the right place. The symbol of the human striving for knowledge, the snake, penetrates itself with gold. This itself penetrates itself completely with wisdom and now becomes luminous. Thus the snake desires from the will-o'-the-wisps that which gives selfish man cause for pride, that with which he then throws around and shows off. This human knowledge, which is destructive in the service of egoism, is attained when man, like the snake, crawls humbly on the ground and strives to recognize reality bit by bit. It cannot be received when man stands proudly and erectly, but only when he, horizontal like the snake, clings to the ground in humility. There is the gold of wisdom in place, there man can imbue himself with wisdom. That is why the will-o'-the-wisp also call the snake their relative, saying:

Of course we are only related on the part of appearance.

– and yes, they are related, related is the snake to the will-o'-the-wisp, related is the wisdom that puts itself at the service of selfishness, to the wisdom that makes itself available in humility.

Now we are told in the “Fairytale” that the snake was down in the crevices of the earth and that it found something of human form there. The snake was in a temple. This is nothing other than the symbol of the mystery temple of all times. This hidden temple, which was in the crevices under the earth, is the symbol of the place of initiation. Here in this temple, the snake has seen the three great priests of initiation, those priests who are endowed with the three highest powers of human nature. Theosophy calls them Atma, Budhi, Manas. Goethe calls what Theosophy calls Atma, Budhi, Manas, the King of Wisdom, the King of Beauty and the King of Strength or the King of Will. In the mystery centers, the spirit was united with these three fundamental powers of the soul, with which the human soul must be initiated. In the Fairy Tale, Goethe describes this process. Down here in the halls of the earth is the snake that will shine from within because it has absorbed the gold of wisdom. And because it has absorbed it in humility, it is illuminated from within. The old man with the lamp is another figure. What does he represent to us? The old man's lamp has the property that it only glows when other light is already present. Because the snake glows, illuminates the interior of the mystery temple with the light radiating from itself, the light of the old man can also shine here. Goethe expresses this thought elsewhere with the words:

If the eye were not solar,
How could we behold the light?
If not the God-own power lives in us,
How can we be enraptured by the divine?

Here he says in poetic words what he expresses in pictures in the “Fairytale”. The realization that we call occult realization in Theosophy is represented by the old man with the lamp. The light appears to no one who has not truly prepared himself to receive it. It does not appear to anyone who has not worked their way up to that higher level of development, so that their self, their selfless nature, shines from within, bringing light to the light. When these two lights, the intuitive light and the light that comes from within the personality, shine towards each other, they give what the person experiences in his transformation as spiritual alchemy. The room around him becomes light, and he learns to recognize what the highest spiritual powers are, the gifts of the three kings: wisdom, beauty and strength. The gift of the golden king is wisdom, the gift of the silver king is beauty, devotion, and the gift of the brazen king is strength, willpower. A person can only understand themselves according to their innermost strengths when the light is reciprocated, the light of the lamp, which can only shine where light is already present. Then the three kings appear in their splendor, and at the same time the meaning of the fourth king becomes clear, that king who is composed of the metals of the other three kings. He is a symbol of the lower nature, in which the noble forces of wisdom, beauty and strength interact in a disorderly and disharmonious way, as in chaos. These three powers, which live in the highly developed soul, are also present in the lower nature, but in a chaotic, disharmonious way. This fourth king is the realm of the present world, the chaotic mixture of wisdom, beauty and strength. The soul powers, which can only achieve the highest in harmonious interaction, act on each other in a chaotic way in the present age. The voice sounds in the temple of initiation:

He will sit down.

The chaotic mixing will have disappeared when that which Goethe so longed for has been brought about: that the temple will no longer be hidden, but will rise in full daylight; that the temple will have risen from the depths and can serve all people as a temple of initiation; that a bridge will be available for all people to cross back and forth. That is the time when all people will have made themselves worthy of the highest wisdom, the highest devotion and the highest will. Then he will have fulfilled this task: the temple will have risen above the flow of passions. These passionate forces will then be so pure and noble that the highest spiritual element will be able to arise in the temple in broad daylight from the stream of desires and passions. Therefore it is necessary that humanity be filled with the “die and become” that Goethe so clearly portrayed in the “West-Eastern Divan”.

Goethe was repeatedly asked what the solution to the riddle was. He said: “What the solution to the riddle is can be found in the ‘fairy tale’ itself, but not in one word. It can be found at the point where we hear in a conversation in the underground temple that the snake is saying something in the old man's ear that we do not hear, by which Goethe suggests it as a confidential secret. This unspoken element is the solution. The solution does not lie in something that can be expressed in words, but in an inner resolve. Goethe also hinted at this in the “Fairy Tale” itself. The snake said quite matter-of-factly: “I want to sacrifice myself, I want to purify my self through selflessness.” This is precisely what must be considered the deepest solution to the fairy tale. It is an act, not a teaching. Until now, there were only two ways to cross the river: either at midday, when the green snake lies across the river and forms a bridge, so that one could cross the river at midday, or at a moment when the sun is at midday for him, when he is ripe to surrender himself to the higher spiritual light. But time and again he is drawn back down from this midday moment of life into the lower world, riven by passions. In such midday moments, the elect of the spirit can cross over from the shore of sensual life to the shore of the spirit.

But there is yet another way to cross the river, namely in the evening, when the shadow of the great giant extends over the river. The shadow of the great giant can also form a bridge over the river, but only at dusk. This shadow of the great giant, what is it? Goethe spoke in greater detail and more profoundly with his trusted friend about the forces that he had symbolically hinted at in the fairy tale. When Schiller once wanted to make a trip to Frankfurt am Main and was in danger of being mixed up in the quarrels of the time, Goethe wrote to Schiller: “I am very glad that you did not come here to the West, because the shadow of the giant could have touched you roughly.” But the meaning of the giant is also clearly expressed in the fairy tale itself. The giant, being weak, is incapable of anything. Only his shadow can build the bridge to the other side. This giant is the raw [mechanical] force of nature. Its shadow is capable of leading the person of raw passions across the river where the light no longer shines so brightly, where the light no longer deceives. These are the people who, by extinguishing their clear consciousness of the day in the various states of the soul, in trance, in somnambulism, in the state of psychic vision and so on, seek to cross over into the land of the spirit. So too, in the wild and raging action through which the people of that time wanted to penetrate into the realm of freedom, their consciousness of the day was extinguished. They wanted to reach the land of the beautiful lily. But the shadow of the giant can only cross over. Only uncertainly, in the twilight of consciousness, can man overcome the passions, that is, deaden them, when he is in an almost unconscious state, when he is not living in bright day-consciousness.

These are the two paths that lead to the other shore: in solemn moments at midday, the snake; and in the twilight of consciousness, in a trance, and so on, the shadow of the giant. But one thing should be striven for here: the snake should sacrifice itself completely, it should not just bend over the river of passions at noon, it should lead from one bank to the other as a bridge at every hour of the day, so that not only some are able to cross over, but that all people can come and go with ease. This is the decision the snake has made, this is the decision Goethe has made. Goethe points to an age of selflessness, where man does not put his strength at the service of the lower self, but at the service of selflessness, desiring no personal benefit.

No self-interest, no self-will lasts,
Before their coming they have shrunk away.

There are a number of other ideas associated with this basic theme of the “Fairytale”. I cannot go into all of them today, but I would like to touch on a few.

We find the old man's wife with the lamp, who is married to the representative of human — occult — knowledge. She tends the old man's house. The will-o'-the-wisps have come to her. These will have licked down all the gold that was on the wall, and they have given up the gold, which they have enriched themselves with, so that the live pug that ate the gold had to suffer death. The old woman is the power of understanding, which brings forth what is useful. Only when the occult power marries what clings to material culture, when the highest marries the lowest in the world, only then can the world take its course of development. Man will not be led away from everyday life, but he will purify everyday culture.

Man is surrounded in the world, in his dwelling, by that which hangs on the walls as gold. All that surrounds him is also gold. So what surrounds him? On the one hand, it is the man of knowledge, on the other, the man of utility. The entire experience of the human race surrounds him. All that has been gathered as the experience of mankind is piled up in human science. Those who strive for it seek what is recorded in the scriptures. There they lick out, as it were, historical wisdom. This is what surrounds man in his striving; it is what man will imbue himself with completely. But it is useless for that which is to live. The living pug gobbles up the gold and dies from it. Wisdom, which only exists as dead bookish wisdom, not made alive by the spirit, kills everything that is alive. Only when it is reunited with the source of wisdom, with the beautiful lily, does it come to life again. Therefore, the old man gives his wife the dead pug to take to the beautiful lily. The lamp has a peculiar property: [dead animals are transformed into gems by it], everything dead is brought to life by it; what is alive is clarified by it to become crystal, bright and transparent. This transformation is brought about in man through knowledge, that is, through occult knowledge.

Furthermore, the old woman is stopped by the will-o'-the-wisps to pay her debts to the ferryman. These three fruits are representatives of human utility, representatives of material culture. Material culture is supposed to pay this tribute to passion. Where else could the actual driving forces of the lower nature come from, if not from technology and the cultivation of material culture? It is interesting that the shadow of the giant, who has just emerged from the river, takes some of the fruits of the earth away, so that the old woman has only two of each fruit instead of three. However, she should have three for the ferryman and must therefore give the river a pledge. At this point, something very significant happens: She has to dip her hand into the river, which makes it black so that it is almost no longer visible; it is still there, but almost invisible. This shows us the connection between external culture and the world of the river, the world of the passions. Material culture must be placed at the service of the astral, the soul. As long as human nature has not been refined enough to be offered as a tribute to the stream of passions, technology is indebted to human flow. Invisible human endeavor is invisible when it is in the service of human passions; invisibly, man works on something that cannot be seen in his ultimate goal. It is invisible, but present; tangible, but not outwardly visible. Everything that man achieves on the way to the great goal, until he has paid his debt to the flow of the soul, everything that he has to throw into the world of passions, takes on the appearance of the invisible hand of the old woman with the lamp. As long as the sensual nature is not completely purified, as long as it is not consumed by the fire of passion, it does not shine, it is invisible. That is what upsets the old woman so much: she no longer gives off any light. This could be expanded upon in more detail. Every word is significant, but it would take us too far afield today.

So let us hasten to the great train, where a youth meets us who has tried too early to embrace the beautiful lily and is thus paralyzed in all his vital strength. Goethe says elsewhere: He who strives for freedom without having already made his inner self free falls even more into the snare of necessity. He who has not freed himself will be killed. Only he who is prepared, purified, as in the mysteries, who has undergone purification in the temple of the mysteries so that he can marry the lily in a dignified manner, will not be killed. He who has died to the lower in order to be reborn in the higher sense can embrace the lily. The present is presented to us through the paralyzed youth who wanted to achieve the highest in a storm. Now he complained to everyone he met that he could not embrace the lily. Now he is to be made ripe, for which purpose all the powers of man must unite, which are symbolized in the participants in the procession. The procession consists of the old man with the lamp, the will-o'-the-wisps and the lily itself. All the beautiful individual powers are thus embraced in this procession, which is led down into the clefts of the earth to the temple of initiation. Yes, it is also a deep feature of the riddle-tale that he lets the will-o'-the-wisps unlock the gate of the temple. Selfish wisdom is not useless; it is a necessary transitional stage. Human selfishness can be overcome by feeding itself on wisdom, by permeating itself with the gold of genuine knowledge. Then this wisdom can serve to unlock this temple. Those who unconsciously serve wisdom in the outer self are led to the actual seats of wisdom. The scholars who only pore over books are the guides there. Goethe did not underestimate science; he knew that it is science that unlocks the temple of wisdom; he knew that one must test this, judge and absorb everything in pure knowledge, and that without this one cannot penetrate into the temples of the highest wisdom. Goethe sought this wisdom everywhere. He considered himself worthy of recognizing the highest in spiritual life in art, after he had passed through science. He sought knowledge in physics, in biology, everywhere. And so he also lets those enter the temple of initiation who are will-o'-the-wisps, who, relying on themselves in a false upright position, confront the one who, after all, has observed through experience and can creep in like a snake. They cause the temple to open up, and the procession now enters the temple.

Now something happens that Goethe longed for all of humanity: The entire temple moves up out of the crevices of the earth. The temple can only be built over the river of the soul, over the river of passions and desires, because the snake has disintegrated into precious stones, which form the pillars for a bridge. And now people can move freely from the sensual world into the spiritual world and from the spiritual world into the sensual world. The marriage of the sensual man with the spiritual is achieved through the selfless man, through the sacrifice of the serpent's self, which arches over the river as a bridge. The temple thus rises out of the crevices of the earth and is accessible to all who cross the bridge, accessible to those with everyday vehicles as well as to pedestrians.

In the temple itself, we see the three kings again. The young man, who has been purified because he has recognized the three soul powers, is endowed with these three soul powers. The golden king approaches him and says:

Recognize the highest;

The silver king approaches him and says:

Feed the sheep.

In this way, Goethe expressed a thought that lay deep in his soul, namely the union of beauty with piety. It is the [invitation] that is in the Bible. He addresses these words to the young man in the sense that he expressed when he saw the Greek deities depicted in Rome and said:

There is necessity, there is God

, and:

I suspect that they [the great artists of the Greeks] proceeded according to the very laws by which nature proceeds and which I am on the trail of.

It is a personal touch of Goethe's when he lets the silver king appear as beauty and piety. And then the king of strength approaches him and says:

The sword on the left, the right free.

The sword should not be used for attack but for protection. Harmony should be brought about, not conflict. After this process, the young man is initiated with the three soul powers. But the fourth king has nothing more to say; he collapses into himself. The temple has risen from obscurity into the bright light of day. In the temple, a small silver temple rises up, which is none other than the transformed hut of the ferryman. It is a significant feature that Goethe allows the hut of the ferryman, who is the one who brings us across from the land of the spirit, to transform into pure, beaten silver, so that it itself has become a small altar, a small temple, a holy of holies. This hut, which represents what is most sacred in man, his deepest core of being, which he has preserved as a memory of the land from which he comes, from which he has come and to which the ferryman cannot take him back. It [the hut] represents what came before our development; it is the memory that we descend from the spirit. This memory stands as the holy of holies in the temple, in its sanctuary.

