The Rudolf Steiner Archive

In the evolution of mankind, as I have recently been showing, inner spiritual connections prevail, which send their influences through the soul of man. I showed this in relation to Goethe's endeavours in his Faust, where he relates Faust to the impulse of the fifth post-Atlantean age by associating him with Mephistopheles, an Ahrimanic power. I then tried to show how Faust had to dive down into the impulses of the fourth post-Atlantean age, which I tried to describe in their real essence. All this is necessary, so that there takes place in the soul of Faust a conscious interpenetration of that which prevails unconsciously in human souls by virtue of the laws of evolution.

I said that the fifth post-Atlantean epoch—our epoch—will have to do with the great and significant life-question of Evil,—the mastery of Evil in all directions. Human beings will have to learn to know all that the soul must rouse and bring forth within itself in order partly to overcome the powers of Evil, partly to transmute them into impulses of Good. All this has arisen on the foundation of the impulses of the fourth post-Atlantean epoch, which had to do especially with the problem of Birth and Death,—a problem which it had received as heritage from Atlantean time. We need only turn our gaze to the Christ-Impulse itself, entering in as it did in the first third of the fourth post-Atlantean period. This period began with the founding of Rome in the year 747 before the Birth of Christ. Thus, of the 2160 years of the fourth post-Atlantean epoch, 747 years had to run their course before the main impulse—the Christ-Impulse could enter in, as indeed it did precisely in this fourth post-Atlantean epoch. Has not the Christ-Impulse to do with the great and important question that summons into the evolution of mankind problems of Birth and Death in their supersensible significance? How much discussion, how much thought and feeling has there not been on Christian soil about the Birth of Christ! How infinitely significant a part is played by the Death of Christ! In the Birth and Death of Christ we see most pregnantly this wrestling of the soul of man with the problem of Birth and Death. It was a wrestling in the soul, because the same struggle had already been there in a more elemental, in a more physical form in the great Atlantean epoch. Notably in the fourth civilisation-epoch of Atiantis-in the middle of Atlantean time, and as an after-effect in the fifth period also,—forces connected with Birth and Death were subject to the power of individual human beings. I have already described some aspects of this fact. Forces there were in the Atlanteans—forces that could be developed and that had influence on Birth and Death in a far more than merely natural degree. The good and evil forces in the human being had a far-reaching influence upon the health and sickness of their fellowmen, and thereby also upon Birth and Death. In Atlantean time one saw an actual connection between the things one did as human being and what took place in the so-called “course of Nature,” as Birth and Death.

In post-Atlantean time—in the fourth civilisation-epoch of post-Atlantean time—this problem of Birth and Death was transplanted more into the region of the soul. But in our epoch, in the fifth, human beings will have to grapple with the forces of Evil in an elemental way, just as they did with Birth and Death in Atlantean time. Notably through the quite different mastery over the forces of Nature, the impulses of Evil will work into the world on a grand scale, in a gigantic way. In the resistance which human beings will have to summon forth from spiritual depths, the opposite forces—the forces of Good—will have to grow. And in particular, already during the fifth epoch it will be possible for men to bring Evil over the Earth, by exploiting the force of Electricity, which will assume far greater dimensions than hitherto. Even directly out of the force of Electricity itself, Evil comes over the Earth.

We need to place these things before our consciousness. He who desires to receive the spiritual impulses will then find points of resistance; he will find the starting-points for those impulses which must evolve by the very resistance of Evil. It is difficult as yet to speak in any detail in this connection; for in the widest spheres as yet, these details touch on interests of human beings which they do not wish to have molested. In this respect, human beings are divided. On the one hand are those who suffer greatly, because they cannot clearly realise how they are interwoven with World-Karma; how they simply must take part in this thing or that, and cannot become abstractly pious all at once. On the other hand are those who in many ways are caught up in this World-Karma of the fifth post-Atlantean epoch. They would rather not hear of what is really contained in the impusles that are going through the world, for it is often to their interest to represent as constructive the very impulses that are destructive. We have described, how since the last third of the nineteenth century there have been working among human beings those Beings whom I characterised as fallen Spirits of Darkness—Beings of the hierarchy of Angeloi. In the fourth post-Atlantean period, these Beings were still ministering members of the good, progressive Powers. They served in the creation of those orders which, as I told you, are derived out of the blood-relationship of men. Now they are in the realm of men, and as Angel-beings who have remained behind, they work into the inner impulses of human beings, to make effective in a retrogressive way—and thereby in an Ahrimanic way—all that which is connected with relationships of blood and clan, nation and race. Thereby they work to mar and to hinder those other social structures of mankind which should now arise out of quite other foundations than for example the bonds of blood, of family and race, clan and nation. To-day a very serious beginning of the work of these Spirits consists precisely in the abstract emphasis that is laid on the principle of Nationality. This abstract emphasis on Nationality, this setting up of programmes on the foundations of a national principle, is among those endeavours which we must attribute to the Spirits of Darkness who will stand far nearer to man—who will approach man in a far more intimate way—than did the backward Spirits of the fourth post-Atlantean period. The latter belong to the hierarchy of Archangeloi. Precisely this will be the significant aspect of the fifth post-Atlantean epoch. These Beings who stand immediately above the hierarchy of Man—these Angel-beings—are able to approach the individual human being very nearly and intimately. They do not merely approach the groups. The individual will believe that he is representing things out of his own personal impulse, where in reality—for we can truly put it so—he is possessed by the kind of Angel-being of whom we have been speaking.

Let us once more make clear to ourselves, what was the nature of the efforts of the backward retrogressive Spirits of Darkness of the fourth post-Atlantean epoch. For we shall then be more able to understand what is the nature of their efforts in our present, fifth post-Atlantean epoch. In the fourth post-Atlantean epoch, as I have told you, it was the normal thing to build all the social structure of humanity upon the bonds of blood—blood-relationship. During that time—that is, during the Graeco-Latin civilisation-epoch—the Ahrimanic-Luciferic backward Beings rebelled precisely against the bonds of blood. They were the inspirers of that rebellion which wanted to loosen human beings from blood-kinship. You can derive it even from the general teachings of Spiritual Science. And above all, it was in a sense the descendants of individualities who in the Atlantean time had still been working in a magical way,—it was the descendants of these, who as rebelling individualities, became the “Heroes” in the recapitulation of Atlantean time, in the fourth post-Atlantean epoch. I beg you now to observe how the Graeco-Latin epoch met these rebel-beings. For in that time, after all, there was still the wise guidance of mankind out of the Mysteries. They did not say to human beings: “Avoid these rebel natures! Avoid the Ahrimanic, Luciferic spiritual Beings!” They did not say this to them; they knew that it lay in the wise plan of cosmic evolution to place these Beings where they were and to use them. It is a weakness of many people to-day, when they hear of Lucifer and Ahriman, to explain: “For Heaven's sake, let us avoid them!” As though they could avoid them! I have often spoken of this. Knowledge was brought to the human beings of the fourth post-Atlantean time in the form in which it had to be at that time. The influence of the good Gods was there in the bonds of blood. Human beings gave themselves up to it, in the mutual love which was founded in the blood-relationships (for so it was at that time; to-day it must be more purely spiritual.) Yet, for the sake of progress, rebellions always had to take place. This way of cosmic evolution had to be explained to the people in myths and legends. To the Initiates they were communicated in another form—in a way more similar to the way in which these truths are being taught to us to-day. But in the widest circles, human beings of that time would not have been ready to receive the explanations of the myths. Therefore the exoteric myths were told to them. In these, however, deep significant truths of evolution lay concealed.

Let us consider an outstanding myth, connected with the very thing I have just been placing before you. It tells how an oracle prophesied to Laius of Thebes at his betrothal with Jocaste. It prophesied that from this union a son would be born who would become his father's murderer and live in incest with his mother. Laius did not let this deter him from the contemplated union; but when the son was born, he pierced his heels and had him exposed on Mount Cithaeron. To a shepherd the boy became entrusted. The shepherd's wife called him Oedipus on account of his pierced heels. You know how the story goes on. The boy Oedipus grew up; his talents developed. At an early age his soul was beset by doubts concerning his descent, for his companions drew his attention to many things. Then the Delphic Oracle pronounced an important saying, painful to study nowadays, if you can study it in its whole context. The saying is: “Avoid thy home-country; otherwise thou wilt become thy father's murderer, thy mother's husband.” This was said to Oedipus.

Now he was under a complete illusion. He did not know who his father and his mother really were. He could not but think Corinth, where he had grown up, his home. At last he wandered from Corinth in order not to bring about disaster there by killing his father and marrying his mother. But the very fact that he set out and took the way to Thebes became his doom. On the way he met a chariot in which his father Laius was travelling with a companion. A conflict arose; he killed his father and continued on his way to Thebes, and his first deed was, as you know, to solve the Riddle of the Sphinx. So we hay e Oedipus placed in the very fullest way into the evolutionary nexus of the fourth post-Atlantean age. For in a certain sense the Riddle of the Sphinx—the Riddle of Man—belonged to the fourth epoch. Oedipus was one of those who knew. Far from replying to the Sphinx: “I am reluctant to unveil a higher secret”; he solved the secret. Something was thereby implanted in the fourth post-Atlantean epoch. It was an impulse that worked on and on, and in which Oedipus played an essential part. For we Wright speak for many hours about the solving of the Riddle of the Sphinx by Oedipus; but we need not do so to-day. To-day we will only make clear that this deed reveals him as a characteristic Hero of the fourth post-Atlantean epoch.

Now he went on to Thebes, married his mother, whom of course he did not hold to be his mother, and was comparatively happy—till a plague arose. At length it was the seer Tiresias who revealed the truth. Jocaste, suddenly knowing herself tobe the wife of her son, killed herself by suffocation. Oedipus blinded himself and was driven away by his own sons. Another one, Theseus, then protected him in the Grove of Attica until his death, and he was buried in Attic soil. We need only call to mind the Oedipus-drama up to this point.

What does it represent? It represents an individuality—the Oedipus individuality—taken out of the blood connection, growing up outside the bonds of blood and then transplanted back again into the blood-connection, to his own detriment. We have before us no mere subjective rebel against the bonds of blood, but one who by the very laws of Nature becomes a rebel against the bonds of blood and thereby kindles and enflames them even against himself.

Look through the Greek mythology, and you will often find such human beings—Heroes who are placed into the blood-relationship in such and such a way, but who are then exposed so that they undergo their evolution outside the blood-relationship. Through the very fact that they are removed from the old order, from the normal order, they then bring in quite other impulses of evolution. Such an Hero is Oedipus; such too is Theseus who protects him in the wood of Attica.

No wonder if in ancient Greece they could not tell the people who was really behind these Heroes! They could not tell them that they were the great rebels, who were none the less necessary in the wise course of World-evolution. Think, for example, of Theseus himself. Here, too, it was an oracular saying that reached the ears of his father, so that he had his son educated far away. The mother, who had given birth to Theseus far from his father's home, was told: When the youth grows up so that he can wield a certain sword, then and then only let him return. Here again, Theseus is removed, transplanted away from the blood-connection. He too has to solve important riddles of the fourth post-Atlantean time. You know the legend of how he liberated Athens from the tribute of the youths who had to be sacrificed to the Minotaur, and of how he saved himself by means of Ariadne's thread. Theseus became the protector of Oedipus; yet Theseus is the very one who carries Helena away when she is ten years old, and keeps her in hiding. Theseus is brought into close connection with Helena.

Deep evolutionary riddles of the fourth post-Atlantean age are concealed beneath these things. The Court lady of the sixteenth century naturally had no more inkling of them than to exclaim: “From her tenth year onward she was nothing worth.” Yet in this line again, Goethe is hinting at sometning deeply significant. Goethe was well aware that that which stands behind Helena is in reality worthy of reverence, even as Faust revered her. But with regard to Helena of all people, the worst forces of calumny have been at work. Mankind might learn from such things; it can very easily happen that that which is worthy of true recognition—that which perhaps is highest—can be the most calumniated!

I only wished to point this out, to show how Helena herself stands in mysterious connection with those individualities who were the rebels of the fourth post-Atlantean epoch, and who at that time had the task—for the wise guidance of the Universe—to break through the blood-relationship.

How does it stand with Paris, who is presented to us by Goethe in the Invocation Scene—forgive the trite expression, I do not mean it trivially—as Faust's competitor or rival? How does it stand with Paris? Here too we are told; he was the son of Priam and of Hecuba, and his mother had a dream when she was pregnant with him. In this case it began not with an oracle but with a dream—albeit a dream containing deeper wisdom. It prophesied to Paris' mother that she would give birth to a burning torch that would set fire to the city of Troy. Therefore the parallel legend tells also of an oracle which announced to the father that this his son would serve in Troy's destruction. Whether for the one reason or the other, the father had Paris exposed. Paris, therefore, was also among those who were put outside the blood community. He was brought up in Parion, far from the bonds of blood; and it was there that there took place what the legend tells: how Eris assigned the apple to the most beautiful, and how Paris was called upon by the Goddesses, Hera, Pallas and Aphrodite, to determine which of them was the fairest. It was even said that Hera promised Paris Asia, that is the ruler- ship over the Earth, for ‘Asia’ at that time signified the rulership of the entire Earth. Pallas Athene promised him fame in battle; Aphrodite the fairest of women. Paris gave Aphrodite the prize of beauty.

Nov the great Song of Homer describes how significantly Paris thereby entered into the whole course of the affairs of Greece. In Paris himself we have an individuality rebelling against the bonds of blood. He takes Helena out of the Grecian bonds,of blood and tries to transplant her to Troy. He wants to break the bonds of blood. These things are always connected in this way; in the Greek Hero-legends we always see how there is placed into the midst of evolution that which is meant to break the bonds of blood. For the bonds of blood—in themselves strong, mighty and powerful—they are the thing that really brings about the social structure in that time.

There is one question which can come before us very clearly in this field, and it shall occupy us now for a few minutes. Someone might easily raise the following question: How does it stand with human freedom if such important deeds as the rape of Helena by Paris are accomplished by something taking place in the Spiritual World above, as in this case the rivalry of the three Goddesses? The human being then appears as the mere tool to execute what is not only prepared, but actually worked-out, in spiritual realms above. Now in a certain sense we must truly say: That which takes place through human beings here below is the reflected image of what happens in the Spiritual World. This is a point where the great riddle of freedom mightily knocks upon the doors of human knowledge. Are we really automata, who by their actions reveal the mere reflected image of what happens in the Spiritual World above? And again, how would the Spiritual World, which is the guide and leader in all that happens,—how would the Spiritual World stand there if, so to speak, it had nothing to do, if it were actionless? Two things must be understood: First, the universal course is really led and guided by spiritual forces, spiritual Powers; and nothing happens that does not happen down from the Spiritual World. And the second is, that the human being has Free Will. The two things seem diametrically opposite. We are here touching a great riddle, a problem that gives men very much to do, and they can never get beyond it lightly. For it is truly so: If we look up into the Spiritual World, what the Gods do there represents the deeds of Gods; and the human beings here below carry out the impulses of Gods. So indeed it is. How then can human beings be free?

Let me now place these problems before you with a few brief strokes. Of course one can only indicate a little of this problem at a time. Let us assume therefore: Up yonder are the three Goddesses with the conflict that is taking place among them. As a result of their conflict, there comes clown on to the Earth the impulse that proceeds from these their actions. We need not consider for our present purpose how these actions are in turn connected with still higher Hierarchies. That which takes place up yonder takes place with absolute Necessity; and as to that which Paris does, this also happens because the three Goddesses above have had this conflict with one another. How then is any freedom possible for Paris? It is practically out of the question, you will say. Yet it is not. For the ray falls down, as it were, on to the Earth; and here on Earth there is not one whom it can reach, but there are many. Assume, for example, that there are an hundred. Ninety and nine do not do the deed; the hundredth does it. Here in effect once more the Mystery of Number plays its part. These things are always confused. Paris does the deed, it is true, but the point is that Paris only becomes fully Paris inasmuch as he finds himself prepared to put himself in the very place where this impulse was able to he fulfilled. In short, the Gods would have found another one if Paris had not done it; and in that case the legend would be told of another.

It is through Number that you will come to the solution of this Riddle of Freedom. And if so be, at any given point of time, among the hundreds who stand here below no one is found, then the Gods wait till one arrives. He then accomplishes what the Gods place before him. Be that as it may, Paris it is who has accomplished the deed. It does not mar his freedom in the very least, for he could perfectly well have left the deed undone. Think of this aspect of the problem of Number, and you will find that the divinely necessary, wisdom-filled guidance of the Universe stands not in contradiction to human Freedom. Needless, to say, this does not exhaust the problem of freedom; this again is only a part.

You see, therefore, how in the total evolution of mankind the Heroes of ancient Greece, of whom we are told that they were exposed in childhood, are of great significance. And you may also call to mind (you will find it in one of my lectures; I do not know, I may even have said it several times) there is a similar legend of exposure in connection with Judas. Of Judas Iscariot we are also told that he was put out in his youth. This is a typical feature; it signifies in the language of myth and legend the entry of the rebel Powers, who rebel against the bonds of blood of the fourth post-Atlantean epoch.

Now the region out of which these impulses proceeded in the fourth post-Atlantean epoch is the region wherein the Archangel-Beings rule. Therefore the narratives are always such that the human being stands rather remote from the influences that take place out of the Spiritual World. Either it is an oracle that brings the message from the Spiritual World, or else it is the direct intervention of the World of the Gods Themselves. Helena, you know, is a daughter of Leda and Zeus; here too the Spiritual World works in directly. In our time it is the dark and backward Angel-Beings, and they naturally work through a far more intimate intercourse with human beings. I have already told you, if one would discuss or even only hint at many things that are connected with this working of the Dark Powers since the last third of the nineteenth century, one treads on very thin ice indeed! But you can tell from the whole context; the seeking of social structure through the bonds of blood, which was the right and normal evolution for the fourth post-Atlantean epoch, represents, where it remains behind in the fifth epoch, one of those impulses with which the human beings of this epoch will have to battle. We must however add another thing which I have also told you. Something entirely new is now occurring. The fourth post-Atlantean epoch—its wrestling with Birth and Death—was a repetition of Atlantean time. Now something new makes it appearance—something created directly out of Maya or Illusion. Yet this Illusion we must also understand; we must only understand it rightly. It goes without saying, Maya was always there. As I explained in the essay which you will shortly be able to read in the Reich, in relation to the Chymical Wedding of Christian Rosenkreuz, all consciousness originates out of Illusion. Yet since the fifth post-Atlantean epoch began, Illusion is present in a more than usual degree. Illusion will appear increasingly in this form:—Human beings will give themselves up to illusions. Illusions there always were, but they were always connected with other powers in the third post-Atlantean epoch, with the forces of “elective affinity”; in the fourth post-Atlantean epoch with the forces of Birth and Death; in the fifth post-Atlantean epoch with the forces of Evil. Illusion, Maya itself, will be seized upon by Evil. Moreover, it will all be permeated by that element of which I have also told you—by cleverness, intelligence.

It sounds paradoxical when one asserts that it is good for men that they can learn to know all these things. But the fact is, the human being can only come to spiritual freedom by growing strong against resistance. This, one can readily see.

Moreover, precisely that which is connected with the number Five is always connected in this way with the unfolding of Evil. Human beings will have to accustom themselves to one thing: to regard the inrush of the forces of Evil as an inrush of very laws of Nature, forces of Nature. Then they will learn to know them, and they will know what lives and moves in the very depths of things. We must not regard Evil from the outset as one would, who in the fulness of his egoism merely wanted to get away, to flee from it. We cannot do so. But we must penetrate it with consciousness; we must learn to know it,—really learn to know it. Above all, in our time already a force is preparing in the realm of human beings,—a force which tends to create illusions that are harmful and destructive. I will give you a little example of one such illusion. In giving this example, once again I do not wish in any way or in the very least to take sides in one direction or the other; I simply wish to give you an example of this entry of Illusion.

Assume that a politician appears upon the scenes to-day, wishing to speak out of his inmost impulse of his own attitude to the wheel of the world—to the various things that are being said and done to-day, from one quarter or another. Suppose that this politician found occasion to express himself about the part that is being played in the events of our time by the British State system (I say the State system; for with the nations themselves we are not concerned in this connection) and by the hidden powers that are behind it,—powers of which we have often spoken. Assume that a politican feels called upon to speak of this. He wishes to make plain how he considers that a right relationship to the British impulses can be established.

Suppose now that such a politician were to say the following. Suppose he were to say: It would be an unfriendly action against the Power that rules the Sea, to paralyse or lessen its superiority. What would you say? This politician notes the fact that there is a Power that rules over the Sea. One must take some attitude towards it. Since, after all, this Power rules the Sea, it would be an unfriendly act, he says, to hinder its development. Therefore one should refrain from such unfriendly action.

What could one say of such a politician? I think the very least that one could say would be that he stands for a policy of Power—Machtpolitik. Is is not so? Wherever the Power is, in that direction let us turn. This, at the least, seems to emerge from his words. But to-day one does not say so. One does not take one's stand in such a case and frankly say: “I stand for a policy of Power; I will attach myself to the Power which happens to have power.” But on the contrary one says, one defines it thus: “I stand for Right and Freedom and for the Independece of Nations.”

One says these two things side by side. One says that one stands for Right and Freedom of the Nations, and directly side by side with this, one says: “Let us above all attach ourselves to the particular Power which has the power, and commit no unfriendly act in relation to it.”

You see from this how human beings involve themselves in illusions. For I have here put before you the case of the Swedish politician Branting. He, a neutral politician, is the man who spoke in this way. That is the way one carries on a neutral policy, of course. I do not say it as a reproach or to take sides with one or another party. I say it as a pure description of how such things must take their course to-day. One is enthusiastic, needless to say, for Right and Freedom of the Nations, and yet—one stands for a such a policy. One does not confess that one stands for it for the simple reason that one can do no other,—that would be the truth,—but on the contrary one says that one stands for it inspired by the impulses of Right and Freedom for all Nations.

With such things as these we must indeed concern ourselves. It is not enough for anyone to give himself up to the fairy-tales that are going through the world to-day; we must take these things into our consciousness. Only by this means is it possible to attach oneself to the real impulses of evolution which I have described. No age was ever so little enlightened about itself as is the present. No other age stands in such dire need of enlightenment about itself. Think only how proud it was of its great progress in every kind of human thought. Why, they had even succeeded in finding impulses for Social Science, out of Natural Science! I have often spoken to you of the science of social life.

Think for a moment, what is so often said in official quarters to this day on educational and social questions, questions of right and justice and so forth. Try to transplant yourself into the frame of mind in which these people bring forward their supposed infallible truths, while at the same time they would suppress absolutely everything that resounds from any other quarter. Part of what modern humanity believed thus fondly, has led to the event that through the impulses of this humanity,—impulses of Illusion upon the one hand, of Nationality upon the other—five million human beings have been consigned to death during two years and three to three-and-a-half million have been permanently wounded. It was so after two years, and now, considerably more than three years have elapsed. This is only the consequence of the false thoughts that were entertained,—thoughts in which illusion was allied with destructive power. From many another thing that is spoken nowadays about education or questions of right and justice, similar consequences will evolve if it goes on in this way, uninfluenced by spiritual life and being. For in the last resort everything depends on this. To kindle the spiritual forces in the consciousness of mankind is an absolute need for the fifth post-Atlantean epoch. Our criticism of the opposite, materialistic opinion is but a part of the zeal with which we call to life the spiritual impulses within us. This is the thing that matters. Whatever has to happen among men must also be undertaken by men. If we have made ourselves ready to take our stand where the ray falls, the ray will come in good time; of that you may be certain. This preparation, this making-ready, can, however, only take place through the community. It will be for the individual human beings, in the fifth post-Atlantean epoch, only so far as the ideas are concerned; but it will depend on the understanding with which communities will receive these ideas.

Hold to this thought, my dear friends.

My dear Friends,

I had intended to make a few remarks from the artistic point of view about the scenes from “Faust” which were to have been performed today. Since, however, on account of illness, the performance is not taking place and the lecture can therefore be independent of it, I shall arrange matters rather differently. My lecture will have to do with the scene to be given next Sunday, but I wish to stress the fact that I shall not be speaking from the standpoint of art, but from quite another point of view. It is more that to the presentation of the scene as Goethean achievement I shall add some Spiritual-Scientific observations that will also in some respect link up with what has already been said here during the autumn.

Anyone allowing this scene—“On the Upper Peneus as Before” to pass before his soul, has an opportunity to look deeply into Goethe's soul, in that this scene—as also the following one which leads to the phantasmagoria of Helen—specially shows how Goethe divined and felt the truths of Spiritual Science even though these truths did not yet come to him in clearly defined ideas. A poet whose understanding did not reach up to the truths of Spiritual Science would certainly never have created these scenes in the way Goethe has done. It would lead us too far even to speak briefly of the path by which Goethe arrived at his insight into Spiritual Science. I can do this some other time. I shall only say enough to make it clear to you that Goethe must have seen certain things in the spiritual world to be able to give this scene the form it has. It is true that what I was explaining to you a few days ago about the evolution of man as a physical-temporal being could not have been known to Goethe in definite ideas. Nor can it be said that there is anything in the course of Goethe's development pointing to definite knowledge that not until the middle of life man first gains, through his bodily organism, the capacity for self-knowledge. From our studies during the past weeks we know that it is only at about the end of his twenties that man, through the forces he develops out of his own bodily organisation, becomes capable of achieving self knowledge. If we wish to learn the truth about these matters, we have to bear in mind that man is really a complicated being. We only understand man by first becoming clear to what extent he is a creature—if I may use a term much assailed by modern science—and that this creature points us back to his creators, his spiritual creators.

Now, by a kind of spiritual chemistry, so to say, we can extract from man what he is solely by virtue of his dependence on his own particular spiritual creators, on those beings among the hierarchies of the cosmic order whose special mission in the universe reaches its culmination in the creation of man, on those beings with whom man, as man, must therefore feel himself quite specially connected. If we separate man out in this way—(we wish our understanding of these things to be exact) we can show him diagrammatically as follows:

Let us suppose that this circle represents man at a given point in his evolution; if we then trace the human being indicated by this circle backyards in the line of his emergence from his spiritual creators we have this stream which I will colour orange. Were we to go back and examine now man has evolved through Moon, Sun and Saturn ages and later through the Earth age, we should find the special characteristics of the several beings of the higher hierarchies, as they are made known to you in my book “Occult Science”. We should discover the working-together, the mutual relations, of these hierarchies; and were we to look deeply enough into this connection of man with the hierarchies, we should perceive how he is, in a sense, the goal of divine creation. I have shown how this is so in a conversation between Capesius and the Hierophant, in the first scene of the second Mystery Play, “The Soul's Probation.” I have also pointed out there the hazardous side of such knowledge for those who are insufficiently prepared.

But suppose we go on to ask what man would be like in the course of his physical development between birth and death if he were only subjected to the influence of these creators of his? He would then be the being who only becomes ripe for self-knowledge in the physical world at the end of his twenties. For these creative beings set themselves the task of so forming man that in the course of his earthly development he should attain what is to be attained on the basis of his bodily organisation, that organisation that is itself derived from the earthly and thus is akin to earthly substances and to the interplay of earthly forces. I mean that these divine beings intended to give man the opportunity through his bodily organisation to go through a period of sound, all-round preparation for self-knowledge and for the knowledge of the world derived from self-knowledge right up to the end of his twenties. Then, in the second half of his life, they intended to give him the opportunity to pursue this self-knowledge in a very different measure from that in which man, as he now is as earthly man, can pursue it. If man had only first awakened to self-knowledge at the time that the spirits of the hierarchies concerned with him intended, at the end of his twenties, it would admittedly have been late, but he would have attained self-knowledge and the world-knowledge bound up with it in enhanced splendour. He would have been able from his innermost being to give a solution to the question: What am I as man? This under ordinary conditions at the present time he cannot do. e would have had this self-knowledge as insight, as vision, he would not have had to acquire it through abstract concepts.

Neither of these things has come about. In the first half of life we do not find that state of subdued consciousness. If he had it, man, rayed through by higher intelligences and not by his own, in a life not of sleep but of twilight, would build up his bodily organisation in a very different way, in order then to awaken to self-knowledge. But such a twilight condition does not exist. On the contrary, a certain self-knowledge appears comparatively early in man, though not with the radiance originally intended by his creators. Again, the self-knowledge that arises after the middle of life is not the self-knowledge that man's creators intended. And when we ask where the blame lies for this, we come to the other currents influencing man. We come to a stream that does not actually belong to man's nature, but which is, so to say, for the time being associated with him; we come to the Luciferic stream (yellow in diagram), we come to that stream which makes it possible for man to have a certain self-knowledge in the first half of his life, although it is not the luminous self-knowledge just described.

As you know, there is another current which unites for a time with man somewhat later; it is the Ahrimanic stream (blue). This stream prevents man, as he is on earth at present, from attaining in the second half of his life that luminous self-knowledge to which his creators had destined him. According to their intentions, the consciousness of man should have been in a much more enlightened state than the one he actually enters upon during the second half of his life, which is dimmed by ahrimanic influences. Naturally we need not think that luciferic influences are present only in the first half, ahrimanic influences only in the second half of life; they both persist throughout the whole of life. But these two influences are respectively concerned at the times in human life I have mentioned, with what I have just been describing. At other periods they have to do with something else. It is very important that no wrong conclusions should be drawn from what has been said. For instance, no one ought to say he has been told here that in the first half of his life man is luciferic, in the second half, ahrimanic. That would be completely untrue. Such misunderstandings often arise and it is important that no one should be misled by them. That is why over and over again I emphasise that in Spiritual Science we shall strive to speak accurately. Much harm is done by the way in which accurately given information about Spiritual Science is then repeated in public in another form, changed through preference or carelessness.

Thus, man stands in a threefold stream, to only one of which he really belongs. The other two were not originally in human evolution but have united themselves with it for a time. We can even say exactly when these influences entered in; you will find it in my “Occult Science”—the luciferic influence in the Lemurian age, the ahrimanic in the Atlantean age.

Now we cannot say that Goethe definitely knew anything of that phase of development, peculiar to man, beginning in the middle of his life. But he felt, he divined—divined very clearly—that through impulses inherent in the world-order man is a different being in the second half of his life from what he is in the first. And if we look into Goethe's soul-life more deeply than modern superficiality generally desires to do, we see his intense longing to gain something quite exceptional for his own life from the culture of the south—the culture of Italy. And if we follow up what he himself records of the benefits he reaped from the Italian tour, for himself, for his knowledge, for his art, we begin to feel hoe Goethe wished to make the transition into the second half of his life fruitful for himself through a deeply penetrating influence which he believed it impossible to experience by always remaining in his old surroundings. Goethe was conscious that in the forties something takes responsibility for the human soul which throws a very different light upon the nature of man than a man can gain through the human forces of the first half of life. And this knowledge, so clearly divined, flowed into the creation of the second part of his “Faust”. It was always particularly difficult for Goethe to approach the question: How does one acquire self-knowledge? If we follow his development aright, we may see his struggle for self-knowledge in a most interesting, most significant light. And little by little—not in the beginning, when he was still writing the youthful part of Faust, but later, gradually—the creation of Goethe's Faust-figure, and the whole poem, acquired such a stamp that the struggle for human self-knowledge may be said to find in “Faust” its most outstanding expression.

It was in this connection that Goethe thought out the figure of Homunculus, As I said before, I am not speaking to-night from the artistic standpoint but am relating to “Faust” a few remarks out of the essence of Spiritual Science. Thus Goethe thought out the figure of Homunculus in connection with his endeavour to depict in Faust man struggling towards self-knowledge. And what did the Homunculus-figure become under the influence of this preoccupation? The answer is that it came to represent all that man knows about man. What can we know about man by collecting together that knowledge which we have about the substances and forces of the earth? How can anyone imagine that those ingredients of earth-existence surrounding us in the kingdoms of nature can combine to form man? How is it possible to think that? For Goethe this became a burning question.

Remember how, when Schiller made friends with Goethe, he wrote him a most significant letter. I have often quoted this letter because it is characteristic both of the friendship between Goethe and Schiller and of the whole character of Goethe's soul. Schiller writes

“Though from some distance, I have for a long time been watching, with ever increasing admiration, the nature and course of your spiritual life. And I have seen that you are striving, so to say, to gather together all that is offered by the rest of nature, in order at length in your mind to put together man out of the sum-total of nature's works. This is a heroic undertaking before which any other intellect would have quailed. Had you been born a Greek, or even an Italian, an imaginative force enabling you to think of man as made up of the various ingredients of nature would have lived within you from your earliest youth. Since, however, you were born as a Northerner, you have been obliged to produce a spiritual Greece in your soul, and to supply by means of your imagination what did not exist in your surroundings.”