The giant, that raw natural force that lives in nature, a spirit that could not work through itself, but only as a shadow, has been given a remarkable mission. This giant stands upright and only indicates the hour. When man has discarded everything that belongs to his lower nature, when he has become completely spiritualized, then the raw, lower natural force will no longer appear in its original elementary power as a storm of the natural force living around man. This mechanical, raw natural force will only perform mechanical services. Man will always need these mechanical natural forces, but they will no longer conquer him, but he will instruct them in their service. His work will be the hour hand of spiritual culture, which, like a clock, regularly indicates mechanical necessity. But the giant itself will no longer be necessary.

We must not approach the interpretation of the fairy tale by discussing every single word pedantically, but rather we must empathize with what Goethe wanted to say and expressed in his images. In his “Fairy Tale”, Goethe addresses what Schiller expressed in his “Aesthetic Letters”: the marriage of necessity with freedom. What Schiller was able to express in his letters, Goethe was unable to express in abstract thoughts, but in fairy tale form. If I want to express these thoughts in all their vibrancy, then I need images; images like those used by the ancient priests of initiation in the mysteries. The priests of initiation did not teach by instructing their students with abstract actions, but by presenting the sacred Dionysus drama to them, showing them the great process of human development and the resurrecting Dionysus, as well as showing what was invisibly taking place in the Dionysus drama or the Osiris drama. In this way, Goethe also wanted to express what lived in him, in his drama in images. So, we do not want to interpret Goethe's fairy tale as usual, but we want to understand it as Theosophy explains this process, namely the marriage of the lower nature of man with the higher, as the marriage of the physical and ethereal body, the life force and the passions and desires with the higher nature of man, the three pure spiritual soul forces, namely Atma, Budhi, Manas, which are represented as the three kings. etheric body, of the life-force and of the passions and desires with the higher nature of the human being, the three pure spiritual soul forces, namely Atma, Budhi, Manas, which are represented as the three kings.

This is the development of the human being that extends into the age when every human being will be able to be an initiate. Goethe tried to express this in a truly theosophical way. Just as those mystery priests expressed their wisdom in images, so too did Goethe in his apocalypse, in images, express what human development represents, which will one day be the greatest deed of humankind: the transformation of the lower nature of man into the higher, the transformation of the lower metals, the lower powers of the soul, into the gold of wisdom; the transformation of that which lives in isolation into the pure, noble metal of wisdom, represented by the king, who is embodied in gold. Goethe wanted to express this human alchemy, this spiritual transformation, in a somewhat different way than in his “Faust”. He wanted to express in a slightly different form what he had secretly included in the second part of “Faust”. Goethe was a true theosophist. He had grasped what it means that everything that is transitory, that lives in our senses, is only a parable. But he also realized that what man tries and strives for is impossible to describe, but that it is achieved through an act; that what is inadequate is what keeps us on this side of the river, that it must become an event if the meaning of human development is to be fulfilled. That is why he also expressed this secret in the “Chorus mysticus” and concluded the second part of “Faust” with it. This is the highest life-power of the human being, symbolized in the beautiful lily, with which the male principle, the power of will, unites. He expresses this in the beautiful closing words of the second part of his Faust. These verses are his mystical creed, and they are only fully understood when one has seen his more intimate life unfold in the fairy tale of the Green Snake and the Beautiful Lily. He had already begun working on the second part of Faust at the turn of the 18th century, at the time when his view of nature was transformed to become a view of a higher world. It has the deepest significance if we can understand the words of Goethe in his testament, in the second part of Faust. When he had completed his earthly career and died, this second part was found sealed in his desk. He bequeathed this book to the world as a testament. And this testament concludes with his mystical confession:

All that is
transient is but a simile
The inadequate
Here it becomes an event
The indescribable
Here it is done;
The eternal feminine
Draws us on.

[In these lectures I would like to give a picture of the theosophical world view that is completely free of any dogmatics, by trying to show what is peculiar to our own spiritual life by looking at phenomena of it.]

Those who know how strongly I have resisted anything propagandistic, any kind of propaganda, will also know how strongly I have opposed the view that Theosophy is about importing some alien, oriental world-view into our time, and how I have emphasized that Theosophy must be life; direct, real life. If Theosophy were something that had only come into the world through the Theosophical Society, then one could indeed have very little trust in it. How could it be that humanity would have to wait thousands of years for the new gospel of Theosophy! Rather, it is the renewal of the spiritual current rooted in the human soul that we are dealing with in the Theosophical Society. But what should interest people of the present time most is to see how their favorite geniuses are completely imbued with what is called Theosophy, the theosophical worldview.

Apart from all the rest, there is one great German personality whose work, especially the work of his later life, is completely rooted in this worldview: Goethe. The combination of Goethe and theosophy may initially come as a surprise; but anyone who, like me, has been studying Goethe for more than twenty years, in particular the profound Goethean “Faust” poetry, will become more and more familiar with what I will try to explain today. Over the years, I have come across many explanations of Faust, many Faust researchers, and many attempts to penetrate the marvel of this Faustian poetry. What I will present to you has come to me alone, in the most unforced way, all by itself. In the first of the two lectures I will speak about Goethe's gospel, proceeding from Goethe's “Faust” poetry, and in the next lecture I will give some views of Goethe from this point of view. We will then try, after I have inserted a lecture on the basic concepts of theosophy, to grasp Goethe where he reveals himself to us most profoundly and is least understood: in his fairy tale of the green snake and the beautiful lily, which one only has to understand to get a deep insight into the wisdom of the world on the one hand and into the innermost nature, into the innermost soul of Goethe on the other. In a casual way, these Goethe lectures can be followed by reflections on the great initiates of all times and on Ibsen. I will then try to insert a lecture on the significance of Siegfried, Parzival and Lohengrin.

Goethe was a theosophist by nature, by the innermost meaning of his life. Above all, he was a theosophist because he never accepted any limits to his understanding, any limits to his knowledge and work, but was deeply imbued with the idea that there is no human point of view from which we cannot advance to a higher one, from which the world reveals itself not only in a broader context but also in a more meaningful way. Goethe's entire makeup was determined by the world view we are discussing here. His world view assumed that man stands in a deeply related relationship to the rest of the world and that this rest of the world is not merely material, not merely outwardly physical, but equally spiritual, that a divine, creative, active spirit expresses itself in the whole world. This, one could say, is pantheism. But pantheism assumes that an indeterminate divine essence spreads throughout the world and also animates man. The theosophical world view, however, assumes that it is not an indeterminate, incomprehensible essence, but a spiritual essence to which we can ascend more and more, and that we can enter into a relationship with this spiritual essence; [ascend to a living relationship with the great God].

Goethe was suited to this kind of relationship by his very nature. Even as a seven-year-old boy, he sought out the god. He built an altar with plants and stones and incense on top, took a burning glass, and when the first rays of the rising sun shone in through the window, he collected the sunbeams so that they ignited the incense. Thus this compilation was an altar for him, on which he performed a service to nature, a service to the gods. [He wanted to ignite a sacrificial service from the fire of nature], so innate was this world view for him. When he then got to know more and more about the world itself in Leipzig and delved into the individual sciences, an insight came to him that is entirely theosophical. He tells us about it in “Poetry and Truth”. He says: “When we survey the various religions and philosophies of the world, we find something in common everywhere, a common core of truth. Wherever religion, philosophy, or worldview has emerged, whether in mythical-allegorical or philosophical form, everywhere man seeks to find the connection between his lower self and the deepest part of his soul, which is called the divine and through which he can gain a connection with the divine itself. Thus the wise of all times have shown the pendulum swing between the lower and the higher self, and we see how this is expressed in fairy tales, myths and legends; it can be found everywhere.

When Goethe himself passed the threshold of death after his studies in Leipzig and had returned to Frankfurt, he devoted himself to mystical studies. You can read in “Poetry and Truth” what kind of impact Goethe had from that time, and what emerged in him when he had become thoroughly familiar with natural science during his time in Strasbourg. This is expressed in no better way than in the fact that he decided to express the whole human urge for wisdom and for oneness with the divine nature in a great poem, the “Faust” poem. In doing so, he draws on the world of legends through which the late Middle Ages suggested the contrast between the old and the new era.

Faust is the kind of person who wants to free themselves from all tradition, from the basic ideas of the Middle Ages, and to penetrate from their own breast to a higher knowledge. Goethe did not let Faust perish, as the sixteenth century still did, but rather he redeemed him through the power of his own striving soul. In doing so, he placed the entire problem on a new footing, so that even today we must feel every word of this poem as an expression of our own thoughts and feelings. I will discuss some of the details in the following lectures. For now, I must lead you directly into what this is about.

First of all, after Goethe had presented Faust as a striving human being in his youth and brought his “Faust” poetry with him to Weimar, and had risen to a purer knowledge and worldview, he placed his “Faust” on a new foundation in the 1890s. At the beginning of Faust we find the Prologue in Heaven. Here Goethe wants to show us what his Faust epic is about. He wants to tell us nothing other than this: human destiny is not determined only in this physical world, it is determined in higher, spiritual worlds. If you remember my lectures this winter, I said at the time: the physical world that surrounds us is not the only world; there are higher worlds, the world of the soul or the astral world and what we call the devachanic world, the spiritual world, heaven. That which undergoes a struggle in the outer world is not only significant for the outer world, but is a reflection of forces from the supersensible worlds. When we penetrate into the soul world, we enter into a world of colorful existence. The astral world can be perceived by those whose spiritual senses are open as a world glowing with colors, of a beauty and sublimity, but also of a dreadfulness and cruelty that are never found in our physical world. The devachanic world can be described as a sounding one. The Pythagorean music of the spheres can truly be heard by those whose spiritual ears are open; it is not merely an allegory, but a reality.

It is therefore extremely interesting that Goethe, quite appropriately, I would say using a technical term of the mystic or theosophist, describes this world of Devachan in his “Prologue in Heaven”. The planets and the sun are endowed with souls. Goethe speaks appropriately in the sense of mysticism; so he must also express that he finds that sound in this world. And so he really does begin this “Prologue in Heaven”:

The sun resounds in the ancient way
In brother spheres of competitive song,
And its prescribed journey
It completes with a thunderclap.

The sun does not sound in the physical sense, and anyone who says that it is only an image is saying a superficiality. You can see where Faust, having gone through the purification, is to be raised to Devachan, how precisely Goethe speaks of this devachanic world:

For spiritual ears the new day is already born

Here Goethe speaks of spiritual ears, of the sounds of the spiritual world. We describe it not in the form of poetic images, but in the language of theosophical science. In the “Prologue in Heaven,” almost every word can be interpreted in a way that is consistent with our worldview. In this, we see an important principle of human existence. You all know about the law of karma. You know that when a person passes through the gate of death, they take with them the experiences they have had in this world, and that they then take the fruits of this world with them in such a way that they extract, so to speak, something eternal from this earthly world. Because his thoughts are a reflection of the spiritual world, he can take the fruits with him into the spiritual world. It is entirely in keeping with the law of karma when God calls out to the angels:

And what floats in fluctuating appearance
Attach it with lasting thoughts.

Of course, anyone who wants to can say that these are poetic images. But anyone who, like Goethe, not only dealt with mysticism practically for decades before writing these things, but also became thoroughly acquainted with medieval mysticism, knows that Goethe drew these things from mystical thinking and perception. We know that the theosophical worldview traces its basis back to the great sages, to higher spiritual individuals who have already reached the level that the average person will only rise to in the future. These great sages are the great teachers of humanity. It has been criticized that Theosophy speaks of such unknown sages. Goethe also speaks of such unknown sages when Faust, imbued with the vanity of knowledge in the first monologue, wants to grasp the source of life and has already glimpsed a reflection of divine life.

Only now do I recognize what the wise man says:
'The spiritual world is not closed;
Your mind is closed, your heart is dead!
Rise up, disciple, and bathe unflinchingly
The earthly breast in the dawn!'

This is an expression that occurs in the mystics of all times. Jakob Böhme called the work with which he began his mystical career “Aurora”. Goethe puts “dawn” in quotation marks. He expresses something that he knew from his practical mysticism as an inner experience, not a general phrase, a general saying; he speaks entirely in the technical mystical sense.

If we take a look at Faust, what do we see in the first part? You know that we distinguish between a lower self, the self that experiences the world through the doors of the senses and, purified through many paths, finally ascends to the higher self. If you read through the first part, you will find a description of the struggle of the lower self of man with the surrounding world. Faust must first pass this struggle before he can come to the truly mystical realization within himself. From the very beginning, he strives for this realization. And again, we are faced with some sentences that only those familiar with the theosophical worldview can understand. When Faust recognizes his connection with the higher self, he turns to the earth spirit. This is a masterpiece of the description of the soul's life; [the astral body of the earth, spiritually wrought and woven from the fruits of the immortal soul's garment].

In the flood of life, in the storm of action
I surge and surge, weaving to and fro! Birth and grave, an eternal sea, a changing weaving, a glowing life, so I create at the whirring loom of time and weave the living garment of the Godhead.

This description, especially the last line, is very meaningful for every mystic. It expresses how the soul, from the earlier experiences of this self, works and weaves a form that remains eternal.

Faust must turn away like a timid, twisted worm. He is not yet mature enough to penetrate to the sources of life. He must guide his self through the world by the hand of the tempter Mephistopheles. Goethe gives this a form in the sense of ancient Hebrew mysticism. “Mephis” means “corrupter”, and “Tophel” means “liar”. These are the forces and entities that are always present in the world as obstacles. While man strives forward, they hold him back, and in the moral world they become the tempters. The tempter is Mephistopheles. He leads Faust through the regions of the lower self, through all kinds of experiences of our lower self.

We see how Faust is unsatisfied by the science of the mind. The highest learning can be no more than an occupation with the sensory world. He is then led through passion and so on to purification. Faust now wants to approach the spirit from whom he had to turn away. He encounters this spirit again in the scene “Forest and Cave”. He can now address the spirit in such a way that he can express a fundamental belief, as you can find it in any theosophical book. It appeals to him that this spirit can show him that in all beings we find our brothers, as we are connected to all, and that when we find our kinship with all brothers, we find our own divine self. In a beautiful way, Goethe describes in images the ascent of man in his knowledge.