Thus Schiller attributes to Goethe this striving to obtain a knowledge of man by piecing together all the details to be gleaned from a knowledge of the kingdoms of nature. And that is actually the ideal which Goethe had before him. What can man know about man? But then there came to him at certain times the thought that the knowledge of man possible to acquire by earthly science is in truth small, that'll is no scan that comes into being through,this knowledge—only a manikin, a Homunculus. And Goethe was often assailed by the burning, tormenting thought: “We are in the world as men, feeling, thinking and willing as men, but we really only know something about Homunculus, not about Homo. The ideas we form concerning man bear as little relation to what man is in truth as does a little manikin in a glass test-tube”.

And for Goethe this burning question was associated with another: How can that element in knowledge which does not correspond to nature, to cosmic existence, be quickened so that it may, in knowledge at least, grow near to what in reality man is—of which he knows so little that actually it only amounts to knowledge of a Homunculus. That is why Goethe makes Wagner produce this manikin, Homunculus. Then, in the further development of his poem, he undertakes to show what sort of experience a man can have whereby his knowledge of man is widened, so that out of Homunculus there may grow something at least approaching Homo.

Now it was a belief of Goethe's that the only ideas which could be acquired in his day, the ideas which could be acquired from the culture of the North, were not sufficiently pliant and flexible to carry the Homunculus-knowledge further. Goethe believed that one could do better by endeavouring to clothe the knowledge of man that it,was still possible to acquire in one's soul life in such ideas as existed in an age that was nearer nature—such as the Greek age. It, was Goethe's firm belief that, by entering into the style and the form of Greek thought, one receives a deep, significant and vivifying impression, one's ideas acquire an added truth. This feeling lies at the root of his taking Faust to Greece, of his wanting to take him to Greece, to live there as a human being and to acquire Greek culture. Had Goethe been asked to state on his honour—I put it thus strongly on purpose—what he believed the men of his circle actually thought and felt, or had thought and felt, about the Greeks, he would probably have answered: “Oh, I should think more rubbish! They talk of Greek life, but have no ideas with which to grasp it. All that our pundits”—this is the sort of thing Goethe would have said—“all that our pundits think, write and print about Helen of Greece in modern times is just philistine trash, for in spite of it all they know nothing of Helen, nor of any other Greek, man or woman, as the Greeks really were”. But that was precisely what Goethe was striving after—to get nearer Greece in his soul. Hence his Faust had to get nearer Greece and had to live as a man among Greek men. Helen—as a Greek and the most beautiful of Greek women, as an outstanding Greek about whom so much strife and discord had arisen—Helen only supplied the point of contact for this. It the heightening, widening, strengthening of the knowledge of man, of the conception of man, that Goethe wants to accomplish in Faust.

Now in that Goethe kept all this clearly before him, (but as a kind of dim apprehension that became at the same time a torment for him) he was conscious that the abstract, philosophical path to knowledge, the path of science, regarded by many as the only right one, is all the same only one way of knowledge, and he dimly felt that there are many ways,. And whoever believes that Goethe was a rationalistic philistine—as really all upholders of modern science must be, otherwise they would not be genuine scientists, for science in the modern sense is itself pedantic, philistine, and rationalistic—whoever believes that Goethe was this kind of pedantic, rationalistic, philistine, understands nothing of him. He understands nothing at all of Goethe, my dear friends, who believes that he could for a single instant have supposed that, through ordinary scientific reflection any real knowledge could be acquired of the nature of man in his fulness. Goethe knew well that the human soul cannot discover truth merely on the path of thought or even on the path of that activity which takes place on the physical place; he knew that the soul of man has to find its way into reality and truth by several paths. Goethe was well acquainted with that approach to truth which takes a deeper course than the ordinary life of waking consciousness. This conscious, waking life in which our bright ideas run round, this life so highly valued by all the pedants, lies fundamentally very far from all that lives and weaves in the world as the basis of existence. In a certain respect man approaches nearer what lives and weaves below the surface of existence if—but this must not be misunderstood—out of his subconscious he sees and feels the arising, however chaotically, however sporadically, of significant dreams. In former years I have often told you that the content of dreams is of little importance; what is of importance is the inner drama, the connection between dream-life and deep human reality.

In a pamphlet, called “Dream-Fantasy”, a philosopher, Johannes Volkelt, in the seventies of last century, ventured timidly to suggest that man in his dreams comes near the riddle of the worlds. If only he had not later rectified this terrible professorial error by respectable pedantic works on the theory of knowledge! But then he never would have become Professor Johannes Volkelt, nor been allowed to teach philosophy in Basle, Würzburg, Jena, Leipzig. For it is a heinous sin against modern science to hint such a thing as that during his sleep-life man sinks into a real, cosmic stream, and that out of this experience things emerge which to be sure show themselves only in pictures, chaotically, and are therefore not to be accepted in their immediate form, but which nevertheless reveal how man, in the weaving of his sleep, is in a sphere that brings him nearer to the fulness of the living and weaving from which the physically visible springs than do his waking moments.

Now when a man plunges into this world—a world that the man of today only comes to know through his dreams, which do interpret it for him, even if badly—his situation within the entire world-order is different from what it is in ordinary waking consciousness. Of course the dream-life alone does not enable us to perceive the difference between the life in waking consciousness and the life we live down there in the sphere whence the dreams arise. But spiritual science can guide us into this sphere. Down there even language ceases to have its correct significance. That is why it is so difficult to come to an understanding. Down there in that sphere the words which we have formed for use in the sense-world cannot be properly applied to what takes place down there. Take for instance what used to be called the elements. Today we call them physical conditions describing them rather differently, But we can quite well understand if the old names earth, water, air, fire or warmth are used. We know these things from “Occult Science”; we can call what is solid, a solid physical condition, the earthly; what has a fluid physical condition, water; what has such a physical condition that, when it is not enclosed, it expands, we call air; whereas what permeates these three substances we call warmth or fire. Yes, my dear friends, we may call them so when, from the point of view of our waking consciousness, we speak here about our surroundings, because, if I may so express it, the things we denote by these words—earth, air, fire, water—are present with us. But if we plunge into the world out of which dreams are working, there are no such things as earth, air, fire, water, they do not exist; these words applied in the same way as for the world in which we are with our waking consciousness, no longer have meaning. As soon as we enter a different sphere of existence, a sphere that has to be grasped by a different consciousness, we see at once the relativity of these things. There—the things regarded by the ordinary materialistic consciousness as absolute—no longer exist. There earth is not earth. It has no meaning at all to talk of such things when we immerse ourselves in the world that, although also a reality, must be grasped by a quite different consciousness. To be sure, there is something there which may be said to stand midway between air and water; it is experienced in this different consciousness, through quite different forms of thought. Air is not air, water is not water, but there is something midway between air, and water; we might call it a sort of watery vapour, (German – Rauch) still called Ruach in the old Hebrew language. It does not mean the physical vapour or the mist we have now, but this intermediary something between water and air.

And another intermediary thing is there between earth and fire. This you must picture as though our metals were gradually to become so glowing and fiery that at last they become actually nothing but fire, fire through and through. And these things—intermediary between earth and fire and between air and water—are down there in the world out of which dreams come whirling. As you will easily understand we could not exist in that world in our physical body, we could not breathe in that world; we have to enter it with our souls, between falling asleep and waking. With our physical body we could not breathe in that world for there is no air. I have pictured in one of my Mystery Plays (“The Guardian of the Threshold”) a being who can breathe in this world, a being having no need of air, for he breathes light. Such beings may indeed be pictured by one who knows them. But no man may take his physical body into this world, for he could not breathe there and would be consumed by the fire. Nevertheless, man is united with this world, from falling asleep to waking, and out of it spring dreams.

Now this world that man encounters beneath the threshold of his consciousness is quite unlike the world we see today during our waking hours but it is not so unlike those worlds from which the present one has evolved. Former worlds, certainly the Sun-world—and this you can gather from the description in my “Occult Science”the Sun-world was even so formed as a physical world that in it fire-earth, earth-fire and water-air whirled and simmered together, not conveniently separated as they are today. Thus, if we are to grasp world-evolution cosmically and historically, we must picture earlier conditions of our evolution as similar to what we find today when we dive down into the world to which we belong between falling asleep and waking.

These worlds, however, that were formerly physically present, just as now our world is physically present, can only be experienced today in sleep, and no one can penetrate to them unless he imagines what is no longer visible in our present world to be visible and manifest. You cannot think of water-air in the same way as today you have to think of water and air as existing side-by-side. Today you think of water and air as separate. That has come about because the water-air, substantially one in former times, has now been differentiated. Water-air is now separated into the two polaric opposites—water and air. Formerly it was a unity, water-air, but was permeated instead by another pole. Today, man has so to say descended, and has completely lost the other pole of the water-air, instead the water-air has itself separated into the two poles—water and air. If we want to get an idea of what the other pole of the water-air was, we must imagine something having reality also experienced in the world where man is between falling asleep and waking, the world from which dreams arise. But too if we go back to the old Sun-existence, we have to think of the water-air as having had side by side with it something of a spiritual nature, something of the essence of the elemental spirits. You still find the elemental spirits belonging to the water-air in mythology, where echoes of ancient truths still remain. And among the beings associated with the water-air are those that in Greek mythology—or indeed in any ancient mythology—are called Sirens. So that when out of real knowledge we say of the world we are referring to that there are in it water-air and Sirens—that it is composed of water-air and Sirens—we are speaking with as much truth as when we say of our external world that it contains water and air. Thus the Sirens belong to those elemental beings who are the other pole of water-air.

The other thing in the old Sun existence was earth-fire or fire-earth, Whereas today we have earth that has been pushed down below the level of the water, with fire or heat above it, formerly these two were one. And among those beings who were related polarically to the earth-fire as are fire or warmth to earth today, is that being whom Goethe, following the Greeks, called Seismos. By bringing Sirens into the relevant scene, Goethe points at the same time very clearly to their connection with water; not however with water as it is today, for that has grown denser and is only one pole of the old water-air. The Sirens feel themselves related to water only in a spiritual way. If we think of water as the old water-air, the Sirens belong to that water as air belongs to the water of today. And as the air produces chaotic sounds in the wind, so the spiritual element in the Sirens produces what belongs to water or water-air; the spiritual element is combined with water-air as air is with our water. And the activity of the Seismos, regarded as cosmic force, is the part played by fire in nature's economy. This is what the myth means, this is what Goethe means. And his presentation of the matter makes everyone acquainted with the reality feel that Goethe had a dim apprehension of these things. He knew that things are thus in the world we enter between falling asleep and waking, the world we find again if with understanding we turn our gaze back to the primal sources of our present existence.

But consider, my dear friends, what a shock you would have if you were suddenly in full consciousness—not as in dreams but quite consciously—transported into an element, into a sphere, where you had no solid earth beneath your feet, a sphere where everything that should be earth was fire, and where there was no earth! There you could even melt if you wished, and become hot or cold in the element of fire. And in the water-air, where you could not breathe but only experience alternations of light and darkness—think how alarmed you would necessarily be at first by the insecurity into which you had plunged, in all this surging and whirling. What then entered into man in those cosmic epochs when the earth solidified (as must once have happened, for at one time men had been living in this surging and weaving element I have described) so that he too could stand firm? What was it that took hold of man? The Sphinx-nature! This gives the firm centre of gravity in the surging element. The same force that gave to the earth the form whereby it has become this solid planet on which man can stand, at the same time wove into man what can be described, pictured, as the nature of the Sphinx.

Now in this scene Goethe introduces what can actually only be experienced between falling asleep and waking. And he believed this can best be presented not in the concepts of our modern waking consciousness, but in Greek concepts. He finds them more flexible and more suitable. Therefore he transfers the whole scene to Greece, thinking that with ideas taken from Greek nature he will be better able to characterise all that man experiences today between falling asleep and waking, all that he experienced in ancient times when air was not opposed to water, nor fire to earth, but when the Sirens formed the opposite pole to water-air, and some being like the Seismos formed the opposite pole to earth-fire or fire-earth.

So now he allows this world to make its appearance in his “Faust”. And why does he do this? It is all a question of proceeding from Homunculus to Homo, the point is that Homunculus should be given a prospect of not remaining merely Homunculus but of becoming Homo—of understanding enough to become man. Therefore his experience of the world has to be enlarged. And so aptly does Goethe bring this about that when he introduces Homunculus to this ancient cosmic world he at once places Sphinxes in it. “The Sphinxes have taken their seat”, and these form the solid element. There is a surging all around that, in these days, could not be suffered, for mortal terror would assail mankind. Everything is surging. But though the whole of hell break loose when the spirits behave as the Sirens and Seismos are doing it is pointed out that man has found his foothold—his centre of gravity:

“What a sickening thrill hereunder!”

Here is pictured the world of which I have been speaking,

“What a dire and dreadful thunder!
What a heaving, what a quaking,
Rocking to and fro and shaking,”

Were you to plunge into this world you would soon experience the ‘rocking to and fro’.

“What unbearable annoy.”

But now comes the reflection:

“Yet we” (the the Sphinxes) “budge not, though the nether
Hell should all burst forth together.”

Into the ideas of men something of such a conception perpetually flows. Men do not know it, but their ideas are influenced by what dwells at the foundations of existence. And this is the cause of many fanciful theories. The theory that the mountain ranges were formed by fire, is quite right for more ancient epochs of cosmic evolution, but this was earth-fire, fire-earth, not fire as we know it. This has introduced an element of confusion into modern ideas. And from a higher point of view, most modern ideas are confused. They can only be understood—however strange this may sound, my dear friends, it is true—these ideas, these theories can often only be understood if they are translated. They are heard in the ordinary, common-place, philistine language of men; they first begin to have meaning when translated into the language that must have been used between falling asleep and waking, for then it becomes clear that these theories bear within them faint indications of earlier earth-epochs. And the only way to understand the scene beginning here, is to realise that Goethe wanted to show the experience man would have were he conscious from falling asleep to waking, an experience that would develop in him a consciousness of a former cosmic condition of the earth.

Think how clearly Goethe must have foreseen the knowledge of Spiritual Science, to have presented these things so correctly. And that is not all. Homunculus is to be introduced to this world. Goethe seems to say—if once more I may be permitted to express it rather strongly—“Now when I turn to the ideas of philistine science, I naturally find nothing able to make a Homo of Homunculus; I can get nothing from that quarter. But if I make use of such ideas as can be acquired when a man consciously experiences the world he enters between falling asleep and waking, and, absorbing them into my soul, embody them into the scene of ‘Faust’, then perhaps I shall be more successful in acquiring, a wider knowledge of man, so that Homunculus may become Homo.”—Therefore Goethe makes Homunculus plunge, not into the philistine, scientific world experienced by man today, but into another world, introduced here, the world man experiences from the time he falls asleep to the time he wakes. In that world a man experiences so many things; curiously enough, he experiences something of how unequal in their evolutionary stages are the beings who live close to us in the cosmos. We understand nothing, literally nothing, of this world, when we consider these beings side-by-side, giving them all an equal value. When we observe ants or bees, or the whole unique insect-world in general, then, my dear friends, we arrive at the conclusion (I have put this before you at other times, in other places, as the view of Spiritual Science) that these are either forms left behind from former epochs, or forms anticipating what is to come later—like the bees, the hive of bees; they are beings projected into our epoch, though by their form they actually belong to another.

You see, when scientific nit-wits describe the world—as for instance Forel who made such a study of ants, then one finds most amazing things said. For if these people cling to their crude scientific methods, and never come to Spiritual Science, of course they are unable to give any explanation of what is really to be wondered at in this world—this world permeated everywhere by reason; not over the single ant, but over the ant-hill as a whole, over the whole ant-world, over the whole bee-world, cosmic reason, so much wiser than brain reason, is outpoured. And, in a certain respect these all really belong to a former world. Just think how aptly Goethe describes it when he brings in the ants, the emmets; and when he makes a mountain arise, as it was in an earlier cosmic evolution, and as one sees it in another sphere of reality, during the time between falling asleep and waking, he makes ants appear and begin to busy themselves with what the mountain has brought into existence. But, as companions for these ants, he makes other strange beings. For in fact the ants together with pretty well the whole of the insect-world constitute a race that does not properly belong to the earth as it is at present. This world of the ants feels itself as an anachronism in the present world. The ants have not much in common with it and have no real companions. The other animals are of quite another kind. There are tremendous differences between the soul-spiritual quality of the insect-race, for example, the ants, and that of other animals. The companions of the ants are actually not the physical animal-forms of today, but spiritual elemental beings that Goethe introduces as Pygmies, as dwarfs, as Dactyls; though the ants have succeeded in acquiring a physical nature on earth, the pygmies and the dactyls are more closely akin to them than to the beings of the present day. Thus, Goethe knows of this ant-race belonging to an ancient cosmic epoch, and introduces it covertly into this scene.

Now how has this world of ours arisen? As you know, its present condition has developed out of the old. We have now spoken of the old condition, and the present one only needs to be mentioned, for it is all that surrounds us on the physical earth. But this present earth has not come about without a struggle. It was through a mighty cosmic conflict that the old developed into the new. And the question arises: Can one observe this struggle? The answer is that we observe it when we can become conscious of waking from a very vivid dream to a condition of half-wakefulness; when we are aroused from a state of deep sleep to one less deep, and though not quite awake, are on the way to being so. We are approaching the sense-world but have not completely left the world below, and we find ourselves in a struggle closely resembling the conflict that went on when the old world was changing into the new. Again Goethe presents it all so faithfully that, while to express the old world-order he makes a dream arise, he also represents the waking from the dream by describing a struggle in the cosmos. The present comes into conflict with all that belongs to the past. The pygmies belonging to the old world come into conflict with the herons belonging to the waters of the present. The sight of this conflict as it takes place is at the same time an awakening. And Goethe makes it so clear that we are concerned with an awakening that he even alludes to what often happens on waking: one hears something that appears to be still in the dream spiritually, in imaginative picture form, and which then passes over into external reality—the coming of the cranes of Ibycus that appear in this scene. In the first part of the scene, Goethe shows us what can be experienced in dream-consciousness when it is fully developed, something which points to earlier earth-conditions; and this he believed he could more easily accomplish with Greek ideas than with those of the present day.

And now, for Homunculus. He has not yet got so far as this, for the man of today is not able to become fully conscious of what takes place in that lower sphere. Goethe intimates this quite clearly. Man today is hampered by fear, by anxiety, even though these may be unconscious. I have often spoken of this. Homunculus will not venture into that world and says so quite clearly. When he makes his re-appearance in the scene, he declares that he will not go in; he wishes to rise, that is, he wishes to become Homo, but into that world he refuses to enter.

“From place to place I flit and hover,
And fain would I in the best sense exist.
Impatiently I long my glass to shiver.
To risk me though I do not list
in aught I yet have seen. ...”

Thus it is a dangerous world into which Homunculus will not plunge. He would like to take the step from Homunculus to Homo in a less perilous world.

Now, had someone asked Goethe “Then you don't think much use can be made of the dream-world, the sleep-world, in changing Homunculus to Homo in the human head; but what about philosophy? Philosophers reflect upon the riddle of the world. What about philosophy? How would it be if Leibnitz or Kant were asked about true manhood?” Then Goethe would have put on a very sceptical expression—very sceptical indeed. He ascribed all kinds of good qualities to modern philosophers, but he did not believe them capable of penetrating into the being of man, of contributing anything to enable Homunculus to become Homo in a human life-time. Here too he thought one would get nearer by using Greek ideas. Goethe was well acquainted with the life of ancient Greece, with the times in which Anaxagoras and Thales lived. Their ideas came nearer the old Mystery outlook, they still retained some knowledge of those spiritual worlds from which for man only dreams arise. For this reason he makes Homunculus meet two ancient Greek philosophers, of whom the one, Anaxagoras, still knew a great deal of the old Mystery-wisdom, especially of the secrets of the fire-earth. Into the thinking, into the wise philosophy of Anaxagoras, ideas still rose up of the ancient Mysteries connected with what happened in the fire-earth.

With Thales, too, there were still recollections of old ideas, associated with the secrets of the water-air; but at the same time Goethe makes it clear that the conceptions of Anaxagoras though loftier, are becoming superseded, and that with Thales the new age is beginning. The history of the new philosophy, the history of philosophy in general, begins rightly with Thales. I have mentioned this in my “Riddles of Philosophy”. He is, it may be said, the original philistine, as Goethe's shows him here; he has to introduce the philistine outlook of the fifth post-Atlantean epoch that indeed in a certain, but only shadowy, way is connected with the secrets of the water-air.

Thus, in the first part of this scene in which he is describing things out of experiences of the dream-world,the world of Seismos, to which the pygmies belong, Goethe is describing all that is associated with the creative forces of Seismos. And the element of water that he uses to make the transition to the present time, describing it not as water-air, but as water, with herons and so on—this element of water he places in contrast to fire; water versus fire, actually water-air versus fire-earth. And water and fire come into conflict—pygmies versus herons. And it is the same battle, only in another sphere, transferred into the sphere of reason, that takes place between Anaxagoras, the philosopher of fire, and Thales, the philosopher of water, as has previously taken place between the pygmies as representing the earth or earth-fire, and the herons, as representing the water or water-air.

So good is the parallelism that, in this second stage of his representation, Goethe correctly shows how Homunculus, who has not ventured himself below into the subconscious element with a view to becoming man now takes refuge above in the conscious. He wants to learn how to become Homo from the philosophers, from those who would still preserve in consciousness much that should be experienced in the subconscious. But it turns out that, because the philosophers derive their impulses from different spheres of experience, they do not agree, and themselves come into conflict, the same conflict of ideas as those that lie at the foundation of cosmic conflicts. There is the same conflict between the views of Anaxagoras and those of Thales as between the pygmies and the herons—the very same.

And what is Goethe doing? He first pictures what goes, on down in the unconscious world, and then leads up to the world of consciousness but associates this world with the recollections arising from the unconscious, recollections specially clear in Anaxagoras. This is why Thales looks upon Anaxagoras as a visionary.

But we have already had to do with a second stratum, with the sphere in which the waking consciousness too is intermingled, albeit in a more or less spiritual fashion, or as I have described it, half-asleep and half awake. This is the second layer of experience that Goethe has shown. And it is very significant that he gives what is experienced in this sphere in a different form from that in which he gave the first. He makes the scene open with the Sirens. We are in the world of sleep, the world of dreams; to be in this world, there is no necessity to do anything; Goethe, therefore, simply places it before us. Then we wake up out of this world, and in waking come to our ordinary-consciousness. For a special reason Goethe has combined Lucifer and Ahriman into the one Mephistopheles. This waking he shows in the experience of Mephistopheles, and it is interesting that, as long as Mephistopheles represents the condition of being but half-awake, he is still down below, experiencing it through the Greek Lamiae. Then the scene rises into conscious life, But if Homunculus-Mephistopheles is now to enter fully conscious life, the life of reason, the man must rouse himself, he must pull himself together, and wake out of dreams to reality. Hence, when he wakes, Mephistopheles meets the Oread, who indicates very clearly in Goethe's language that this is so,

“Up hither,up; My mount is old,
And still loth keep its primal mould,
Honour the rude cliff-stair ascending,
Last-spur of Pindus, far extending.
Already thus firm-stablished
I stood as Pompey o'er me fled.
That fabric of a dream will fade
At cockcrow with the nightly shade.”

While sleep-consciousness is being shaken into waking consciousness, the Oread points out that a transition is now taking place from the world called the world of illusion—though in one way it is, as I have shown, a world of reality—a transition to the world where mountains stand firm, and everything does not rock up and down. And Goethe does not hesitate to indicate quite clearly how one wakes out of this world. Think how often we are wakened out of the world from which dreams surge by the crowing of a cock. Goethe makes it perfectly clear that we are coming up into the waking world where philosophers have to hold forth, where through what they have to say it is expected that Homunculus will become man.

There is much I could add, perhaps tomorrow. In the meantime I shall only draw your attention to the fact that, after we have done with this world, Goethe still points us to a third. And just as it was the mountain nymph, the Oread, who gave the first indication of this waking world, so now it is another nymph, that is, an elemental being, who does the arousing. The tree nymph, the Dryad, leads Mephistopheles to a third layer of consciousness, in which understanding and clairvoyance are united: unconscious, conscious, super-conscious. And, in a certain respect, Goethe already points to the world we also would point to through Spiritual Science. Only, he does so in a quite unique way. The beings whom Mephistopheles finds next are the Phorkyads.

From our coming performance you will see what pleasant, beautiful beings these Phorkyads are, and particularly what an impressive, heart-stirring language they speak! And yet, anyone realising what experiences a man must be prepared to meet, on consciously winning through to the spiritual world, will understand this meeting of Mephistopheles with the Phorkyads.

This matter cannot be completely dealt with in one lecture; we will speak further about it tomorrow.

What yesterday I particularly wanted to make clear in connection with Goethe's is “Faust” was that more goes to the making of man's being than can be known or fathomed either by the understanding or by other forces of the human soul. Goethe himself felt deeply that the spiritual forces,that can be developed today in man's conscious life, cannot go so far as man by nature reaches. Those who believe that what is today called science needs only to be extended in order to know, to a certain measure, the possible and the impossible, simply say: It is true that, with what science offers today, one gains only a very limited knowledge of man. But this science will be widened, it will press on over further and further, and then we shall come increasingly near to the knowledge of man.

This is a very short-sighted outlook and is untrue. Knowledge of man does not depend upon whether the scientific outlook accepted today extends more and more widely, but to our having recourse to forces and faculties for knowledge different from any of those applied by modern science. However far modern science may advance on its own lines, what Goethe felt to be unknowable within the being of man can, in no case, ever be penetrated by it.

All science, my dear friends, all officially accepted science that deals with the spiritual, in reality relates only to earthly being—what has being on the earth-planet. What is called science today can never pronounce judgment on anything beyond the processes of the earth-planet. But man is not earthly man alone. As earth-man he has behind him the evolutions of Saturn, Sun and Moon, and within him is the germinal basis of the Jupiter, Venus and Vulcan evolutions. Science can know nothing of the different planetary life-forms beyond the earthly; for the laws of science apply only to what is earthly. Man in his entirety, therefore, cannot be known by these laws; he can only be know if knowledge, be extended beyond what is earthly.

Now yesterday I pointed out how man exists in states of consciousness lying, as it were, both below and above the threshold of ordinary consciousness. Below the threshold of ordinary consciousness lies much from the regions of which dream experiences spring. But beneath this threshold of consciousness there also lies a very great deal of what a men experiences in waking, life, between waking and falling asleep. For even a little reflection will show you that men would know far more about their dreams if they exerted themselves to know a little more about waking. If they would make an effort to know something about being awake, they would find that, during this waking time, they do a great more dreaming then they suppose. The fixed and solid boundary between waking and sleeping is really only apparent. We might say that not only do men dream during their waking hours, they sleep too—sleep as regards a very great many things. As we all know, we are in a genuinely waking condition only as regards our ideas and part of our feelings, while the greater part of our life of feeling, and above all of our life of will, is wrapped in dreams and sleep. Sleep-life projects itself into waking life. We could be far clearer about dream-life, if we tried to perceive the distinction between those ideas that surge to and fro, evoking all kinds of images as they come and go, ideas that might easily be mistaken for dreams, and those other ideas, in which man is active with his whole will. Only in a small part of the whole world of human ideas does a man find that he uses his will to connect one idea with another; whereas, in his waking life, very often there are moments when he abandons himself to the flow and the caprice of his ideas. Consider how, when you give yourself up in this way to the flow of your ideas, one idea calls up another, how you recall things long forgotten. You begin with an idea which has to do with the present, and this evokes long-forgotten experiences. That is a process often not very distinct from dreaming. Because men have so little inner, technical thinking power, with which rightly to follow their daily waking life, few are able to set the right value on sleep-life and the dream-life arising from it. Nevertheless, my dear friends, we know there are scientifically conceived theories about dreams that maintain something like the following. Freud's school and others, mostly, though not all disciples of the psycho-analysts, say of dreams that they are images evoked in man by certain wishes in his life not having been fulfilled. A man goes throughout life wishing all kinds of things, but—say these people—it is undeniable that many of our wishes are not fulfilled. Then, when consciousness is dimmed, these wishes appear before the soul, and because they cannot be fulfilled in reality, they are fulfilled in idea. So that in the opinion of many people today dreams are wishes fulfilled in phantasy. I should like the people who maintain this just to consider how they manage to dream they have been beheaded. All such things, so often today forming the content of theories, are terribly one-sided. And men's heads are bound to be full of this one-sidedness unless they turn to the investigations of Spiritual Science—investigations into worlds unknown both to the external world of the senses and to external intellectual thinking, and yielding conclusions beyond the grasp of human senses or human intellect.

From what was said yesterday, however, you can gather one thing concerning dreams with the utmost surety, namely, that in them something is living and weaving which is connected with our human past, with the past when we had an existence still associated with earth-fire and water-air. While unconscious in sleep, to a certain extent we call back our past. Today with our brain consciousness and our ordinary free-will, we are not in the position consciously to transport ourselves into that world. While passing through the earlier stages of our evolution we were indeed unconscious or subconscious. Yet relatively it is not particularly difficult to have this experience. If you follow up your dream life, you will certainly find it extraordinarily difficult to give a clear interpretation of your dream pictures. The way they follow one after another is generally completely chaotic. But this chaotic character is only superficial; below the surface man is living in an element that is by no means chaotic, it is merely different, totally different, from the experiences of waking life. We shall immediately see the profound difference if we are clear in just one case as to how far dream-life differs from waking life. It would be very unpleasant if our relations with other people were the same in waking life as they are in dreams. For in dreams we are aware of a bond uniting us with almost all those karmically connected with us; we experience a link with all the human beings with whom we have any karmic connection. From the moment you begin to fall asleep till you wake, a force goes forth from you to innumerable people, and from innumerable people forces come to you. I cannot say that you speak, for speaking is only learnt in waking day life, but if you will not misunderstand me, if you will apply what I am going to say to the communications we have in sleep, then you will know what I mean by saying: In sleep you speak to innumerable people and they speak to you. And what you experience in your soul during your sleep is imparted to you by innumerable people; and what you do during your sleep is to send thoughts to innumerable people. The union between men in sleep is very intimate. It would be highly distressing if this were continued into waking life. You see, it is the beneficent act of the Guardian of the Threshold that he hides from man what is beneath the level of human consciousness. In sleep, as a rule, you know if anyone is lying, you know as a rule if anyone has evil thoughts about you. On the whole, men know one another in sleep comparatively well, but with dimmed consciousness. That is all covered up in waking consciousness, and it must be so, for the simple reason that man would never attain the ego-conscious thinking he is to learn during his earth-mission, nor be able to manage the free will he is to acquire, if he were to continue to live as he lived during the periods of Saturn, Sun, and especially the Moon period. Then, in his external life, he lived as he now lives from falling asleep to waking.

But now we come to something else significant. Out of the unconscious life between falling asleep and waking, dreams emerge. Why then are they not a true picture of life below the threshold of consciousness? Ah! were these dreams direct and true reflections, they would be every possible thing. In the first place they would impart significant knowledge concerning our relation to the world and to men; they would also be stern monitors. They would speak dreadfully severely to our conscience about the various things in life about which we are so willing to give ourselves up to illusion. I might almost say that we are protected from the effect these dreams might have upon us if they were true reflections of life below the threshold of consciousness—we are protected by our waking life permeating us with forces so strongly that a shadow is cast over the whole life of dreams. Thus, we carry the ideas, the images, of waking life into our dream-life, into the life of sleep, and through this dreams arise. Suppose, for instance, you were to dream of some personality who took it upon himself to impress upon you that you had done something really tactless—unfitting. That happens sometimes. Others, too, might admonish us during sleep, and might speak to our conscience. The experiences and customs of waking life have given you the wish—I might even say the strong desire—not to listen to this; during sleep you don't want to hear anything this person says to you. Well then, the wish is transformed into a darkening of experience. But if at the same time, there is such intense activity of the soul that the picture surges up, then something else from waking life is superimposed upon what you were to have experienced as a picture, something said by a kind friend to whom you would rather listen than to the admonisher—What a splendid fellow you are, always ready to will and do what is best and most pleasant!—Sometimes, from waking life and its reminiscences, the very opposite can be hung over what is being experienced. Actually, waking life is the cause of all the illusions and deceptions arising during the life of dreams.

Furthermore it is possible for a man today, in the present cycle of evolution, to come to a knowledge of Spiritual Science. There are, I know, many who do so and say: I have been studying Spiritual Science for many years, and yet am no whit advanced. I am told that I can achieve this or that through Spiritual Science, but it does not help me forward.—I have often emphasized that this thought is not the right one. Spiritual Science brings progress to everyone, even when it does not develop an esoteric life. The thoughts of Spiritual Science on themselves bring progress. But we must be careful about subjective experiences that take place really in the soul, for it is strange that what springs up as new, in the path of anyone beginning to study Spiritual Science, in its picture character is, at first, no different from the world of dreams. What we experience, my dear friends, when we become anthroposophists, appears to differ very little from the world of dreams. But a more subtle differentiation shows a most important distinction between ordinary dreams and those perceptions that flow through spiritual life, when consciously admitted into thought.