Sublime Spirit, thou gavest me, gavest me everything,
why I asked. Thou didst not in vain
turn thy face to me in the fire.
Gavest me the glorious nature for my kingdom,
the strength to feel and enjoy it. You do not allow cold, astonished visitors, you grant me the privilege of looking into their deep chests, as into the bosom of a friend. You lead the line of the living before me, and teach me to know my brothers in the silent bush, in air and water.

It is wonderful that Goethe led his Faust to this confession of looking into one's own self. After going through a series of temptations, Faust, who in his lower self sees the transience of life, gains insight into the possibility of truly recognizing the higher self.

Faust, after having been deeply crushed by the misfortunes of life, is now to be led up to higher levels. Before that, he only experienced what can be experienced by the lower egoism. Now he works at the imperial court for the lower self of others. In the midst of this work, in the midst of the transience of the world, Faust is brought to an immediate mystical point of view. Goethe himself rejected the view that the second part of “Faust” is anything other than the purest expression of truly mystical soul life. He was asked by a friend whether he wanted to end his “Faust” as he wrote in the first part:

A good man in his dark urges
Is well aware of the right path.

Oh no, replied Goethe, Faust ends in old age, and in old age one becomes a mystic. But that would be enlightenment. Once Goethe had attained a worldview that allowed a free view into the spiritual world, he could no longer let Faust end in the sense of the Enlightenment. So in 1827, he said to Eckermann about the second part of Faust: I have conceived Faust in such a way that the images are also interesting, dramatic for the mind. Everyone can take pleasure in the images. But for the initiate, there is something quite different in my “Faust”. You will see that many a riddle is hidden in it. Although Goethe did not include anything inscrutable in the second part of “Faust”, there is something that cannot be found for the superficial mind.

At court, the emperor demands that Paris and Helen appear before everyone. We are confronted with a problem that takes us beyond the physical world. Goethe captures it in its deepest sense. Faust must descend to the “mothers”. The scholars have interpreted many things into it. For those who are endowed with mystical knowledge, it is clear what is meant here. In all mysticism, the highest soul of the world has always been described as something feminine. This is quite appropriate, because what man calls knowledge, higher life, arises in his soul when he allows himself to be fertilized by the forces that work in the universe. Knowledge is a fertilization process; that is why all mysticism has sought the eternal in the feminine, in the “mothers”. The theosophical world view sees the highest that the human soul can achieve in the higher, upper trinity, in Sanskrit: Manas, Budhi, Atman; spirit self, life spirit and actual spirit of man. This higher trinity must be developed in man if he is to come to true self-knowledge. But then he attains the connection with the eternal sources of existence. Goethe indicates that this is a trinity by having the tripod set up among the mothers, with fire flowing out of it. Mysticism knows this fire as the primal matter. Faust can use it to bring up the spiritual essence of Paris and Helen. The spiritual essence is not above or below, which is why Mephistopheles says:

Sink then! I could also say: rise!

This shows how that which is eternal, brought up by Paris and Helena, is brought up from the soul-spiritual world.

But in order for man to rise to this pure spiritual level, it is crucial that he is so far purified that the desires of the body, the lower qualities of the soul and the instincts are purified, that man no longer craves this highest spiritual, but that he relates to this highest in a selfless way. When Faust brings it up, he demands it passionately, and that causes an explosion. Faust still needs to be purified and cleansed. He must learn the secret of how human nature is structured, how the three members of body, soul and spirit work together to form a whole. Established psychology only recognizes body and soul. It is a science that has stopped at two-thirds of the human being because it does not recognize the threefold nature of the human being. School psychology may feel very learned, but to anyone who sees through things, it is the most amateurish thing imaginable. Faust is meant to recognize how body, soul and spirit connect, this deep secret of human nature. At this point, we can eavesdrop on Goethe at his most profound, as he has become a complete mystic, as he has immersed himself in the knowledge that is also found in our theosophical textbooks.

First, Faust is to get to know the soul. This is presented to us in a peculiar but appropriate way, by leading Faust back to the laboratory where he was before and where the homunculus is now being created. This homunculus is nothing other than an image of the human soul. And it is wonderfully understandable every word, if you touch the homunculus as a soul without a body, as a soul that has not yet incarnated. The homunculus

does not lack spiritual qualities,
But it is all too lacking in the tangible and practical.

When the soul is free of the body, when it appears without the covers of physicality, then it is clairvoyant, not dependent on seeing through the senses. It sees into the innermost part of human nature. It does not just perceive what has an external color, sounds in external tones, but it perceives the impulses, the most intimate thoughts of the person. This is something that can be perceived clairvoyantly, the extra-physical world. Goethe lets the homunculus be clairvoyant. The entire dream of Faust is described by the homunculus, who sees into the depths of the human soul. We can go through the entire second part of “Faust” in this way: the soul is expressed in the homunculus.

The third part of the human being, the body, is that which has developed from the most imperfect to the most perfect, not only in the sense of natural science, but also in the sense of mysticism. But mysticism does not just look at how the physical has developed from the most imperfect to the most perfect, as modern science does. Mysticism also shows how the physical has developed through the mineral kingdom, the plant kingdom, the animal kingdom, and finally to the human being. The body has developed along this path until it has become capable of connecting with the soul. In the second part of Faust, Goethe presents this gradual development of the physical body in magnificent images. He has the homunculus Mephisto and Faust led to the fields of the 'Classical Walpurgis Night'. There he is brought together with Proteus, who guides the transformation of the physical form, and with the wise men Thales and Anaxagoras, who know how the physical transformations take place. It is shown how this homunculus, as a soul, can acquire a body by living through all the kingdoms of nature. It must begin at the bottom, with the mineral kingdom, and then slowly move on to the higher realms. Goethe describes in a wonderful way how this embodiment rises from the mineral kingdom to the plant kingdom. Goethe coined an expression to describe this so wonderfully vividly:

It grunet so

- the plant structure!

Only at a certain stage of development, what is called sex life, that this connects with all the formative forces that were present earlier. Goethe expresses this by letting Eros connect with the homunculus struggling for design at this stage. This is how Goethe described how the soul is structured until it is ready to receive the spirit. We have reached the end of the second act of the second part of Faust. Faust has learned the secret of how the three parts of human nature are connected: the immortal, the eternal, which is in the realm of the “mothers”, the soul and the body. This is how a person can incarnate. This is how that which also lived physically in the external world and belonged to times long past, Helen, can also incarnate again. We meet her again at the beginning of the third act. She has incarnated, Helen is standing before Faust in the flesh. Thus Faust has passed through mystical knowledge, he has experienced the secret of becoming human.

I have said that in every mysticism the soul in man is presented as something feminine. Then the struggle for the higher, the striving for the higher is expressed precisely in Faust's striving for Helena. Faust unites with Helena. This is initially the symbolic expression of an inner experience. Faust seeks the higher, and there the spiritual is born. Poetry expresses this symbolically through the union of the soul's masculine and feminine, whereby higher spiritual knowledge is begotten: Euphorion. Euphorion represents how the spirit in human nature comes to life in mystical moments. The mystic knows these moments. But there is one thing he still has to learn: At first, what he experiences is only a fleeting moment, only a celebratory moment in life, a moment of mystical insight; then he must return to his profession, to his everyday studies. These mystical insights are celebratory moments; but celebratory moments die quickly: Euphorion dies quickly. What follows is drawn deeply from mystical consciousness. Euphorion, after he has disappeared again into the spiritual realm, calls out to his mother Helena:

Do not leave me alone in the dark realm,
mother!

This is a voice that everyone who has experienced mystical moments has heard at some point. The spiritual always calls to the soul, the “mother”: “Do not leave me alone, seek me!” Here theory cannot speak, only direct experience can speak, in order to recognize the full depth of what is at stake here. The mystical moments of celebration are represented by Euphorion. Faust's serene worldview, in comparison with what has happened at the imperial court, now comes to light. Faust is now to be led to experience not only individual moments of celebration of mystical contemplation, for that is still an imperfect state. The perfect mystic works from the spiritual world; he works selflessly, like a messenger of the deity, as if the deity itself were creating. This is how it is with Faust when he has reached higher levels.

But Faust is not yet so far that he is above all the temptations that the lower self suffers. Nothing must speak to the mystic's senses anymore; the senses must become a gateway for the spiritual. Once again, for the last time, Faust succumbs to temptation. Something disturbs his eye, so he has the hut of Philemon and Baucis removed. That was the last external temptation; henceforth he can no longer be tempted by his senses.

But there is still something in man that appeals to his lower self, that is the memory that still clings to his lower self, that repeatedly pulls him down into this lower world. This is symbolized by the fact that worry approaches Faust. But this trial also comes from him. Faust goes blind. Now it is suggested that, by going blind, Faust becomes a seer: a bright light shines within, while it becomes dark and gloomy on the outside. He has become a mystic in the most beautiful sense, he has become a clairvoyant, he sees into the spiritual world.

Faust has gone through a struggle through the stages of the lower and higher self to the depths of the mystical worldview. This struggle between the lower and higher is a struggle between good and evil. Now, in a spirited riddle in the second part of the first act, Goethe has just hinted at how good and evil work together to allow the human fighter to pass through the middle for purification. Commentators have tried in vain to explain this line.

What is both dreaded and always welcome?
What is longed for and always chased away?
What is constantly defended?
What is harshly scolded and accused?
Whom may you not summon here?
Whom does everyone like to hear named?
What approaches your throne's steps?
What has banished itself away?

You will hardly find a solution to these riddle words in Faust commentaries. But for those who know the deeper meaning of “Faust”, they will be resolved naturally. We can go through line by line and need only say “evil” for the first line and “good” for the second, and we have the complete solution to the riddle. This is how Goethe describes the battle between good and evil in man, and he has Faust become a mystic.

Goethe can only hint at the last stages of development, and he uses mystical symbolism. Every line is deeply significant for the mystical path, the mystical stages that the mystic goes through in practical development. And then, at the end, Goethe indicates to us that this is what he really meant in the second part of “Faust”. He stood there alone when he came to this mystical realization.

If you read “Faust” in your youth, you will find a lot, later you will find more and more and even later still more. Today, I too have been able to describe only a glimpse of what is in “Faust”. The second part of “Faust” is something quite different from what was intended in the first part. The old Goethe is only understood if you take it so deeply. He knew that there were many people around him who would defend the young Goethe against the old one. In a moment of resentment, he spoke out about those who only want to accept the earlier works and what is otherwise easy to understand, saying, “Goethe has grown old.” To them he cries:

They praise Faust
And what else
In my works roars
In their favor.
The old Mick and Mack
That is very happy;
It means the pack of ragamuffins,
One would not be more!

Goethe knew that “he still was it,” also knew that he could not be understood.

In the second part of “Faust”, Goethe has hidden many secrets for the initiate who wants to hear them. And then, to suggest that he wants “Faust” to be understood in a mystical sense, he has closed the second part with the “Chorus mysticus”. There he shows us how he sees nothing in the ephemeral but a parable for the imperishable, for the eternal. That is the view of mysticism or theosophy, that what is present in the senses is only a parable for the imperishable. That which man can never attain in the sensual world, that which he strives for in the sensual world, to recognize the real meaning of life, this “inadequate” becomes an “experience” in the higher world through practical mysticism; and what cannot be described can be experienced. Then the spiritual powers slumbering in man are awakened; he not only perceives with his senses, but is led up into the higher worlds. That which is “indescribable” for the sensual world is done, now in the higher worlds. And that which the mystics of all times have called the 'feminine', the highest, that to which the lower strives, that which Goethe sought in the 'mothers', in the 'feminine', the 'eternally feminine', the highest in the human soul, that draws man upwards. This is the fundamental confession of Goethe, the mystic, which he has expressed here and which shines back on all that he has mysteriously incorporated into his “Faust”:

All that is
transient is but a parable;
The inadequate
Here it becomes an event;
The indescribable
Here it is done;
The eternal feminine
Draws us on.

Eight days ago, I tried to explain Goethe's world view through his “Faust”. We saw that Goethe presents the great struggle of the universe, the spiritual universe, between good and evil, as it unfolds in man and around man, in the way it is in the sense of mysticism or what we call theosophy. We have seen that where Goethe points people to worlds beyond the sensual, he does so in such a way that we can clearly see from his expressions his intimate knowledge of what we in Theosophy hold as our conviction. We have seen this in “Prologue in Heaven” and in the way he lets the Earth Spirit speak, but also in what we can see as a reference to the spiritual world and as a juxtaposition of the lower and higher self. We have taken a closer look at the address to the Earth Spirit and seen how Goethe introduces his Faust to the world, which we have called the world of higher knowledge, by showing how the human being is composed of the physical, the soul and the spiritual. We have been able to show this by the descent of Faust to the “Mothers”, by the characteristic properties of the homunculus, which cannot be made plausible in any other way, and then by the re-humanization of Helena in the “Classical Walpurgis Night”. We have seen how he ascends to knowledge, ascends to the heights of a spiritual Montserrat, to the heights of knowledge and mystical experience, concludes with the words that he has the Chorus mysticus say, and in doing so suggests the sense in which he wants Faust to be understood.

What Goethe expressed here is not a figment of his imagination, nor is it meant in a merely poetic sense, because Goethe has always seen the expression of secret natural laws in art, which he expressed at another time as follows: Art should be based on the deepest foundations of knowledge. There is no doubt that if we follow Goethe to the height of his life, if we look up and look up to the spiritual worlds, then we will be able to demonstrate a continuous increase to truly mystical heights in Goethe himself. Last time, I already pointed out that the direction of Goethe's gaze to the spiritual was not only in his nature, but was already present when he had already established a world view for himself, when he tried to make clear to himself when he entered Weimar, how things in nature are connected, when he sought a spiritual essence that underlies all nature. Last time I already spoke about the “Nature” hymn that he wrote in Weimar. In it, he addresses nature directly, but in such a way that it becomes a direct expression of a spiritual essence for him. You can see from every word in this prose hymn that he addresses nature as a being of a spiritual nature. In the book “On Natural Science” in General, he says about nature:

Nature! We are surrounded and embraced by it, unable to step out of it or to get deeper into it. Uninvited and unwarned, she takes us into the cycle of her dance and carries us away with her until we are tired and fall out of her arms [...] She has thought and is constantly pondering; but not as a human being, but as nature[...] She has no language or speech, but she creates tongues and hearts through which she feels and speaks [...] I did not speak of her. No, what is true and what is false, she has spoken it all. Everything is her fault, everything is her merit.