Much that is chaotic may also appear in the dream-pictures experienced in the soul of a spiritual scientist. But if these pictures are analysed according to the guidance Spiritual Science can give, they will be found to become, especially as they progress ever truer reflections of man's inner experience. And we must pay heed to this layer of experience, hidden as it is from ordinary understanding and from the ordinary life of the senses. This experience runs its course like a meditation, a meditative dream, yet is full of meaning and, rightly regarded, throws much light on spiritual secrets. We must mark how it gradually creeps into the life of ordinary ideas—this layer of life that closely resembles dreams, but that can lead us into the spiritual world. But we must not merely look at its single pictures, we must look at the meaningful course these pictures take. If we pay attention to such things, we come to the differentiation of the three layers of consciousness which I showed you yesterday. Goethe divined it in a beautiful way. One of these layers of consciousness appears, without any help of ours, when we dream in the ordinary way; if we are not interpreters of dreams, if we are not superstitious but try honestly to find what lies behind the dream-pictures, then this dream-world will be able to reveal that, before these earth-lives, as men we passed through earlier stages of evolution.

And then we have the ordinary waking day consciousness we know, or at least think we know. We know the fact of its existence, we do not always venture to explain it fully but we know it exists.

The third layer is where supersensible knowledge enters in. For the reasons already mentioned, supersensible knowledge is of course something for which man has to strive, both now and into the future.

I pointed out to you yesterday how, in the first half of the scene in the scene in the second part of Faust, which we are now to consider, Goethe embodies the characteristic features of dream-life. And the moment the Oread begins to speak to Mephistopheles, and the philosophers appear, we have to do with the world of ordinary daytime reality. The moment the Dryads point out the Phorkyads to Mephistopheles, we are dealing with a reference to conscious supersensible knowledge. Goethe is directing his thoughts and ideas to the three layers of consciousness when he asks himself the question: How will Homunculus, to whom human knowledge is accessible, become a Homo?—Not through the ordinary knowledge of the understanding of the senses, but only by having recourse to other layers of consciousness. For man in his being is wider than the earth, and intelligence and the senses are adapted only to earthly things. But we explained yesterday how the equilibrium of the Sphinx fails when man plunges into the world of antiquity, how man really feels insecure in it, how Homunculus feels himself insecure. For man knows little more about himself—forgive me but this is true—he knows little more about himself than he does about a Homunculus; and about a Homo he knows nothing. And Homunculus, as Goethe pictures him, does not enter into all the whirl of the Sirens, the Seismos, and so on, because he is afraid of the stormy, surging element into which man dives when he forsakes the world of the senses to enter the world from which dreams arise. Homunculus does not dare to enter there, but wants to find an easier way to become Homo. He is on the track of two philosophers, Anaxagoras and Thales, from whom he hopes to learn how it is possible to put more into his human nature that can't be given him in a laboratoryby a Wagner. This is what he wants. We already know that Goethe had little hope of what could be experienced through the new philosophers, and had no wish at all to test people's patience by, perhaps, taking Homunculus to Königsberg to get information from Kant on how to become a complete human being, how to widen human nature. But Goethe sought to live himself into the world of the Greeks, believing that by so living in their more pliable and flexible ideas, he could grasp human life out of another layer of consciousness better than through what the more recent philosophers could produce out of understanding and the consciousness of the senses. Thus, he does not introduce Homunculus into the society of Kant, or of Leibnitz, Hume or Locke, but brings him into the company of those philosophers who came nearer the older outlook, the outlook of the ancient Mysteries, where something of man's nature could be known, if not with such clearly experienced consciousness as today, yet with a more all-embracing consciousness. But, at heart, Anaxagoras and Thales our only imitators of the old Mystery wisdom. Everything said by Anaxagoras in this scene, however, goes to show that it is he who has the more knowledge of ancient Mystery wisdom. Thales is really the inaugurator, the initiator, the beginner, of the new tendency in science, and knows but little of the old secrets. Naturally he knows more than his later philistine followers because he lived nearer the time of the ancient Mysteries, but he knows less than Anaxagoras. From what he says we can gather that Thales can only give information about what occurs in the world of the senses around him, how mountain ranges and such physical features were formed by slow and gradual processes. You might think it was Lyell, the modern geologist, speaking. Anaxagoras would explain the present out of the past, explain the earthly from what went before, when earth was not yet earth. He wants to find his explanation in those times to which, in their nature, the ants, the comets, and also the Pigmies belonged. I referred to this yesterday. Anaxagoras lives entirely in that world which today is a supersensible, or if you like, subsensible world, without knowledge of which, however, we cannot understand what has to do with the senses. Anaxagoras here reflects one of Goethe's deep convictions. For Goethe has put this point beautifully into one of his aphorisms, where he says: “What no longer arises, we cannot think of as arising. What has already arisen, we cannot understand”. And in another place: “Reason as applied to what is becoming, understanding to what has become”.

What Thales sees around him is what has become. Anaxagoras enters into all that has gone before the becoming—the actual arising. Hence Goethe distinguishes strictly between understanding that is directed to what is nowadays regarded as the object of science, and reason that extends beyond the obvious and intellectual, to the supersensible, even the supersensible that held sway before the existing conditions of the earth. In Anaxagoras, Goethe sees the representative of a knowledge, a science, that devotes itself to what is still coming into being, and is at home and all that is done by Pigmies, that is to say, at home in all that such beings do that certainly today develop a physical existence, but like the emmets, for example, really belonged by nature to a previous age.

So when Anaxagoras meets with Homunculus' request, he would like to give him the opportunity to enrich human nature through his own (Anaxagoras') knowledge; he wants to take Homunculus into the world of the Pigmies, the emmets, and so forth, and even wants to make him king there. It is already clear to Anaxagoras that the world of which Thales speaks, the world of present conditions, cannot be much help in changing Homunculus into Homo. Could entrance be made into the world of becoming, however, into the world preceding ours, something might be achieved towards that end. But Homunculus is undecided: “What says my Thales?” He still thinks he will not venture into that world. When he encountered it as a dream-world, he dared not enter it, and now it confronts him as the thought of Anaxagoras he still does not summon up sufficient courage, or at least he would first have Thales' advice. And Thales deters him from plunging into the world of Anaxagoras' thought. What kind of world is this? Fundamentally, it is the world of the ancient Mysteries, but flattened, levelled down, for human understanding. It is the shadow form of the concepts of the ancient Mysteries. That is why they cannot hold their own against the world. If we have real, living concepts of becoming, we can arrive at an understanding of this world—grow into it. But Anaxagoras' shadow concepts are no match for Thales' objections, for these come from the present sense-world. And just as fleeting dreams, that are reflections of higher spiritual worlds, fade away from man when a cock crows or a door slams, so everything in the thought-world of Anaxagoras fades when it meets other thoughts drawn from the present world of the senses. Thales has only to draw attention to the presence of the sense-world, and he does this very forcibly. As the present world kills the preceding world that arises before us in dreams, so do the cranes strike dead the Pigmies and the emmets. This is merely an image. Anaxagoras first turns to the world that re-appears in the vague experience of dreams. When he is obliged to realise that this world will be of no advantage to Homunculus, he then turns to the higher world. To begin with, in wonderful words, he invokes among heavenly phenomena, all that has remained of a previous period of he earth—he invokes the Moon. After he has widened his thoughts and ideas concerning what is left over from the Moon period—emmets, pigmies, creatures of a lower kind, and all this has proved useless to Homunculus, he looks upward to where the Moon has still remained from the old Moon period.

Think how clearly in this scene Goethe actually points to all these secrets lying at the basis of earthly evolution. He even makes Anaxagoras address an invocation to the Moon, out of the ancient Mystery-wisdom. It is a wonderful passage in which Anaxagoras turns toward the Moon. It shows most distinctly how, in Anaxagoras, Goethe was wishing to portray a personality standing within the spiritual world but only with his understanding, the understanding that only studying the present can never reach the spiritual at all, but, in Anaxagoras, still preserves the spiritual out of the old Mysteries. Anaxagoras says:

“The powers subterene erstwhile adoring,
This crisis in, I turn above, imploring,
O Thou, that agest not eternally,
Three-named, three-formed, enthroned supernally,
Thee in my people's woe I call on Thee!
Diana, Luna, Hecate!
Thou bosom-lightener [or bosom-widener], deeply pensive one!
Thou tranquil brightener, mighty intensive one!
Open thy shadows' awful gulf alone!
Thine ancient might without a spell make known.”

But he has still only shadows; instead of achieving anything for Homunculus, he perceives how from the Moon desolation falls upon the earth, and how all the life still left there is destroyed by a phenomenon of the elements. As being characteristic of Anaxagoras it is significant that he addresses the Moon, this remnant of a previous period of the earth, as “Luna, Diana, Hecate ...”

For Anaxagoras, therefore, the Moon is not a unity but a trinity. In so far as it fulfils its course above in the heavens, it is Luna. In so far as it is active in the earth itself, it is Diana. The forces working cosmically through the Moon as it circles the heavens, have—one might say—for brothers and sisters the earthly forces; the Moon is not only present cosmically, it exists also in an earthly way. The same forces that are cosmically associated with the circling Moon in the heavens, also live and weave through what is earthly, and belong to significant subconscious forces in man. They work in man's nature and belong to forces in him that are subconscious but important. What works within the earth through man having a certain relation to Nature out of his subconscious, that never comes to complete consciousness, was called by the Greeks Diana. Diana is generally said to be the goddess of the chase. Certainly she is that too, because this subconscious holds sway in the pleasures of the chase; it does so, however, in countless other human feelings and will-impulses. Diana is not only goddess of the chase, she is the working, creating goddess of all half unconscious, half subconscious striving, such as is gratified in hunting. Man does much of this kind in life, and this is one of the ways.

Then there dwells in man, but also especially in the earth, a third figure, the figure of Hecate, the sub-earthly state of the Moon. It is from within the earth, from what is sub-earthly in it, that those forces work upwards, which—so far as the Moon is a heavenly body, work in her from above downwards. All that the man of today knows of this Moon is the abstract mineral ball he believes to revolve out there, round the earth in four weeks. The Greeks knew a threefold Moon—Luna, Diana, Hecate. And being a microcosm is an image of every trinity, and image of Luna, Diana, Hecate, as the threefold Moon. And we have learnt to know the threefold man. We know the man of the head; this man of the head, since he is the product of the periods of Saturn, Sun, and Moon, the product of all previous ages, can be brought into relation with the heavenly survival, with Luna. So that the head in man would, as a microcosm, correspond to the macrocosm Luna. The man of the centre, the breast, would correspond to Diana; it is in the heart that those subconscious impulses arise of which Diana is the goddess. And all that plays out of the extremity-man and is continued into the sex-man, all the dark, purely organic, bodily feelings and impulses, prevailing in the human being, come from the sub-earthly power of Hecate. And Goethe lets all this sound forth, making it all quite clear for those who wish to hear. To the realm of Hecate belongs, for instance, Empusa who appears in this scene among the Lamiae around Mephistopheles. The Lamiae express rather what belongs to Diana, whereas, in Empusa, all that belongs to the sub-earthly is working, all that dwells microcosmically in the lower nature of man, and is to be awakened in Mephistopheles. This is what Goethe makes ring out for us.

Anaxagoras wishes to show his science to better advantage than he did when alluding to the earthly, to earthly survivals, to the emmets, his myrmidons as he calls them. He turns to the threefold Moon that as macrocosm is the same as man as microcosm. And we ask: Had Goethe a presentiment that, in the threefold Moon, the head-man, chest-man, and limb-man were microcosmically present? Well, my dear friends, read the following lines:

“Thou bosom-widener, (Diana)
Profoundly pensive one, (Luna)
Thou tranquil brightener, mighty, intensive one!” (Hecate)

Here you have, fully expressed by Goethe and made obvious by his description of the middle one as “breast-widener”, the three qualities of Luna, Diana, and Hecate, in so far as these three also apply to threefold man.

You see, my dear friends, there are good grounds for maintaining that Goethe's foreseeing knowledge penetrated deeply in the truths on Spiritual Science. What, however, is written in a work like Goethe's Faust has to be taken in its true character. It when you consider Goethe's characteristic attitude with its foreseeing perception of the truths of Spiritual Science, that you can understand how in a certain sense he repeatedly felt the spiritual, the supersensible—but never the less as something uncanny. As I said yesterday, he lived within his northern world, and felt in sympathy with what this environment offered him in the way on ideas and concepts. However great a genius a man may be, he con only have the same concepts as his fellows; he can combine them differently but he cannot have different concepts. The two layers of consciousness, the subconscious and the superconscious, cannot be approached in this way. The ordinary philistine, my dear friends, can make nothing of all this, and is glad if he is not obliged to deal with the other layers of consciousness. But Goethe, who strove with every fibre of his soul, to penetrate the being of man, often felt it a grievous human limitation that he should have no ideas, no concepts, with which he could see into the would whence man arises, into which, however, no one can look with his understanding or his ordinary knowledge. And then, from all he had felt through his natural ability, or that he had experienced in other ways, and through what he had particularly noticed in Grecian art in Italy, there arose in Goethe the thought that, were man to steep himself in the ideas and life of Greece, he would come nearer to the supersensible than with modern ideas. This was so deeply rooted in Goethe that, from the year 1780 onwards he continually strove to make his ideas as supple as were those of the Greeks. He hoped in this way to reach the supersensible world. But what arose out of this? There arose his strenuous endeavour to come to knowledge of the supersensible world not from the outlook of Greek life, but by gaining ideas through which he would be able to grasp the supersensible world in the life of soul. It is interesting how, while he was writing this scene, Goethe was steeping himself in everything possible to bring Greek life vividly before his soul. Today we are no nearer to Greek life than men were in Goethe's days. And yet such a work as Schlosser's Universal Survey of the History of the Ancient World and its Culture, published in 1826, and immediately read by Goethe among many other works transplanting him into the life of Greece, enabled him, by his sympathetic attitude towards Greek life, to bring it vividly before his soul. But what idea had he in all this? Just think! he writes: We are called upon to look back on what is most universal, but utterly past, in ancient history—what cannot be brought back; and from there to let the different peoples gradually surge up beneath out gaze.

In the last twenty years of the eighteenth century during which these scenes of Faust were being created, Goethe occupied himself intensively with studies that should bring vividly before his spirit the far distant past and show him how it flows into the present. Goethe is not one of those who make poems by a turn of the hand; he plunges deeply into the world leading to the supersensible, so that as a poet he can give tidings of it. And his belief in the Greek world changed to a certain extent his way of representation. Because in his very soul he sought Greek life, the concept of truth, the concept of good, drew near the concept of beauty. And the concept of evil approached the concept of ugliness. That is difficult for present-day man to understand. In Greek thought it was different. Cosmos is a word meaning beautiful world-order, as well as true world-order. Today men no longer think, as did the Greeks, that beauty is so closely allied to truth, and ugliness to evil. For the Greeks, beauty melted into truth, ugliness into error and evil. Through his attitude to the Greek world Goethe acquired the feeling that anyone organised like the Greeks, who stood in such close relation to the supersensible world, would experience the untrue and evil as ugly, and would turn away from this because of his experience of beauty, while he would feel truth to be beautiful. This feeling was developed by Goethe. And he believed he might perhaps draw nearer the supersensible by saturating himself with feeling for the beauty of the world. But just as one can only know light by its shadow, one must also be saturated with feeling for the ugliness of the world. And that too Goethe sought.

For this reason he sets Mephistopheles, who is of course only another side of Faust's life, among the prototypes of gliness, the Phorkyads, who are in very truth the prototypes of what is hideous. And in so doing, my dear friends, Goethe touches on a great mystery of existence. You will have realised, from the lectures I have given here from time to time, that even today there are people in possession of certain secrets. Particularly the leaders of Roman Catholicism, for example, the leaders, are in possession of certain secrets. What matters is how these secrets are used. But certain initiates of the English-speaking peoples are also acquainted with mysteries. Out of a profound misunderstanding, does not only the Roman Church—that is, its leaders—keep these secrets from its adherents, but certain esoteric initiates of the English-speaking peoples do the same. They have various reasons for this, and of one of these I will now speak.

You see, my dear friends, the earth has a past, the periods of Saturn, Sun and Moon; it has a present, the earth-period; it has a future, the periods of Jupiter, Venus, Vulcan. In evolution there is both good and evil. Out of the cosmos, out of cosmic evolution, good can only be recognised from the past, from the periods of Saturn, Sun and Moon, and half the earth-period. Wisdom and goodness are associated, in this looking back into the past. Wisdom and goodness were implanted into human nature by those members of the higher hierarchies who belong to man, at a time when this human nature was not yet awakened to full consciousness, as it is on the earth. For the coming time, the Jupiter, Venus and Vulcan periods, and at present on the earth, for the coming half of the earth-period—it is already beginning—man must preserve goodness if he wishes to attain it; he must develop the impulse for goodness out of his own nature. For in his environment,in what is new that approaches him, the forces of evil are revealed. Were these forces for evil not revealed, man could not arrive at free-will. And those initiates to whom I refer know this important secret, my dear friends, and will not impart it because they do not wish to help mankind to maturity. They know this secret. If what arose as human nature on ancient Saturn, Sun and Moon, and still continues further—if what was evolved for us men on Saturn, and possesses a past, were to arise now out of earth-conditions, it would be fundamentally evil, it would only be able to absorb evil. It is only possible to receive evil from external conditions. That man can acquire freedom of will is due to this exposure to evil and his being able to choose between the evil that approaches him, and the good he can develop out of his own nature. This is if he has confidence in what was planted there in previous ages. Hence these initiates say to those wishing to be initiated: There are three layers of consciousness, (that is the formula always used in these English-speaking schools os initiation) three layers of consciousness. When a man plunges into the subconscious, from which dreams spring up, he experiences an intimate relation with other beings (I have described this to you before) also with other men; these beings do not appear in the present world. When, as is the case today, man is living in his day-consciousness in the perceptible, rational world, he is in the world where he goes through birth and death. And when he raises himself to the world—that he will enter as physical man in the future—to which he attains through supersensible knowledge, then that is the world where he first experiences evil. For it is then that a man must find strength to be a match for evil, to hold his own against it. He must learn to know evil.

The natural consequence of this is the necessity for men of the present to shed light on the past, so that they may be prepared for the inevitable encounter with evil; and this can be done only through Spiritual Science. To these three layers of consciousness, the initiates of the English-speaking peoples continually draw attention. This will be the basis of that conflict that is of the utmost importance, though the present age has little external knowledge of it. This conflict will be between those who want what is a necessity to take place, and secrets of this kind to be imparted, and those who wish to keep mankind in immaturity. So far the latter have had the upper hand. It is most important that these things should be known. You can see from this, my dear friends, what mischief will be set on foot if the truths of Spiritual Science are withheld. For man will be exposed to the forces of evil, and he will only be protected from it by giving himself up to the spiritual life of the good. To withhold the spiritual life of goodness from men is to be no friend to humanity. Whoever does this, be he Freemason or Jesuit, is no friend to humanity. For it means handing men over to the forces of evil. And there may be a purpose in doing so. This purpose may be to confine goodness to a small circle, in order by the help of this goodness to dominate the helpless humanity who are thus led by evil into the follies of life.

You can imagine, my dear friends, that anyone like Goethe, who has a presentiment of all these things, will have some hesitation in approaching them. From many things I have said in your presence about Goethe's particular kind of spirituality, you will be able to form a concept of how he would approach these subtle, but world-shattering matters with only really relevant ideas. Hence, in conceiving his Faust, he did not wish to be thought that man, wanting to make progress in culture, must fearlessly expose himself to the forces of evil; instead, he clothes this too, in Greek ideas, by confronting Mephistopheles with primeval ugliness, with the trinity of Phorkyads, the three prototypes of ugliness. Instead of pointing men unreservedly to the reality of evil, as Spiritual Science must do, Goethe points to the reality of ugliness as contrasted with beauty. Hence the characteristic behaviour of Mephistopheles towards the Phorkyads. Had Mephistopheles remained in his northern home, that is to say in a world that has certainly advanced beyond that of the Greeks in the world-order, he would have been obliged to meet with the bitter, but essential world, from which future evil flows. Instead of this, Goethe makes him meet in the world of antiquity the prototypes of ugliness, the Phorkyads. So that he places him, as it were, in prehistoric times before the history of evil. By employing Greek concepts, he places most solemn truth before men in a way that could still arouse their sympathy. And here too Goethe shows his deep knowledge of the matter. We know—you may read this in my Occult Science—that the future is in a sense the reproduction of the past on a higher level. Jupiter is a kind of repetition of the Moon; Venus of the Sun; and Vulcan of Saturn. On a higher level, the earlier appears in the later. It is the same as regards evil. Evil appears in order that man may develop goodness out of his own nature with all possible strength. But this evil will show distorted pictures, caricatures, of the forms of the primeval age.

You see, what we now are is largely because we are constructed symmetrically, the left-man and the right-man working together. Physicists and physiologists wonder why it is we have two eyes, what use we have for two eyes. If they knew why we have two hands, and of what use they are to us, they would also know why we have two eyes and of what use these are. If, for instance, we could not touch the left hand with the right, we could never arrive at ego-consciousness. By being able to grasp the right-man with the left, by gaining knowledge of the right-man by means of the left, we arrive at consciousness of ourselves, at consciousness of the presence of the ego. To look at an object a man must have more than one eye. If, by birth or accident, he has only one eye, that does not matter: it is not the external apparatus but the faculty, the forces, that are of importance. When we look at a man the axes of the eyes are crossed. In this way the ego is associated with sight; through the crossing the left direction is associated with the right. And the farther we go back the closer is the relation, in common with the consciousness. This is why Goethe gives the three Phorkyads one eye and one tooth between them, a representation that shows his deep knowledge. Thus the three have but one eye and one tooth. This implies that the senses are not meant to be working together, they are still isolated from one another. On the one hand relationship is expressed, on the other we are told that the elements are not yet working in collaboration, that what arises through the right-man and the left-man cannot yet appear. Thus accurately does Goethe express what he wishes to say, and he suggests infinitely much.

Now, if you think over what you know from Occult Science namely, that the present bi-sexual-sexual human being has sprung from the uni-sexual being, and that male and female have only been developed in the course of evolution, you will see that a retrograde evolution takes place when Mephistopheles meets with evil in the form of ugliness, joins with it in going with the Phorkyads: “Done! here stand I” (after he has thrown in his lot with the Phorkyads) ...

“Here stand I, Chaos' well-beloved son!”
Phorkyads: “And Chaos' true-born daughters, we, undoubted.”

To which Mephistopheles replies:

“O fie! Hermaphrodite must I be flouted?”

He becomes ‘hermaphrodite’ when it is intended to show the condition preceding the bi-sexual, the condition to which I have just referred. Truly Goethe gives his descriptions from inside knowledge! In this scene we may recognise how deeply he had divined and entered into the truths of Spiritual Science.

Now, remember now not long ago I said that no one can ever arrive at a satisfying conception of the world who, misled by what man is now, what he has of necessity to be, comes on the one hand to abstract ideals, ideals having no forces. (Forces such as those in nature that cannot fit into the physical world-order, but have to disperse like mist when the earth reaches her goal, that is, her grave). No one can find a satisfying world-outlook who is either an abstract idealist of this kind, or a materialist. As I said, man must be both. He must be able to rise to ideas in conformity with the age in which he lives, and also look at material things in a material way and form materialistic ideas about them. Thus, he must be able to form both a materialistic and an idealistic conception of the world, and not set up a unity with abstract concepts. Having on the one hand scientific concepts, on the other idealistic concepts, we must then let them interpenetrate each other just as spirit and matter do. As I have told you, in processes of cognition the ideal must permeate and illumine the material, the material must permeate and illumine the ideal.

And Goethe found this out. It occurred to him how one-sided it is when, in abstract concepts, men seek a world-outlook inclining more to matter or more to spirit. Hence he was drawn to seek his world-conception not in abstract ideas but in a different way. And this he describes as follows:

“Since so much of our experience does not admit of being openly expressed and directly imparted, long ago I chose this method, namely, to reveal the hidden meaning to the observant by dint of contrasted images playing into one another.”

Now, can anyone express more clearly that he is neither idealist nor realist, but both idealist and realist, letting the two world-outlooks play into one another. Goethe seeks to approach the world from the most diverse directions, and to come to truth by means of mutually reflected concepts. Thus, in Goethe's impulses there is already concealed the way that must be taken by Spiritual Science in order to lead mankind towards the future—the health-giving future.

One would like, my dear friends, what Goethe began to be continued; but then it would be essential for such works as Faust to be really read. Man has, however, more or less lost the habit of reading. At best, men would say when they read:

“Diana, Luna, Hecate!
Thou bosom widener, profoundly pensive one!”

Oh! poetry. Then there is no need to go deeper into it, no need to meditate over every word! Thus men console themselves today when offered anything they are not actually bound to believe; for they like to take things superficially. But the universe does not permit that. When you consider the deep truth I have just shown in connection with the meeting of Mephistopheles with the Phorkyads—a truth that has been preserved in many occult schools of the present day—then you have the opportunity of understanding, together with much else that enables you to realise it, the intense seriousness of our striving after Spiritual Science, the seriousness that must underlie our endeavours. It may be said that there sometimes escapes, half consciously, from those who have come into contact with what is essential for man in the future, an pious ejaculation, like Nietzsche's, in his Midnight Song: “The world is deep, Yea, deeper than the day e'er dreamed”.

We must indeed say that the day gives man day-consciousness; but, so long as he clings only to what the day brings, man of himself becomes simply Homunculus, not Homo. For “the world is deep, yea, deeper than the day e'er dreamed”. And since Goethe does not wish to lead Faust into merely what the day brings, but into all that conceals the eternal, he has to let him take his way in the company of Homunculus, and of Mephistopheles who confronts the supersensible. Goethe thought he could do this by steeping himself in Greek ideas, and by bringing them to life within himself.

From our considerations of yesterday and the day before, we have been able to see how Goethe's creative work is steeped through by a certain outlook suggestive of that of spiritual science—although this outlook may be but dimly foreshadowed. And it is indeed very important that we should make ourselves thoroughly acquainted with the character of Goethe's spiritual life. It is only by shedding before the soul the light of a deepened observation upon all that such a life of spirit contains that this life appears in the right connection with the whole evolution of mankind. But I wish to add something here to all that has been said. I should like, that is, to point out how really it is only possible rightly to comprehend the whole structure, the whole manner, of Goethe's spiritual life if this is done from the standpoint of spiritual science. It is not merely that from an unspiritual standpoint we can naturally never find in Goethe's work all that yesterday and the previous day we were able to discover by considering it anthroposiphically, but also it only becomes clear how such a life of soul is possible within the course of human development, when we look at it from the point of view of spiritual Science.

In various connections I have called your attention to other manifestations of Goethe's soul-life, manifestations that, for ordinary human life, may perhaps seem—but only seem—to be more remote than what is represented in the all-embracing Faust poem,that should indeed be of the greatest interest to every man. I have spoken to you of the special mind of natural science which Goethe cultivated. And it is particularly important and significant that he should have done so. It may be said that Goethe's individual way of thinking where natural science is concerned is precisely what in most spheres at present still meets with complete lack of understanding. Nevertheless, it appears to me of quite special importance for the various branches of present day spiritual life—and not least for the religious life—that an insight should be gained into this particular form, this individual way, in which Goethe looked upon nature. You know how he sought to establish for the inanimate world a natural science founded on his own interpretation of the primal phenomena, and how he built up a botany on the basis of metamorphoses.

So far as all this is a matter of general knowledge I should like today to give you a brief description of the primal phenomena and metamorphoses.

What was Goethe's intention when he turned not to hypotheses and theories but to the so-called primal phenomena for his explanation of nature? Since the eighties of the last century I have been doing my best to give mankind, from various aspects, an idea of the true basic character of the primal phenomenon. But it cannot be claimed that so far there has really been a very wide understanding of the matter. Perhaps we can get the best view of what Goethe understood by the primal phenomenon in inanimate nature when we consider how he came to build up his special Theory of Colors. He tells of this himself. I know that what I now have to say is an abomination and a heresy for the present day scientific conception of physics. That, however, is of no consequence. What physics does not recognize today, my dear firends, the physics of tomorrow will find itself obliged to accept. In reality, present day physics is not yet ripe for Goethe's theory of colors.

As I said, Goethe himself tells us that up to the beginning of the nineties of the eighteenth century he believed, as did other men, in the so-called Newtonian theory of colors—in that theory built up by Newton on a certain hypothesis. This theory declared that something imperceptible lay at the basis of light—we need not go into that now. In essentials it is immaterial whether it is represented, as it was by Newton himself; as currents of matter, or as oscillations, or as some kind of electrical impulse. The arising of colors was conceived as follows—that the light in some way contains the various colors unseparated as if naturalized in a kind of supersensible entity, and that by means of the prism or other devices, the colors were made to issue forth from the unified white light.

One day Goethe found himself obliged to abandon this conception that he shared with others, and he did so in a way that, naturally, must appear to modern physics both primitive and foolish. He studied this Newtonian physics, this Newtonian optics, and accepted it as one does as a matter of course when knowing of nothing better. But he found that when wishing to apply this optics, this theory of colors, in order to think out anything that had to do with art, with painting, he could do nothing with it. This Newtonian physics serves for a materialistic physical representation, but is useless when it comes to art. This increasingly disturbed Goethe and incited him at least to look into what happens in the appearance of colors from the point of view of physics. So, from Councillor Buttner who was a professor at Jena, he managed to procure the apparatus to see, through his own investigations and experiements, what views he could form concerning the appearance of colors. It goes without saying that Professer Buttner promptly placed all the apparatus at the disposal of His Excellency von Goethe. But, once in his house, it served, to begin with, only to collect the dust. It was long before he made his investigations—not indeed until Councillor Buttner expressed his need of the apparatus, and the desire for its return. Goethe put the things together for dispatch. However, he thought he would first have a quick glance through a prism, believing that if he looked through it at the white of the wall, so this white would then be broken up into seven colors, he would assuredly see them. (This would, as has been said, appear to the modern physicist both foolish and primitive). But—nothing! The wall remained white! This puzzled him. According to customary notions this was foolish but, my dear firends, it was sound thinking. He took a peep through the prism; the wall was still white. That made him appeal to Councillor Buttner to let him keep the instruments, the apparatus, and he then set up his further investigations. And from these investigations there now grew first his science of colors, and, secondly, his whole outlook on physics, that is to say, on inanimate, natural phenomena. It was an outlook that rejected all hypotheses and theories, that never thought out anything about natural phenomena, but traced back one set of natural phenomena to another, traced them merely to primal appearances, primal phenomena.¹

Thus he became clear that, when color is perceived, at the basis of this lies some kind of working together of super imposed lightness and darkness. If darkness laps over lightness, the bright colors appear; if lightness laps over darkenss, then there appear the deep colors, blue, violet and so forth. If over brightness, lightness any form of darkness is projeatd, such as dark material and so forth,or the actual prism, the bright colors appear, red, yellow and so on. Here it is not a matter of any theory. Darkness and lightness are working through immediate perception. It is simply perceived that if darkness and lightness work together, colors arise. No hypothesis is expressed here nor any theory—merely something that is simple fact, something that can be perceived.

Now it did not concern him merely to invent hypotheses like the wave theory perhaps, or the Emission theory, and so on, hypotheses that would say that colors arise in such and such a way; it was simply a putting together, as lightness and darkness had to be put together for yellow or red, blue or violet, to appear. Goethe's way was not to add to phenomena hypotheses and theories in thought, but to keep strictly to letting the phenomena speak for themselves. In this way Goethe brought a theory of colors into existence that led in a wonderfully beautiful way to the grasping of what has to do with color in the realm of art. For the chapter on the effect of color with reference to moral associations, in which are found so many significant indications for the artist, belongs to the most beautiful part of Goethe's theory of colors.

This then was the basis of Goethe's whole understanding of inanimate nature—never to seek for theories or hypotheses. According to him these can be set up as scaffolding. But, as when the building is finished, the scaffolding is not left but removed, so one uses hypotheses merely to show the way in which things may be put together. They are discarded as soon as the primal phenomenon, the simplest phenomenon, is reached.

It was this that Goethe also tried at any rate to outline for the whole of physics. And in the large Weimar edition, in the volume where I have published Goethe's general scientific essays, you will find a chart in which Goethe has detched out a complete scheme for physics from this point of view. In this chart the acoustics of particular interest, that, like his theory of colors, is indeed merely given in outline. Some day it would be interesting, however, to set up an acoustics that would fit in with music in the same way as Goethe's theory of colors does with painting. Naturally this could not be done yet, for modern natural science has taken a different path from that founded on Goethe's world conception and on his conception of nature.

It was this that he was trying to do where inanimate nature is concerned. And he was looking for something of the same kind in the life of the living plant in the theory of metamorphoses, where, without setting up any hypotheses, he followed up how the stem leaf was transformed, metamorphosed, and took on various forms, growing afterwards into the petal, so that the blossom is simply transformed stem leaf. Again this is an outlook that will have nothing to do with hypotheses but keeps to what is offered to the perception. What we need here is not fixed concepts but concepts that are as much on the move as is nature herself while creating; that is, she does not hold fast to forms but in ever transforming them. We must have such concepts, therefore, that the majority of mankind is too lazy to develop, concepts in a state of inward transformation, so that we are able livingly to follow them in their forms that change as they do in nature. But then, free from hypotheses and theories, one confines oneself to pure percept.

This is what is characteristic of Goethe, my dear friends, that he rejects all theory where natural phenomena are concerned, and really is willing to apply thinking only for assembling phenomena in the right way, so that they express themselves according to their essential nature. One can indeed put this in a paradox. I beg you to keep this well in mind. It was precisely through this that, as we have seen in the last two days, Goethe was driven along the right path into the sphere of the spiritual, that, for the phenomena of external nature, he did not destroy their integrity by all kinds of theories and hypotheses but grasped them just as they were offered to the life of the senses.

This, my dear friends, has a further consequence. If we form theories, such as those of Newton or spencer, that is to say, if we cloud by theories and hypotheses what nature herself offers, we may think about nature in the way that is possible during human physical life, but the matter is not then taken up into the etheric body. And they become overdone, all these theories that do not arise from pure nature and from the simple observation of nature; all these theories and hypotheses make indeed a caricature of the human etheric body and also of the astral body, thereby having a disturbing effect on man's life in spiritual worlds.

Goethe's sound nature turned against the destruction of the forms demanded for itself by the etheric body. This is exactly what is so significant about Goethe, and why I tell you he can only be understood anthroposophically—that he had an instinct for what did not originate in immediate reality, and perceived that, when he formed concepts like those of Newton, the etheric body was nipped and tweaked. This did not happen to others because they were less finely organized. Goethe's organization was such that while looking into things thus his etheric body was nipped and tweaked. And neither theory nor the most beautiful hypothesis prevented this, when only the white appears and he has to realize: The wall is still white in spite of the fact that all the seven graded colors are supposed to appear. This has not happened. And Goethe's way of experiencing this is indeed a proof of his thoroughly sound nature and of how he, as microcosm, was in harmony with the macrocosm.

Yet another side of the matter may be brought to your notice. We know, my dear friends, that man is not only the being who lives between birth and death; he is also the being who lives between death and a new birth. Into this life between death and a new birth he takes the sun of inner forces developed by him when in his physical body. Now when, after a few days, he is parted from his etheric body, he looks back upon it; and it is important that this etheric body should have been so used by him that in looking at it thus he is not deluded by a caricature. Now this is what we have particularly to note. If we look at nature in its purely natural aspect, as did Goethe, rejecting theories and hypotheses, and allowing only primal phenomena to have weight, then this understanding and regarding the primal phenomena thus, is of such a nature that it sets free within us sound, healthy experiencec and feelings of the kind that Goethe described in his chapter on the effect of color with reference to moral associations. It goes without saying that the perception of sense phenomena ceases with life. And what remains in our soul and spirit from pure perception, the only thing Goethe allowed to hold good as natural science is thoroughly sound and in harmony to do with the world of soul and spirit. Thus, we may say that Goethe's natural science is in accordance with the spiritual, in spite of his keeping to the phenomenal and physically perceptible. This is because it does not sully through theories the purity of its outlook on nature by influencing the spirit either ahrimanically or luciferically. Theories of this kind darken for the soul and spirit the purity of outlook upon what is earthly.

Now I told you yesterday that man has not lived only on the earth, but before he trod the earth he went through successive developments on Saturn, Sun and Moon. After he will have left the earth, or rather when the earth has left him, he will continue his development on Jupiter, Venus and Vulcan. But I told you that scientific concepts are possible only in relation to the earth evolution. In actual fact, if we cultivate a sound natural science, we then have the impulse not to represent the earth evolution so that everything is mixed up in it that is in keeping with Saturn, Sun and Moon—though naturally this is in reality connected with the earth evolution—but a sound natural science will take the earth as earth and represent it in its conformity with law. This is what Goethe did. And, why man is so little able to rise to a sound understanding of the Moon, Sun and Saturn evolution, is because his earth evolution is not sound. Even though Goethe himself never arrived at this conception of the evolutions on Moon, Sun and Saturn, anyone going deeply into his natural science—a science free from anything else and concerned merely with the earth—just through this prepares his spirit to separate what is earthly by means of a sound knowledge of the earth, and prepares himself as well to form a sound conception of what can be seen only in the supersensible, that is to say, the evolution of Saturn, Sun and moon, and all that is spiritual. It is possible, therefore, to say that it was just by his outlook being directed so exclusively towards the supersensible, that Goethe had the necessary qualifications to work in his Faust upon all we have been witnessing these last two days. Goethe lived thus in the spirit where spiritual comprehension is concerned, because he did not apply to natural phenomena any confused theories or hypotheses out of the spirit. The one thing determines the other.

What finally I called your attention to yesterday is that Goethe was not idealist on the one side, realist on the other but took the outer phenomena realistically, and in an idealistic way what was to be understood idealistically. He did not, however believe it possible to found a world-conception either through the one or the other, but allowed both to be mirrored in his soul as they are reflected also in external reality. Though Goethe himself did not entirely follow this out, yet it led in a wholesome way—if his ideas are really absorbed—to the possibility of a right representation of the two kinds of life that man has to experience. And it may be asked why then is it that mankind's usual outlook today is so little inclined towards the spiritual, and, although concepts of the spiritual world are formed, they are so abstract that with them external nature cannot be understood? How is it that for present day man idealism and realism so fall apart that, either they found a half-hearted monism of little significance, or they do not arrive at any world outlook at all—how is this? This comes about because man wishes today to found his world outlook in a quite definite way. He either becomes a scientist, learning to know nature and trying to instill into her all manner of theories and hpotheses—for in the realm of thinking today the heritage of the natural scientist is not primal phenomena but theories and hypotheses—and seeking to permeate natural phenomena with these; or, he becomes a theologian or philosopher, trying to acquire from tradition certain concepts, ideas, about the spiritual. These are so thin, so shadowy, that with their inadequate power it is impossible to comprehend nature.

Just look around at what is given out by the theologians and phiolsophers today; where do you find any firm ground from which rightly to throw light on nature? And among the real adherents of modern natural science, when they are not monistic garbage, where do you find any serious possibility of rising from natural science to the reality of divine spiritual forms and realms of existence? Even if sound thinking is developed, it is not possible today to unite the two spheres in their present guise. The two spheres are only united when we have the faculty of devoting ourselves in Goethe's way to science and the observation of nature. That means directing the gaze to the phenomenon to what appears, without intermixing useless theories unless these build up the phenomena; it means making merely a useful servant of thinking, but not letting it interfere in results. Where nature is concerned we have to allow her the power of interpreting herself. Not to weave fantastic ideas about nature, but to be completely materialistic, letting the material phenomena speak for themselves—that is our task when it comes to sound natural science. Should we really come to a natural science of this kind, we shall then understand human life between birth—or shall we say conception—and death. And by looking on one side into nature thus, we must also be able to look into the spirit without the light of impossible theories and hypotheses. We shall not then be confined to abstract theologies or philophies but give ourselves up to spiritual perceptions. And it is precisely through the power that sets free in us a direct observation of nature—Goethe's observation—that spiritual perception, perception of the pure spirit, can be induced. Upon the man who confusedly mixes his concepts and ideas about natural phenomena, these concepts take their revenge, preventing his perceiving the spirit. He who looks simply at nature sees her in his own soul in such a way that he can look upon the spirit too with reality. In this respect, Goethe's world outlook can be a good educator for modern humanity.

But in this case, outlook on nature and outlook on spirit must be independent of one another. We must, however, be conscious that we can do nothing with either by itself. If you wish to remain pure theologian or pure phiksopher, my dear friends, then it is exactly as if you had something with two different sides and chose to photograph the one side only; and it is the same if you want to be purely a scientist. You should be able to make the two into one whole, letting the one be reflected in the other; that is to say, instead of seeking to unite them through abstract concepts, having first developed pure perception in each separate sphere, you let the things unite themselves. They are then mirrored in one another. And then too, my dear friends, by means of what this reflection is able to do, you get a sound outlook upon human life as a whole. Then you see natural phenomena external to man according to the way of Goethe's natural science. But when you observe man you see that what exists for external nature does not go far enough to explain him. For that way you only come to a ‘Homunculus’ not to a ‘Homo’.

You see how, for the understanding of man, it is necessary to approach him from two opposite directions; with natural science and with spiritual science, letting the two reflect one another. Thus, they may be suitably applied to man. Then in the human being the life between birth, or conception, and death, is reflected in what appears to one as life between death and a new birth; and vice versa, the life between death and a new birth is reflected in the life between birth and death. We are not here inventing any theory supposed to explain the one or the other, but we let not theories but two perceptions, two things perceived and not united by concepts be mutually reflected in the perception.

It proves that Goethe was definitely on the way to the new spiritual science that, through the sound development of his soul, he should have come to such perception of the mutual reflection of what was essential in external reality. And if Goethe was still to some extent uncertain, even for his own time, because, as I am always having to emphasize, his knowledge of Spiritual Science was but a premonition, nevertheless his judgment was sound in much concerning the spiritual life—and this can be followed in our time up to the regions where Goethe never actually arrived but for which he had prepared.

It is regrettable that everything in connection with Goethe is so little understood. I am not finding fault, my dear friends, for everyone able to look right into things neither blames nor criticises, realizing he must speak only positiviely; I do not find fault with what has happened, I only set forth what is demanded for the future. And the demand for the future is that mankind should go more deeply into the ideas that were already being prepared in Goethe's way of thinking—whatever name you give all this. And Goethe's way of thinking works with tremendous reality and in accordance with reality. It is of great importance to take heed of this.

I have to draw your attention to this so as to point you to a right understanding of man's usual procedure when he wants to explain some phenomena of nature or of life. Let us look at a perfectly average man who is clever—nowadays the clever man is average—thus, we are going to observe an average man. The average man lives, does he not, from birth to death.

BIRTH--------------------- DEATH
EARTH LIFE

In his 35th year, let us say, or 45th or 42nd—in some year of his life perhaps even earlier—he wants to discover something, possibly to form a world-outlook, enlighten himself about some matter; what does he do? He ferrets among the stock of ideas that we may take it he has when 42 years old. Let us assume he wishes to be really clear about, let us say, the Copernican world-outlook; he gathers together, then, all the concepts and ideas he can find. If he looks about in his soul life and can find something that suits him, when he has assembled a whole series of the kind of concepts in which he finds nothing contradictory, then he has finished, and understands the whole matter. This is the way with the average man. Not so with Goethe, my dear friends. Goethe's soul worked in a completely different fashion. Those who are ready to write his biography never take this into consideration, and some kind of person makes his appearance who was born in Frankfurt in 1749 and died in 1832 in Weimar—but it is not Goethe. For his soul worked differently. If in his 42nd year any phenomenon confronted him, there did not work in him merely the abstract image arising from the gathering up of all kinds of concepts into a suitable outlook. When Goethe in his 42nd year contemplated a plant, or anything else about which he sought enlightenment, there worked in him with reality the whole of his soul-life, not merely abstract concepts but all his real life of soul. Thus, at the age of 42, when Goethe wished to reflect upon the life of a plant, there worked in him in part unconsciously those impulses that he had not merely gathered together but which had been working in him since his childhood. It was always his entire life of soul that was active. That is what never happens in modern man; he wants to arrive at an unprejudcied conception, but this does not go tyond snatching up a few concepts that can be perceived easily and with little effort. This is exactly the reason why we can make such great discoveries about Goethe when we reconsider the various phases of his life all together.

For example, I have tried to understand what comes latest in Goethe's point of view by always returning to Nature, the hymn in prose that he wrote during the eighties of the 18th century, in which is contained in embryo what belongs to a later period. What at that time existed in an unripe state was nevertheless active. And I have often referred before to how Goethe as a seven year old, collected minerals, piled them up on a reading desk he took of his father's, placed a candle on top, and then went through a kind of divine service in which, however, he sought to make a sacrifice to the ‘Great God’ who worked through natural phenomena. In the morning—fancy! a lad of seven he caught a ray of the sun with a burning glass, making it light his candle. He kindled nature's fire above his minerals. Here in childish fashion is already pictured forth all that afterwards worked in his most mature conceptions. We understand Goethe only when we are in a position to grasp him rightly in this way, out of his being as a whole. Also, when he is thus understood, we first arrive at a notion of the spiritual world that we are able to discover in the light of Goethe's world outlook, which then, however, with the ideas of his time he himself could but slightly develop. For consider, if we think, really think, about nature in Goethe's way, in the sense of the theory of phenomena, primal phenomena, and in the sense of the theory of metamorphoses through thinking of this kind we cannot help releasing in our souls forces that lead to perception of the spiritual world. And at length they lead us also to the perception of man's life after he has passed the gate of death. It is just with such a concentrated perception of nature, of pure nature, as Goethe's that a true and comprehensible idea of immortality is established.

It is precisely through this that power is gathered for these opposite representations needed for perceiving the supersensible that man experiences between death and a new birth. Man gains the power for this perception by first developing a keener insight into pure nature, nature unspoilt by theories and hypotheses. Where the external world is concerned man makes the greatest mistake in believing that everything must go in one line, in one stream. If any man speaks thus of Monism to one who sees right into the matter—as, having founded an abstract Monism, many speak today—when an abstract Monism of this kind is put before one who can see into things, it seems just as though a man were standing there with left and right side properly developed and another were to tell him that it was an illusion, a false dualism, and that man has to be built monistically. It is not the proper thing he would say, to have a right and a left side, something here is wrong.

Our world outlook must be just like that. And as there is nothing wrong about our having two hands, and the right one be aided by the left, there is nothing wrong either in having two world outlooks that reciprocally reflect and enlighten each other. And those who declare it a mistake when two world outlooks are demanded, should also declare that some sort of artificial arrangement ought to be devised so that the right and left hands and the right and left legs would not move and be active in the world in such a shockingly separate fashion and that right and left should be forcibly dovetailed into one another and man should be a monism and, thus handicapped, continue his way through life.

For those who have penetration and see the reality instead of distorted abstract theories, the striving for an abstract idealism on the one side and a material realism on the other, as Monism, is as onesided as the grotesque comparison I have just made. And it is really in the spirit of Goethe's world outlook that I have pointed again and again, in a way that today arouses much antagonism, on the one hand to a pure and direct perception of nature, free from hypotheses, a perception that is alive and not thought out, thinking being applied simply to introduce the perception; and on the other hand to a phenomenon of the spirit where again thinking is applied merely as introduction to the perception, the spiritual perception, that leads us into the realm where we have to seek man on the other side of his life, that is between death and a new birth.

Now, if among people today you put forward the outlook of Spiritual Science, you are met with theories to refute it that sound really logical, clever theories. I have often said that it is very easy to think out arguments against Spiritual Science. In two successive public lectures in Prague² made the attempt to oppose Spiritual Science in one, in the other to show its foundations—lectures not too well received in some quarters. But at least I made the attempt to hold them. It goes without saying that one can quite easily find counter arguments to Spiritual Science; this is possible. How should it be otherwise? Whoever believes that it is not possible takes approximately the same view as anyone who says he cannot prick his left hand with the needle he holds in his right. Of course it is possible, but it does not get us anywhere. It may be said that at the basis of this opposition, that works with such apparently perfectly logical theories, right within it, there lies something entirely different. One speaks indeed, my dear friends, of the unconscious and the sub-conscious. What really is significant for man in the sub-conscious soul life, the sub-conscious spiritual life, is misunderstood, particularly by the psycho-analysts, but also in other quarters. I have often spoken of this here. In reality the analytical psychologist of today speaks of the unconscious life of the spirit in the same way as the blind speak of color. They are forced to do so by the requirements of modern science, but their science has not sufficient to go upon—it works with inadequate means. (I referred to this last year in Zurich and also here).³ For the capacity must really be there always to discover rightly what is in the subconscious beneath what is going on in the conscious.

You see, we may say the matter stands thus. The conscious is here, the subconscious lies beneath it (see diagram). Now how stands the matter today? since about the 16th century very strong ahrimanic influences have made themselves felt in man and in man's whole thinking. This has its good and bad sides. Above all it has the effect that natural science has developed in a particularly ahrimanic way. To this ahrimanic science Goethe opposed his science that I have described to you. And from the lectures I gave you a week ago you can gather that nothing takes place in the human soul nor in be human spirit without something happening in the subconscious also. By evolving the present form of thinking about nature, two quite distinct feelings have been developed in the subconscious—fear of and lack of interest in the spiritual. If Goethe's natural science is not developed, natural science cannot be cultivated at all in the sense of modern thinking without there developing at the same time subconscious fear and indifference towards the spiritual world. People are afraid of the spiritual; that is the necessary consequence of the impression made by modern natural science. But it is a subconscious fear of which men know nothing and this subconscious fear dresses itself up, and in all kinds of bespangled theatrical garments appears in man's consciousness. It clothes itself, for instance, in logical reasons. Fear transforms itself into logical reasons, with which logical reasons men are now going around.

Those with penetration note what clever logical reasons man brings forward; however, they know also how beneath, in the subconscious, there sits fear of the spiritual—as the unknown always brings fear in its train, the hydrophobia of dogs can be traced to it. And lack of interest in the spiritual is also there, and this is particularly evident, because when man develops a right knowledge to nature, the spiritual can be quite palpable to him. For I should like to challenge any man wanting exhaustive knowledge to say out of what earthly natural phenomena, without recourse to the spiritual, he can explain the shape of the human head. The obvious correct scientific explanation of the human head leads back to what is known only scientifically as I have made clear. If we take interest in what is actually there in the nature of man, this leads naturally and of necessity to the spirit. It is mere lack of interest that induces us to say: nothing here points to the spirit! This is only when it has been excluded. We pay no attention to it but begin by building for ourselves empty theories, well prepared hypotheses and theories which soon fail us when put to the test, however carefully they have been prepared. In the main, the modern natural scientist behaves like someone who carefully cleans the scales from a fish, afterwards declaring it has none. So the modern scientist cleans phenomena of all that points to the spirit, because it does not interest him. But he is as ignorant of his lack of interest as he is of his fear. Therefore the lack of interest, too, dons disguising garments, and these are beliefs in limits to knowledge, quite consciously these limits are spoken of—ignorabimus. But what is referred to here is really immaterial; we could at will invent a quite different collection of words for what du Bois-Reymond, for instance, spoke of in his lecture about the limits to knowledge of nature, and they would be worth just as much. For what we wish is completely immaterial. It would be caused by our lack of interest, like the fish bereftaf its scales with which we have just compared it.

In an article called “Der Internationale Kitt” (International Cement) are found the-following: “It is one of the greatest disillusionments of world history that even this spiritual power—the spiritual power of Christianity—has failed where war is concerned, and has set up no dam against the onsweeping tide of hatred and destruction. Indeed, during this division between the peoples, in Christianity itself particularly ugly phenomena have come to light as, for example, the way theology with its attempt to drag down the highest absolute values into the relativity of world events. By trying to rationalize this and bring it into some kind of formula man has even gone so far as to try to justify through the ethical God of Love, what is dreadful and profoundly evil. This is instead of humbly remaining, in face of the frightful submergence of love and life, by Luther's ‘Deus absconditus’, the hidden God, that also comes to appearance in the world dynamics that is indifferent to ethics. Through this ethical and religious glorification of war, political aims were thrust upon the God of Love—aims that appear depressingly like those of rulers and cabinet ministers.”

Those who follow contemporary literature will know that this is perfectly correct—that on all sides the intentions of those in power are foisted as divine intentions upon God. So that this man is justified in thus describing many of the regrettable things happening today.

He goes on to say: “This is not all. Even the mutual tension among the Christian Churches has become accentuated. The historical opposition has been re-revived between the followers of Luther and those of Calvin. The extreme Anglicans have become alienated from continental Protestantism to such a degree that they will hardly allow it the name of Christianity; not to mention the breach among the international Christians in the mission field. Thus, a popular ideal limited by national feeling again to have gained the day over the international, communal ideal of Christianity.

“But where that has happened Christianity has shown itself a traitor to the Gospels—a Judas who betrayed Christ. For the true being of Christianity points to an all-embracing human society, and only in this form can it develop.”

And so on.

My dear friends, this man says a great deal that is clever, but he does not go so far as to ask: If Christianity has been followed for nearly two thousand years, how is it that although by its nature it should make the conditions we have at present an impossibility, it has not done so? It means nothing, my dear friends, just to say that men are bad Christians and should be better ones, if what is meant by this is that they should live up to the Christian example. I could give you hundreds of quotations from what has been said recently by seriously minded men, from which you could see that already in various places there is arising a definite but subconscious impulse that something like a new world outlook is needed. But the moment men should really come to what is necessary, that is, to a world outlook that is anthroposophical, they obscure their own concepts and these concepts immediately degenerate into fear and lack of interest. Men are afraid of Spiritual Science. This may be seen very clearly in individual personalities and in what they say and how they live. Or they show indifference to Spiritual Science; they are not capable of it in any way; it does not appeal to them. One then comes to astonishing contradictions, naturally not seen by the modern reader, for modern reading is done in the way I pictured yesterday and on other occasions. This writer of the article, a man who as we said is to be taken seriously, is justified in writing as he did. But, listen to this; he says something else must happen for Christianity to be able to develop its international significance and activity. He then makes all kinds of suggestions, for instance: Why should it not be possible for Christianity to encourage the international impulse to prevent hate and destruction? And he then goes on: in August, 1914, the Free Chuches in Britain could still write to Professor Harnack—“With the exception of the English—speaking peoples, no people stand so high in our affections and esteem as the Germans. We are all immeasurably indebted to German theology, philosophy and literature.”

There we have something—he continues—that is quite delightful. We have British theologians paying compliments to German theologians in the most wonderful way; could it not be like this in future?—

That is all very well, my dear friends, but when your thinking accords with reality you notice that this is written in August 1914, at the very moment of the outbreak of hostilities. In the light of facts the conclusion would be that inspite of British theologians writing this, it could do nothing to prevent the holocaust. You see, therefore, instead of from left to right man thinks from right to left, or the other way round, according to how the matter stands. Whereas the result of thinking according to reality is that we must investigate what, in spite of people making each other polite speeches, is really wrong and what is lacking. The writer says that if we but do what was done in August, 1914, we shall go forward. But we can begin all over again for, as the reality proved, that did nothing to help. Correct thinking would run like this—something is not right, Christianity must have been out of its calculations. What it failed to take into consideration was that Christianity has no part in what the times of necessity demand. It is this that such men lack - willingness to enter into what is demanded by the impulse of the age. Thus,it can be seen that people are recognizing that the old way of looking at the world has come to grief. But they do not want anything new, they want the old again, once more to be able to suffer disaster. That however, naturally remains in their subconscious. They wish for the best as a matter of course, but they are too fond of comfort seriously to look for what is necessary.

This, my dear friends, is what is ever and again in the background when we have to speak of the significance for the present time of all that is connected with the name of Goethe, or also of what is naturally greater than this, of the whole spiritual world and the knowledge of it. There too one need not be critical. We do not need to say how thoroughly bad those men are who neglect to do what should now be done, but confine ourselves to finding out what ought to happen. We should look to what is positive. Perhaps then we may say: “If only there were not so dreadfully little that I can do—I can do so terribly little, what indeed can be done by one person alone.” my dear friends, such questions are often asked under the impression that it would be possible in my lectures to give a definite concrete programme for individual people; but by being given in a general way this would naturally become abstract and empty. Today it is our common concern that many people should realize how, among those to whom control is given in some particular sphere, there will be many failures. This is because the leaders of our time are striving against something they ought not to resist. And it is important that we should not be eaten up by a false feeling towards authority, nor stand in great awe of anything because we have no real knowledge of it. For as today it is not a matter of accepting historical authority without question. But there is need for observation and attention, and the ability to form a judgment concerning how, in the various spheres of life today, this life is often given a wrong lead by those in authority. This is done with insufficient insight, above all, often with insufficient thought. For it should be the result of reflection, not of the lack of reflection. It is tremendously important to examine in our subconscious how much perverted belief in authority we still carry in us—to realize also that it is Spiritual Science itself that actually leads us away from belief in authority, and if its judgments are allowed livingly to permeate us has the power to make us free men with independent judgment. It is always thought that the world must run its course as if it had but one meaning and ran on one track. Then we accustom ourselves to look upon nature in the way of science, then we shall look upon everything in the same manner; when we accustom ourselves to look upon the world in accordance with abstract theories—or, as we often say, idealistically—we shall see everything in that light. But life does not take its course with only one meaning and on only one track; it demands of us in our thinking flexibility, change of form, multiplicity. This is something that fundamentally we can make our own only by cultivating Spiritual Science aright, something that is at present of great importance for finding our right path. For that reason I should like in this lecture to enlarge upon something in connection with Goethe. It is nothing very special I want to say about him—that as you have seen has appeared as though of itself—but I just want to touch on important truths of Spiritual Science that may fitly be connected with what we find treated artistically by Goethe in the actual scene to be represented. Many turn away from Goethe in scorn because they find him unscientific, just as they find Spiritual Science. But many would profit if only they would go deeply into such a spirit, such a soul, as Goethe's. For it frees us from the false belief—really a superstition—that we can make progress with concepts having only one meaning, with life that has only one meaning. There is no development, my dear friends, without its reverse, an opposite development and where there is reversed development there will also be development. When you direct your mind whole heartedly to the primal phenomena and metamorphoses in nature, without obscuring your vision by theories, this leads not to a mere onesided conception of nature, but to a development in the soul of that other conception which turns towards the spirit. And when you develop this conception correctly, you can no longer approach nature with false theories but are induced to let nature, through her material phenomena, be her own and only interpreter.

Thus it is, too, when in the sphere of Spiritual Science, one has to express in words anything as serious as what was put before you yesterday concerning the evil connected with the appearance of the Phorkyades; or what it was necessary to say about man having in his subsconscious much that does not enter his consciousness. Through misunderstanding such things are often taken ill. Just think! when with real knowledge it is said that certain things are in the subconscious how the hearer jumps to the conclusion: this man is no friend of mine, even though he allows that these things are unconscious; he imagines that in my subconscious I am doing all kinds of things sub rosa. So also may our contemporaries think: This anthroposophist insults us by saying we have subconscious fear and apathy—he is running us down. But, my dear friends, the world has not only one meaning. I do not confine myself to saying people have fear and apathy in their subconscious. I say also that in your subconsicies you have the whole spiritual world—but you have to realize it. That, too, is in the subconscious; it is the reverse side. In Spiritual Science one does not make any assertion that does not involve a second. And those to who I say: You have subconscious fear, subconscious lack of interest, should remember that I also say: It is true that you are not conscious of your fear and apathy; you disguise them by all kinds of untruth and by your belief in limits to knowledge. You have, however, the whole world of your subconscious about which to make discoveries if you will only take the plunge. I am not only accusing these people as they think, but telling them besides something good about their subconscious. This is what can make you see that life is not one-sided, nor can it be so represented in Spiritual Science.

Thus indeed, on the one side, we speak in the way we often have to speak. When we have to show aversion, fear and apathy as having been instilled into man, we have also to warn him of the dangers he has to overcome if he wants to make his way to the spiritual world—how he must overcome certain disagreeable things—that is certainly one side we have to make clear. But, my dear friends, just consider what a fund of experiences that give happiness to the soul lie in the conceptions of Spiritual Science being able to open our eyes to the life among our fellows which we lead here between birth and death; what experiences that bring joy to the world are opened out to,us when we know we can live more intimately ith those who have passed through the gate of death. And imagine, when once this idea of two-sidedness is really grasped, when once the world is looked upon rightly in the sense of Spiritual Science, what Spiritual Science has to say will not demand of us only a hard struggle to enter the worlds of the spirit, but over the hearts of men it will be able to pour a whole host of experiences that give comfort. It will have a whole host of other experiences that bring joy to the soul of man so that it grasps that it will become increasingly capable of living not only with those who surround man in the perceptible world, but also to lie with all those with whom he has entered into some kind of connection in this life, after they have passed through the gate of death. My dear friends, could we with reason even desire that the knowledge carrying our souls in full consciousness beyond the gate of death should be easily acquired? No, indeed; if we are intelligent and reasonable, that is something for which we could not even ask. men of the future will be obliged to undergo hardship to find their world happiness. To this end they will have to make up their minds to seek knowledge of the spiritual worlds.

This is what I wished to say to you today.

• 1. In Man or Matter by Dr. Ernst Lehrs the words “light” and “dark” have been reserved for referring to the primary polarity, “lightness” and “darkness” being used to express their visible effects. The same principle has been followed here.
• 2. Given 19.3.11 and 25.3.11
• 3. Given 5.11.17

Yesterday I spoke to you of the scene from Part II of Goethe's Faust that had just been performed, and I should like to run over again the main thoughts then under consideration. For in this scene we are dealing with one of the most significant of Goethe's creation, with a scene he added to his Faust after having wrestled with the problem of Faust for about sixty years. Moreover, we have to do here with a scene through which we can look deep into Goethe's soul, in so far as it was dominated by the urge for knowledge—dominated above all by the great seriousness of this urge. While grasping all the knowledge in this poem of Faust we must never forget, however, that everything revealed in it with such lofty wisdom in no way prejudices—as is frequently the case with lesser poets who attempt anything of the same kind—in no way prejudices the purely artistic force of its construction. I have drawn your attention before to what Goethe stressed to Eckermann, namely, that there is much concealed in his Faust, many riddles of man to be recognised by Initiates, but that he had taken trouble to put it all into a form that, regarded merely from the theatrical standpoint, can with its pictorial quality impress even the simplest natured minds. Now let us bring again before our souls just the main points of what was said yesterday about all that is thus concealed, and afterwards go on to what we could not then touch upon. I mean, the conclusion of the scene.

I said yesterday that this scene shows clearly how Goethe was following up the problem of man's self-knowledge, man's comprehension of himself. For Goethe, knowledge was never something merely abstract and theoretical; to grasp the truth was for him a scientific urge. Also, for him—as it will increasingly be for future human evolution—what he sought in his soul as knowledge was something that has to be an impulse to experience life in all its fullness, to experience all that life can bring to man in the way of fortune and misfortune, of joy and sorrow, of blows of fate and opportunities of development. But, in addition to this, the urge for knowledge must be related to all the claims life makes on a man, as regards his behaviour towards society as a whole, as regards what he does and creates. Faust is not meant to be represented merely as a man striving after the highest knowledge, but as one bound up in his innermost being with all that life demands and brings. To this end, Goethe seeks knowledge for his Faust, that is, knowledge of man, comprehension of the self, comprehension of the forces at present latent in mankind. But Goethe sees clearly that ordinary knowledge, dependent on the senses and conditioned by the understanding, cannot lead to this self-knowledge. For this reason he introduces into the Classical Walpurgis-Night Homunculus, the product that was supposed to be, for mediaeval research, the copy of a human being that, within external nature, the physical understanding was able to put together out of natural forces and natural laws. All this comes into the idea of Homunculus. Yesterday I went more deeply into what Goethe meant to convey in his Homunculus, apart from any superstition connected with him; but now let us consider his more obvious meaning. In his Homunculus-idea he wished to represent what a man, here in the physical world, can recognise in himself. Whoever makes use only of the knowledge offered him by science, or by the study of physical life, can never gain knowledge and comprehension of man in accordance with Goethe's conception. He will never know Homo, the human being; he will be able to picture in his soul only Homunculus, an elemental spirit who has come to a standstill on the path to becoming man. Goethe wrestles with this as with a problem of knowledge: How can the idea of Homo grow out of the idea of Homunculus?

The whole mood and tenor, the whole artistic structure of the Classical Walpurgis-Night shows how clearly Goethe saw that the problem of human nature con only be solved by a knowledge based on investigation pursued, outside the body, by man's soul and spirit.What he wishes to ray forth from his Faust is his conviction that information concerning man can be given only by those who admit the validity of knowledge acquired outside the instrument of the physical body. Hence, true Spiritual Science, true Anthroposophy, alone can lead to the knowledge of man, of Homo; while all the other knowledge dealing with the physical world, can only lead to the idea of Homunculus. As far as possible, during the whole of his life, Goethe was ceaselessly occupied in striving towards this supersensible knowledge. He sought it on various paths, and those paths that opened out to him he endeavoured to portray artistically in his Faust. Faust was to represent for him a man who at last arrives at a real knowledge and comprehension of mankind.