Thus he places himself in this nature, which he has conceived entirely spiritually, and speaks of nature as the external expression of a spiritual essence. Since Goethe addressed nature in this way, he was bound to ascend. For this is how he presents the physical incarnation: He imagines that the soul is above nature. It is true that it belongs to the great whole of the world, and he therefore also speaks of a higher nature. But by speaking of the lower nature, of the various changes, of the metamorphoses of nature, he builds the world view in the sense of the mystical. To give an example, I mention Paracelsus. Without him, Goethe is inconceivable. Through Paracelsus, Goethe is more understandable. I do not want to claim that Paracelsus' teachings can be adopted wholesale. Do not think that I want to speak in favor of those who today want to speak again as Paracelsus spoke. But we could still learn an infinite amount from such a highly chosen spirit. Goethe also learned an infinite amount from him. Just one word to show how Goethe strove in the spirit of Paracelsus: Paracelsus places himself before the true essence of man, soul and spirit, embodying himself in the archetypes of nature, in the mineral kingdom, plant kingdom, animal kingdom, where it is expressed in a one-sided way, in order to finally express itself in the most versatile way in man. In the various minerals, plants and animals, letters have been created with which the great All-Spirit has ultimately written the human being. This shows the depth of Paracelsus' insight into the human being. When Goethe sets out to study the development of the world's creatures from the imperfect to the perfect, he expresses himself in a similar way to Paracelsus. Every day, Frau von Stein received answers to questions about how his thoughts were maturing. Once, when he thought he was on the trail of a particularly important discovery, he said to her, “My spelling has helped me.” He meant that he had tried to get to know the plants and animals, which, like Paracelsus, were letters for him in solving the great mystery that man represents for man. In this way, Goethe wanted to proceed from the beginning of his study of nature, in order to seek the great spiritual connection in all beings. So, from the outset, he sought what he called the “primordial plant”, which was said to live in all plants and which, in essence, is the spirit of plant existence. Then he rose to the “primordial animal” and sought to prove the “primordial animal” in the animals. Metamorphosis of Plants and Metamorphosis of Animals – you only need to read them to have the most beautiful theosophical treatise on plants and animals you could ever find. It was precisely this attitude that led Goethe, soon after his arrival in Weimar, to an important scientific discovery. Until the time when Goethe became involved in the study of nature, the fact that humans are superior to animals had to be found in the existence of special individual organs. That humans differ in their physical constitution from the higher animals, however, was already addressed by Herder in his “History of Humanity”. Herder was Goethe's teacher to a significant extent. It was said at that time: All higher animals have the upper incisors in a special intermaxillary bone. Only humans do not have such an intermaxillary bone. Goethe said: The difference between humans and other beings is of a spiritual-mental nature. But the difference cannot be found in such a detail, which is why humans must also have an intermaxillary bone. Researchers have long resisted recognizing this discovery by Goethe. But today it is taken for granted that the discovery is based on a full fact. So even then, Goethe made this great scientific discovery out of his own convictions. In Italy, he studied the plant and animal world with the aim of finding ways and means of gaining an overview of these beings. In his Metamorphosis of Plants and Animals, he produced a masterpiece in this regard. The idea that Goethe carried out is an idea that can already be found on a large scale in Giordano Bruno. Giordano Bruno, for example, as is to be expected of anyone who truly sees into the depths of nature and the universe, is one of those who assumes that humans go through various incarnations, who assumes that humans have often been here before and will often return. The body of man, as we see it before us, shows us how soul and spirit expand in space. And when man dies, soul and spirit contract, they become, as it were, punctual, in order to expand again and then contract again. Thus existence alternates between expansion and contraction. Man ascends by becoming more and more perfect with each new expansion, only to contract again and pass through the purely spiritual realm. These thoughts were conceived by Giordano Bruno and were extended by Goethe to include plant and animal life. The whole metamorphosis shows us that the plant consists of the flower and the root in contraction and unfolding. This can also be found in Swedenborg's books, where he noted down the fundamental discoveries he made, which then bore fruit in Goethe and come to us again through him. Now some scholars from the Nordic academies have joined forces to publish Swedenborg's writings, and it remains to be seen how much science in all fields of natural science can be found in Swedenborg. Goethe studied Swedenborg, and there is an interesting doctoral dissertation from the University of Berlin by Hans Schlieper, in which the connection between the writings of Goethe and Swedenborg is demonstrated. If you want to gain insight into how Swedenborg developed these ideas, then you need only read Emerson's “The Representatives of the Human Race” and look up the article on Swedenborg. There you will find the ideas that bore such extraordinary fruit in Goethe. But you will also find that the various kingdoms of nature must ultimately find their culmination in the human being, that ultimately it must be shown how the soul emerges from the small world in order to find its unity in the larger world, in the cosmos. Schiller also expressed this in a magnificent way. In his correspondence with Goethe, Schiller writes on August 23, 1794:

For a long time now, although from a considerable distance, I have been observing the course of your mind and have noted the path you have set out on with ever-renewed admiration. You seek what is necessary in nature, but you seek it by the most difficult route, which any weaker force would do well to avoid. You take all of nature together to get light on the individual; in the totality of its manifestations, you seek the explanation for the individual. From the simple organization, you ascend, step by step, to the more complicated ones, to finally build the most complicated of all, the human being, genetically from the materials of the entire structure of nature. By recreating it, as it were, you seek to penetrate its hidden technology. A great and truly heroic idea that amply demonstrates how your mind holds the rich totality of its ideas together in a beautiful unity. You could never have hoped that your life would be enough for such a goal, but even just embarking on such a path is worth more than any other ending – and you have chosen, like Achilles in the Iliad between Pythia and immortality.

I could read on, and you would find that every single word of Schiller is aptly applied to Goethe. Goethe himself spoke beautifully about the relationship between man as a microcosm and the rest of nature, showing with tremendous power of words how not a single detail but the whole spirit of nature lives in man, how this whole spirit comes to the realization of itself. Whoever remembers the beautiful words spoken by the German mystics will know, among others, the saying: “The Godhead lives in man, and in man God has created an organ to behold Himself.” In his book on Winckelmann, Goethe says, where he speaks of antiquity:

When the healthy nature of man works as a whole, when he feels in the world as in a great, beautiful, dignified and valuable whole, when the harmonious comfort gives him a pure, free delight - then the universe, if it could feel itself, would exult as if it had reached its goal and would admire the summit of its own becoming and being.

What does Goethe say here that is different from what he presents in his “Faust” as the transition of all realms through nature? Goethe was never satisfied with the materialistic view of nature. And when Holbach had created a particularly crass expression in this regard, he opposed him as a young man. Goethe says about it, he [had] found nothing in it but a barren speculation, but not a real explanation of nature. Furthermore, matter was supposed to have existed from eternity, and from eternity it was supposed to have been in motion, and through this motion it was supposed to have produced the phenomena of existence. Thus Goethe dismissed materialism. Goethe always strove to find harmony between what he calls spiritual nature and what the incorporation of spiritual nature represents. Therefore, he was a follower of the doctrine that sees the embodiment of the spirit in our physicality, in the outer forms of nature. Goethe held this point of view throughout his life and elevated this point of view to ever clearer forms. Now, however, this point of view requires something else. It requires that we recognize that the human being is not complete. The realms of perfection must continue beyond the human being. This is the theosophical worldview. Thus, as Theosophists, we do not take the view that the human being is somehow complete. But just as there are also more imperfect beings, we also recognize that we have more perfect and more imperfect human brothers, and that there are some who have progressed far beyond the measure of other people. These are the great teachers who endeavor to lead people up to ever higher and higher worlds. This is a realm from the lowest beings to the gods. We recognize that man will one day rise to divinity, and we already recognize an order today that begins with the lower spirits and does not end until physical existence is exhausted and we look up to heights and beings that fill the gap between human beings and beings that humans only have an inkling of. In this sense, that he looked up to higher spiritual entities, Goethe spoke his poem from the first Weimar period, the well-known poem “The Divine”:

Noble be man,
Helpful and good!
For that alone
Distinguishes him
From all beings
We know.
Hail to the unknown Higher beings We intuit! Man shall be like them! His example teach us Those believe.

This is the poem in which Goethe spoke of the stages of ascent to higher beings. Those who have heard the theosophical lectures here before will know that in theosophy we recognize an unbroken succession of beings, from today's average human being to the higher beings, that we know that among us there are brothers who have reached high levels, who are our teachers, but who have withdrawn from the hustle and bustle of people because they need to have freedom. Only a number of disciples are able to see them. Those who rise to the fervor of deep truths, to a corresponding realization, which must be a free one, can hear these elevated human individualities. Goethe then speaks of these higher individualities. I only need to quote the poem “Symbolum”. In it, he speaks of the holy awe that must permeate us in the face of the truth and the spiritual world. Goethe is therefore speaking here of the voices of the spirits and the masters. This will show you the profound agreement between Goethe and what we call the theosophical world view. Now I would also like to show you that such an agreement really goes very far in Goethe. You know that in the theosophical world view we speak of the fact that human beings do not only have a physical body. This physical body is a subordinate body of the human being. Then we have the etheric double body. This can be seen by those whose psychic organs are open. It can be seen when the physical body is subtracted. Then the same space that the human being occupies is filled by the etheric body. It looks like the color of a peach blossom. Then comes the astral body, the expression of feelings, instincts, desires and passions. The Theosophical worldview calls this body “kama-rupa.” These three superimposed bodies are spoken of today. It is said that there is a parallel in our physical nature. The so-called occultist says that the physical body has an external parallel in what we call solid bodies, that what we call the etheric body has a similarity to the liquid, and that the astral body has a sensual parallel in everything that appears gaseous and airy. Everything that takes shape in the life of the senses and the life of the instincts is referred to as an image of the astral body. In mystical form, we speak of a deity that creates these formations. This is nothing other than 'Kama'. When studying cloud formations, Goethe spoke, entirely in line with this world view, of the fact that for him, too, the expression of the formation of water reveals an image of the soul, a KamaRupa:

When the deity Camarupa, high and holy,

Gathers the folds of the veil, disperses them,
Delights in the changing forms,
Now freezes, then vanishes like a dream,
we marvel and hardly believe our eyes;

With the exception of the term “Camarupa”, you can rediscover Goethe's theosophical worldview. The question now is: How is Goethe connected to what we really call the theosophical movement and how it was not created only by the Theosophical Society. The Theosophical Society merely popularizes the old theosophical teachings that have always been present. Before 1875, the principle was strictly adhered to that the theosophical teachings must be secret, that only those who profess very specific prerequisites and conditions can learn them. In my magazine Luzifer-Gnosis, you will find something discussed that can lead you to higher things. In earlier times, the theosophical teachings were only practiced in the narrowest of circles, in the so-called secret schools. Only those who had attained certain degrees could receive certain teachings. A certain degree of secrets was only imparted to a person when he had attained certain degrees. The most important society was that of the Rosicrucians, a top secret society. Whatever you find about it in books, you can call a hoax, as far as I'm concerned. What can be found in literature and what is accessible to scholarship is not Rosicrucianism. The brothers only knew each other. At the top were twelve initiates. Only the thirteenth was the leader. The outer symbol was the cross with roses. The society had, despite being a secret society, a great influence on the course of intellectual development. In the time when materialism did not yet dominate the major circles, a very great intellectual influence could still be exercised. The Rosicrucian Society is the one whose tradition and inner significance Goethe also knew. He became acquainted with it at an early stage. During the time when he was staying in Frankfurt after a very serious illness during his studies in Leipzig, he was initiated into the secrets of the Rosicrucians by a certain personage. More and more, this mysticism became absorbed in Goethe. Now he wanted to express what he had to say in this regard in a very profound poem. At the time he wrote this poem, he proved himself to be a practical mystic in that he understood life as practical mysticism. Only under certain conditions was he taught the most intimate things. Mrs. von Stein was one of his intimates. He could not imagine this connection any differently, as if he had already belonged to her in a previous life. That is the important thing. Not the dogma of reincarnation; the main thing is to understand life from this point of view. So Goethe once said, to make clear to himself his deep connection, his relationship with Mrs. von Stein: In times gone by, you were surely once my sister or my wife. That is the way he interprets reincarnation here and in other ways. Of course, Goethe regards this as his secret. He speaks of it only to his intimates. That is why you can quote some things from Goethe that seem to contradict him. You can also find this with other mystics. We know that this is the case. Now Goethe has expressed something of an ascent, of a spiritual order in the Rosicrucians in the aforementioned poem. This poem has become so dear to Mrs. von Stein that it is called “The Secrets”. It was never finished. The greatness of the poem should have been much more extensive. He might have been able to express himself if it had had as many verses as there are days in a year. But he did express the following clearly: firstly, this basic idea and, secondly, the view that a kernel of truth can be found in all religions, that all great religions contain a basic teaching, the so-called wisdom religion, and that the various wisdom religions are embodied in individual great initiates who are connected to one another in a brotherhood, that they differ according to their inclinations, the nature of the country and so on. Brahmanism, Buddhism, Confucianism, the teachings of Hermes, Judaism, Christianity; they all contain a common core of truth. They are different because those who truly grasp the human being in his spiritual essence know that it is not a matter of implementing an abstract dogma, but that one must speak to each person in his own way. You only have to possess the core of truth, then you can clothe it in the customs of every country. You will find that our theosophical teachings have rebuilt the ancient teachings of the rishis within the Hindu religion, just as they have in Europe. Even in a form that will again be able to withstand science. So we can speak to every people in their own language. But a common core of truth lives in all these languages. This was also the view of the Rosicrucians, as expressed by Goethe in the poem “The Mysteries”. You will see how much mysticism and theosophy lives in Goethe when we consider his secret revelations in the fairy tale of the green snake and the beautiful lily. But now let us look at this Rosicrucian coloring in his poem, which has remained a fragment. Goethe knows that there will not be many who will be able to understand this poem “The Mysteries”. He also knows that this poem contains so much that no one should dare to believe that they can fully understand it. But he expresses it clearly that he allows us to see into his deepest soul:

A wondrous song is prepared for you;
Listen gladly, and summon everyone!
The path is laid through mountains and valleys;
Here the view is restricted, there it is free again,
And when the path gently slips into the bushes,
do not think that it is a mistake;
We want, when we have climbed enough,
to reach our goal at the right time.