Now, in Goethe's time Anthroposophy was not yet, and could not have been, in existence. Hence Goethe tried to associate himself with his contemporary culture, in which thee were still echoes of atavistic spiritual vision. And after showing all that is in the Romantic Walpurgis-Night of the first part of Faust to be inadequate for knowledge of man, his great desire was then to take refute in the Imaginations of the Grecian myths. We have so often spoken of Goethe that we can easily see what lay beneath this idea of his.—Goethe felt and experienced that man is not to be grasped through the concepts of physical understanding. But he had no wish, as yet, to supersede these by his own Imaginations; therefore he sought to give a new form to those of ancient Greece. Thus, if we wish to give a more exact description of the scene just presented, we may say: Goethe wanted to show how a man, Faust, has been approached (from outside, but that is of no importance) by the idea of Homunculus, the only idea to be obtained in this respect in the physical world. He wanted to show how such a man, by his state of consciousness undergoing a change through his leaving the body, will then behave differently. He will behave like a man who, asleep at night outside his body, becomes able to perceive what is around him, all that surrounds him of a soul and spirit nature. Then, if he goes to sleep consciously, as it were, retaining his consciousness in sleep, if, sleeping on, he can take with him into his sleep-knowledge the idea of Homunculus acquired in his physical life, he can so transform it that it seizes hold of human reality. This is what Goethe wished to represent; and to help in the task, he took the pictures of the Grecian myths. He shows often in this scent how far in his feeling he was removed at least form the superstition of the pedant, who sees nothing more in such myths than poetic fiction and creations of fantasy. And I have often told you that, as a result of this superstition, it is claimed that legends, traditions, myths, persisting among simple peoples, are conceptions of nature transformed by fantasy. These superstitious pedants have really no idea how small a part fantasy plays in the creations of simple minds, not how prevalent among them is a certain atavistic power of beholding reality in dreams.

Now in the myths developed by the Greek spirit, there is not merely poetry, there is a true vision of reality. And the element Goethe first presented was the one in which all ancient peoples have seen the impulse in the soul that brings about its separation from the body. Connection with the outside world was much closer for the men of old than for the present-day abstract rationalistic man. In olden days when men climbed a mountain, for instance, they did not merely experience a physical, barely perceptible difference in the breathing, a densification of the atmosphere, or a change to the eye in perspective; for them it was a passing from one condition of the soul to another. For a man of those days the ascent of a mountain was a far more living experience than for modern man who has become so abstract. They felt with special vividness, what some sea-farers still experience today in a primitive, less delicate way, that, to a certain degree, soul and spirit actually free themselves from their instrument, the body. The more sensitive sea-faring folk still have this experience. But the men of old felt as a matter of course: “When I sail out on the open sea, and am no longer connected with the solid earth and its definite forms, then my soul frees itself from the body, and I see more of the supersensible than when I am surrounded by earth's rigid outlines.”—This is why, when Homunculus is to be changed into Homo, Goethe introduces a gay festival of the sea, and it is Thales, the man of natural philosophy, who conducts Homunculus thither.

And we see the Sirens. I spoke of this yesterday so today I shall not dwell upon the dramatic an pictorial way in which everything here is put into external form. I will, however, point out that the deeper mystery that Goethe would also have us see, the mystery of the Sirens' song, lies in these demonic beings belonging on the one side to the sea, but being able to become living, as demonic beings of the sea, only when the moon shines upon it. The moonlit sea lures forth the Sirens who, in their turn, lure forth man's soul from within him. The state of consciousness in which the supersensible world can be perceived in Imaginations, in pictures, is therefore brought about by the Sirens. Above all they practise their wiles on the Nereids and Tritons, who are on their way to Samothrace, to the sacred Mysteries of the Kabiri.

Precisely why does Goethe introduce the Kabiri? This is because his Homunculus is to become Homo, to become man, and because the Initiates of the holy Mysteries of the Kabiri in Samothrace were above all destined to learn the secret of man's becoming. It was this secret that was represented in the Kabiri. Here in the physical world is accomplished physical becoming, but this has its counterpart in the sphere of spirit and soul, a counterpart only to be seen outside the body in Imaginations. Unless the abstract idea of Homunculus is brought into connection with what can be seen here, Homunculus can never become Homo. Thus Goethe believes in all that the Greek felt when thinking of his Kabiri in Samothrace; he believed something was to be found there over and above the abstract idea of Homunculus, through which it might grow to the idea of Homo.

Let us without prejudice speak of what this really involves. In what man can experience of himself through ordinary knowledge, that amounts only to what he is as Homunculus, Goethe saw something to be compared with the unfertilised human germ-cell. Considering the unfertilised germ-cell in the human mother, we recognise it as something from which no physical human being can arise. It must first be fertilised; only then can there be a physical human being. And when we think with physical understanding alone, in these thoughts the inner being of man can never be lit up, for this is only what can be produced one-sidedly, and may be compared with what can be produced by the woman one-sidedly. All it is possible to grasp with out physical understanding, must be fertilised by knowledge gained outside the physical body. Half the riddle on man is hidden from the mere physical power of understanding. The atavistic clairvoyance adapted to ancient times wished to point, in the Mystery of the Kabiri, to what, in the spiritual connection of nature, is the other half of man's becoming which in its turn points to the immortal in man. That is why Goethe thought that possible through the impulse of the Kabiri the developing of Homunculus into Homo might be represented.

But Goethe, as one who sought knowledge, was not only to a high degree a serious seeker, but, at the same time, something which, my dear friends, is very much rarer in the sphere of knowledge than one might think—a deeply honest soul. He wished to test how far he would get by breathing new life into such a mystery as that of the Kabiri. Those who seek knowledge with less honesty make a few antiquarian studies, perhaps adding a few fantasies founded upon these, and then consider they know something of what is expressed in the Kabiri Mystery. Yes, my dear friends, the honest seeker after knowledge never knows as much as the seeker who is less honest, for he always considers himself more stupid than those who light-heartedly piece together information from here and there, which, easily acquired, is then said to be absolutely complete. Goethe was not one of those who took knowledge thus light-heartedly. He knew that, even if he had striven for it from the year 1749 to the year 1829, in which he wrote this scene just witnessed (a scene written in the most difficult circumstances about two years before his death) even if he has grown old in this striving and has never relaxed, nevertheless, for the honest searcher after knowledge there is always a remaining sting. Perhaps in some direction one ought to have done better.—This is what worked so intensively out of Goethe's very nature—this absolute honesty. This made him recognise, where the riddle of the Kabiri is concerned: As a modern man who can no longer call upon clairvoyance, I cannot know what the Greeks thought about the Kabiri—I cannot know this for certain!—But perhaps that is not of most importance, for Goethe had the feeling that there was a kind of knowledge of the Kabiri Mystery within him, which, however, he could not wholly grasp. It was like a dream that not only immediately fades, but of which one knows that, although it passes away so quickly, it contains something most profound; it hovers so lightly that the understanding, the intellect, does not suffice, the soul-forces do not suffice to give it clear and definite outline. It is precisely in this intimate inner development that there lies the significance of this scene. We do not understand it at all if we wish to explain every detail. For Goethe has called up pictures for the very purpose of showing—“Here I am close to my goal yet cannot reach it.”

Thus, he introduces the Kabiri to show how, perhaps not he but someone who fully grasps the Kabiri Mystery, may find the bridge for Homunculus, with the help of that Mystery, to come to Homo. He himself cannot yet succeed in this, and has therefore chosen other paths in the imaginative world. That is why he makes the philosopher Thales conduct Homunculus into the presence of Nereus. Now Goethe thought very highly of Thales, though not to the point of giving him credit for being able to show Homunculus how to become Homo. This Nereus has a great gift of human understanding and knows how to transform the divine into the demonic, thus foreseeing the future, so that it may be supposed he knows something about changing Homunculus into Homo. But here again Goethe wishes to show that this is not the path. For on this path we come to a one-sided development, raising the human critical understanding to a demonic height that not only runs to dull criticism but to actual prophetic criticism holding in mind the good side of human criticism. Nereus, however, a kind of priest among the demons, is not in a position, either, to approach the Homunculus-problem. He does not even want to do so. Goethe has the feeling that, should human understanding be developed to the demonic, should the critical faculty of investigation possessed by man be—shall we say—demonised, he would then lose all interest in this most profound human problem of raising Homunculus to man. Thus nothing is to be gained from Nereus. But he does at least draw attention to the imminent approach of his daughters, the Dorides, sisters of the Nereids, and among them, the most outstanding of them all, Galatea. Yesterday I tried to indicate what is represented in this picture of Galatea.

You see, my dear friends, the modern man of research sees everything telescoped into a single moment of life. In the Greek world-conception—by no means confined to what is generally known as classical Philology—what live in the human being was still closely connected with all that lives in the whole of external nature. All that contributes to the becoming of man exists in another form, weaving and pulsing through every process of nature. But we have to be able to discover it. Our present capacity for knowledge is not sensitive enough to penetrate into the regions through which we participate in external nature, in the experiences of the great universe. These experiences are, indeed, concealed in man, in his development from the human germ-cell, from conception, fertilisation, to birth and his appearing as a human being. The same processes that then take place, in concealment within the human being, are going on continuously all around us. It was precisely this which, in the Kabiri Mystery was disclosed to the candidate for initiation—how in nature conception and birth are living. We see the moon rise and set, we see the sun rise and set, feel the warmth the sun sheds around, receive the light it radiates; we see the clouds moving, look upon their changing forms. Within all this weaving and pulsing through the world lies the impulse of becoming. But modern man no longer perceives this; he will perceive it, however, if he develops himself further through Spiritual Science. And formerly he perceived it with an atavistic sense of cognition, with the atavistic perception and conception of olden times.

Here we must have recourse to that finer capacity for perception still existing in days of yore. It might be said that what happens when, instead of direct sunlight, moonlight is on the sea, moonlight is reflected on the waves, is experienced half consciously as dreamy presentiment, as the foreshadowing of a dream. Man today looks at the way moonlight is reflected on the waves; and all the physicist can say is that moonlight is polarised light. That is an abstraction that says very little; and the physicist experiences nothing of what is actually happening. We experience it today if someone burns us with red-hot tongs; our capacity for sensitive feeling takes us that far. But in the Greek world-conception it was recognised that something of soul and spirit lives in the rays of the sun, something similar, yet distinct, is living in the rays of the moon, and that something actually happens when the moonlight—that borrowed sunlight—is wedded to the waves of the sea. It knew what was surging there when the pulse of the moonlight throbbed in tune with the waves of the sea. When the moon was thus wedded to the waves, the Greeks perceived in this light-enchanted weaving the impulse surging, pulsing, through the external world which, from conception the birth, pulses and surges in man. Outside in nature the Greek perceived in another form what is present in man when, in the physical sense, the mystery of human becoming is being accomplished.

Goethe, by putting into new and artistic form what intimately and delicately the Greeks might have felt, shows clearly how it echoed in his own feeling. He expresses all this by making Thales point to the retinue of the moon approaching on little clouds, accompanying Galatea's shell-chariot. This shell-chariot is the generating force in external nature pulsing through the sea. Goethe associates it with Luna, the Moon-force, the Moon-impulse. Thus, once again he evokes a significant Imagination from the Greek world-conception, in order to draw nearer the process by which, in man's conception, the abstract Homunculus-idea can become that of the Homo. Only when we can with feeling experience the intimate details weaving and surging in Goethe's wonderful pictures, do we really enter into what in this scene was living in Goethe's soul. We shall never go deep into all this scene contains if we try to grasp it with our bald, abstract concepts, and without arousing in ourselves an intimate sympathy with what Goethe was able to experience.

Thus, if I may express myself in dull, theoretical fashion, we shall come nearer the solution of the Homunculus-Homo problem if this idea, seen from outside the physical body, is planted into the generative impulse weaving, throbbing, through nature. Even before he brought Homunculus into contact with this generative impulse, Goethe had called in Proteus, the demonic being whose inner bent of soul Goethe regarded as most closely allied to his theory of metamorphosis. He has endeavored in this theory of metamorphosis, to follow up the changes in the living form, from the lowest order of beings up to man, hoping in this way to come nearer the riddle of man's becoming, the riddle of Homunculus-Homo. We know that Goethe had far to go before being able to arrive at the solution. He thought to recognise that the foliage leaf changes into the petal of the flower that, in its turn, becomes the stamen and pistil of the flower. He also believed that the bones of the spinal column are transformed into the skull bones. There he stopped, for he could not press on to the crown of this metamorphosis-idea, that appears for us when we know that a metamorphosis takes place in the forces which, from one incarnation, from one earth-life to another, permeate the human body. What today is my head has its form through the metamorphosis of the rest of the body of the previous incarnation; and what is my present body will be, with the exception of the head, transformed till, in the next incarnation, it becomes my next head. This is the crown of Metamorphosis. But Goethe could only give us the elementary stages of the idea of metamorphosis which flows on into Spiritual Science. He came nearer its further stages when trying to grasp and put into poetic form the problem of Homunculus-Homo.

And he set forth with honest doubt all that could be reached through Proteus as the representative of the metamorphosis-idea. Proteus appears in his various forms that exist, however, side by side. Everything that can lead to the birth, the supersensible birth, of the Homunculus-idea is here brought in by Goethe. Now he again comes to a standstill. Then fresh light flashes in. In contrast to all that is demonic, the elemental beings of a spiritual nature, Nereids, Tritons, Dorides, Nereus, Proteus, and so forth, in contrast to all these, there appear the Telchines. These, the oldest artists, as it were, of the earthly world during the fourth post-Atlantean epoch, remind us that Goethe was trying to approach the riddle of man, not only by the path of physical science, but also by another path of the senses—the path of art. As man, Goethe was neither one-sidedly a scientist, nor one-sidedly an artist; in him scientist and artist were consciously combined. Hence, as he stood before works of art in Italy, he said that he saw something there suggesting that the Greeks, in creating their works of art, worked in accordance with the laws nature applied, the same laws that he himself was tracking down. And if you let Goethe's book on Winckelmann work upon you, you will see how Goethe sought to come nearer knowledge of the riddle of man by way of art, how he sought to follow the course of natural phenomena to the point where, as he so beautifully expresses it in this book, nature becomes conscious of herself in man. What can be done here by the artistic conception of nature—seen from the other side, from the standpoint of supersensible knowledge—is made evident to us with the appearance of the Telchines, those ancient artists who first depicted Gods in human form.

Goethe intimates that, whereas he generally leads the human consciousness away from the physical to the superphysical, here he is making one look back from the superphysical to the physical; the Telchines are in the superphysical, but what they mean, what they stand for, passes over into the physical. They are portrayed as being in contrast with all the other figures—those dedicated wholly to Luna, to the Moon, and referred to by the Sirens as follows:

“Helios' initiated
Ye to bright day consecrated
Greet us in this stirring hour,
When we worship Luna's power.”

Thus they actually belong to the Sun. On the island of Rhodes they erected statue after statue to Apollo. The attempt has been made to solve the Homunculus-Homo problem by looking across to the supersensible world; but that too has been unsuccessful. And Proteus himself energetically denies that anything is to be gained from the Telchines for the transformation of Homunculus into Homo.

And what happens next? There now appear the Psylli and the Marsi, kinds of snake-demons, who bring with them the previously described shell-chariots of Galatea. The Psylli and Marsi are demonic snakes, who draw into the spiritual the souls of human beings; at the same time they are servants in the world man inters on leaving his physical body. In that world there is no separation between the purely animal and the purely human, the animal from passes over, merges, into the human.

Now after being shown by means of the sailor boys, and the Dorides who represent that world, how difficult it is to put before man the relation of the spiritual world to the world of the senses, we then see the shattering of Homunculus against the shell-chariot of Galatea. There is deep meaning in the Dorides thus ushering in the sailor lads in this scene. The Dorides are demonic beings of the sea, the sailors, human beings. Goethe is wishing to show how man is abel to approach spiritual beings from the other side of existence, and how destiny (we are distinctly told the sailor lads have been saved by the Dorides) brings man into connection with the Gods. But here in physical life this relation is immediately broken down; there is no continuous connection when the superphysical and physical wish to unite—the Gods will not suffer it.

Then at the end of this scene we ar confronted by this wonderful picture. After everything ha been tried through majestic Imaginations to turn Homunculus into Homo, there follows, as the highest, nearest, most significant approach to the solution of the riddle of man, the actual plunging of Homunculus into the generative force of nature in so far as it shows itself through the moonlit, moon-enchanted ocean waves. Into these waves Homunculus now plunges. And what do we see at the end of the scene? A flashing-up, a flaming forth, a manifestation of all the elements—earth, water, fire, air, all these elements overpower what is here taking place. And it almost seems to us that sunk with our cognition into sleep, we ourselves learn to know the Imaginations which, in the other side of existence, can alone interpret the riddle of humanity—it seems then, that through the rolling on of the generative forces we are called back into the life we must live out in the body. I told you yesterday that the force underlying impregnation, conception, pregnancy, embryonic life and birth, is only a more extended, more intensive form of the same force as that which lures us back from our nightly sleep, or from the sleep of cognition, to physical waking existence. These forces are identical. Every morning when we wake, the force that wakes us is, though different in intensity, the same as that by which a human being is conceived, carried as embryo, and born. One only of these is seen here on earth, and that merely in its external, not in its deeply mysterious, inner aspect. The other passes over us unperceived. The holy mystery of waking is unperceived in its passing. We sink down into a spiritual world, we are submerged in a spiritual world; we wake up, take possession of our body, and are in the physical world of the senses.

There are, nevertheless, even among those who are not clairvoyant, some men who when they are asleep know quite well what is actually living above, and through their sleep dreamily experience the spiritual world in its reality. Then they wake through the same force as the one living in Galatea's shell-chariot—the generative force of nature with which Homo-Homunculus unites himself on his way to becoming man. Some men know this even when not clairvoyant. There is, however, in clairvoyance, a knowledge that is perfectly clear concerning this waking. It may be understood in imagination only as a diving out of the spiritual world, down into the physical world of the senses, the world that lives in the elements of fire, water, earth, air. And on returning to this reality, all we think to have gained above in the other world, towards making a Homo of Homunculus, is dashed to pieces.

Faust is to plunge into the reality of ancient Greece; he is to meet Helen in person. And when you turn the page from the mighty finale of this scene where it runs:

“Hail the ocean! Hail the surge!
Girt with holy fire its verge,
Hail the water! Hail the fire!
Hail the chance that all admire!
Hail the breeze that softly swelleth!
Hail the grot where mystery dwelleth!
All we festally adore
Hail ye elements, all four!”

When you turn the page, you come to the third act:

“Admired much and much reviled Helena,
Leaving the shore where we but now did land, I come
Still drunken with the unrestful hallows' tumultuous
Commotion, that from Phrygian lowlands ...” and so on,

Faust is to enter Greek reality, he is to be wakened out of spiritual perception, highest spiritual perception, of the Homunculus-Homo problem, wakened into the Greek world. He is to wake there consciously, as Goethe wished to do; the moment of waking has to be brought about so as to show that what has been perceived in the spiritual world, in the supersensible, concerning the riddle of man, is shattered when the descent is made again into the external, physical reality of the body. That is an external process in nature, when the moon disappears and dawn breaks. But man today experiences this relation at best as something allegorical, symbolic or poetic. The reality underlying it is little recognised. We meet it here in something that is at the same time an embodiment of the problem of knowledge and also of true poetry. Goethe has indeed succeeded in leading Faust into the supersensible world in a noble way, and in making him wake to life in Greek reality.

We might remind ourselves here that it was during the eighties of the eighteenth century that Goethe took flight to Italy—for it was indeed a flight. Having studied nature in the north, he then wished to discover, for the benefit of his conception of the riddle of the world, what he believed that art of the south alone could give him. He gained much for we know what Goethe had become by the nineties of the eighteenth century. By then he had grown older, and that means younger in soul, for as a man outwardly ages, in his soul he grows young—youngest of all when he comes to dying. The life of the soul runs backward.—And so we come to about the year 1829. We may trace and experience what Goethe may then have felt: If, when I had the opportunity of really penetrating the art of the south, of making the spirit of Greece alive before my soul, if at that time I had only been able to take the plunge into the spiritual world that I now merely divine, how much richer, more intensive, all my experience would have been.—The characteristic mood of this second part of Goethe's Faust depends on our recognising in it an artistic representation of what has been experienced in life by a soul grown young again, a soul who in thus growing young has been enriched to a very high degree. That is why no philistine will be able to make much of this second part of Faust. And I can perfectly understand it when Schwaben-Vischer, the so-called V-Vischer, in many ways so spiritually minded, and who has said so much that is good about Goethe's Faust, has found that this kind of thing is tedious—the cobbled together patchwork of an old man. But philistinism, my dear friends, however learned and intelligent, can never penetrate into all the poetry, the lofty poetry, of the second part of Faust. No one can enter into this who does not allow his poetic sense to be warmed through, fired, by what spiritual vision gives.

Tomorrow, after the performance, we will say more about this scene, in connection with Goethe shown there concerning his own impulses.

In the two lectures following the performance of the later Walpurgis-night scene, from the second part of Faust, I hoped to evoke the feeling that, in the whole of his inner life, Goethe was in reality on the path to the supersensible world. I wanted you to feel that he succeeded, as perhaps no other artist, no other poet, has ever done, in developing an artistic creation out of this spiritual life, so that in this creation neither the art not the wisdom falls short and, in its own place, each of the spheres—of striving and wisdom—achieves harmonic expression.

I should not like you to think that in what has been said I have been wishing to give an interpretation of this poem; that was not at all my aim. For in this sphere I consider interpretation to be utterly useless. All that was attempted in these studies was to create the possibility for you to absorb and enjoy a poem, a work of art, in the same element in which it was created. Such studies should simply teach the language, as it were, the spiritual language, in which such a work is written, and should not expound or interpret, for as a rule that too often results in misconstruction and misinterpretation.

Now, if we keep to this mood in the matter, the following may perhaps be of use. You see, there are two fundamental feelings at the base of all striving for knowledge, of every kind of striving towards spiritual experience. One of these feelings comes from man having to think, having to form ideas, as he lives his life between birth and death in the physical body. I think you will agree that we should not be complete human beings, were we not to think about things and about ourselves. Then, too, if we wish to make our lives fuller in the physical body, between birth and death, we have not only to think but also to will. And feeling lies midway between thinking and willing; sometimes it partakes more of thinking and forming ideas, sometimes more of willing. Hence, for the purpose of our proposed study, we may ignore feeling, and consider the one pole of forming ideas, thinking, and then turn to the other pole of human activity, the willing. Man is a thinking and a willing being. But there are special features about this thinking and willing. The trivially-minded, average man looks upon what can be attained as the attainment of a goal if, on the one hand, he thinks as clearly and forcibly as possible, in his own opinion, at least, and if he wills in accordance with his needs. What distinguishes the man of learning who is fundamentally honest, is that he finally admits, when he tries to advance on the path of thinking, that with his thinking in the physical body he still only goes a certain distance towards his goal.

With this thinking, my dear friends, it is exactly as if a man were striving towards a goal; he cannot see it though knowing in what direction it lies. He wants to hasten towards it, but although he knows where the goal must be, it is wrapped in darkness. He imagines it will only become clear when he reaches it. And while he is feeling that he is still nowhere near the goal but a considerable distance from it, some being seems to seize from from behind, and to stop him going farther. And he says: Thinking, the forming of ideas, drives me in a certain direction, then I am stopped; were I to pursue the path of thought in this direction, I should never be able to reach the goal thinking itself has indicated.—Thus he comes to one of the boundaries to which he is by nature subject in the life between birth and death. And it may be said that whoever has never experienced the suffering and blows of fate arising from the goal of thought, has certainly no very deep cognitional life. If, by the inner constitution of his soul, a man can fancy he is able to reach the goal of thought by thinking, he is doomed to superficiality. We can be preserved from superficiality only when by trying to think as deeply and clearly as possible, we begin to feel harassed by the hindrances to thought. This feeling of being frustrated in thought is a profound human experience, without which we cannot pass beyond superficiality into a really deep comprehension of life.

And this is not the only boundary set to the human being's full experience between birth and death; the other is encountered where the will is unfolded. This is the sphere in which there germinate men's desires arising out of the life of instinct. Man is driven to willing in the crudest sense through hunger and thirst and other instincts; and there is then a rising scale from instinct up to the purest spiritual ideals. In all these impulses, from grossest instincts up to spiritual ideals, willing is deployed. But now, if we are to try and establish ourselves in life with our will that passes over into action, we again come to a boundary. Fundamentally, Goethe's aim in Faust was to establish Faust in life by means of his will, so that he should be able to experience all that makes life happy, all that shatters life, all that gives freedom and all that is sinful. And if we try to take our stand in life with the will that passes over into action, the will translated into deed, we again find ourselves up against a boundary. But now it is a different feeling that arises. It is not so much that in our thinking we are stopped and hindered from reaching our goal, but rather that, while we are willing, we are seized upon, and our willing goes on no longer in accordance with our own wishes. In the act of willing one is snatched away. Someone else arises in our willing, who carries us off.

This then is the second feeling which, when experienced by man, leads him out of superficiality into a profound conception of life. Self-satisfied philistines, it is true, are of the opinion that a man reaches his goal by sufficiently developing his thinking and willing. But it is on these paths of complacency and self-satisfaction that the superficiality of life lies. There does not lie here what makes it possible in life's testing, after suitable probation and the crossing of an abyss, to enter another world, a world that cannot be lived through with the consciousness developed in the life between birth and death. A man is tested when, with suitable intensity, he realises in his soul the two boundary lines already referred to. Men must understand precisely from what Goethe has given, that it is not merely the bliss of endeavor—often imaginary and based on pure illusion—that can be experienced, but rather what leads a man to his goal over all hindrances, disappointments and disillusions. And whoever strives to avoid disillusionment, and refuses to transform, to metamorphose, the whole human being in certain moments of life, cannot press forward to knowledge of man, to the understanding of man.

We need not realise, my dear friends, that in this connection the Christ-permeated conception of the world and of life must, in the near future, experience a significant change. Hitherto, Christianity through the way it has developed in the different religious denominations is, usually, only at its initial stage. If we want to describe this development, we might say that it has created the feeling in man that Christ did once exist. And even this feeling that Christ once existed has been lost again in the materialistic research of the nineteenth century. What Christ brought into the world, Christ's connection with the striving of the human soul, into all this life will first pour in future through the researches of Spiritual Science, and through a spiritual kind of cosmic feeling—a supersensible experience. This will be seen if, to begin with, in this intellectual age, the majority of mankind can only have the experience in Imaginations, in imaginative pictures.

But these two basic feelings of which I have just spoken as arising from the two boundaries of self-knowledge and self-comprehension, these two feelings must find a crossing-point from a passive to an active Christianity. Just think how, for many people in the past, Christ has been nothing more than a helper in straits where a man is unable to help himself. Think of the strange way in which the Roman Catholic Church took on, at a certain time, the forgiveness of sins; anyone might sin as much as he liked, provided he repented and did due penance afterwards, he was forgiven. In short, Christ was there to help in time of need, to make good what men as a whole had no intention themselves of making good. And then look at the other, more Protestant error, where a man remains passive too, arranging his worldly life, his worldly activities, to suit himself, and then perhaps expecting that merely by belief in Christ, by a passive feeling of being united with Christ, he will be saved. This twofold passive relation to Christ belongs, and must belong, to the past. And what is to take its place must be a relation to Christ that is an active force, a going to meet Him, so that Christ does not do for a man what the man does not want to do, but gives him power through His being to do it himself. An active Christianity—or rather a Christianity that comes to activity—is what must take the place of passive Christianity in which actually (forgive the trivial mode of expression) a man does what he pleases on the physical plane, making God into a kindly friend who pardons everything if only man turns to Him at the right moment.

This my dear friends, will at the same time mark the dividing line between the age which must now belong to the past, the age that has led to so terrible a human catastrophe, and the age that must come. It is only when this coming age has passed over from a Christianity that is passive to one that is active, that it will be qualified to heal those evils that have already shown themselves and will continue to do so increasingly so long as the principles of the past prevail. These evils are rooted deep in human hearts and souls; and they must be healed if earth-evolution is to proceed.

The two basic feelings of the boundaries to thinking and willing may also be described by saying: The one boundary makes it clear that a man cannot arrive at knowledge of his own nature. As human beings we are so constituted that we cannot, on the one hand, arrive at our own human nature, cannot with our thinking reach ourselves. In willing we do this, for willing actually proceeds form ourselves; in willing we lose ourselves; but here another seizes us—another cosmic being is formed simply according to the principle of this duality. He is a dual being, not a monad, but a dual being. The one member of this twofold being cannot reach itself, the other loses itself.

Hence man is never correctly represented when shown as a mere monad, but only when an effort is made to show him as standing midway between being unable to reach himself, and losing himself. And when it is possible for men to feel both at the same time with all intensity, then he feels himself rightly as a man on earth. When he feels a kind of oscillation between the two, then he feels himself man on earth. In spite of this oscillation, what must be arrived at is repose of being. This repose of being is attained in the physical sphere by the pendulum, the balance; in the spiritual, moral sphere, man must be able to attain the condition of repose reached by the balance and the pendulum. He must not aspire to a position of absolute rest; that would make him indolent and corrupt. He should strive for the state of repose midway between the beats, midway between the not-reaching and the losing himself.

In order to develop these feelings correctly it is essential that other feelings be added concerning life and reality.

You know, my dear friends, I have often called your attention to the one-sided way in which evolution is understood today. Think how the whole of evolution is now conceived as if what comes after were always the result of what went before. Actually, the man of today thinks of the successive stages of evolution almost like a set of cardboard boxes fitting into one another. And then, as for development, one box represents the human being between birth and the seventh year; then the second is taken out, and that is the human being from seven to fourteen; the third from fourteen to one-and twenty, and so on—one always coming out of another. To modern man the most acceptable idea is evolutionary advance in a straight line.

This is really at the bottom of all the grotesque notions that are learnt at school nowadays, notions which in future will be regarded as scientific lunacy of the enlighted period of the nineteenth and twentieth centuries. To imagine thus that there was once a nebular condition (the Kant-Laplace theory) and that then, one after another, cardboard box out of cardboard box, the successive stages always proceeded out of the earlier—this is an abnormal idea of present-day science. For things are not like that. Just think how evolution in the individual man between birth and death appears, to even a moderately unprejudiced observation! The actual limit of the first period in life is the change of teeth, as we know—the cutting of the second teeth. I have often drawn attention to this. How what is this second cutting of teeth at about the seventh year, at the close of the first life-period? It is a consolidation, a hardening, of the human being, when a hardening process takes place in men. It is like a drawing together of all the life-forces, so that eventually the densest, most mineralised part, the second teeth, can appear. It is a real concentration and densification of all the forces of life.

The second period in life ends at puberty. And the case here is exactly the reverse. Here there is no concentration of life-forces but, on the contrary, a rarefication of them all, a dispersal, an overflowing. An opposite condition pulses in the organism. And then again, only in a more refined way, in the twenty-first year when the third life-period ends, consolidation takes place in man, the forces of life are once more drawn together. With the twenty-eighth year there is again expansion. The twenty-first year has more to do with the placing of what is within man,the twenty-eighth more with his attitude to the whole wide universe. Approximately at the thirty-fifth year there is again a kind of contraction. That is the middle life—the thirty-fifth year.

Thus, evolution does not go in a straight line but, rather, in waves: contraction, hardening; softening, expansion. That is essentially the life of man as a whole. By being born here in the physical world, we contract into our individual skins; while we are living our life between death and a new birth, we are increasingly expanding.

What follows from all this, my dear friends? It follows that the idea of evolution going in a straight line is of no help at all; it leads mankind astray, and we must reject it. All evolution proceeds rhythmically; all evolution goes with the rise and fall of waves—expanding, contracting.

Contraction, expansion. Goethe sensed this in its elementary stages. Read his Metamorphosis of Plants; read his poem The Metamorphosis of Plants, and you will see how he follows the particular formation from foliage leaf to foliage leaf, then to petal, stamen, on to pistil; how he describes it as a continuous expansion, contraction, not only in external forms, the saps also expand with their forces and again contract—expand, concentrate; expand, concentrate. When in the eighties of the last century I wrote my first introduction to Goethe's scientific works, I tried to reconstruct his archetypal plant, tried to bring into a picture this expansion, contraction, expansion, contraction—on and on right up to the blossom. No one can really understand life who does not picture it in rhythm, as a progressive rhythmic process. It must be repeatedly emphasised that to imagine evolution as proceeding in a straight line does not help us to a true understanding of life.