Then he shows how Brother Mark walks to a lonely monastery. In this live twelve hermits, the initiates, led by the thirteenth, whom Goethe calls Humanus, who encompasses all of them. In each of these twelve, one of the great world religions is embodied. Depending on the diversity of countries and times, the different religions are different, and in each of the initiates, each of the religions is different. In a college, however, they work for all of humanity. The leader Humanus is called that because he is such a late incarnation that the highest truth and knowledge is expressed in him in a peculiar way. Those people who are in relatively early incarnations, who have not yet undergone many embodiments, receive the lessons of life and ascend to such an extent that they carry the deepest core of truth within them as a matter of course. Then they do not need to study in the new incarnation, then they are such — through certain signs of their birth this is symbolically foretold — that they, as must be said of the great initiated of humanity, radiate the wisdom of the world. One such incarnation is Humanus. After he has spread the spirit around him in his environment, he ascends to higher spheres. Brother Markus is another such incarnation. When he appeared, Goethe said of him that he gave the impression, for higher reasons, that a higher wisdom must come into the world. Brother Markus appears to be simple. But he is a late iteration of human existence. At the same moment, as Goethe says, Brother Markus is led into the brother lodge, where the twelve are united, when Humanus is allowed to leave the twelve, where only his spirit remains in them, where the spirit ascends to the higher spheres. Brother Markus takes his place. This is the government of humanity that Goethe wanted to depict here.

He sees the emblem gloriously erected,
Which stands for the consolation and hope of the world,
To which many thousands of minds are bound,
To which many thousands of hearts have fervently prayed,
Which destroys the power of bitter death,
Which waves over so many victorious banners:
A fountain of refreshment permeates the weary limbs, He sees the cross and lowers his eyes.

From the very beginning, this poem shows us how Goethe has the spiritual guidance of humanity carried out by the twelve. Thirty years later, a number of students approached him with the request that he provide some explanations. He also tried to say something about this poem. I will only mention a few things to you. He spoke entirely in the theosophical sense:

In order to confess the further intention, indeed the plan in general and thus also the purpose of the poem, I reveal that the reader should be guided through a kind of ideal Montserrat and, after taking his way through the different regions of the mountain, rock and cliff heights, occasionally return to wide and happy plains. Each of the knightly monks would have been visited in his home and, through the climatic and national differences, it would have been learned that the most excellent men from all corners of the earth might gather here, where each of them would quietly worship God in his own way.

Now he shows us how Brother Mark is led into the forecourt. Goethe did not live to depict the actual interior. But then we are shown who Brother Humanus is:

And if you ask me what is the name of the one chosen,
Whom the eye of caution chose?
Whom I often praise, but never enough,
On whom so many incredible things happened?
Humanus is the name of the saint, the wise man,
The best man I have seen with my own eyes:
And his gender, as the princes call it,
You should also know along with his ancestors.

He also shows here how such a leader has risen to such heights. The lower self must have sacrificed itself. We will see this in the sacrifice of the serpent when we speak of the “fairytale”. But here we see how the leader of the twelve chosen ones saves his higher self, his soul. How he has gone through this dying and becoming, and has not remained a dull guest on the dark earth, but has awakened the God-man in himself. He tells us clearly and distinctly that he sees this higher self as a feminine. To save it, the lower self must be killed. In the beautiful symbolism of the poem “The Secrets”, Goethe describes the upward development of a being like the thirteenth. He expresses it like this:

As the third man, I tell more and more freely,
How a spirit of the mother promised him early on,
And how a star at his baptism celebration
shone more brilliantly in the evening sky,
and how a vulture with outstretched wings
settled in the courtyard among the doves;
not striking fiercely and, as usual, doing harm,
he seemed to gently invite them to unity.
Then he modestly kept from telling us
how, as a child, he overcame the adders
Which he found entwined around his sister's arm,
Tightly wound around the sleeping girl.
The nurse fled, leaving the infant lying;
He strangled the snake with a sure hand:
The mother came and saw with joyful trembling
Her son's deeds and her daughter's life.

The sister is the innermost part of the soul, the same as the eternal feminine that draws us in. The adder is what must be shed. He adds the following explanation to the symbolum:

When nature has elevated a person,
It is no wonder that he succeeds in many things;
We must praise the power of the Creator in him,
Who brings weak clay to such honor:
But when a man, when a man, in the hardest test of life,
Conquers himself;
Then we can show him to others with joy
And say: 'That is he, that is his own!'

When the God-man is born in the soul, then all power rushes forward into the distance:

For all power rushes forward into the distance,
To live and work here and there;
On the other hand, from every side, the stream
Of the world narrows and hinders and sweeps us along:
In this inner storm and outer strife,
The spirit hears a word that is hard to understand:
'From the power that binds all beings, Man frees himself who overcomes himself.'

Medieval Christianity has the three wise men from the East represent the three continents of Europe, Asia and Africa. Just as such things are linked to great truths in esotericism, so too is the illusion that one king is a Moor, the second a European and the third an Oriental. The three wise men from the East are connected with great cosmic truths. Just a fortnight ago, we said that Theosophy would restore to man direct perception, a correct understanding of what happens in the course of a year, so that changes show us how our spirit coincides with cosmic events.

Just as we do not see merely a physical movement when a human eye looks at us, but rightly draw conclusions about the inner state of a human soul from the outer gaze of the eye, so the theosophist realizes that in every thunder and lightning, in every breath of air, in every sunrise and sunset, only the physical expression of spiritual entities is to be sought. And just as everyday events give beings a sense of the beings behind them, so the regularly recurring phenomena of the year reveal the deeds of a divine spirit that works according to law. We see how the power of the sun grows more and more from spring onwards, how the sun regains its power from the shortest days, how it awakens the veiled life of the earth and lets it sprout anew, how the power of the sun is expressed in external deeds. From a certain day on, the power of the sun decreases again, the days become shorter and shorter. When the least physical power of the sun reaches us, life withdraws below the surface of the earth. Man can feel and experience that behind all the deeds of outer nature stands the spiritual creation of spiritual beings.

If he penetrates even deeper, the teachings that were cultivated within the mysteries tell him that not only does this take place, but that with the increasing solar power, the activity of the solar beings decreases, that at the time when the external solar power is weakest, another power increases. In the shortest time, another, a spiritual power is strongest. When the darkness is at its greatest, there is a light during the course of the year that shines most brightly; the traditions of the mysteries have always expressed this. Christmas is connected with the deep wisdom of the world. All legends tell us that the gods sleep at midday. There are regions where the churches are open all day, only closed at noon; this is based on the same premise. What Christian humanity celebrates as Christmas can only be understood from the mystery teaching. The disciple was shown the sun and the moon, as they alternate in their normal course. They were especially pointed out to the fact that during the night the earth itself veils the sunlight. At Christmas, in the deepest silence, the disciple is shown a transparent earth through which the sun can be seen. “To see the sun at midnight” is the ancient custom of Christmas. Those for whom matter is no obstacle can see through the earth to the sun on the other side, namely the sun beings. Contrary to the tradition that the gods sleep at noon, it was believed that the gods watch at midnight, because at midnight the spiritual light can be seen best. This should be done with particular solemnity at Christmas. We can understand that this has continued to have an effect into our time, since Christmas is in this season. Esoteric Christianity also sees a body in the sun, and just as man is not content to merely observe the body physically, so the Christian is aware that through the sun the body of a spiritual entity becomes visible and that Christ is the head of spiritual entities.

Now the physical fact that the moon reflects sunlight is an expression of a spiritual fact that underlies the physical one. Even in the Hebrew era, people said: Before the power of Christ works and creates in the earth itself, it works in an indirect way. The Jewish law before Christ was the spiritual background of the moon. As long as the people of the Earth were immature and not ready to receive the power of Christ, they had to receive the reflected light of the moon. Through Moses we received the law; the law was spiritual sunlight in the reflection of the moon. Initiates could see the power of Christ through the Earth at Christmas. With the coming of Christ into the Earth, the spiritual power of the Sun united with the power of the Earth, and that is the origin of the Christian Christmas. It celebrates the moment in the evolution of the Earth when man has matured to receive the inner sun, and now man should be able to see through the transparent Earth. What used to be a mystery festival became Christian Christmas. Now man should also feel the power of Christ in the daytime and in the Earth, not only in the sun. This says a great deal. People sensed the spiritual sunlight in the reflections of different religions and world views. These religions and world views represent the three wise men of the Orient. Now the time has come when the sun penetrates the earth as a unified force, when one should sense the basic power in all religions.

Then the religions arrive, led by a star, the star of Christmas. Only the wise men are shown the transparent sun, which is the star of Bethlehem itself and has led them to where Christ appears in the flesh. They bring gold, that is, their wisdom, which has taken on different forms; now the star has arrived that unites them. Frankincense is the symbol of reverence for the power that brings peace in all human deeds, opinions and questions; myrrh is the symbol of immortality, for the spiritual power of the sun. Through beholding through the earth, the disciple receives the realization, the inner guarantee of the soul's immortality. Furthermore, myrrh signifies resurrection and preservation. The establishment of Christmas on the shortest day — it has been moved slightly — is not an arbitrary act, but an expression of human development. The Christian tradition knows what a profound fact underlies this. During the midday hour the gods sleep, while at midnight the gods are awake. What works externally, physically, is indicated by the myth through the figure of John, namely, the physical power of the sun alongside the direct power of Christ. When the sun is at its strongest, the spirit is at its strongest. John's birthday is when the sun is at its strongest: I must decrease, but he will increase. From summer towards winter, the physical power of the sun, like John, decreases, and the spiritual sun, like Christ, increases. Those who work in the sense of the esoteric Christ have felt this idea of peace and harmony.

This poem is so great, the deepest trait of Christianity, of esoteric Christianity, lies in it. A pilgrim is sent to the monastery with a special mission. Twelve individuals are found there, with a thirteenth at the top. Brother Mark is led through many regions and his character is described to us. This is deeply significant, we are told, which forms external intellectual power, education and training. Brother Markus comes close to his goal after many wanderings. He strives for serious wisdom training. [That lonely, strange wanderer does not possess the science of the mind, but he does possess wisdom that speaks as if from children's lips. It is the wisdom that speaks through the transformed science. He speaks from the naive feeling of his wisdom, and it does indeed sound as if it comes from children's lips.] We must again take re-embodiment as our starting point. A person who has learned much in a previous life, who has a world of ideas and content for contemplation, will then be re-embodied. These ideas do not have to appear in the form of ideas. He seeks serious training in wisdom. [His wisdom is a mature and transformed knowledge from previous embodiments. He has not learned much new knowledge in his present incarnation, but he has accumulated wisdom from previous lives.] Now it is love, kindness, compassion, and

Brother Mark appears not as a sage who has learned much, but as a mature sage who has learned in previous incarnations; whose wisdom has become gold. At the entrance to the monastery, which he enters, he encounters a strange symbol that is supposed to represent the meaning of life to him: a cross entwined with red roses. He sees the sign of the cross, professed by so many people, entwined with roses. Note the wording in this sentence, it is a password of the Rosicrucian:

Who has joined roses to the cross?

[This may suggest that Goethe was a Rosicrucian initiate. The cross represents the three lower bodies of man, the physical, the etheric and the astral body. In his life, man should overcome those qualities of these three bodies that have come to him from outside. They should be transformed within him through his ego.] By the fact that his own ego can say to itself “I am”, he transforms these three bodies. [For he who does not have this dying and becoming remains only a dull guest on the dark earth. The lower bodies are represented in the black cross.] Man transforms these lower powers and qualities, not as a form of self-mortification, but as instruments of his own ego, purified, cleansed, transformed into powers of his own ego. He kills what was originally in him and lets it rise again as a young, fresh power – his higher ego, which is the ruler over the lower powers. The mortified bodies – the black cross – in the mortified original Tree of Life as three representatives and a fourth: sprouting life. [The four beams of the cross are made of the wood of the cypress, the cedar, the palm and the olive tree, and they touch at one point.] Cypress is the physical body, palm is the etheric body and cedar is the astral body, which has been overcome; olive tree, which permeates the three lower bodies as with ointment, as with oil, as that which rejuvenates and gives birth again.

[Esoteric Christianity sees in the rosary on the cross the Christ Jesus, through whom the lower nature in man is purified and raised to a higher level.

When man looks at the sprouting life, not yet penetrated by passions. still asleep, only a dim consciousness, is plant green. Where it rises up to the I in the astral body, where the I expresses itself, there the green plant sap becomes red blood. [Red blood, the color of roses, is the symbol of the I. As long as the green plant sap still wells up through the leaves, it announces to us the pure, chaste plant substance. The penetration of the body with passions, desires, instincts causes the emergence of red blood. In man, the pure plant substance has been permeated with desires and passions. Thus man has bought his higher consciousness, through which he perceives as he perceives today: by permeating the plant substance with desires and passions. He will purify his ego again, he will regain the chastity of the plant. [In the course of time, the ego must gradually restore the pure plant substance. Thus, man with his red blood must, as it were, become pure plant substance again. As long as this remains green, it sleeps.] In the future, the red blood will no longer be the expression of his lower instincts and desires, but of his higher self. The red roses on the cross signify both the color of our blood and our pure plant nature. It creates myth-forming power similar to wisdom. In the power that emanates from Christ, the ego is led upwards to become pure, chaste plant substance again. In the red flower we see the purified, refined ego. There is a beautiful old myth: the bee, as it goes to the red rose to suck, so it went to Christ Jesus to suck from the wound. [The devil hates red roses the most!] He wants the blood in the fist. He hates the purified blood that has returned to the red rose.

In the poem, we have twelve representatives of different religions united in the leading, great brotherhood of humanity. [A thirteenth leads them because he overlooks and encompasses all the individual religions] in order to flow out from here into the whole world. Just as the three kings come to the harmony in Bethlehem, so the twelve send their spiritual rays out into the world. And one leads. We see here the threefold higher nature of man, the rays emanating from one point.

Markus is admitted to the monastery and he is united with the eleven to become twelve.

[Brother Markus receives the deepest instruction in the monastery. The poem characterizes the thirteenth, the leader of the assembly.] The thirteenth is presented in his essence as one who is exalted in his soul, in his heart the various confessions of the world are balanced. [At his birth a star shone, signifying the spiritual sun that he had seen at his initiation. It is the same star that shone for the Magi from the East at the birth of Jesus Christ.] A vulture comes down and dwells peacefully among the doves. Peace is the atmosphere that spread at the birth of this person. A strange saga is told about him in his youth: as a boy, he overcame the vipers, that is the lower nature of his being. In previous lives, he had acquired the strength to overcome himself. The viper was wrapped around his sister's arm. This sister signifies his etheric body, which in the case of males is female] — You know that the etheric body in the male sex is female, that is, always in the opposite sex. The astral body wraps itself around this — the adder, the snake, and he overcomes this, which wraps itself around his sister — around his etheric body. The boy practices obedience in the outer world. At first he submits to what the parental home demands with a certain humility and devotion. He is now allowed to go out into the world, and finally, by the right of his birth, he may take the lead in the order. [By the right of his birth he is placed at the head of his order, which is something deeply significant.] The twelve represent the different religions of humanity. Each of them [experiences a moment in its development when it feels it has come closest to the truth]. Each has something special to tell, as a special relation to the thirteenth. [On this point, the twelve are particularly close to the thirteenth.]

At an important moment, Markus enters the monastery: the thirteenth is preparing to leave the monastery to enter a higher level. [The thirteenth of the old men wants to ascend to the highest region of the mystical. He no longer needs to undergo physical embodiment. To do this, the twelve others should mature so that they can then manage without the thirteenth.

There are thirteen chairs in the hall, symbolizing the spiritual work of the thirteen, and Brother Markus is shown around. The task of each is symbolically depicted in a sign above the chair. Above the chair of the thirteenth is the cross of roses. The thirteenth, Humanus, is a mediator for harmony and peace, which are differentiated in the world. The various religious denominations, which are in conflict, find each other here at a higher level, so that the power is not lost, but flows out into the world. To the right and left of the chair is the fire-colored dragon. [The fire dragon is the lower astral nature that must be overcome; and the hand in the bear's jaws means the ego of the human being, which is embraced by the lower, destructive nature, but through which stage one must pass as a mystic. We also find the meaning of this symbol with the war god of Central Europe, with the hand in the jaws of the wolf. This symbolizes the time when the word was sunk into man's inner being. The power of the word through which man develops. Here [the deep meaning is expressed that work must be done]. Because many a person looks at what is being done that is more important than the physical work for the overall development of humanity. What is done from the spiritual centers is invisible. The twelve have experienced the joys and sorrows of life, and now they are gathered for a different kind of work – another door is closed by a curtain. [The twelve men no longer work here in a physical way, but in a higher spiritual way. Through their own perfection, they are working at the same time on the further development of humanity.]

Mark is received in the forecourt and waits to enter the innermost part. Brother Markus has only gained a glimpse into the astral realm, but there is a hint that in due course he will also get to know the spiritual world. At first he saw only images and colors of it. The spiritual worlds, on the other hand, resound in the spiritual tone, in harmonies of the sound of the spheres. After his sleep, he hears three blows and in between a light flute sound. This is to be regarded as a symbol of the harmony of the spheres. Furthermore, he senses the gradual awakening of the threefold higher nature of man. Thus he is initiated to finally become a member of the higher cosmic world himself. Only then does he actually feel accepted into the great cosmic sound. The birth of the higher man through the power of the roses takes place, [symbolically represented by the three youths. They signify the birth of the three higher parts of the human being. The power of Christ brings us up to the true self as the highest level of mystical-spiritual development]. The greatest bliss that a person can achieve is Manas, Budhi, Atma. Through this, he becomes a member of the great cosmic secrets of the development of the earth.

Today, on New Year's Eve, our greetings go from soul to soul, from heart to heart, and when we embrace these impulses, our greetings contain something of the goals of the world principle. One year follows another in the steady progression of time. Reflections such as today's should fill us and remind us that not only years go and come, but that these are stages, to ever higher and higher ascent of the individual and of all humanity. We feel that this is not repetition of the same, but ascent with goals within life with the true, genuine perfection of humanity. Let us let our souls be filled with these reflections and thus feel the impulse of the genuine New Year's greeting, which is struck in our souls by the Christ principle, as a greeting that embraces all humanity.

We want to help each other to ascend, we greet each other at every turn of the year. We want to work together, in theosophical brotherhood, to ascend the path of human perfection. Then the sound of the New Year's Eve bells will contain something of the harmony of the spheres. There are customs and traditions, and when we connect the soul with these customs and with the sound of the New Year's Eve bells, we say: We want to be helpers to each other in the forward climb of humanity to its highest goals.

We will be hearing more about Goethe's dramatic fragment “Pandora” today. If I wanted to tell you everything there is to know about it, I would have to give several lectures. [With this work by Goethe in particular, it will only ever be possible to make a few remarks about how the poet experienced this figure of Pandora as living forces within himself.] I can only gently hint at the meaning of the individual figures that the poet sensed within himself, as it were, as living forces. Those who immerse themselves in the drama from this perspective will get an inkling that it could not be otherwise than that the forces in question were at work in the poet's soul itself. In the last lecture we saw how Goethe contrasted the two figures of Prometheus and Epimetheus in a powerful way. [Creative powers were in the pre-earthly time, spiritual powers, these two figures, as the poet has portrayed them as human beings.] Already in individual words of the drama one can even feel that creative powers lived in Goethe. Spiritual powers had taken the place of human powers, so to speak, such as originate from the pre-earthly moon-period. You can imagine that those beings, the Angeloi, passed through their stage of humanity under quite different conditions. To pass through the stage as we are passing through it today, requires conditions such as now prevail on earth. They also had to go through a completely different state of consciousness than we have now. But it would be quite difficult to describe the peculiar storms of consciousness that those beings who lived on the old moon and completed their stage of human development there went through. [It was a very peculiar form of consciousness that those beings had as human beings on the old moon. At that time, man had only a dim awareness of images. Those beings who were then human beings certainly had a higher level of consciousness than we do, and this present consciousness of ours cannot be compared with the former consciousness of the moon. [The consciousness of these beings on the old moon is recorded in the consciousness of the beings who then remained above.] It was also an awareness of objects, but at a much higher level. If those entities on the old moon had held on to their consciousness and brought it with them into earthly conditions, they would not have been able to live there at all. That is why those beings had to withdraw to a higher sphere when the actual development of the earth began. They had to renounce, so to speak, the development of the earth. If they had not done so, they would not have been able to see the earthly conditions on earth at all. They would have experienced only what was still present in them as an inheritance from the old lunar conditions. Nor would they have been able to intervene in the course of earthly events. They owe the fact that they were really able to intervene to the circumstance that they renounced the fruits of earthly development and remained on a higher level. Their consciousness had radically changed into a reflective consciousness. If the Elohim had not remained above but had descended to the earth, they would have become Epimetheus natures. Man still retains a part of what he had become on a higher level. This part of his development manifests itself everywhere in his life. Man is subject, as it were, to the tragedy of seeing things afterwards that would have turned out differently if he had been able to see them beforehand.

It has long been known, for example, that Ibsen, who is revered today as a great poet, failed his school-leaving exam. This is just one case of a strange occurrence. Or you just need to let the grandiose example of the irony of the university teachers' day sink in, and you will see that this epimetheic moment is not an isolated case. Should high school students be supported sympathetically or not? Those professors confessed that they had no means of recognizing the gifts of such people.

This epimetheic element is what humans have inherited from the Elohim. But now humans have also conquered the other side, namely the possibility of ascending more or less in the foresight that receives impulses from what one already grasps as the future. In school, this case is rarely represented, as you know from experience. This Promethean moment could only slowly flow into our being, and the Epimethean gradually dries up. [Through the Promethean element, we now have two currents. One that is slowly drying up, the Epimethean, and one that is slowly rising, the Promethean.] In the former ability, however, people have not yet come very far today. But these two intellectual currents are essential for us. [As an example of how this slowly ascending current will shape itself in humanity, it is shown how there are already things today that people can objectively face without personal emotions:] In science, solar and lunar eclipses can be calculated in advance. Man is therefore Promethean in relation to mathematical things. Here, passion is silent and only truth speaks. In everything mathematical, therefore, foresight is possible. Mathematics is the clear, unambiguous and luminous beginning of the Promethean element. This had to develop at a certain pace, and this was brought about by the fact that the leader of this element did not descend to our earth too early. By the highest directive, he had to wait until the conditions were such that he could descend as Prometheus. The Prometheus of whom the myth speaks descended to men too early; therefore, by divine directive, he was chained to the rock. He knew the secret that another would come after him, who would then be the true Prometheus. Prometheus also knew the secret that Zeus would one day be overthrown. But the Prometheus who gradually allows the impulse of foresight to work in humanity is the Christ. (Christ is also the one who then overthrows Zeus.) Prometheus keeps his secret from Zeus, who had him chained to a rock in the Caucasus. (In the present, the two work together.)

Thus, Goethe's drama is at the center of everything we know about world development. One element brings one forward, the other connects one with that which is to be brought forward.

[So we can say: Yes], there is a being who descended to the people, which one must let enter more and more into his soul, [that is the Christ]. Only one must take time for it and always remember what can still come from above. But another part of humanity will take its time to accept the Christ, and will receive him more as a gift from above, where those beings who have not become Epimetheus remain. Thus, what the human being is allowed to receive within himself must merge with what comes from higher realms. In these words, Pandora's story comes to an end!

So you see how deep the shafts are from which we have to draw the feelings in order to understand such poetry. Only the theosophical school of thought teaches us to understand the greatest treasures of humanity correctly. But this movement also shows us that what truly leads forward lies with the gods in the spiritual world, from whence it must be fetched in order to connect it with what lies dormant in the human soul.

What the poets bring us is a gift from above, and with it we must connect what we have within ourselves. The poet gives us the Epimethean, and we in turn bring him the Promethean element from spiritual science. [People who take up Theosophy will become Prometheans. Epimetheans are those who want to be blessed from above. The Promethean element must have become the property of humanity if, three thousand years from now, Maitreya Buddha is to appear on Earth.]

The social question, which is to occupy us today, did not, as will immediately become clear for everyone, arise out of a mere idea or out of the undoubted need of a few people, but is a question that confronts us with facts as strongly and clearly today as ever. One who looks around just a little in the surrounding world will know what a distinct language these facts speak. It could well be that someone who does not want to hear this language of the facts will find out in the not too distant future that he has closed his ears too long to what was necessarily going on. With regard to the social question, the human being of the present is standing within the battle that is at times still playing itself out under the surface of our social order. One who wants to say, more or less precisely, how the social battle has increased in extent and violence doesn't need to go any further into externals, he needs only to draw attention to the violent workers' movement on the occasion of the work stoppage at Crimmitschau, to the miners' strike on the occasion of the lockout of the electrical workers, and, in sum, to what is going on in Eastern Europe.¹ In all this we will have to discern the social question being lived out.

The reproach has often been addressed to Theosophy that it has a number of dreamers among its followers, that it seeks to work only in those areas to which one retreats from the great common questions of the time, where one wants to linger in leisurely contemplation of the human soul, and so they say: Theosophists are a few people who have nothing particular to do, who in an egoistical way want to retreat into the self and cultivate it in the manner of Theosophy. One easily makes the reproach to Theosophy that it wants to stand apart from the great battle of the day, from what touches humanity in the present time. The Theosophist should be setting this right again and again. He should ever and again point out that wherever there is something to investigate and think regarding warranted human affairs in the present, there the Theosophists must be, that he must have a clear heart and clear thinking, that he must not lose himself in some cloudy utopia, but rather must stand within the everyday, helping and caring.

And this other reproach can also easily be made: that Theosophy is touted as a universal cure for all the evils and injuries of the present. That also is otherwise. To be sure, it is claimed that Theosophy, the Theosophical movement, has something to do with all that must prepare itself in the present for a salutary future, but not like a mastering, not as a universal cure do we extol Theosophy; rather we only want to show that with it something so comprehensive is given that without it today we cannot progress in the mosl essential things that we should be concerned about, and that all speculation and reforming must remain half- baked unless the human being approaches the matter with the Theosophical view. The doctrines of thinkers about grand encompassing cosmic connections, about the universal law of world destiny and world events occupy us, in the inner circles of our Theosophical movement, not merely so we can gaze at the starry vastness at leisure, but rather because we know that these laws we are studying and which are active in the great world-all are also active in the human heart, in the soul, and in fact give this soul the capacity really to see into the life of the immediate present. We are sort of like an engineer who absorbs himself for years in his technical studies, but not in order to engage in contemplations of the mysteries of the calculus and marvel at them; rather we seek the laws which we then apply to human life, as the engineer builds bridges and applies the laws to reality.

There is also something here that is universal and widespread and opens up a further horizon. Who would dare to present thinking as a universal remedy, even though this thinking is necessary for what can happen in the cosmos? Theosophy is no dead matter, no dead theory. No, it is something life-awakening. It is not a matter of the concepts, the ideas, that we take on. What is told here does not have the intention of dealing with the ideas as such, nor the intention of developing interesting notions about hidden facts, but rather, what is here passed before the human soul has a very special quality. Non-Theosophists may believe it or not, but one who has occupied himself with it knows that what I am about to say is correct in practice. One that has applied himself to how, in Theosophy, the world and life are considered will notice his life of the senses and of soul becoming something different from what they were before. He learns to think in another way and will observe human circumstances in a more unbiased way than previously.