The same applies to the understanding of man's historical life. In the most recent number of the periodical Das Reich (October 1918) where I dealt with Lucifer and Ahriman in life, I pointed out how luciferic and ahrimanic periods alternate rhythmically in historic evolution. Life never proceeds in a straight line; it goes in waves. But while this is so, it is associated also with an external change. And only by looking clear-sightedly into these relations can we arrive at a deeper comprehension of life. Those who think of evolution as proceeding in a straight line, say: First there existed the most undeveloped animals, then more and more perfect ones, up to the apes, and out of these developed man.—If we apply this to what is moral—I have often called your attention to this—if we extend this further, it follows that the genuine, thorough-going Darwinian says: We already see in the human kindliness, and so on. This again is a worthless idea, for it takes no account at all of the rhythm of life. According to this idea evolution goes on in a straight line, one cardboard box coming out of another. In reality the matter is like this. Imagine the most highly developed animals with their proclivities further developed in a straight line—this way you do not arrive at man, you would never come to man. But the more highly developed animals would evolve those very qualities you find attractive in the animal kingdom, in a most unattractive way. What you admire in animals as companionableness, as incipient good-will and social behaviour, when further developed turns to its rhythmic opposite—to the principle of evil. Mad man developed according to Haeckel's idea, then, my dear friends, there would have evolved from the anthropoid apes a human society inevitably destined to develop the war of all against all. For in all these aptitudes, good as they may be in animals, there lies the further evolutionary impulse to clash together in violent and most bloody conflict. That is rhythm, a wave-like rise and fall, and no one finds what is hidden in nature who does not see the possibilities of evolution in rhythm. To look only on the outside of events can never teach us to realise what in reality is there. Man was able to develop only because, in the higher animals, their evolutionary possibilities did not come to anything, for these were met by another wave of cosmic becoming which subdued the tendency to evil, in a way overcame it, by what men were meant to be in the very beginning. So that we have to picture it thus: The animal kingdom rises to a certain height; then comes the other wave to meet it, and this deadens the evil development.

My dear friends, reincarnation can also be regarded from the moral point of view. What would man have become had he just been born, over and over again on the physical plane, and being thus born physically on the physical plane, he had not been met by all that is constantly being taken up into the spiritual world and again sent down; were man not thus ensouled after birth then he would live always at war on earth. They would only with to live in conflict and would develop the most terrible fighting instincts. These fighting instincts rest on the foundation of the human soul; they are rooted in the human organism. But they are paralysed, if I may so express it, by what comes from above out of the supersensible, from those human beings who are constantly taken up into the spiritual world. This is expressed also in the outward form, my dear friends. It is altogether grotesque for those with inner sight when the human head is represented as having gradually evolved from the animal head. It is indeed complete nonsense. The truth is that, were the animal head to develop further, a fearsome monster would emerge in what, in the present incarnation, you evolve out of the lower part of your body. Were that alone to form the head, were it to form the head out of itself, the result would be a real abortion of a head—a horrible animal-monster. For that is where the possibility of such a monstrosity lies. Only because the spiritual comes from above and, as it were, washes up against it, is the human head able to arise. It springs from the relationship of two forces, the one pressing upward from the body, the other coming to meet it from the cosmos. This human head is constructed in a state of equilibrium; and it is because of its equilibrium that we are not able to deal freely with what we bring with us from the spiritual world. We slip into our physical head and cannot there clearly express what we actually are, when we hurry into existence through birth. If we could think as we did before birth, we should not think a Homunculus, we should think a man, a Homo.

You remember in my Christmas lecture at Basle (December 22, 1918) not long ago, I mentioned in passing that, before his birth, Nikolaus von der Flüe saw scenes that he lived through as a man after his birth. But when a man is born, and does not overcome being asleep in his cognition—that is, when he cannot develop waking existence outside his body, but thinks only with his body—then he never thinks a man but only a Homunculus. A man never reaches the real man by seeking to enter into himself through the head. It is really a fact thgat he seeks to enter in but is held back; somewhere in the middle of man there exists what his is unable to reach. This is within man himself, yet he remains Homunculus and does not come to Homo.

Actually were we in possession of every technical resource, we should put into the phial that represents Homunculus on the stage, only a horrible little monstrosity, small, and therefore not unattractive; and this is really what would come into being were it left to the human body alone, out of itself, to produce something. There would come forth a sort of animal that nevertheless would be no animal but a human abortion; something on the way to becoming human yet not quite succeeding. Neither do we succeed if we do not make the approach by way of this path to becoming men, this path that does not reach man. We do not then succeed for we do not thus enter inside ourselves.

And again, if man grasps himself through his will, he is immediately seized upon by another being. Then he loses himself, then all kinds of strange motives and impulses surge up into his willing. Only when a man endeavours to bring the inner forces into equilibrium does he succeed in becoming complete man.

Now, my dear friends, with what I have said compare three different passages in the second part of Goethe's Faust that you can now have the opportunity on witnessing. Think of the sublime moment when Faust appears before Manto. Goethe is trying here to shed over the whole incident the inner repose of the human soul called forth by experiencing equilibrium. Faust would like, on the one hand, to avoid the sentimentality of the abstract mystic, and one of his last speeches is “O, could I from my path all magic ban”. He did not want external magic, he wanted to find the inner path to the supersensible world. He is near it, and then again far from it. As I explained yesterday Goethe is perfectly honest when Faust is standing before Manto. But Faust, my dear friends, does not hold to this abstract repose; he is tossed from pillar to post. Hence from the one side he is continually thrown to the opposite, where man loses himself through the will. Compare all this with what happens to Faust in the scenes where he is developing his life with Mephistopheles. There you have always the Faust of will, who, however is continually losing himself by his impulses being seized by Mephistopheles. This is where a man goes astray in his willing, where he will lose himself; here you have all the dangers that threaten man's moral impulses. And this is expressed with tremendous depth in Goethe's Faust.

Then take the moment when Mephistopheles joins the Phorkyads, when he himself takes on the form of a Phorkyad, and in all his ugliness goes as far as admitting it. Previously he was lying, but when the Phorkyads surround him he is obliged to admit his ugliness. Read the speech of the Phorkyads again; they too acknowledge their ugliness, and are in a certain way honest in their ugliness. In this moment you have a contrast to that sacred and sublime moment when Faust stands before Manto. What makes us lose ourselves in motives of will is clearly seen when Mephistopheles appears for the last time in the Classical Walpurgis-Night. Faust appears for the last time visibly, in the external drama, precisely in this scene with Manto—Mephistopheles in the scene with the Phorkyads. Goethe wished to indicate from the depths of his profound experience that, fundamentally, what makes us lose ourselves in the motives of will can only be set right if we not merely abhor it morally, but also experience it as something offending our taste. This was at the root of Schiller's feeling too, when he placed what is moral in such close connection with the aesthetic in his Aesthetic Letters.

This is just what is so distressing, my dear friends, that in the recent development of mankind culture has been brought to such a high pitch as, for instance, we see in Schiller's Aesthetic Letters, and this has all been forgotten. Imagine how Schiller believed that in these letters, written in the first place to the Duke of Augustonburg, he had brought about a deed of political significance. Whoever grasps the following two facts in their true depth learns much concerning the evolution of mankind. First he learns that Schiller's Aesthetic Letters were the outcome of his conception of Goethe's urge towards becoming; and, secondly, that this could be forgotten, that this forgetting has largely contributed to the present human catastrophe. Those who keep these two facts before them indeed learn much about the evolution of humanity.

And, from the point of view of drama, how great is the moment when in the terrible scene where Mephistopheles is among the Phorkyads we are shown how what is morally impermissible lives in man like a feeling that is aesthetically offensive. There, shown in all its atrocity, is the impulse, the essential impulse, that drives man to lose himself in the pole of will. Should a man fail to recognise this it will prove his ruin; only by realising it is one freed from it. You will find this expressed in the last scene of my first Mystery Play, The Portal of Initiation. There it is shown how only knowledge, a clear conception of who it is who tempts and seduces us, can save us from being led astray. It is therefore essential in the age of the consciousness-soul now entered that, in order to overcome temptation, we should strive in the right way to come to know the tempter, not allowing ourselves to sink down into a merely external knowledge of nature and a merely abstract mysticism.

In short, my dear friends, abstract mysticism, the ‘easy understanding of the divine within’, from which nothing results but a terrible egotistical abstraction—this abstract mysticism is just as bad as materialism.

As I said, take three moments in Goethe's Faust. Take purely artistically what you can feel as Faust stands before Manto; what you feel when Mephistopheles becomes a Phorkyad among the Phorkyads. And take the third moment when Homunculus crashes against Galatea's shell-chariot—feel what this Homunculus is. We come from the spiritual world seeking through conception and birth for physical existence. In this physical existence we meet with what, out of this physical existence, is given us as our physical body. Every evening we go back into the world that we leave at birth; every morning we, as it were, repeat our birth when we plunge again into our physical body. Then we can feel how, coming in from without, we do not arrive at what man is; we meet only with Homunculus, the manikin, the human being in embryo, and we realise how difficult it is to come to the real man. We might arrive at the real man could we contrive to have a perfectly clear conception just before waking, when all the evolutionary possibilities of the night are exhausted. This clear conception, my dear friends, would be a world-conception, it would be such that we should no longer feel ourselves hemmed in by any boundary, but feel as if poured out over the whole universe, over all cosmic light, all cosmic sound, all cosmic life, and in front of us a kind of abyss. One the far side of this would be a continuation of what we were feeling before we met the abyss on waking—namely, warmth. Warmth flows out over the abyss. Now, however, we cross the abyss by waking, into air, water and earth of which our organism is composed. Certainly we are approaching man, and by letting Homunculus fructify in the spiritual world, we have prepared ourselves to understand man. But in the ordinary course of life we do not do what I have just mentioned. The living conception we develop when sleep should have had its effect upon us before we wake, would have to be brought with us into waking life. This conception would be an experiencing ourselves in light, in cosmic sound, in cosmic life, a meeting with the beings of the higher hierarchies, just as here the physical body comes into connection with the mineral, vegetable and animal kingdoms. This conception, developed concisely just before waking when sleep has done its work upon us, we should have to bring deep down into our physical body; then we should be able to understand what this human body is. But alas “the Gods will not suffer it”. We plunge down; it flashes, flames up, and we hardly notice it. Instead of looking into ourselves, we hear with our external ears; instead of feeling ourselves within our skin, we feel what is outside with our sense of touch. If we did not sink down into what we are able to reach only by the physical eye, the physical ear, through physical sound and physical touch, Homunculus would receive new life and become man, but against the resistance of the elements he is dashed to pieces. The light of the eye flames up instead of cosmic light, we begin to hear physical sound in the ear instead of cosmic sound, the life of the body is aroused instead of cosmic life—Homunculus is shattered. If we experience this consciously, we experience the end of the Classical Walpurgis-night. Thus, this end scene is taken from actual, true life.

These things are not there merely to be spoken of on Sunday afternoons in the Anthroposophical Society. They are there as truth, to become gradually known to mankind, so that as impulses they may with their being penetrate what must be accepted in the future evolution of man, if he is to advance to what can save and not destroy. For men will really find the correct connection with reality only if they adopt new concepts and from now onwards they begin to see what has always been extolled as the great achievement of the nineteenth century is at an end.

You see, my dear friends, it is not surprising that, from a certain point of view, this achievement of the nineteenth century, that continued into the twentieth, should be felt to be perfect. It is not to be wondered at all. Is it not true that before the tree becomes bare in autumn, it is in its fruiting in its most perfect stage of development. This natural science of the nineteenth century, that still haunts the twentieth, al these technical perfections that have reached a certain height, are the tree before it yields its fruit. All from which it has grown has to wither, and it is not enough that the tree should go on growing, a fresh seed must be sown in the field of human culture, a new tree must be planted. It does not suffice to think we understand the evolution of animals, to think of them as having advanced to the stage of man. It is not enough that frequently some spirit arises, who first writs articles of genius about animals, and later, to follow these, a book about the origin of man. Rather is it essential that men should discard the idea of a straight line in evolution, that they should learn to understand the rhythm of life, flowing like the waves of the sea, that they should learn how, in the inner being of man, the way does not go straight on, but across two boundaries. At the one boundary we feel almost suffocated, for someone seizes us and will not allow us to go where our thinking would take us. On the other side we feel as if the powers of Mephistopheles were dragging us to destruction. We must find the balance between what belongs to Homunculus and what belongs to Mephistopheles, between not being able to reach ourselves in Homunculus, and grasping the self only to lose it in Mephistopheles. The understanding of this equilibrium is what modern man must gain. And Goethe, foreseeing this in feeling, lived himself into this understanding when with absolute honesty he tried in his Faust to speak as he did of the riddle of humanity.

Mankind must strive to grow out of what today is the typical point of view of the crowd. Nothing is more resented at present than this striving, and nothing is more injurious to mankind than this hostility against any effort to rise above the commonplace. On the other hand, as long as this resistance is not definitely opposed by those who recognise the necessity of penetrating into the supersensible, there can be no sure human evolution. At the end of the nineteenth century Hamerling, in his Homunculus sought to make what we might call a last appeal to mankind out of the past, by presenting all that is decadent in modern humanity as Homunculism.

We might picture this to ourselves, my dear friends; suppose someone were now to read this Homunculus of Hamerling's which appeared at the end of the eighties of the nineteenth century. I have given many lectures about it, even before the war I actually spoke of it, not without a certain significance. Let us suppose then that someone reads Hamerling's Homunculus and lets work upon him what Hamerling imagines as the evolutionary progress of his Homunculus. He thought it out at that time, when men had already broken away from Goethe and all that he gave, and wished to hear no more of it. Hamerling represented the evolution of his Homunculus, how he was completely under the sway of materialistic thinking, how he lived in a world where people did not enrich themselves with spiritual treasure but became millionaires instead. Homunculus was a millionaire. He pictured the world where men treat even spiritual matters with frivolity, the world in which journalism—with respect be it mentioned—that was already developing, has since sunk yet deeper into the slough. We assume then that someone reads this Homunculus, and he might say: Why, yes, this Hamerling who died in 1889, had, when he wrote his Homunculus, with his physical eyes actually only seen mankind as it then was, hurrying on its chosen path. He might continue: Had people then taken seriously what Hamerling emphasises in his Homunculus, had they let it work upon them a little more deeply and not just as a literary production, but as something to be taken in earnest, then indeed they would not have been surprised to learn that, because of men being as they then were, our present world-catastrophe had of necessity to arise. This is what anyone reading Homunculus today might say to himself. What is there in the development of this world-catastrophe to astonish us, when a writer in the eighties of the last century was able to represent the man Homunculus in this way? But, underlying this representation of man, of Homunculus, is at the same time the appeal not to stop short at the life that can give us only Homunculism, but to cross the abyss where Spiritual Science speaks of the supersensible knowledge that alone can change Homunculus into Homo. And so it might be said: Mankind is placed in the Homunculism which, in the scent we are today presenting, finds itself in a world the man of today is not very eager to enter—in a world leading to the region of the Phorkyads, between Homunculism and Mephistophelianism. Goethe divined this and represented it in his Faust; he also divined that a path must be made that will avoid the crags of fantastic, abstract mysticism, as it avoids the other crags of a phantom-like conception of nature, remote from all reality,a path that leads to supersensible knowledge where fresh social impulses will be found.

This is a very deep layer of consciousness. Let us penetrate it, let us permeate our feeling with it, let us learn to understand the language of this sphere of consciousness, coming as it does from the region where we feel: Through thinking, a man cannot reach himself; through willing he loses himself. To be unable to reach oneself in thinking is Homunculism; losing oneself in willing is Mephistophelianism. And when we feel this then we enter into such profound scenes with a language that makes intelligible what forms the conclusion of the Classical Walpurgis-night. Ultimately, everyone views the universe according to how the forces he has received enable him to represent it. But the present task of mankind consists in raising those forces, so that much of the universe may be seen that, to man's hurt, has not been seen during the last decades.

Thus, going deeply into such a profound scene as the one we are now producing, is a way for men to advance in the direction which mankind at this time should take. What lies in true Goetheanism is what mankind at this time should take. What lies in true Goetheanism is what mankind must seek. This is not the Goetheanism of the professors, not the Goetheanism of the Goethe Society at the head of which is not a Goethe enthusiast at all but a former finance minister bearing the significant name of Kreuzwendedich; neither is it all that men thought they must make out of Goethe's teaching at the end of the nineteenth and the beginning of the twentieth century. What must be sought will become something good and a good impulse towards man's advancement in the direction he must go—if in the coming age he is to find salvation and not destruction.

The main intention of these lectures is to build a bridge from spiritual-scientific knowledge to the kind of conception of life which our time demands, and I intend also giving a few indications on this theme in the coming days.

What we call modern life takes living hold of all those people who, through living in towns or in similar circumstances, have been torn away from a direct connection with nature. And we know that since the advent of modern life people have always thought about its significance both for the intellectual as well as the material progress of human civilisation. And now it is time that the impulses we are acquiring from spiritual science should enter into modern life. Gradually we shall have won through to the feeling that with respect to many a thing that meets us in life today we need spiritual science as a kind of compensation for those things in modern life that weaken, we might actually say destroy, something of the general divine-spiritual life forces of man.

People who are able, by means of the first stages of the life of initiation, really to let modern civilisation affect them in all its aspects, will have experiences that give them deeper insight into the significance which modern life has for man's whole existence, than that obtained from an external view of life unsupported by spirituality. People who have taken the first steps in the life of initiation will pass differently through the experience of spending a night in a train or on a steamer, especially if they sleep on the journey. What is different for the person who is in these first stages of initiation and the one who has not had any connection with it is that the experiences become conscious for the former, and he finds out what is actually happening to him when he spends a night travelling on a train or a ship, especially if he goes to sleep. Of course the person who does not acquire initiation knowledge of things also undergoes the effects that an experience of that sort has on the whole human organism. With regard to the whole effect on the human being there is, of course, no difference.

If we want to understand what these indications actually mean we must recall to memory a spiritual scientific truth which you no doubt know, namely, that whilst we are asleep our ego and astral body are outside our physical and etheric body. In fact, because of certain limitations which cosmic laws impose on us in the natural order of things, our ego and astral body are very close to our physical body and etheric body in a case like this, so that if we are asleep on a train journey our ego and astral body are right inside all the rattling, rumbling and braking going on in the wheels and the engine of the train. And it is just the same on a modern steamer. We are inside everything going on around us. We are inside these not exactly musical experiences in our surroundings, and you need only have taken the very first steps in initiation to notice on waking up that when the ego returns with the astral body into the physical body and etheric body they bring with them what they experienced while they were being squeezed through the machinery, for they really were inside the moving machinery right up to the moment of waking.

We bring all this disharmonious squeezing and tearing back into our physical and etheric body, and if you have ever woken up with all the after-effects of what the engines of a steamer or a train have done to your ego and astral body, and bring that into your waking consciousness, you will notice how little it synchronises with what is going on within you in the way of a kind of experience the ego and the astral body have of the inner harmony of the physical and etheric body. You do in fact bring back with you the wildest confusion, the most frightful din of pulling, screeching and rattling and if you are sensitive to it you will feel that the effect on the etheric body really is as though your physical body were being bruised and dismembered—which is, of course, a clumsy expression, but you will not misunderstand. This is an absolutely unavoidable side-effect of modern life, and I want to give a word of warning right at the outset, as the kind of lecture I want to give today can very easily rouse what I would call theosophists' hidden arrogance, which flourishes very well here and there.

I am not making a general allusion, of course, let alone a particular allusion, for when one holds a talk on a matter like this, one immediately provokes judgments. I think that in the case of this theosophists' arrogance, it can easily happen that people imagine they must take great care not to expose themselves to these destructive forces; that they must protect themselves from all the influences of modern life; that they must closet themselves in a room containing the right surroundings, with walls of the colour indicated by theosophy, to make sure that modern life cannot reach them in any way that would be harmful to their bodily organisation.

I really do not want my lectures to have this effect. Everything of the nature of withdrawing and protecting oneself from the influences of all that we necessarily have to encounter as world karma arises out of weakness. But anthroposophy can only strengthen the human soul (Gemüt), and should develop those forces that inwardly strengthen and arm us against these influences. Therefore, never within the compass of our spiritual movement could any kind of recommendation be given to cut oneself off from modern life, or to turn spiritual life into a kind of hothouse culture. This could never apply in the realm of true spiritual culture. Although it is understandable that weaker natures prefer to withdraw from modern life and go into one or another kind of settlement where they are out of reach of it, the fact remains that this arises not from strength but from weakness of soul. Our task, however, consists in strengthening our soul life by permeating ourselves with the impulses of spiritual science and spiritual research so that we are armed against the onslaughts of modern life, and so that our souls can stand any amount of hammering and knocking and are still capable of finding their way into the divine-spiritual realms right through the hammering and knocking of the ahrimanic spirits.

One thing must be taken into account, however, which I have often referred to. We human beings do not only sleep at night. We actually sleep in the daytime as well, only we do not notice our daytime sleep as much as our nighttime sleep. During the night our thought life is dimmed down, and because our soul lives predominantly in our thoughts we are, as a matter of course, more aware of the dimming down of our thought life during nighttime sleep. During the day our life of will is more at rest, yet we are less aware of this because we live less in our will. All the arguing the philosophers have done about the freedom and lack of freedom of the will is due to this. As they have not taken into account that they are investigating the will whilst they are daytime sleepers and therefore cannot arrive at its true nature, they talk a lot of nonsense about free will and unfree will, indeterminism and determinism. In actual fact, whilst we are open to the waking life of day, we are only conscious of our will life to a very small degree; it dips down into the subconscious, into the region that belongs purely to the astral body.

Thus during our waking day, too, we are involved in all that modern life has produced around us in the way of the stress and noise of modern technology. During the night it is more our life of thought and feeling that becomes submerged in the noise and stress, during the day it is more our life of feeling and will.

Now in the course of human evolution what we call modern life has not always existed. It came on the scene essentially at the beginning of the fifth post-Atlantean epoch.⁴ The beginning of the fifth post-Atlantean epoch actually coincides with the beginning of the modern age. What does modern intellectual culture say about the beginning of the modern age? As we know, modern intellectual culture is proud of the achievements of modern life. It is expressed somewhat like this: Throughout antiquity and the Middle Ages people were incapable of developing a real observation of nature such as could have led to natural science. This did not happen until modern times. And when people talk of modern times like this they are speaking of the time which began with the fifth post-Atlantean epoch. That was when people broke away from the old way of observing nature and observed it impartially, solely according to abstract laws. And it was through this knowledge of the laws of nature that natural science came into the position of opening up the possibility of mastering the forces of nature, and mastering them in an unprecedented way, as we so often hear. Yet this is just what modern technology is. And the characteristic nature of modern technology arose as a result of man acquiring knowledge of natural laws and then proceeding to use the material world to fashion his machines according to these natural laws, machines with which he can then work back on nature and life by filling modern life with them and creating his own technological setting; that is, modern life in its essence and function. Thus we see that it is the modern age that has established real natural science and the resultant mastery over nature and its forces.

You often hear people speaking like this. However if we speak like this we are speaking Ahriman's language for this is using the language of Ahriman. But let us see if we can translate this language of Ahriman into the real and true language that we are trying to acquire again by means of spiritual science, a language where words not only acquire the meaning ascribed to them through observation of external nature, but also acquire the meaning ascribed to them when we look at the cosmos in its entirety, that is, both as nature and as spiritual life.

Let us start by looking quite superficially at what happens when we develop modern technology. What is happening in the first place is just work being carried out in two stages. The first stage consists of destroying the interrelationships of nature. We blast out quarries and take the stone away, maltreat the forests and take the wood away, and the list could go on—in short, we get our raw materials in the first instance by smashing and wearing down the interrelationships in nature. And the second stage consists of taking what we have extracted from nature and putting it together again as a machine according to the laws we know as natural laws. These are the two stages, if we look at the matter on the surface.

But what is it like if we look below the surface? Looking at it from inside, the matter is like this: When we take things from nature, mineral nature to begin with, we know from previous lectures that this is linked with a certain feeling of well-being belonging to the elemental spiritual beings that are within it. This, however, does not concern us so much now. What is important here is that we cast out of nature the elemental spirits belonging to the sphere of the regular progressive hierarchies who, in fact, are the very spirits who maintain nature. In all natural existence there are elemental spiritual beings. When we plunder nature we squeeze out the nature spirits into the sphere of the spirit. That is, in fact, what is constantly happening during the first stage. We smash and plunder material nature and thus release the nature spirits, driving them forth from the sphere allotted them by the Jehovah gods into a realm where they can fly about freely and are no longer bound to their allotted dwelling places. Thus we can call the first stage the casting out of the nature spirits. The second stage is the one where we put together what we have plundered from nature, according to our knowledge of natural laws. Now when we construct a machine or a complex of machines out of raw material according to our knowledge of natural laws, we put certain spiritual beings into the things we construct.

The structure we make is by no means without its spiritual beings. In constructing it we make a habitation for other spiritual beings, but these spiritual beings that we conjure into our machines are beings belonging to the ahrimanic hierarchy. Thus at the first stage we encounter nature spirits who are in progressive evolution and cast them out and at the second stage we unite these ahrimanic spirits with our mechanisms or other products of technology. This means that by living in this technological milieu of modern times we create an ahrimanic setting for everything that goes on in us in a sleeping state, by night or day. So it is no wonder that a person at the first stages of initiation, bringing back with him into his waking life all that he has experienced outside in the way of noise and confusion, feels its destructive character when he comes back into his physical and etheric body with this in his ego and his astral body. For he is bringing back into his own organism the results, as it were, of his having been in the company of the ahrimanic elemental spirits. Thus we could say that at the third stage, at the cultural level, we have technology around us, stuffed full of ahrimanic spirits which we have put there. This is what things look like from inside.

Now if we turn our attention away from the occult side of modern life and look back at those times when people slept with only a thin partition dividing them from nature, a partition through which spirit could easily pass, and when their daytime work was within the realm of nature that still harboured regular spirits of the Jehovah hierarchy, we have to admit that in those times people's souls, their egos and astral bodies, brought back into their physical and etheric bodies the kind of nature spirits that had an enlivening effect on their inner life of soul. And the further we go back in the history of mankind's evolution the more we find what is becoming a greater and greater rarity today, namely that people did not fill themselves with the ahrimanic spirits of technology, but with nature spirits that were progressing on a straight path and which the good spirits of the hierarchies, if we may use the expression, have linked to the events and being of nature.

Now man will only attain the kind of connection he needs in order to be truly human if he seeks it in his inner life, if he delves so far down into the depths of his soul that he reaches the forces that connect him with the spirit of the cosmos, out of which he was born and in which he is embedded, but from which he can be separated. A separation has already taken place in his sense perception and intellect, and now again through his being filled with ahrimanic beings in the course of modern life, as we have seen. Only by penetrating into the depths of his own being will man find the connection with divine spiritual beings that he needs for his salvation, the spiritual hierarchies that are progressing on a straight path. This connection with the spiritual hierarchies for which we were actually born, in the spirit, this living connection with them, is made difficult to the highest degree by the saturation of the world by modern technology. Man is being, as it were, torn away from his spiritual-cosmic connections, and the forces which he should be developing within him to maintain his link with the spiritual-soul being of the cosmos are being weakened.

A person who has already taken the first steps in initiation will therefore notice how the mechanical things of modern life penetrate into man's spiritual-soul nature to such an extent that a great deal of it is smothered and destroyed. He will also notice that the destruction of these forces makes it particularly difficult for him really to develop those inner forces which unite the human being with the ‘rightful’ spiritual beings of the hierarchies—please do not misunderstand the word. When a person who has taken the first steps in initiation tries to meditate in a modern railway carriage or on a modern steamer, he makes a great effort, of course, to activate the necessary forces of vision to lift him into the spiritual world, yet he notices the ahrimanic world filling him with the kind of thing that opposes this devotion to the spiritual world, and the struggle is enormous. You could call it an inner struggle experienced in the etheric body, a struggle that wears you out and crushes you. Other people who have not taken the first steps in initiation also go through this struggle of course, and the only difference is that the student of initiation experiences it consciously. Everyone has to go through it; the effects of this are experienced by everyone.

It would be the worst possible mistake to say that we should resist what technology has brought into modern life, that we should protect ourselves from Ahriman by cutting ourselves off from modern life. In a certain sense this would be spiritual cowardice. The real remedy for this is not to let the forces of the modern soul weaken and cut themselves off from modern life, but to make the forces of the soul strong so that they can stand up to modern life. A courageous approach to modern life is necessitated by world karma, and that is why true spiritual science possesses the characteristic of requiring an effort of the soul, a really hard effort.

You so often hear people saying “These books of modern spiritual science are difficult; they make you exert yourself in order to develop your soul forces and really penetrate into spiritual science.” This is why ‘well-meaning’ people—and I am saying this in inverted commas—keep on coming to me and saying that they want to smooth out difficult passages for their fellow men and change what is written in rather a difficult style into something as trivial as can be—and these last words are not said in inverted commas. However, it belongs to the essence of spiritual science that it makes demands on soul activity, that you do not accept spiritual-scientific truths lightly, as it were, for it is not just a matter of taking in what spiritual science says about one thing and another, but of how you take it in. You should take it in by dint of effort and soul activity. To make spiritual science your own you must work at it in the sweat of your soul—please forgive me for not being very polite. That belongs to the business of spiritual science, if you will excuse the mundane expression.

It shows a further misunderstanding of the actual nerve of spiritual science if people shy away from the difficult ideas and conceptual structures of spiritual science. And don't we know how many people shy away from it, how many people would prefer to dream—the Lord gives it to His Own in sleep! They would far rather have things conjured up before them in all kinds of visions of the spiritual world than acquire knowledge through the activity of exerting their inner life of soul. We know how many people there are who prefer having visions rather than sitting down and studying a difficult book of spiritual science, even though it is capable of speaking to the human soul forces that are asleep during ordinary daily life, for spiritual science really does activate the part of man that is otherwise unconscious and transport him into the life of the spiritual world. The right approach is not to receive conscious daily life apathetically and to grope in the dark, but to make an effort out of soul activity to get through what is given for the development of thoughts and ideas. For when you make an effort and have the courage to make yourself at home in this development of thoughts and ideas, this brave and active effort will bring you to the stage where mere theorising on what is given and mere acceptance in thought passes over into seeing and really being in the spiritual world. However, the really modern conception of life that arises for us from these considerations is that, because of our technological surroundings, we descend into a kind of ahrimanic sphere and become filled with ahrimanic spirituality.

The most terrible calamity would have come about in earth evolution if, in earlier ages, provision had not been made for these experiences of ahrimanic spirituality that world karma is bringing to modern mankind. Life always progresses like the swing of a pendulum. It is experienced like a pendulum swinging in one direction or the other. You cannot say “Beware of Ahriman!” for nothing can protect you from him. And if someone longs to shut himself up in a room surrounded by the colour that suits him best, where he has no factories near him or trains passing by if he can possibly help it, but is completely cut off from modern life, there are many, many ways in which ahrimanic spirituality can get into his soul. Even though he withdraws from modern life, modern spirituality will still reach him.

Now something entered into human evolution that, as it were, held off the calamity, and I gave an indication of this a long time ago in a lecture cycle in Munich.³ We must take all these things together, for that is also part of the active experiencing of modern spiritual science. Man has been given art; art, which also takes its raw material from nature by reducing and wearing it down, and at the second stage puts it together again to make something new, with a breath of life in it, although it is only of a pictorial nature. The life of the artistic impulses given us in the past has the capacity, as I said in Munich, to imbue its material with a more luciferic spirituality. Luciferic spirituality, beauty as an illusion, in fact everything that has an effect on man through the medium of art, leads man away from matter into the spirit, yet it does so through the life in the material. Lucifer is the spirit who constantly wants to flee from matter and bear man into the life of the spirit in an unjustified way. That is the other swing of the pendulum. It is only because we have to go through a technological atmosphere in the present incarnation that it is possible for us to come into connection with Ahriman, whereas in earlier incarnations we were more connected with a quality that could be steeped in art. Thus we are countering certain luciferic forces by means of the present-day ahrimanic forces, which together form a balance, whilst the pendulum of life swung one way in the past and swings the other way now.

What spiritual science quite specifically has to want at the present time is that human beings do not sleep and dream through what world karma is imposing on them. Yet people who wish to know nothing about spiritual science do sleep and dream through all the influences of Ahriman and Lucifer. They are exposed to these influences even if they themselves know nothing about them. But ‘life cannot go on like this; life has to be lived consciously from now on, and that is what spiritual science is for, so that people do not go through the world sleeping and dreaming, but understand what is around them. For this to happen, however, we must really get down to the subtleties of our spiritual-scientific business—if you will forgive the word. Such subtleties often go unnoticed, and this is the sort of thing I find when I read through transcripts of lectures I have given. Often what is of essential importance to me does not appear at all in the transcript. Just look at two examples of this. I used a certain sentence a little while ago and did not say that spiritual science wants something, but that spiritual science should want it, or has to want it. That is a particular expression which comes quite naturally to a person who is speaking out of the spirit of spiritual science, for spiritual science leads as a matter of course to a more impersonal grasp of the truths of spiritual life than other sciences do. Speaking in the manner of other sciences we would say “Spiritual science wants something”. But spiritual science says “what it should want or must want” And I say “The way I must express myself” and not “The way express myself”.

A great deal depends on such subtleties; we must not pass them by. On the contrary we must begin to believe that everything depends on spiritual science taking hold of man's innermost soul forces, and that it is capable of transforming them. Therefore it will not do to approach spiritual science with the kind of thinking one is in the habit of using in ordinary life. People are still largely unaware of what I mean by this. This can be seen, actually sensed, so to speak, in certain crude symptoms in the evolution of ordinary science.

Let us take one example out of many. Modern science of religion—irreligious science of religion—is especially proud of the fact that it has found a connection between New Testament utterances and commandments and Old Testament and heathen utterances and commandments. People have followed up the origin of every phrase in the Lord's Prayer, for instance, and said “This particular phrase comes from here and that one from there”. If you hear it like this it can sound credible. Yet the moment you approach the Mystery of Golgotha in a spiritual world-historical light you notice that all these things appear in a new context, and that the important thing is not the discovering that all these expressions were there in earlier times but looking at them in the context which gives them a new shade of meaning. In this respect the Old and the New Testament differ entirely. Subtle things like this convey the essence of the Mystery of Golgotha. The words and even the word connections often stay the same but their shade and colouring is different, and that makes all the difference.

There is something tremendous behind the fact, for instance, that the conception of the ego in the whole evolutionary system of language is quite differently constructed the further back we go in pre-Christian times, than it is later on when we go forwards from the Mystery of Golgotha. The way people spoke about the ‘I’ changed, and this can be seen in the configuration of language. When the ‘I’ becomes part of the word for the verb, as is the case in many languages, it signifies something entirely different from when it is separated from the verb and spoken as a separate word, and so on.

The important thing is to work our way with the help of spiritual science to an approach to life which looks consciously at the things which influence our human organism of spirit, soul and body. The way I have described man's relationship to his technological surroundings is, of course, only in its beginning stages. It was about four centuries ago that things began to get like they are today. Then the nineteenth century that was so proud of itself took a tremendous leap forward in the ahrimanisation of human life. Yet a great deal more will take place in future human evolution in the direction of this ahrimanisation. We have been in it for about four hundred years. It is coming slowly and gradually. It has already reached a certain climax among the vast numbers of our fellowmen who, because of the isolation caused by living in towns, hardly have any connection any more with real nature spirits. I once said, symbolically, that it is important for man's development to be able to distinguish oats from barley. Yet really, how many people are there in a town environment today who cannot tell the difference any more between oats and barley! Perhaps they can distinguish the plants, as that is comparatively easy in the case of oats and barley, but where the grains are concerned they can no longer tell the one from the other. If they have lived in a town or were actually born there, they usually cannot tell the difference.

Now it happens like this in the evolution of mankind, that when human beings have progressed a stage, this progress is always bound up with another experience that is at another stage, as it were, in a parallel stream. And this has happened. Whilst technological life has been drawing modern man closer to Ahriman in the way I have described, he has also been getting closer to him in another way. When a spiritual view of history replaces the crude way of viewing history introduced by materialism, people will understand what spiritual science has to say on this matter.

If we go back to the time that preceded the last four centuries, man not only had a different relationship to his environment than he has today, but he had, above all, an entirely different relationship to something that comes to expression in himself, really comes to expression in himself; he had a different connection with his speech, to the way he spoke. Speech does not only contain what modern materialistic science believes it does; there is something in speech which in many ways is connected with man's not fully-conscious experiences, which often occur in the subconscious realms of his being, and which are therefore interpenetrated by spiritual beings. Spiritual beings live and are active in man's speech, and when man forms words, elemental spiritual beings pour into these words. During human conversations spiritual beings fly about the room on the wings of the words. This is why it is so important that we pay attention to certain subtleties of speech, and do not simply let uncontrolled feelings get the better of us when we speak.

Right into the fifteenth and sixteenth centuries we could say that man still possessed the remnant of a living experience of the elemental spirituality contained in language. The spirituality of language was still active within him, for language is in a certain respect more inspired and spiritual in many ways than an individual human being. It is only occasionally nowadays that we notice a person reverting from a materialistic way of thinking to a feeling for the inspired spirituality of language.

On one occasion⁴ here I gave a very clear if trivial example showing in what way a person's mind can revert from the materialistic role of today. On the whole it still happens to many people, but they are not immediately aware of it. If someone is travelling down the Rhine and he speaks for instance of the ‘old Rhine’, what does he mean? No doubt he feels something. But what is he referring to? When people speak of the ‘old Rhine’ I do not think they mean the riverbed, the hollow in the ground. That would be the only permanent part, of course. But we cannot discover what else the ‘old Rhine’ is supposed to be, for the water is certainly absolutely new; it keeps flowing on, and if you try and find anything old except the hollowed out riverbed, it cannot be done. The old Rhine! Language is more inspired than man, because the language obviously means the River God, even if people are not conscious of it. One is describing the elemental being that belongs to it very suitably when one says the ‘old Rhine’.

That is a rough example. This spirituality, this belief in spirituality exists throughout language. And a feeling, at least, for this connection with spirituality in language still really existed in the disposition of soul of all the peoples of Europe, during the course of the fourth post-Atlantean epoch and right up to modern times as far as the fifteenth and sixteenth century. If you are not aware of this fact you cannot have the right feeling for the beginning of the St. John's Gospel. For the opening words of the St. John's Gospel, “In the beginning was the Word”, arose, in fact, out of a consciousness that the part the word plays within the whole human organism and human life, provides the connection for man, by way of elemental spirituality in the first place, to the whole of the world lying behind the world of the senses.

If, with the means that spiritual science puts at our disposal, we observe the way human life has run its course from the Middle Ages up to modern times, and are able to look right into the soul, we shall in fact find that man's relationship to speech was altogether different in the fourth post-Atlantean epoch, even in the last phase of it that lasted up till the fourteenth and fifteenth century. Whenever they spoke people heard undertones, genuine undertones. People no longer believe this, because nowadays human beings really only live in the material aspect of the sounds of speech. A spiritual element joined with the sound as though it sounded again an octave lower. Thus when people spoke, or heard people speaking, something resounded in the words that was not differentiated according to one or another language, but was of a universal human character. One can really say that when human experience comes to expression, as it were, in the flowering of the separate languages, mankind today experiences the flowering as a vibrating of sounds in the ear, and experiences the sounds as something that have a meaning. Whereas in earlier times they experienced a steeping of the whole element of speech in something that joined with it and was not differentiated into the various languages. The dividing line between the one experience and the other fell in the fifteenth and sixteenth century. Mankind was torn away from the genius of language.

Nobody can understand the actual jolt mankind was given in the fifteenth, sixteenth and seventeenth centuries, unless he studies the special character of this damping down of undertones in the experiencing of speech. Something was lost to mankind, and this comes to light in the happenings of the times, whether they be battles or peacetime creations. Before the point of time mentioned the human soul still experienced it. Whenever people spoke, this resounding of undertones in the experiencing of speech still lived in human souls. That is why the whole of history has an entirely different quality before this turning point, than afterwards. Through spiritual science we must develop a spiritual ear, as I would like to call it, for the completely different tone that events had in the Middle Ages than they have today, as human souls were connected to their experiences in quite a different way in those times.

I will choose the Crusades as an example of a general human soul-experience. They are only conceivable in the way they came about in the Middle Ages if we know of the existence of these spiritual undertones in the experiencing of language. The present-day peoples of Middle and Western Europe would most certainly not be so affected by the words of Clermont's synod:⁵ God wills it—Dieu le vent—as the peoples of the Middle Ages were. The reasons for this, however, can only be recognised if we take into account what has just been said.

An important phenomenon in all modern intellectual life is also connected with this. The whole formation of modern history has to do with this. If you once envisage history with these subtle language undertones in mind, you will understand why, at the point of time I have indicated, the various European nationalities grouped themselves together, those nationalities who before that time had quite different relationships with one another; who were governed by quite different impulses in their relationships to one another. The way the different nationalities group themselves in the various parts of Europe, right up to the present day, has to do with impulses that we interpret quite falsely if we go back from the present to the Middle Ages to look for the origins of nations, without bearing in mind the tremendously important rubicon that had to be crossed in the life of the soul.

I can only give you indications of these themes whereas they would actually require a whole series of lectures. The most important part of all this must be left to your meditation, which will discover what can be found as a result of these indications. What I would hope to have achieved is to have given you a picture of how to build a bridge between spiritual science and knowledge of life, and shown you how spiritual science can lead to a conscious approach to the reality in which we live. Having spoken of the real foundations on which these indications are based, it would appear quite natural that this modern age of ours makes a renewal of many things necessary, compared to the past. Through being placed today by world karma in a setting that functions in an especially ahrimanic way, and through having to make our soul forces strong enough to find our way into spiritual spheres, despite all the hindrances that come to us from ahrimanic spirituality, our souls are in need of different kinds of sustenance than before. For the same reason art must also adopt new paths in all its branches.

Art obviously had to speak differently to the souls that were less exposed to the attacks of Ahriman than we are today. Art has to speak in a new way to souls today, and our Goetheanum building⁶ is meant to be the very first step, really and truly the very first step towards art of this kind, and not anything perfect. It is an attempt actually to create the kind of art that calls on the soul to be active, on the lines of the whole conception of modern life, yet a spiritual conception of modern life. Let us remember the frightfully trivial comparison I made regarding the Goetheanum building a few weeks ago. I asked, “How does the effect our Goetheanum building is intended to have, compare with that of an older building, or an older work of art in general?

A work of art from the past made an impression by means of its forms and colours. Its forms and colours made an impression. If we make a diagram of it and the form is like this, this form had an effect on the eye (he did a drawing). What was in space and what the form was filled out with, was what made the impression. And it is the same with the colours. The colours on the walls made the impression.

I said that our building is not intended to be like that; our building is meant to be—and this is the terribly trivial comparison—like a jelly mould that does not exist for its own sake but for the sake of the jelly. Its function is to give a form to what is put into it, and when it is empty you can see what it is for. What it does to the jelly is the important thing. And the important thing with our building is what a person who goes inside it experiences in the innermost depths of his soul, when he feels the contours of the forms. All that the forms do is set the process going that creates the work of art. The work of art is what the soul experiences when it feels the shape of the forms. The work of art is the jelly. What has been built is the jelly mould, and that is why we had to try and proceed on an entirely new principle.

Likewise what you will find in the way of paintings in our Goetheanum building will not be there for their direct effect, as used to be the case with art in the past, but will be there for the soul to encounter, so that the experience resulting from this encounter will be a work of art. This of course involves a metamorphosis—I can only give indications of all this—the metamorphosis of an old artistic principle into a new one, which we can depict by saying that when the sculptural, the pictorial element is taken a stage further, it is led over into a kind of musical experience. There is also the opposite step, from the musical element back into the sculptural-pictorial.

These are things which are not created arbitrarily by the human soul, but have to do with the innermost impulses we have to go through, because we are in the first third of the fifth post-Atlantean epoch. It has been, as it were, ordained by the spiritual beings that guide this evolution.

A start has to be made in every realm. If people find things about our building that are imperfect they may be assured that the people who are actually engaged in building it will find far more imperfections than the people who criticise it—far, far more. There are faults to be found in it which people who just look at it would not think of. But that is not the point. The point is that a start is being made, for there are so many things that have to happen. The important thing is not the perfection we achieve in what we must will to happen, but that a start is made on what has to come to life here, however imperfect it has to be. For everything new that comes into the world is imperfect compared with old things that have stood the test of time. Things that are old have reached their highest level, whereas new creations are still in their infancy. That is quite obvious.

I will begin tomorrow where we have stopped today, and consider the renewal of an artistic conception of the world and the connection this has with the whole cultural life of today.

• 4. 1413. See Rudolf Steiner's Occult Science, an Outline, chapter on ‘Future Evolution of the World and of Mankind#8217;, Rudolf Steiner Press, London 1979.
• 3. Secrets of the Threshold, lecture VI, Anthroposophical Publishing Co., London 1928.
• 4. On 3rd October 1914, towards the end of the first lecture on Occult Reading and Occult Hearing, Rudolf Steiner Press, London 1975.
• 5. convened by Pope Urban II in 1095. Here the decision was taken for the First Crusade.
• 6. Laying of foundation stone 20th September 1913. Burning of the Goetheanum, 31st December 1922.

In the course of the following considerations I shall be speaking to you about the important impulses of transformation present in our era for the artistic evolution of mankind. I would like to connect this with what may occur to you as a result of your own observation of this building, or rather with that of which this building is merely a beginning. But as a basis for these considerations it will be necessary to establish a connection between art and the knowledge we have gained about man and his relationship with the world in general. I will begin today with these seemingly more theoretical considerations and continue tomorrow with our actual theme concerning the impulses of transformation in artistic development.

Though I said that I would begin today with a seemingly more theoretical basis, in actual fact anyone who looks upon spiritual science as something living will find these preliminaries very much alive and not at all theoretical. They will, however, only be quite clear to those for whom the ideas of physical body, etheric body, astral body, ego, and so on, are not mere designations in a diagram of man's being but the expression of actual experiences in feelings and ideas relating to the spiritual world.

If we consider the different forms of art, it appears that architecture is the one that has become most separated from the human being as a whole. Architecture is separated from the human being, because it is placed at the service of our external impulses, either those of utility, which call for utilitarian structures, or those having idealistic aims, as in the case of religious buildings. We shall see during the course of the lecture how other forms of art have a more intimate connection with the real being of man than has architecture. Architecture is in some way detached from what we describe as the laws of man's inner being. And yet, seen from the point of view of spiritual science, this external character of architecture very largely disappears.

When we begin to look at the human being, the part that first strikes us, because it is the most outward, is the physical body. But this physical body is permeated and penetrated and filled by the etheric body. The physical body might be simply called a space body or described as an organisation in space. But the etheric body, which dwells in the physical body and, as you know, also extends beyond the limits of the physical body and is intimately connected with the whole cosmos, cannot be contemplated without the aid of time. Basically everything in the etheric body is rhythm, a cyclical rhythm of movement or activity, and it has a spatial character only in as far as it inhabits the physical body. For human imaginative perception, it is true, the etheric body also has to be conceived in spatial pictures; but these do not show its essential nature, which is cyclic, rhythmic, moving in time.

Music takes up no space, but is solely present in time. In the same way, what matters with regard to the human etheric body in reality (not in the imaginative picture we draw) is mobility, movement, formative activity in rhythmic or musical sequence, in fact the quality of time. Of course, this is a difficult thing for the human mind to conceive, accustomed as it is to relating everything to space; but in order to gain a clear concept of the etheric body we must try much harder to allow musical ideas rather than spatial ideas to come to our aid.

In order to bring to the fore another characteristic of the etheric body it can be said: Occupying the physical body and extending, as it does, its activity and rhythmical play into this physical body, it is above all a body of forces. It is a flowing-out of forces, a manifestation of forces, and we notice them in a number of phenomena that occur during the course of a man's life. One of these phenomena, to which not much attention is paid by external science or from an outward view of the world, but one which we have often stressed, is the ability of the human being to stand upright. On entering the world at birth we are not yet able to assume this vertical posture, which is the most important of all postures for the human being. We have to acquire the ability. It is true that this is initiated by the astral body, which as it were transfers its power of upward-stretching to the etheric body, but it is the latter which in the course of time sets about raising the physical body into a vertical position. Here we see the living interplay of the astral and etheric bodies in the formation of the physical body.

But this acquisition of the upright posture is only the most striking of these phenomena. Whenever we lift a hand a similar process takes place. In our ego we can only contain the thought of lifting a hand; this thought must at once act upon the astral body, and the astral body transfers its activity, which lives in it as an impulse, to the etheric body. And what happens then? Let us assume that someone is holding his hand in a horizontal position. Now he forms the idea: I want to raise my hand a little bit higher. The idea, which in life is followed by the act of lifting the hand, passes over to the astral body; there an impulse arises and passes over from the astral body to the etheric body. And now the following happens in the etheric body: The hand is at first horizontal; then the etheric body is drawn up higher, then the physical hand moves, following what occurs first as a development of force in the etheric body. The physical hand follows the etheric.

I shall explain the whole process tomorrow. At the moment I simply want to point out that the making of any movement involves a development of force which is followed by a state of equilibrium. In the life of our organism we are continually dealing with a development of force followed by a state of equilibrium. Of course the human being has no conscious knowledge of what is really going on within him; but what takes place is so infinitely wise that human ego cleverness is nothing by comparison. We would be unable to move a hand if we had to depend on our own cleverness and knowledge alone; for the subtle forces developed by the astral body in the etheric body and then passed on to the physical body are quite inaccessible to ordinary human knowledge. And the wisdom developed in this process is millions of times greater than that required by a watch-maker in making a watch.

We do not usually think of this, but this wisdom actually has to be developed. It must be developed and it is developed as a result of our being left to ourselves with our ego. But the moment the ego sends the impulses of its concept into the astral body we need the help of another being; unaided we can do nothing here. We are dependent on help from a being belonging to the hierarchy of the angels. For even the tiniest movement of a finger we need the assistance of such a being, whose wisdom is far in advance of our own. We could do nothing but lie on the earth immobile, making concepts in utter rigidity, if the beings of the higher hierarchies did not constantly surround us with their activity.

Therefore the first step towards initiation is to gain an understanding of how these forces act upon the human being.

I have tried to show here what is involved even in a movement as simple as resting the head in the hand. We learn to know, in the form of a spatial system of lines and forces, the exterior of our being, that which happens to our physical body through the activity of the etheric body. If we carry this spatial system of lines and forces constantly active in us out into the world, and if we organise matter according to this system, then architecture arises. All architecture consists in separating from ourselves this system of forces and placing it outside in space. Thus we may say: Here we have the outer boundary of our physical body, and if we push the inner organisation, which has been impressed by the etheric body on to the physical body, outside this boundary, then architecture arises. All the laws present in the architectural utilisation of matter are to be found also in the human body. When we project the specific organisation of the human body into the space outside it, then we have architecture.

Now we know, in our way of looking at things, that the etheric body is attached to the physical body. Looking once more at any work of architecture, what we can say to ourselves about it? We can say that here, carried into the space outside us, is the interaction between vertical and horizontal and between forces that react together, all of which are otherwise to be found within the human physical body.

In the same way we can carry what streams from the etheric body into the physical body, not outside ourselves this time, but down from the etheric into the physical body. In other words we can bring about something which we do not separate from ourselves by placing it outside us, but which we only push down into ourselves. This is the process by which the laws of the etheric body, which it has received from the astral body, can become physical, just as in architecture the laws of the physical body are projected into the space outside us. Through this process, sculpture arises out of the etheric body, just as architecture arises out of the physical body. In a way we push the laws of the etheric body down one step.

Physical Body

Architecture

Etheric Body

Sculpture

Just as in architecture we push the laws of the physical body into the space outside us, so in sculpture we push the laws of the etheric body one step downwards. We do not separate these laws from ourselves, we push them directly into our own form. Just as we find in architecture the expression of the laws of our own physical body, so we find in sculpture the natural laws of our etheric body; we simply transfer this inner order into our works of sculpture. In architecture we transplant into the space outside ourselves only the laws of the physical body, its spatial lines and interplay of forces, taking nothing of the etheric body, nothing of the astral body, nothing of the ego. In the same way, where sculpture is concerned, we take only the laws of the etheric body and bring them down one step lower, using nothing of the astral body and nothing of the ego except in so far as they send impulses into the etheric body. This is why a work of sculpture appears to be alive. It would actually be alive if it contained also the ego and the astral body. So if we seek the laws of sculpture we must realise that they are in fact the laws of our etheric body, just as the laws of architecture are to be seen in the laws of our physical body.

If we do the same in connection with the astral body, as it were pushing what is in us of an astral nature a step lower down into the etheric body, we are pushing down what lives inwardly in man. Now nothing arises that could truly have a spatial nature, for the astral body, when it moves down into the etheric body, is not entering a spatial element: the etheric body is rhythmic and harmonious, not spatial. Therefore what arises can only be a picture, indeed a real picture, in fact the art of painting. Painting is the form of art which contains the laws of our astral body, just as sculpture contains the laws of our etheric body and architecture those of our physical body.

Physical Body

Architecture

Etheric Body

Sculpture

Astral Body

Painting

If we now take the fourth member of the human being, the ego, and push it with its laws down into the astral body, there allowing it to move and act, then we obtain yet another form of art. This art does not contain what works in the ego as something which can be expressed in language or ordinary ideas; it is something that has moved from the ego down one step towards the subconscious. It is as though the horizon of consciousness were to be moved down by the amount of half a member of the human being; we take half a step downward, our ego descends into the astral body: then music is born.

Physical Body

Architecture

Etheric Body

Sculpture

Astral Body

Painting

Ego

Music

So music contains the laws of our ego, though not as they are manifested in ordinary, everyday life, but pressed down into the subconscious, into the astral body; the ego dives, as it were, beneath the surface of the astral body, there to flow and stream within the organisation of the astral body.

If we go on to speak about the higher members of the human being, starting with the spirit-self, we can refer to them only as something which is still outside the human being. For, in this fifth post-Atlantean epoch, we are only just beginning to make this spirit-self one of our inner members. But if we accept it as a gift from a higher sphere and sink it into our ego, if we dive down, like a swimmer into the water, into our ego, taking with us what as yet can only be dimly felt of the spirit-self, then poetry is born.

Physical Body

Architecture

Etheric Body

Sculpture

Astral Body

Painting

Ego

Music

Spirit-self

Poetry

And proceeding still further, one can say, though to a limited extent: Round about us, in the environment of soul and spirit which we shall absorb at a later stage, the life-spirit is also present. Therefore one day the life-spirit may come to be lowered into the spirit-self. But of course at the moment this is something that will only reach a certain degree of perfection in the very distant future. For when he tries to lower the life-spirit into the spirit-self, man will have to be living entirely in an element which as yet is absolutely strange to him. So what we can say in this domain is like the babbling of a child when compared with the later perfection of speech. One can foresee for the far distant future that there will be an art of great perfection that will stand out beyond poetry, as poetry stands out beyond music, music beyond painting, painting beyond sculpture, and sculpture beyond architecture (this being a question not of superiority, but of arrangement). You will guess, of course, that I am referring to something of which we know only the most elementary beginnings today: Something of which we can only receive the very first indications: the art of eurythmy.

Eurythmy is indeed something that must appear in human evolution at this time; but there is no call for pride, for at present it can be a mere babbling compared with what it will become in the future.

Physical Body

Architecture

Etheric Body

Sculpture

Astral Body

Painting

Ego

Music

Spirit-self

Poetry

Life-spirit

Eurythmy

We can now begin at any point with a somewhat more extended view. But in order to do so we must realise that the organisation of man's being is not nearly as simple as we would like to imagine in our intellectual indolence.

It is incredibly easy simply to imagine that the human being consists of physical body, etheric body, astral body, ego, and so on. If one is able to enumerate these various members and has an approximate conception of them, one may easily consider this rather simple form of knowledge quite satisfactory. But things are not so simple. Physical body, etheric body, astral body, ego are not simply sheaths which fit easily into one another; they are, on the contrary, very complex structures. Take, for instance, the astral body. It is not enough merely to say: This is the astral body and nothing more. Things are much more complicated.

Words here are only an approximation, but we could say that the astral body, for instance, is in itself structured and consists of seven members. Just as the human being can be said to have seven members (physical body, etheric body, astral body, ego, spirit-self, life-spirit, spirit-man), so the astral body has a connection with each of these. There is as it were a ‘thinnest’ part of the astral body which could be described as being especially moulded and fashioned for the physical body. That is to say: there is a living system of laws in the astral body for the physical body, a living system of laws in the astral body for the etheric body, a living system of laws in the astral body for itself, a living system of laws in the astral body for the ego, a living system of laws in the astral body for the spirit-self, for the life-spirit, and for the spirit-man. Thus each member of the human being has in turn seven members. So taking into consideration that the human being consists of seven members which are in turn each structured into seven members, we already find we have a total of forty-nine members. This of course sounds perfectly horrible to modern psychologists, who like to regard the soul as a unity and would prefer to have nothing to do with these things. But for true knowledge, which must gradually arise in the course of the spiritual evolution of mankind, it is certainly not without significance. For when we know that the astral body is sevenfold in its nature and that it is an organism of inner living impulses, then we shall say to ourselves: Within this astral body, with its sevenfold organisation, individual activities must surely take place between the various members. The part of the astral body that corresponds to the physical body must have a certain interplay with the part that corresponds to the etheric body and with the part that corresponds to the astral body itself, and so on. These are no mere abstract suppositions; it is quite possible in the human organism for a man to feel inwardly—though more subconsciously than consciously—a movement of that part of the astral body which corresponds to the physical body. And then something may produce another movement which will have to start in that member of the astral body that corresponds to the astral body itself, and so on. This is not a mere theory; it really happens.

Now imagine the seven members of the astral body to be interrelated as are the tones of the scale: tonic, second, third, fourth, etc. If you allow the effect of a melody to work upon you, you will find that your human organisation permits this to occur because the various tones of the melody are experienced inwardly in the corresponding member of the astral body. The interval of a third is experienced in the part of the astral body which corresponds to the astral body itself. A fourth is experienced in the part of the astral body which—well, let us now be more specific—corresponds to the intellectual or mind soul. A fifth is experienced in the part of the astral body which corresponds to the consciousness or spiritual soul. And remembering that when we divide the human organism more exactly we find it contains nine members, we must, accordingly, structure the astral body in the same way. Instead of saying “the member of the astral body which corresponds to the physical body” when enumerating the various members, I could now say “the member experienced in the tonic”. Instead of “the member of the astral body which corresponds to the etheric body”, I could say “the member experienced in the second”. And instead of saying “the member of the astral body which corresponds to the astral body itself” I could say “the member experienced in the third”.

You can now also see that the existence of the major third and the minor third really corresponds to the incorporation of the astral body in our whole human organisation. If you look up the relevant passage in my book Theosophy you will see that there is an overlapping of what we call the sentient soul on the other. Therefore what I described as an interval of a third can correspond either to the astral body or to the sentient soul: in the one case we have the major third and in the other the minor third.

It is a fact that our ability to experience a musical work of art depends upon this inner musical activity of the astral body: only while we listen to the music with our ego we immediately sink the experience into our astral body, into certain realms which are subconscious.

This leads us to a very important fact. Let us look at ourselves as astral beings, as possessors of an astral body: what is our nature in this respect? As astral beings we have been created out of the cosmos according to musical laws. Inasmuch as we are astral beings we are musically connected with the cosmos. We are ourselves an instrument.

Let us now suppose that we do not need to hear the physical sound of tones, but are able to listen to the creative activity of the cosmos that has brought us into existence as astral beings out of the cosmos: in such a state we should hear the universal music, what has always been called the music of the spheres. Let us suppose that we are able to dive down consciously into our astral entity, developing its spiritual strength to such an extent that we can hear the creative activity of the cosmic music; we could then say to ourselves: With the help of our astral body the cosmos is playing our own being. This thought, which I have just expressed to you, was alive in men in ancient times, really alive. And in pointing this out one is also pointing to the way in which right into the fifth post-Atlantean epoch human evolution has become more and more materialistic. For we all know that this thought is not alive in the external human culture of today; humanity knows nothing about the fact that, so far as the astral body is concerned, the human being is a musical instrument. But this was not always the case, and the fact that it was not always the case has been, so to speak, forgotten. For there was a time when men said: A man once lived who was called John, and this John was able to transport himself into a state of spiritual consciousness in which he could hear the music of the heavenly Jerusalem. They said: All earthly music can only be a copy of the heavenly music which began with the creation of mankind. And the more religious part of humanity felt that by passing over into the world of physical desires, man had absorbed impulses which veiled and darkened the celestial music for him. But at the same time they felt that there must exist in human evolution—through purification from external and chaotic life—a road leading to the goal of hearing the spiritual cosmic music, as it were, through and beyond the external music of the physical world.

In the tenth and eleventh centuries, this relation between external, materialistic music, of which the divine origin was pointed out, and its heavenly prototype, was still beautifully expressed: men were required to employ music as a form of sacrificial or religious service and were expected to free themselves of their connection with the purely chaotic and—as it was felt to be—impure outer world when they produced musical sounds. Life in ordinary external speech was felt to be impure. People felt themselves transported to spiritual heights when they lifted themselves up from speech to music, which is the image of celestial music. This feeling was expressed in the following words.

Ut queant laxis
resonare fibris
mira gestorum
famuli tuorum
solve polluti
labii reatum,
S.J. (Sancte Johanne)

To translate this we would have to say: “So that thy servants may sing with liberated vocal cords the wonders of thy works, pardon the sins of the lips which have become earthly—one might say which have become capable of speech—O Saint John.” It was to one who could hear the heavenly Jerusalem that men looked up in this connection. Let us extract certain things that lie hidden in such a verse: Ut (this word was later replaced by do), resonare (re), mira (mi), famuli (fa), solve (sol), labii (la), S.J. (si). So you find that ‘do, re, mi, fa, sol, la, si’, the names of the notes in medieval musical notation, have been carefully hidden in this verse.

In such an instance we can go back to what still lived in human minds right until the eleventh or twelfth centuries through atavistic clairvoyant cognition, and we see how it all disappears in the flood of materialistic views and passes out of the consciousness of men. But now we are living at a time when through spiritual knowledge we must find it again and recreate it. Everything points clearly to the way in which evolution has made a descent so deep that a swamp has formed. The muddy water of this morass is made up of all the ideas originating in a materialistic view of the world. And now we are about to struggle up again out of the swamp of materialism, to ascend and rediscover what mankind has lost in its descent.

I have pointed out that properly speaking we do not sleep by night only but that certain parts of our being also sleep by day. At night it is principally the thinking and feeling parts which sleep, while during the day it is more the willing and feeling parts which sleep. It is in this will sphere that we are submerged when we dive down with the ego into the astral body. And when we hear a musical work, what happens is that we consciously dive down with our ego into the part of us which is otherwise asleep. When you sit and listen to a symphony, the inner process which takes place is a dulling of your ordinary, everyday thought life while you plunge with soul and spirit down into a region which otherwise sleeps during daytime consciousness. This brings about the connection between the effect of music and all the life-giving forces in the human organism, all that streams with living force through the whole human being, letting him grow together as one with the streaming volume of sounds.

And at night we sleep; then our ordinary thought life is dulled in an element which as yet is not present in our normal consciousness. But if we succeed in bringing into ordinary everyday consciousness that which awakens when we sleep; if that in which we live when asleep dives down into our waking experience, then . . . . Just in contrast: I have just said that when we experience music the ego's awareness dives down into a region which sleeps during the day. But when we submerge what we experience at night into the consciousness of daytime, then poetry arises. This is what people like Plato felt when they called poetry a ‘divine dreaming’.

When we thus explore the connection that exists between man and the whole cosmos, which we can do to a certain extent under the guidance of art, we can bring a certain measure of life into what otherwise remains a mere skeleton of ideas. Please do realise that these things are not a mere skeleton! Some people take such pleasure in arranging what I have described in my book Theosophy in the pattern of a diagram; no doubt they thought that it was from pure obstinacy that I deviated from the pattern of earlier theosophical teachings, when I described three threefold organisations¹ that are not separate but interlaced. But if these matters are approached through what one experiences and what is absolutely real, then even the nature of major and minor melodies will show that things are deeply rooted in the whole structure of the cosmos. Only when things are taken as living entities out of the whole structure of the cosmos do they correspond to a true reality.

Of course it was necessary in the beginning to say a number of things, the reasons for which have only appeared by degrees during the course of many years. This naturally involved the risk that people would start to criticise, because they did not know on what certain statements were based, nor how things of necessity present themselves when the whole structure of the cosmos is taken into consideration. This is still the case with many matters. Many things that are said now are open to numerous objections if they are approached with superficial ideas. But in the course of years even decades they will certainly be verified. And the knowledge gained through spiritual science will become fruitful as soon as it is no longer a theory but a living experience.

All depends upon the capacity to surmount the first ideas presented by the words: physical body, etheric body, astral body, etc., so that these ideas can become alive; a real understanding of the universe radiates from this process of bringing to life. Those who are able to do this should now compare the kind of aesthetics that have come to the fore during the last century and a half, with what can be learned from a knowledge of the human being in discovering the origin of the arts. Those who make this comparison will see that, unless there is an understanding of the human organisation, it is impossible to reach a real comprehension of what lives around us and gives us joy.

I want to awaken in you a recognition of the fact that spiritual science is itself an initial impulse that will continue to grow and develop, that we are in a sense called upon to make the very first steps, and that we can imagine what these first steps will lead to, long after we have laid aside our bodies in our present incarnation.

• 1. see diagram p. 49 in Kunst im Lichte der Mysterienweisheit, Dornach 1980.