We have a distant future in mind when we speak of awakening higher powers through inner development. But for the near future we also keep an eye on the life that we can bring about through Theosophical development: that is, the possibility of coming to a comprehensive, clear, and unbiased assessment of the human situations immediately surrounding us. Our culture, with all the scientific character which it has developed up to now, has come up with theories that are impotent regarding life. The Theosophical world-view will not produce such impotent theories. It will teach mankind thinking, awaken thinking forces in mankind that are not powerless regarding reality, but will empower us to take hold of human evolution itself, to take hold of the immediate conduct of life.

Let me bring in a little symptom that will further clarify what I mean to say. Recently a clear example in the political field was provided by a Prussian government councilor who went on leave to find work in America, to take part in and get to know conditions there.² A state councilman is normally called upon to be active in human evolution. Taken in a higher sense, it is his duty and obligation to let something live in his heart that corresponds to real conditions and not merely to theories. And if he has nothing that chimes with the conditions, then his theory is impotent. This man, who for years previously had been called upon to deal with the human element, got to know the human element himself. Of course what I am saying entails not the least reproach against the individual man. This deed is to the highest degree honorable and bold, and admirable. But what he has written is a symptom of what is urgent. It shows the discrepancy in his orientation toward the world and toward workers. Here are just a few words from his book As a Worker in America [4th edition, Berlin 1905, p.31] { Bracketed statements [ ] are insertions by the German editor.}: “How often, earlier on, when I saw a healthy man begging, did I ask, with moral indignation, why doesn't the lout go to work? Now I knew why. In theory things look different from practice; even the most unappetizing aspects of the national economy are easy enough to handle at your desk.”

There is no greater mark of poverty than when someone who is called upon to participate says that the theory which he had doesn't agree with the conditions. Here's the point at which one can take hold of the matter, just as logic enables people to think at all, and just as no one can become a mathematician without manipulating logic, just so no one can develop the power of practical thinking without Theosophy. Look at the national economy that is overwhelming our developmental [free] market. If you set about looking into things with healthy, comprehensive thinking, Theosophical thinking, you will find that things that are supposed to be guideposts, emanating perhaps from university professors or party leaders, are gray theory suitable for being dealt with at the desk, but are useless when one is facing reality. Such things reveal themselves, for instance, at congresses. One just has to look more closely. Congresses in general bear this character. If those who busy themselves would care to descend into practical life, they would soon find that they are capable of nothing. Merely gazing at life doesn't do it. Nor can someone who judges from the standpoint of today's customary culture pass judgment on the women's question or the social question, nor can someone judge who merely looks at things, for nothing is done by that either.

Now if you were to ask this gentleman who wrote these words, What can lead to an improvement?, then you would find that he has only learned how it looks; but how things should be done, that is a different question altogether. It is also not a question that can be answered in an hour or a day. It can't be answered at all by theoretical debate. No Theosophist worthy of the name will say to you: I have this program for the social question, for the women's question, for the vivisection question, or about the care of animals and so forth, rather he will say: Put people who are Theosophists into the institutions dealing with all these questions, set such people in professorial chairs of national economy; then they will have the ability to develop the thinking which will lead to making the single branches of their activity into guideposts in the realm of public life. As long as this is not the case, people in this realm will be charlatans and will have to witness the world collapsing around them, and how this idle circumlocution in congresses shows itself in its uselessness.

I say this not out of fanaticism, rather from what in every Theosophist is a real Theosophical attitude, real Theosophical thinking. Theosophical thinking develops clarity about the various realms of life, a clear, objective view of the forces and powers working in the world. To look at the matter rightly, that is what Theosophical life enables you to do. Therefore Theosophy is not a panacea in the ordinary sense, rather it is the foundation of contemporary life.

After these introductory words let us give a few indications about what has given our social question, as it arises from the facts, its special stamp. Whoever wants to see what will happen must know the laws of becoming, may not have gray theories, must know the laws of the becoming of humanity. We cannot find these laws through some sort of abstract science. Theosophy does not proceed abstractly. It proceeds from clear contemplative thinking. And so let me indicate with at least a few words how the life of today has shaped itself, how this life today has come to be. One who looks more closely at life will realize that some self-knowledge also belongs in these realms in order to see clearly. First I will picture the outer facts, then I will say a few things concerning what it is actually all about.

Every one of us knows what the human being needs in order to live. We all have an idea of what food and clothing we need. A few figures will tell us how much the majority has of all these. All we need to do in this regard is to examine the tax structure. It has been told over and over, but we can bring it to mind again and again. In Prussia, someone who has an income of less than 900 marks pays no taxes. One can very easily check how many people in Prussia have an income of less than 800 or 900 marks. That's 21 million people. Ninety five percent of the total population have less than 3,000 marks income. Take England. Only those who have an income over 150 pounds are taxed. [...] You see, we have most ample figures that speak of how many people have what one must have as absolute necessity.

Look at statistics. They speak a distinct language. But what has that to do with our self-knowledge? A lot. For it is a matter of gaining the right standpoint for ourselves regarding these facts. And in this connection people let themselves miss out a great deal on what is right. What are people around us doing? What is the cause of their receiving this low income? It is what we give them for what they do for us. We are now making no distinction between workers and non-workers, between proletariat and non- proletariat. For if one makes this distinction, then the matter is already entirely false. And that is the mistake of all our national economic considerations, that one does not proceed from self-knowledge, but rather from theory.

[The following sentences of the transcript reveal a few discrepancies, so that the original wording cannot be reconstructed. By the gist of it, Rudolf Steiner most likely described how every person lives from the products that another has produced. Even for someone out of work, whose means of livelihood are insufficient, products are produced. Even the seamstress working for starvation wages wears clothes that have been produced in turn for a starvation wage. Compare the paragraphs written in the same year in the essay “Spiritual Science and the Social Question,” in Lucifer Gnosis.]

And if in our emotions and perceptions we are able to feel a certain pain over the fact that the clothes we have on have been produced for a starvation wage, then we are looking deep into the heart of the question. When in all this you think over what you wear in the way of clothing, what you put in your mouth for nourishment, where it comes from, only then will you grasp the social question in all its depth. Not through speculation, but rather through a living contemplation does one get an insight into what it is all about.

It isn't right when they say that today's misery, even if we could portray it in its direst colors, is greater than it was in former centuries. That is not the case. We would decisively be committing a falsification of objective reality. Just try to study conditions objectively in the city of Cologne today and 120 years ago, and you will see that much has gotten better. And even so we have the social question. We have it because human beings have gone through yet another evolution, and this is because in large measure they have come to thinking, to self-consciousness, and because their needs have greatly changed. And there, if we study the question thus, we are indeed of necessity directed toward the broad contexts that arise for us in world history if we are not, like the modern researcher, too shortsighted. In order to judge these things it is necessary to get to know the great laws of life. What has brought it about that social affairs have taken this shape? It is the manner and method which the human spirit has taken on. Look back to the time of the French Revolution. At that time they demanded something else. It was a question tending more toward the juridical that brought out the ideal of Liberty - Equality - Fraternity. The French revolutionary heroes in Western Europe called for Liberty. Those now battling in Eastern Europe call for bread. It is simply two sides of the same coin, two different demands of human beings who have learned to put such questions because their souls have undergone a transformation.

This transformation of the soul we have to study more closely. We must study and understand why the souls of the great masses of human beings today—and this will spread over the centuries—have come to these demands. At this point the Theosophical world conception comes in with practical application, underpinning our comprehension. Only someone who understands the case is qualified to judge it. The only one who is able to look into the soul is one who, in the great world framework, sees what is going on in this soul. And only one who understands something of the laws of the soul is able to effect something in souls and lead into the future.

A small side remark: The sciences of today, biology, Darwinism, Haeckelianism, [The worldview of Ernst Haeckel (1834-1919), German naturalist and philosopher.] have brought us great ideas. So also the idea that each living entity, in the first stages of its existence, even in its germinal state, recapitulates the forms of life that have previously been gone through out in nature. This brief recapitulation of the various stages occurs also in that being which includes them all, climbing higher on the ladder of evolution than all others: the human being. Assume that a spirit had consciousness at a time before there were any human beings, then he would have had to know not only what had already happened, but he would also—by contrast—have had to form a picture of future evolution. He would have had to form a picture for the future out of the animal condition of that time. Only the human being, who in his germinal configuration recapitulates the preceding conditions, can show us what to do. It is the doing that must pass beyond all knowing. No knowing occupies itself with anything but what was. But if we want to work into the future, we have to do things that haven't been there yet. The great laws that are to be realized in the future show us this. In a certain way everything that is to come about in the future has already been there in the past, namely through intuition. A spirit who had intervened at that time would have had to have had intuition in order to be able to find out about the hidden laws of existence that apply to the past and the future. That is why Theosophy cultivates intuition. That is what reaches out beyond the mere physical experience of the world. Theosophy looks for the laws that are to be cognized by intuition and which lead us into the future of the human race. [For a characterization of intuition as used by Steiner, see, for example, his essays from 1905, The Stages of Higher Knowledge.]

One of these great world laws that can be a guide for us is the law of reincarnation. First, it renders understandable for us how, in higher spiritual realms, what obtains as law is nothing else but what Darwin and Haeckel have intimated. It renders comprehensible why this or that was felt as a need in any given age. One who steeps himself in this knows the last time in which there was life thirsting for universal freedom, when human beings took up impulses for which they should be calling today. The ones who today call for liberty and equality—I say this with the same objective certainty with which the natural scientist has spoken about the physical—all those souls who today cry for liberty and equality have learned it at another stage of their existence, in an earlier incarnation. The greatest needs of the human being of today were embodied in the early time of Christianity, in the first Christian centuries. All human beings have taken up this press for equality, before which the human being of today stands in spiritual life. Christianity brought the message of equality before God. In times prior to that, there had been no such equality.

I do not say what I have just said in a derogatory way, I say it with the same sober objectivity with which I would speak of any scientific problem. If one considers the actual soul and everything which creates outward inequalities, the same soul that once took to itself as an impulse “they are equal before God and before mankind”—when one considers the actual soul—finds that everything that determines outward inequality has no meaning for contemporary life. When the grave closes over us we will all be and become equal. What the soul has taken up lives on in the soul and emerges in a different form. If we consider cultural progress from the perspective of the macrocosm we come to tremendous implications regarding education. I have already drawn attention to what this pedagogy on earth was like in pre-Christian times. Let us look back into Egyptian times. A large number of people there were occupied with work, the difficulty of which a man of today can no longer estimate. They labored willingly. And why? Because they knew that this life is one among many. Each one said to himself: The one who is in charge of my work is like the person I will be sometime. This life must be compensated in different incarnations, for it directs itself out of this knowledge.

Linked with this is the law of karma. What I have experienced in one life is either deserved or will be compensated for in later times. If it had merely gone on like that, however, then the human being would have overlooked the kingdom of the earth. This one life would not have been important to him. In that regard Christianity took measures for education in order to have this life between birth and death be of importance to him. It is merely illusory when Christianity deviates from that, for it has pointed strongly to the beyond; it has even made eternal punishment and eternal bliss a function of one life. Whoever believes that the one life is of primary importance learns to take this life seriously. It pivots around the truths that are suitable for the human being, and it is suitable for the human being to be raised in the idea of this one earth life. Such were the two tasks: education for the importance of earthly life between birth and death, and, on the other hand, that outside this earthly life everyone is equal before God. This earthly life has been bearable only by being so considered that all are equal before God. Whoever looks at it that way will observe, in the development of mankind since the rise of Christianity, a descent into the physical world. More and more the human being feels committed to physical existence. Through this he transferred the importance of the rule of the equality before God more and more to equality in material existence itself.

That picture should not be misunderstood. The soul that 1800 years ago was accustomed to claiming equality for the beyond now brings the impulse for equality with it, but in connection with what is important today: “equality before Mammon.” Please do not see a criticism or anything pejorative in this, rather the objective confirmation of a cosmic law of the developing soul. One must study the course of time this way. Then one will understand that only one thing will again bring about in this soul a change in direction, an ascent, namely if we get the soul who is calling for equality back into the beyond. Toward the beyond we looked up, from the here-and-now we looked out. Today, due to this impulse, the soul is turned back upon itself. Today it seeks the same thing in the here-and-now. If it is to find an ascent again, it must find the spirit in the present, the inwardness, in the soul element itself. That is what the Theosophical world movement is striving for: to prepare the soul for the third stage, [The German “drei Stadien” translates to “three stages.” We suggest this represents a stenographic error and take the liberty of correcting it for the sake of clarity.] because it is filled with God, filled with divine wisdom, and will thereby again know how to place itself in the world, so that it will again find the harmony between itself and the surrounding world.

Such thoughts have value in giving direction. We can't bring this about from one day to the next. But we also cannot consider only our individual deeds. Every deed must stand under some influence. Then it becomes practical, then it is something, then it is no gray theory, rather immediate life, because we are looking into the workings of the soul.

Our national economists and our social theorists today so often say: the human being is only the product of outer circumstances. The human being has come to this because he has lived in these or those outer conditions. Thus speaks, for example, in earnest, social democracy, saying that the human being becomes what the environment makes of him, that because he has become a proletarian worker, due to the entire development of industry, he has also become one in his soul, the way he has evolved through just these conditions. The human being is a product of circumstances. We can often hear that. Let us study the conditions themselves, let us consider what is round about us, what we are most dependent on. Are we dependent merely on nature? No! We notice what we are dependent on only when we stand starving in front of the bakery and have nothing in our pockets to buy anything with.

All these conditions are made and put into effect in turn by human beings. The spirit that is evolving through history has brought these conditions about. People have thought up, out of concern for their own welfare, sometimes only shortly before, what obtains today; they simply insert it. Thus the one who thinks people are dependent on circumstances is reasoning in a circle, because the circumstances were brought about by people. If we picture this to ourselves we must say: it isn't a matter of the circumstances, rather we have to look at how the circumstances have come to be. It is idle to insist on saying: the human being is dependent on his circumstances. In fifty years the human being will also be dependent on the conditions that surround him. You can concede to every social democrat [Social Democracy is “a political theory advocating the use of democratic means to achieve a gradual transition from capitalism to socialism.” American Heritage Dictionary, 1992. Social Democrat (with capitals) refers to a member of the Social Democratic Party (SDP) in Germany, which was founded in the late 19th century.] that the human being is dependent on circumstances, but on those that we cause today, that emanate from our disposition, from our soul. We create the social conditions! And what will live then will be the crystallized perceptions and feelings that we put out into the world today.

This shows us what it is all about: that one must learn the laws under which the world is evolving. It cannot be a matter of science, rather it can only be an intuition of what we must contribute as law. This comes directly out of a perception that seems most fantastic to most people, but which is much clearer and more objective than much of the fantastic fantasy of our scientists. One that can tell what lives in the soul and then crystallizes outwardly, can also, out of the wisdom, out of the divine in the soul, tell what an individual can spread out into the world and what is proper for humanity.

If in the future you want to have such circumstances around you, if you want to have it set up that way, as an institution which will satisfy people, about which people will be able to say: “That's it—we want to live under these conditions,” then you must first pour humanity into these conditions, so that humanity will stream out of them again. The deepest humanity, the deepest soul-inwardness must first stream out of our own hearts into the world. Then the world will be an image of the soul, and in this soul there will be an image of the world. This will be able to satisfy people again. Therefore the human being cannot expect anything from all those quackeries in the social area that are perpetrated by looking at outer circumstances. These outer circumstances are made by human beings; they are nothing else but human souls which have streamed outwards. The first things that have to be worked over, what we have to take up first as the social question, are the souls of today, which produce the environment of tomorrow. You can see how better conditions stream into the environment if only you would study it. Again and again I have had to hear from social politicians: Make the conditions better and human beings will become better. Just let these people study what individual sects, developing themselves cut off from world evolution pursue as soul culture, just let them study what the latter contribute to the shaping of outer conditions. If human beings realize that the improvement of conditions depends on themselves, if they acquire Theosophical knowledge, and if they cognize the first fundamental principle to establish the kernel of a universal brotherhood [Refers to the first fundamental principle of the Theosophical Society: “To form a nucleus of the universal brotherhood of humanity without distinction of race, creed, sex, caste or color.”] and develop it in themselves as a social feeling for the surrounding world, then the actual social is possible, and one is prepared for what will happen in the near future.

Our entire national economy today lives under false premises. Therefore our theories are mostly false because they proceed from assumptions entirely different from those that arise out of the human being and from humanity. One starts with production, or one believes one can achieve something with the development of compensation. All thinking moves in this direction. To be sure, an improvement will not occur immediately with a change in thinking. But it will occur when the direction is changed. Moreover, our proletariat has no inkling about what is here in question. What it demands is more pay and shorter hours. Take a look at the worker in any particular sector, say the electric sector, which has been unionized in order, through this collective, to get better pay and working conditions. What does he want with these better working conditions? He wants a different relation regarding compensation to take place between him and his employer. That's all he wants. The conditions of production don't change. All that happens is that the worker gets higher wages [...]. That's all that happens. If s just a shift in capital.

But that doesn't really change anything much at all, because if one gets more pay today, food will be more expensive tomorrow. It is not at all possible to bring about any kind of improvement for the future in this way. This ongoing endeavor is based on false thinking. There it's a matter of production and consumption. Here a great comprehensive worldwide law about work applies. One has to know this. Certain people who are used to thinking in today's national-economic terms will say perhaps that I am placing a foggy brain in front of them. One who has worked his way through to Theosophy has, as a rule, gone through today's thinking. Theosophy should be active in us as a life impulse. But as every thought will draw into us and stimulate every action in us, just so this also should stimulate us. We needn't think that we can realize it right away. Also, the government councilor who doesn't live in gray theories can look at life entirely differently. He doesn't need to travel to America in order to get the idea that someone who doesn't have any work has to be a lazy lout. In the course of time work has greatly changed its form.

Take a look at ancient Greece. What was work in those days? The worker stood in an entirely different relation to his master. At that time work was slavery. The worker could be compelled by force to work. What he received from his master was his living. But his master took the proceeds of the work; it had nothing whatever to do with the particular relation of the worker to his master. He had to work; moreover, he was maintained under precarious conditions; he was not compensated for the things he did. There we have labor under duress, without pay.

[A] commodity is the result of something other than directly compensated work. Thus its value also has nothing to do with what is to be paid in wages. Look at today's situation. Today we have jobs for which the worker is partly compensated—partly. What they bring in flows as profit into the pockets of the entrepreneur. Thus work is partly compensated. What, thereby, has the worker himself become? He invests his labor power into this work. In Greece, when one was confronting a unit of work, it was a product of slavery. Today's commodity involves something entirely different. Today the luxury that I receive is crystallized labor for which the worker is compensated. If we ponder this we will find that a half freedom has taken over from the old slavery. A contractual relation has taken its place. In that way labor has become a commodity in the figure of the laborer. So we have labor that is half compelled and half voluntary. And the course of evolution is in the direction of completely voluntary work. This path no one will change or reject. Just as the Greek laborer did his work under the compulsion of his master and a present laborer works under the compulsion of wages, just so in the future only freedom will obtain. Labor and compensation will in future be completely separated.

That will constitute the health of social conditions in the future. You can see it already today. Work will be a voluntary performance out of the recognition of necessity, out of the realization that it must be done. People perform it because they look at the person and see that he needs work done for him. What was labor in antiquity? It was tribute, it was performed because it had to be performed. And what is the labor of the present time? It is based on self-interest, on the compulsion that egoism exerts on us. Because we want to exist, we want labor to be paid for. We work for our own sake, for the sake of our pay. In the future we will work for our fellow human beings, because they need what we can provide. That's what we will work for. We will clothe our fellow men, we will give them what they need—in completely free activity. From this, compensation must be completely separated. Labor in the past was tribute, in the future it will be sacrifice. It has nothing to do with self-interest, nothing to do with compensation. If I base my labor on consumer demand, with regard to what humanity needs, I stand in a free relation to labor, and my work is a sacrifice for humanity. Then I will work with all my powers, because I love humanity and want to place my capacities at its disposal.

That has to be possible, and is possible only when one's living is separated from one's labor. And that is going to happen in the future. No one will be the owner of the products of labor. People must be educated for voluntary work, one for all and all for one. Everyone has to act accordingly. If you were to found a small community today in which everyone throws all one's income into a common bank account and everyone works at whatever he can do, then one's living is not dependent on what work one can do, but rather this living is effected out of the common consumption. This brings about a greater freedom than the coordination of pay with production does. If that happens, we will gain a direction which corresponds with needs. Already today this can flow into every law, every decree. Of course, not absolutely, but approximately. Already today one can organize factories in the right way. But that demands healthy, clear, sober thinking in the sense of Theosophy. If such things penetrate into human souls, then something will be able to live again in these human souls. And the way the one determines the other, just so this life of the human soul will also determine that the outer arrangements will be a mirror picture of it, so that our labor will be a sacrificial offering—and no longer self-interest—so that what controls the relations with the outer world is not compensation, but rather what is in us. What we have in our power to do, we offer to humanity. If we can't do much, then we can't offer much; if we have a lot, then we offer a lot.

We must know that every activity is a cause of endless effects and that we may allow nothing that is in our soul to go unused. We will be making every offering out of our soul if we completely renounce any pay that can accrue to us from external conditions. Not for our own sake, not for the sake of our welfare, but rather for the sake of necessity. We want to firm up the soul through the law of its own inner being, so that it learns to place its powers at the disposal of the whole from points of view other than the law of wages and self-interest. There have been thinkers who in some connection have already thought thus. In the first half of the 19th century there have been thinkers who have brought this feature of a grand soul-based contemplation of cosmic law. Is this feature not a sanctification of labor? Isn't it so that we can lay it on the altar of humanity?

Thus labor becomes anything but a burden. It becomes something into which we place what is most sacred for us, our compassion for humanity, and then we can say: Labor is sacred because it is a sacrifice for mankind.

Now there have been people who in the first half of the nineteenth century spoke of “sacred industry.” Saint Simon was one of those who had an inkling of the great ideas of the future.³ Whoever studies his writings will, if one deepens them in the theosophical sense, gain endlessly much for our time. Saint Simon spoke in a rudimentary way, but of a type of living together, as in an association. He has projected associations into which the single individuals deposited tribute, and thus existence became independent. He had great ideas about the development of humanity, and discovered several things. He said: The human races correspond to a planned development, and souls make their appearance one after the other and work their way upwards. That's the way to regard the development of humanity, for then one comes to the correct view. He also speaks of a planetary spirit that changes itself into other planets on which humanity will live. In short, here is a national economist whose works you can read and who lived in the first half of the nineteenth century. You read his work like a Theosophical book.

Today the palingenesis [continued rebirth, metempsychosis] of soul existence can be proved. Whoever acknowledges Haeckel will also have to acknowledge reincarnation if one carries Haeckel's ideas further. Fourier⁴ also thought in this way. You can find in him a primitive Theosophy. Thus for one who looks at things the way they are, Theosophy's first major principle for our social life—to establish the kernel of a universal brotherhood—is the only thing that can propagate healthy conditions in the environment. This view of the Theosophists is not impractical, rather it is more practical than the view of all those social theorists (you'll have to admit this if you apply these theories to life), and only someone like that will say, with good old Kolb: Studying theories of national economy is no burden. Only if Theosophy comes to be heard in debates on the social question can a healthy way of looking at it, a healthy thinking come into it. So it is necessary for someone who wants to see and hear in this area to come to terms with Theosophy.

For the Theosophists two things are clear, not out of fanaticism, but rather out of a knowledge that comes from looking at life: it is possible to stick with gray theory and relegate the matter to people who will later have to admit that at the desk it looks different from what it turns out to be in life out there. Then one will have to wait a long time, and what must come will come anyway. In the end, living theory will have to intervene in life—one can hear it already today—already today one can argue about what Theosophy has to say about the social question. Then one can't hear just one lecture, rather one has to deal with Theosophy in its entirety. From it one will derive the gift, the ability, in a healthy way to view life from top to bottom in its most secret and intimate forces, then healing and blessing can soon come into our social order.

Let us achieve in ourselves, as much as we can, what should happen. The reshaping of labor, working not for pay, is a sacrifice. Then we will have done our duty, then we will have regarded life in a healthy way. Or else we will keep looking at the world with gray theories, alien to life. Then it could turn out that future humanity could say: Questions were raised. When these questions were there to be raised, when recovery in a good way was possible, that was just when they did not want to study them. Goethe once said: “Revolutions are entirely impossible if the rulers do their duty.” He knew who was to blame for revolution.⁵ Let us try to consider what the history of the future can say about our present. You have seen what time has wrought, until the earth was drenched with blood, and how the time has raised the most burning questions in an even more frightful way.

• 1. Crimmitschau strikes: Among the numerous work stoppages in the first years of the 20th century, the strike of the textile workers of Crimmitschau, from 7 August 1903 to 17 January 1904, stands out especially because the management reacted to the strike of 600 textile workers in five factories with an unprecedented mass lockout: they locked out the entire work force. Subsequently, in Crimmitschau, with a population of 23,000, around 8,000 textile workers and 1500 who worked at home stood in conflict with a management that was obviously intensifying its measures against the workers. For details on this strike see F. Deppe et al., Geschichte der deutschen Gewerkschaftsbewegung (History of the German Trade Union Movement), Cologne, 1978, p.77f.
  
  Miners' strike: A further high point in the strike movement was the miners' strike in the Ruhr from December 1904 to 9 February 1905, at the center of which stood the demands for am eight-hour day, higher pay, better worker protection, and recognition of the workers organizations. For this also see the portrayal of F. Deppe et al. op cit. p. 78f. what's going on in Eastern Europe: On 22 August 1905, “bloody Sunday,” in Petersburg, peaceful demonstrators were shot down by the military. The strike wave now turned into revolutionary unrest that soon spread over all of Russia. In the fall of 1905 the socialistically organized workers called for a general strike and, with the participation of Bolsheviks, Menscheviks, social revolutionaries and independents, formed the first Soviet (Council).
• 2. a Prussian government councillor, Alfred Kolb: Rudolf Steiner also deals with him in the essay “Spiritual Science and the Social Question” in Lucifer Gnosis, GA Bibl. No. 134, and in the Hamburg lecture of the same name of 2 March 1908 in Die Welträtsel und die Anthroposophie (Anthroposophy and the Riddle of the World), Bn/GA Bibl. No. 54.
• 3. Saint Simon (Claude Henri de Rouvroy), 1760-1825: social reformer. Lettres d'un habitant de Geneve a ses contemporains (1803) (Letters of an Inhabitant of Geneva to his Contemporaries), Réorganisations de la societi europtenne (1814) (The Reorganization of European Society); Le nouveau christianisme (1825) (The New Christianity). Also see A. Voigt, Die sozialen Utopien, Leipzig, 1906 (Social Utopias). This book is also to be found in Rudolf Steiner's private library (Archives of the Rudolf Steiner Estate Administration) and contains numerous underlinings by him concerning Saint Simon. See p,107ff.
• 4. Fourier, François Marie Charles, 1772–1837; Théorie des quatre mouvements et des destinées générales (1808) (Theory of Four Movements and General Destinies), Lenouveau monde industrielet sociétair (1829) (The New Industrial and Societal World). See A. Voigt op.cit. p. 95ff.
• 5. Goethe once said: Literally it says: “I was also completely convinced that any great revolution is never the fault of the people, rather of the government. Revolutions are altogether impossible as long as governments are continually just and continually vigilant, so that they anticipate them with timely reforms and don't hold back until what is necessary is compelled from the bottom up” (Eckermann, 4 January 1824).