We can obtain maybe the best survey of what ought to enter into our souls and hearts as a result of our efforts in spiritual science if we turn our attention for a moment to the greater part of what I have dealt with in my book Occult Science, an Outline. Leaving aside the introductory chapters, which are necessary as a preparation for the subject, we can begin with those chapters that introduce us to the being of man, his relation to birth and death, and his life in the spiritual worlds. After this comes a description of the great cosmic relationships, of course only in rough outlines; we are led through the transformations of our earth before it became the earth, through the Saturn, Sun, and Moon evolutions leading up to our present Earth evolution. Then follows a sketch in the form of brief hints giving us a glimpse of the future Jupiter, Venus, and Vulcan evolutions. Finally, instead of a more detailed description of the Jupiter, Venus, and Vulcan evolutions we have an account of what must be undergone by the individual who wishes to set in motion within his being those inner soul experiences which must eventually lead him to initiation. These processes have been described in greater detail up to a certain stage in the book Knowledge of the Higher Worlds: How is it Achieved?.

It will become apparent that for us spiritual science falls into two parts. In one part we describe cosmic relationships; we describe how what we have before us today as the earth and its beings and as the rest of the cosmos has been coming into existence out of the very, very distant past, and we describe the prospect of how it will develop further. If you review the many observations that we have made, you will see that a large part of them are in a way under the influence of what we take into ourselves concerning the development and coming into being of the cosmos.

The other part of spiritual science is concerned for us with what the soul must do in order to enter the spiritual worlds or, in other words, to reach initiation. It is these inner experiences, conquests, battles, redemptions, and achievements of the soul with which we are always concerned in this second sphere of observation. Our observations always belong essentially to one or other of these two spheres.

Starting now with the first sphere of observations, we see that by describing the Saturn, Sun, and Moon evolutions up to the present Earth evolution, we are placing something in the world which is entirely contrary to both the religious and the scientific world concepts of today; indeed the modern world for the most part considers these descriptions to be absurd. It is quite natural that to our modern minds a description of a world order appropriate, for instance, to the conditions of the Saturn evolution must appear too fantastic; the description of a cosmic order of this kind must appear to our present way of looking at things as absolute nonsense, as something that cannot exist, as the outcome of fantastic speculation. And this is just as true of the other parts of our portrayal.

Now bear in mind a remark that I have made here several times: The human being does not only sleep at night, when his conscious thoughts and ideas are dulled, but a part of his being is also asleep during the day. At night it is more the life of concepts that is asleep; but during the day, in a part of our being, the life of the will is more asleep. The will sleeps in the depths of our bodily being, or at least a large part of the will sleeps thus. This sphere of our will is much more comprehensive than the part which we develop consciously; the latter is only a small part. We may say with complete assurance that in his ordinary daily consciousness, either at work or enjoying leisure, the human being is really for the most part a sleepwalker. A vast number of things take place within him unconsciously; and even a great part of what seems to be done consciously is, in reality, done half or more than half unconsciously.

If we observe the human being exactly in what he does half or more than half unconsciously, then we may see with our spiritual eyes that during sleep he is not nearly so unbelieving as when awake. When awake his modern view of the world prompts him to say: The description of the Saturn evolution in a book like Occult Science is pure and absolute nonsense! Of course he must say this. But as a complete human being he does not speak like this; for he carries within himself something through which he—if I may say so—knows unconsciously that there was once upon a time a Saturn existence. He does something which proves that he in a certain way unconsciously remembers this Saturn existence: he becomes an architect. Architecture would never have come into being if man did not now carry within himself the laws which were imprinted on his physical body during the ancient Saturn period. Yesterday we discussed how these laws in the physical body can be projected into the space outside, where they become the laws of architecture. Man mysteriously projects into the laws of architecture all that he took into his being during the ancient Saturn period. Obviously he has to use such means as are at his disposal today; accordingly the present aspect of architecture is quite different from what we know of ‘Saturn architecture’. But the essential and living elements in our architectural activities stem from what was implanted in us during the ancient Saturn evolution.

Let us enter still deeper into the matter which we thus place before our souls. What does the human being do when he becomes totally absorbed in the creativity of architecture, either as the architect or as the observer or admirer? He lives within the Saturn laws of his physical body; if he immerses himself entirely into the laws of architecture, he forgets all about the life of his etheric body, his astral body and his ego: he becomes once more a Saturn man. All the impressions produced by architecture, its austerity, its chaste proportions, its silence which is yet so eloquent, result from the fact that, abandoning the higher members of his being, he immerses himself in what was given to him by the spirits of the higher hierarchies, the Thrones and Archai, who were active at the beginning of the Saturn period. It was mainly these two groups of higher spirits who were active then, assisted by the other beings belonging to the higher hierarchies.

So when he creates or enjoys architecture (where it is a case of real art of course), the human being really lifts himself not only out of the present Earth existence but also out of the more distant past and places himself once more into the period of Saturn existence.

Let us now pass on to sculpture. Yesterday we saw that the laws of sculpture are the laws of the etheric body which have been pressed down one step into the physical body. Just as that which lives in the physical body, when compelled into the space outside, becomes architecture, so sculpture appears when what lives in the etheric body is made to descend into the physical body. In enjoying sculpture we abandon the astral body, the ego, and all the higher members of our being, living as though we had only the physical body, and in the physical body an expression of the etheric body; in such a condition we are once more participants of the ancient Sun condition. All that the ancient Sun evolution planted in us reappears when we enjoy or create works of sculpture. On the one hand these works appear so congenial to us because they give us back our own very distant past which is still creative within us, our Sun period; and on the other hand they are so smooth and cold in their marble because what rays out to us from them is like light coming to us from the far distances of the cosmos.

Now let us pass on to painting. We know that painting comes about when the inner impulses of the astral body are pressed down into the etheric body; in painting we abandon the ego and live as though we were only in the astral, but were pressing it down into the etheric body. We experience ourselves in all that the ancient Moon evolution has implanted in us, this being our inner astral nature as human being. Painting is, as it were, the outward projection of this inner astral nature of ours. Just as we experience in our astral nature sorrow or joy, things that affect or impress us, whatever fate brings us, so do we experience what the painter conjures upon the canvas for us, which is a reflection of our own inner astral being.

If you try to enter a little into what is described in Occult Science as the Saturn, Sun, and Moon evolutions, you will discover that an architectural mood underlies the description of the Saturn evolution, a sculptural mood underlies the description of the Sun evolution, and a pictorial mood underlies the description of the Moon evolution; an attempt was made to express these moods by choosing suitable words. The presentation of occult events definitely requires more than the current literary equipment of today. It would be an entire misconception of the style of an occult description to believe that it could be achieved by the dreadful literary devices of our time.

We now come to the Earth evolution. Here we are in the immediate present, in the reality appointed for us; what we experience here we do not immediately feel the need to place before ourselves in the form of art. But the need the human being feels of projecting his inner life outward in the form of art is not exhausted by, as it were, recreating his cosmic past in architecture, sculpture, and painting out of the memory implanted in him.

Our need for art progresses further and we can find the spiritual foundation for this if we turn again to the book Occult Science. After the descriptions of the Saturn, Sun, Moon, and Earth evolutions and after the brief outline of the future Jupiter, Venus and Vulcan evolutions, we come to the description of the processes of initiation, which are essentially at first inner human processes. These initiation processes are, in the form in which we encounter them today, the beginning of important changes for the life of human beings on earth and for the whole of future humanity.

Is it not so that our deeper experience of the life of humanity on earth is expressed in the words: Alas, in so far as man is consciously aware during life on earth he appears to be but an orphan in the cosmos, a child abandoned by the cosmos, or even a traveller who has lost his way in the cosmos!

For his everyday waking consciousness man does not know the origin of what lives in him as a result of the Saturn, Sun, and Moon evolutions; nor does he know what will become of him in the Jupiter, Venus, and Vulcan evolutions. Knowing neither his origin nor his future he wanders about at the edge of the abyss that bounds our earthly valley. Sometimes his consciousness may give him a feeling of assurance or he may feel secure as to his future; nevertheless, neither the past nor the future can be determined objectively and competently by man on earth. But something capable of giving him clear guidance in his life will appear before his soul. This will come about when man makes himself acquainted with the guidelines given him in the laws of initiation. Initiation, in ancient times, took the form of a kind of inheritance left to men by the gods, which manifested itself as atavistic clairvoyance; but in the course of our progress towards the future it must take hold of man more and more firmly and actually shape his inner soul life.

The path to initiation has two sides. The one side leads man to discover the secrets, the riddles of life so that he can enter into the spiritual experience of existence. The other side may be called the more subjective side of initiation that takes place more within the soul itself. It is, at the same time, the side from which men shrink the most, because it presents in fact something which does not fit in with the comfortable indolence of experience to which the soul so easily yields or wants to yield. An extremely wide and detailed range of inner experiences awaits the one who is to be gradually led by his inner experience to initiation. Conquest and liberation, hindrance and redemption alternate in manifold ways with inner experience on the way to initiation. One goes through everything the soul experiences when it suddenly feels it has become an entire stranger to itself; as though it had been cast into an abyss where it cannot help feeling that it is eternally lost and can never recover anything which it may have acquired during any lifetime. It may feel an unlimited dismay and grief at the loss of the existence already won. Then the soul may feel itself forced into complete fragmentation, as though it must disintegrate into an endless multiplicity and dissolve into all the beings out of which the cosmos is composed. Further the soul may feel itself wandering through the beings of the cosmos, becoming akin to one of them, then leaving it again and becoming akin to another, in the way I have described it in my book The Threshold of the Spiritual World, in the part dealing with experiences that are always attended by painful privations, painful loneliness as they are passed through one by one. Then comes the experience of the most radical transformation of all, when the soul must decide to undergo what can be expressed with the words: Now you must lose yourself for a while, you must thrust yourself away from yourself; but you must have faith that while you are losing yourself, while you are thrusting yourself away from yourself, beings reposing in the wide expanses of the divine hierarchies will protect you, will cause you to find yourself again after you have lost yourself. This is the passage through births and deaths. This is to be undergone among the inner experiences which lead to initiation.

At last comes the awful passage through all the forces which are not necessary for life on earth, but which are necessary for the life of the extra-terrestrial cosmos and which become the forces of evil when they are brought without justification into the life of the earth by Lucifer or Ahriman. It is the dreadful passage through the forces of evil, together with all the disruptive, devouring, engulfing forces they represent throughout the cosmos. And finally man passes through a stage when he ought to feel himself to be only an instrument, a tool through which the spiritual beings speak; he becomes symbolically what his larynx is as a single organ, he becomes the larynx of the divine spiritual beings, he feels himself to be resting in the all-powerful divine world. And then at last a condition will be reached in the future in which this feeling emerges into sharing the experience of the divine will, working in the cosmos itself.

Only single stages have been described here. But the grades of experience through which the soul passes are infinite. In Knowledge of the Higher Worlds: How is it Achieved? and, more descriptively, in The Threshold of the Spiritual World, you will find set forth as far as is necessary for the present time, how the soul is able to adjust itself to all these states and how, at each stage, it advances one step further into the spiritual world. All that the soul passes through on the path to initiation is consciously undergone and consciously experienced.

This is why this path of knowledge is so beset with pain and yet so full of liberation. But long, long before the human being enters consciously into all that I have described to you as the stages of the path to initiation, he is able to express these experiences in his own way in pictures, and this is done through music! In the last analysis genuine music is essentially a process of life taking its course in tones, which is an external picture of what the soul experiences consciously in initiation.

If he remains in the everyday sphere, the human being cannot at once accomplish what we described yesterday as the submerging of the ego in the astral body. To submerge the ego in the astral body in the right way is to enter into the divine world, and this is the passage through initiation. A picture of this is given to us in the processes we perceive in musical compositions. When he surrenders himself to musical creativity, either as the composer or the listener, the human being abandons his ego, he pushes it back; but at the same time he surrenders it to those divine spiritual powers who are to work upon his astral body when he has ascended to existence on Jupiter.

Please observe how we are entering upon a consideration of the creative art of music which links us with the future of mankind. It is almost, one feels, lacking in modesty to say that musical creativity is called upon to perfect itself more and more in the world, to become continually more profound, and that the musical creativity that has entered into our world so far is still more or less at the experimental stage, even though so much greatness and so much genius has already been involved. So far we have made attempts at what will be infinitely more meaningful in the musical creativity of the future. And this musical art of the future will be most significantly stimulated when human beings begin to engage in learning to know the inner nature of the path of initiation.

When one day what can be described concerning the path of initiation will no longer be experienced by human beings as it is today, but will be experienced in such a way that the description of what the soul must feel will cause human beings to go through bliss and bitter disappointment; when the knowledge that can be gained by reading about the path of initiation has become a complete inner experience: only then will it be possible for human souls to be so deeply moved through their participation in the destinies of all those beings who take part in the events of the cosmos outside the human realm, that they will feel within themselves the shocks, privations and liberation that will impel the soul to express in tonal relationships what is experienced through the description of the path of initiation.

In time to come there will be individuals who will feel what is described as the path of initiation; they will feel that things which are put before us in such an apparently abstract way can be intensely experienced, much more intensely than is the case with our outward physical experience. Then a moment will come when those who are able to experience the truth of what is described as the path of initiation will say to themselves: Now I feel that what I am experiencing does not connect me with the realm of nature that surrounds me on the earth but with all that lives and weaves in the cosmos; not only can I experience all this, but I am able to sing it, to set it to music!

In what can thus be described we have an indication of what spiritual science is to become for human beings. Spiritual science must be a living stimulus for the human soul; it should be more than mere theory, mere understanding, mere knowledge. Spiritual science must live in the soul, taking hold of all its powers, transforming the human being into another being. Or vice versa, the human being must transform himself into another being when he becomes devoted to spiritual science.

In ancient times, even in the case of the Greeks who were Sun men, an atavistic clairsentience led men to abandon their astral and their ego beings completely and only to express the laws of the physical human form created during the Saturn and Sun evolutions. Thus Greek statues were made, those works of sculpture that really stand before our physical eyes as the mankind of the Sun evolution must stand before our spiritual eyes, when we understand that the human being of that period consisted only of the physical human body which contained within it the living etheric forces but not as yet the astral.

Indeed, a work of Greek art such as the Venus of Milo stands before us as the personification of absolute chastity, since unchastity is only possible in the astral body, in all that permeates the astral body as passion and desire. Unchastity is not yet possible in the etheric body. It was a heritage from the gods bestowed upon men which caused them to create such works of art. The human being has lost this ability to feel himself within the etheric and physical bodies alone, without the ego or the astral body.

When he awakes and submerges his ego and his astral body into his etheric and physical bodies, he feels and experiences only what is present in his ego. Even the processes in the astral body are in the subconscious realm, and he has no inner knowledge at all of what takes place in the etheric and physical bodies. The ancient Greeks were still dimly aware of all this. But today, when we seek to bring spiritual knowledge to life once more within ourselves and cause it to embrace not only our abstract and theoretical thoughts but also the whole of our soul life, we gradually penetrate the different members of our being and learn to know what permeates our astral and etheric bodies in rhythmical and harmonious cycles. Then we become able to follow with the soul the etheric forces which pulsate through the body and through space, calling forth forms out of the etheric.

An attempt of this kind was made in the creation of the columns and architraves in our Goetheanum building; it was a diving down into the spheres made accessible to us by spiritual science which have been forgotten by mankind. In this we must indeed take deeply seriously what spiritual science can mean to us. You can glean from all that has so far been said about spiritual science that when we enter consciously into the spiritual world (and one must enter the spiritual world consciously), in other words when with understanding we give form to what lives in the etheric world and in the human etheric body and wish to enjoy what we have thus formed, then we must inevitably make the acquaintance of those beings which are called the luciferic and ahrimanic spirits.

Now consider how much of what we create today has an ahrimanic character. You will remember¹ what I have said with regard to our modern technical environment; and of course we cannot do otherwise than use modern technical methods in our work. If we wished to do without them we would produce the equivalent of hothouse plants. So it afforded me a certain satisfaction that we were able to use concrete, one of the most modern building materials, for part of our building here. For progress consists not in shutting oneself off, as in a hothouse, from the life around one, but in using what is offered by it. By grasping the spiritual nature of the world through spiritual science, we try to use modern materials in such way that what we know through spiritual science finds a living expression in them.

Of course this is only possible up to a certain point, and you will understand why this is so when you perceive all the implications of what has been said about the technical environment. For it is not possible to separate technical methods from ahrimanic forces, for instance, if we wish to create something in architecture or sculpture for ourselves. Thus it was a difficult task to take what of necessity had an ahrimanic nature in our building and, as it were, banish it from the building as something rendered harmless. It really was a difficult task, for we know that the ahrimanic element is inseparable from modern technology. For a while it seemed that Ahriman would easily gain the upper hand. Then we should have been compelled to incorporate into our main building all the technical equipment necessary for running it. As a result, Ahriman would have been permanently installed within the building. We had to think of a way of excluding the ahrimanic forces from the building, and the only possibility was to take the boiler house out and make it a separate unit. This has been done, as you can see for yourselves, and with great success.

It has been possible to create, in the most modern building material, forms that truly express the following: Here, near the building, but outside it, stands the part that must not be included in it, though it must be present outside; and the material out of which it has been formed represents an architectural structure that is truly in keeping with spiritual-scientific knowledge.

It was of immense importance that this should be achieved, particularly as the most modern building materials were employed. For if you look more deeply into what I have written about spiritual science, taking in this case the last chapter of The Portal of Initiation, you will find expressed there the fact that Lucifer and Ahriman are at their most harmful when they are not seen, when they remain invisible. Let us suppose that somebody is tormented by ahrimanic forces; what would be the best remedy? The best remedy would be for him to have some kind of picture made of Ahriman which he could place in his room. The best remedy against an astral being which torments one, is to place it before oneself in a physical form. It is incorrect to suppose that if we have Ahriman before us we will be persecuted by him; the contrary is true. Things must be made visible. But we must not let the matter get on our nerves; we must not develop a condition in which, if we happen to pass by the picture of Ahriman and look at it unconsciously, we then carry the image within ourselves. For this image will then be invisible inside us, thus making us nervous or excited.

You will also see, if you study our ahrimanic chimney along with the whole boiler house, how it is indeed possible to make an architectural structure of what belongs, one might say, to the most blatant elements of ahrimanic civilisation in our time. Certain defects of this civilisation will not vanish until mankind resolves to give architectural form to the things that concern the ahrimanic elements of our civilisation. Apart from all else, apart from our having a building for our own purposes, it is simply important that the first step should be taken in relating our present culture to art and in relating spiritual science to our present culture. Our boiler house is a first small step in this direction, and will lead, it is hoped, to the solution of other problems later. One enormous problem, for instance, would be to find a suitable form for the modern railway station; for the horrors and abominations which perform that function today are a contradiction of all decent human requirements. In its entire form our boiler house is not only suited to its specific purpose but also corresponds to the whole relationship of Ahriman to our building; in the same way the form of a railway station must correspond to what happens through it, with it, and in it within the framework of our modern civilisation.

Such things as these should indicate the way in which spiritual science can provide inspiration for artistic creativity and for many other fields. And we may rest assured, if we enter into the true sense and spirit of what is to develop for us out of spiritual science, that one day, when human beings immerse themselves in the nature of the Saturn condition, then the deeper laws of architecture will reveal themselves; and if people immerse themselves in the nature of the Sun condition, the the deeper laws of sculpture will reveal themselves; and if they immerse themselves in the nature of the Moon condition, then the deeper relationships between form and colour and the nature of chiaroscuro will become apparent, creating inspiration for the art of painting.

And from the description of the path of initiation will spring inspirations and intuitions for the creation of music and yet further for the creation of poetry. Then the time will come when poetic creativity in the true sense of the word will reappear in the world. For poetic creativity has to a certain extent died away. The ‘divine dreams’ incorporated in the work of the true poets were the last vestiges of the ancient heritage from the gods. But a time must come when, out of an understanding of the mysteries of initiation, poets will speak in dramatic or epic or lyric poetry about those intimate processes which take place in the soul when the human being is not alone with himself, but lives together with the gods of the higher hierarchies. In the not too distant future people will be saying: Stop bothering me with your perpetual jingles about men's experiences in the physical world; your daily routine of love and hate and enjoyment is your own affair. It is about what they experience together with the gods when they have found their way outside earthly experience, that men will sing in their music and in their dramas, epics, and lyrical poems. For we know that all men's experiences with the extra-terrestrial world must be brought into these arts through true creativity that is not involved in everyday life.

We have now seen what impulses of transformation lie in the knowledge brought to us by spiritual science, even in the field of artistic appreciation. And we have now seen how, if we enter into spiritual-scientific knowledge, we can dimly perceive the forces which must reign over the spiritual culture of future humanity. Indeed, we may believe that without achieving a profound inner transformation nobody can really make contact with spiritual science; and we may believe that spiritual science is something which can grasp man in a deeply inward way, leading beyond the narrow connections of physical life alone. If we bear in mind this ideal of spiritual science, if we bear in mind that spiritual science can lead out into a sphere that is different from ordinary experience, then it is always an event of immense significance to see somebody within the spiritual-scientific movement, really igniting within himself the spark that leads him out of and beyond the narrow limits of ordinary personal experience. In a way, the only joyful experience which is so far made possible for us through the spiritual-scientific movement is, that as a result of this movement, individuals can appear among us who really find their way out of their personal sphere into those spheres where the personal element ceases to exist.

In our everyday life we must, of course, cultivate the personal element; but in so far as we are together as students of spiritual science, all personal willing and feeling is changed into something impersonal if we take hold of spiritual science in the right way. And every victory over personal feelings and over the weight of personal feelings and over the weight of personal matters in life is of immense significance and value. But on the other hand it is one of the bitterest disappointments if something that is striven for in spiritual science with a will that is purely spiritual, becomes entangled again in the merely personal will and purpose of human beings, and if personal matters begin to play a role within a society whose object it is to unite us in striving for spiritual-scientific knowledge.

I shall not elaborate on these concluding remarks or go into more detail because I believe that there are a good many among you who will perhaps understand much of what is meant by them, who will understand that they were intended as an indication of a number of things that are satisfactory and a number that are disappointing. Today, having tried for a while to walk together along a path of spiritual science, it is good to think about these things for a moment; for there are various reasons why we should reflect and ask ourselves to what extent our own soul is participating in the sincere and honest effort to achieve the spiritual purposes which are nourished by the current of spiritual science. What a superb perspective unfolds before us when we say: Life, science, religion, and also art can receive impulses of transformation from spiritual science when it is truly understood. In the case of the pictorial and plastic arts the impulses come from what we learn in spiritual spheres about the past; and in the case of the arts involving music and speech the impulses come from that which we are striving for inwardly, in order to be able to approach the future. This perspective is so immense and so powerful that we cannot bring enough realisation to bear on it, in order to make it more intensely clear to ourselves. And the more we succeed in making clear to ourselves the inner mood resulting from this vision, the better we shall be as true members of that great organism known to us as spiritual science, an organism which is small today, but which has within it great possibilities. With this today I not only want to appeal to your reason and your understanding, but I also want to sow it as a seed in your souls and in your hearts.

• 1. see lecture ‘Technology and Art’, p. 5 et seq. of this volume.

Our end-of-year festival will begin with Frau Dr. Steiner giving us a recitation of the beautiful Norwegian legend of Olaf Åsteson, of whom we are told that at the approach to Christmas he fell into a kind of sleep which lasted for thirteen days; the thirteen holy days that we have explored in various ways. In the course of this sleep he had significant experiences, that he was able to narrate when he awoke.

During these past days we have examined various things that make us aware that the spiritual-scientific outlook gives us a new approach to an understanding of gems of wisdom which, in past times, people realised belonged to spiritual worlds. Time and again we shall encounter this prehistoric knowledge of the spiritual worlds in one instance or another, and we shall continually be reminded that what was known in former ages, was due to the fact that the human being was so organised at that time that he had the kind of relationship with the whole of the cosmos and its happenings that we would now call being immersed with his human microcosm in the laws or the activities of the macrocosm, and that in this process of immersion in the macrocosm he was able to experience things that deeply concern the life of his soul, but which are hidden from him as long as he lives as microcosm on the physical plane and is equipped only with a knowledge given him by his senses and an intellect bound to the senses.

We know that only a materialistic outlook can believe that man is the only being in the world order equipped with thinking, feeling and willing, whereas a spiritual point of view must acknowledge that just as there are beings below the human level, there are also beings above the human stage of thinking, feeling and willing. The human being can live his way into these beings when, as microcosm, he immerses himself in the macrocosm. However, in this case we should have to speak of the macrocosm not only as a macrocosm of space, but as if the course of time were of significance in cosmic life. Just as in order to kindle the light of the spirit within him when he wants to descend into the depths of his own soul, man has to shut himself off from all the impressions his environment can make on his senses and has, as it were, to create darkness round him by closing off his sense perception, likewise the spirit we can call the spirit of the earth has to be shut off from the impressions of the rest of the cosmos. The outer cosmos has to have least effect on the earth spirit if the earth spirit is to be able to concentrate its forces within. For then the secrets will be discovered that man has to discover in conjunction with the earth spirit, because the earth has been separated as earth from the cosmos.

The time when the outer macrocosm exercises the greatest effect on the earth is the time of the summer solstice, midsummer. And many accounts of olden times connected with festive presentations and rituals remind us that festivals like these take place at the height of summer; that in the midst of summer, the soul, in letting go the ego and merging with the life of the macrocosm, surrenders in a state of intoxication to the impressions from the macrocosm.

On the other hand, the legendary or other kind of presentations of that which could be experienced in olden times remind us that when impressions from the macrocosm have least effect on the earth, the earth spirit, concentrated within itself, experiences within the eternal All, the secrets of the earth's life of soul, and that if man enters into this experience at the point of time when the macrocosm sends least light and warmth to the earth, he learns the most holy secrets. This is why the days around Christmas were always kept so sacred, because whilst man's organism was still capable of sharing in the experience of the earth, man could meet the spirit of the earth during the point of time when it was most concentrated.

Olaf Åsteson, Olaf the son of earth, experiences various secrets of the cosmic All whilst he is transported into the macrocosm during the thirteen shortest days. And the nordic legend which has recently been extricated from old accounts, tells of these experiences Olaf Åsteson had between Christmas and New Year up till the 6th January. We often have reason to remember this former manner in which the microcosm took part in the macrocosm, and we can then take these things further. First of all, however, let us hear the legend of Olaf Åsteson, the earth son, who during the time in which we are now, experienced the secrets of cosmic existence in his meeting with the earth spirit. Let us listen to these experiences.

The Dream Song

I

Come listen to my song!
The song of a nimble youth.

Of Olaf Åsteson will I sing,
Who lay and slept so long.

II

He laid him down on Christmas Eve
And soon lay deeply sleeping.
Nor could he awaken
Until the people went to church
Upon the thirteenth day.

Of Olaf Åsteson will I sing,
Who lay and slept so long.

He laid him down on Christmas Eve
And he slept long indeed!
He could not awaken
Until the bird was on the wing
Upon the thirteenth day.

Of Olaf Åsteson will I sing,
Who lay and slept so long.

Olaf could not awaken
Until the sun shone o'er the peaks
Upon the thirteenth day.
Then saddled he his nimble horse
And rode in haste to the church.

Of Olaf Åsteson will I sing,
Who lay and slept so long.

The priest was at the altar
Reading holy mass
When Olaf alighted at the gate
To tell the many dreams
That had passed through his soul
When he did sleep so long.

Of Olaf Åsteson will I sing,
Who lay and slept so long.

Then old and young they all gave heed,
To Olaf's words they harkened
That told them of his dreams

Of Olaf Åsteson will I sing,
Who lay and slept so long.

III

‘I laid me down on Christmas Eve
And soon lay deeply sleeping.
Nor could I awaken
Before the people went to church
Upon the thirteenth day.

The moon shone bright
And all the paths led far away.

I was borne up into the clouds
Thrown down to the ocean's depths,
And whosoever will follow after
Good cheer he will not find.

The moon shone bright
And all the paths led far away.

I was borne up into the clouds
Then hurled into murky swamps,
And I saw the horrors of hell
And also heaven's light.

The moon shone bright
And all the paths led far away.

I had to go through deep, dark clefts
Where heaven's rivers rushed and roared.
The power to see them was not mine
Yet I could hear their roaring.

The moon shone bright
And all the paths led far away.

My coal-black horse he did not neigh,
Nor did my good hounds bark,
The bird of morning did not sing
For a wonder lay on all.

The moon shone bright
And all the paths led far away.

I had to travel in spiritland
Through stretch on stretch of thorny heath,
My scarlet mantle was torn to shreds
The nails of my feet likewise.

The moon shone bright
And all the paths led far away.

Then I came to the Gjallar Bridge
Suspended in the windblown heights,
Studded it is with rich red gold
And the nails thereon have sharp points.

The moon shone bright
And all the paths led far away.

The spirit snake he struck at me
The spirit hound bit me,
And lo! the bull did bar the way.
These are the three beasts of the bridge,
Most wicked are they all.

The moon shone bright
And all the paths led far away.

The hound he is a snappish beast
The serpent waits to strike,
The bull is ready to attack!
And no one may pass o'er the bridge
Who will not honour truth!

The moon shone bright
And all the paths led far away.

I passed o'er the Gjallar Bridge
On dizzy heights and narrow.
I who had waded in the swamps . . . .
Behind me now they lie!

The moon shone bright
And all the paths led far away.

I had waded in the swamps
There seemed no foothold I could find
As I passed o'er the Gjallar Bridge
Earth did I feel within my mouth
As the dead who lie in their graves.

The moon shone bright
And all the paths led far away.

To the waters then I came,
’Twas where the icy masses gleamed
Like unto flames of blue. . . .
And God did guide me in my steps
That I did not come close.

The moon shone bright
And all the paths led far away.

So I went on the wintry way
And saw on my right hand:
Like unto paradise it was,
Light shining far and wide.

The moon shone bright
And all the paths led far away.

God's Holy Mother then I saw
Amidst most wondrous glory!
‘Now take thy way to Brooksvalin,
the place where souls are judged!’

The moon shone bright
And all the paths led far away.

IV

In other worlds I tarried then
Through many nights and long;
And God alone can know
The suffering I saw there—

In Brooksvalin, where souls
World judgment undergo.

I could see a young man
Who in life had killed a child.
Now he must carry him always
And stand in mud to his knee

In Brooksvalin, where souls
World judgment undergo.

Also I saw an old man
Wearing a cloak of lead;
Thus was he punished,
The miser on earth,

In Brooksvalin, where souls
World judgment undergo.

And men appeared before me
Wearing apparel of fire;
So does their dishonesty
Weigh on their poor souls

In Brooksvalin, where souls
World judgment undergo.

Children I also saw,
Glowing coals beneath their feet,
In life they did their parents ill,
Now must their spirits feel it

In Brooksvalin, where souls
World judgment undergo.

And to a house I had to go
Where witches toiled in blood;
This was the blood of those
Who had enraged them whilst on earth,

In Brooksvalin, where souls
World judgment undergo.

Now there came riding from the North
Wild hordes of evil spooks,
Led by the Prince of Hell,

In Brooksvalin, where souls
World judgment undergo.

This horde riding from the North
Was the wickedest ever seen;
And the Prince of Hell rode out in front,
And he rode on his coal-black steed

In Brooksvalin, where souls
World judgment undergo.

Yet now came a host from the South
Bringing holy calm,
And at their head rode Saint Michael
At the side of Jesu Christ

In Brooksvalin, where souls
World judgment undergo.

The souls weighed down by sin
Had to tremble in anguish and fear!
Their tears ran down in streams
To hear of their wicked deeds

In Brooksvalin, where souls
World judgment undergo.

Michael stood in majesty
And weighed the souls of men
Upon his heavenly scales,
And near him, judging, stood
The Lord of Judgment, Jesu Christ

In Brooksvalin, where souls
World judgment undergo.

V

Blessed is he who in earthly life
Gives shoes unto the poor;
He does not need, with naked feet,
To walk on the heath of thorn.

Thus speaks the Balance,
And World truth
Sounds forth in spirit heights.

Blessed is he who in earthly life
Unto the poor gave bread!
For nothing of harm can come to him
From the hounds of spiritland.

Thus speaks the Balance,
And World truth
Sounds forth in spirit heights.

Blessed is he who in earthly life
Gave corn unto the poor!
The horns of the bull are no threat to him
When he crosses the Gjallar Bridge.

Thus speaks the Balance,
And World truth
Sounds forth in spirit heights.

Blessed is he who in earthly life
Unto the poor gives clothes!
He need not fear the freezing wastes
Of ice in Brooksvalin.

Thus speaks the Balance,
And World truth
Sounds forth in spirit heights.

VI

And young and old they all gave heed,
To Olaf's words they harkened
That told them of his dreams.
You have slept long indeed. . . .
Awaken now, O Olaf Åsteson!

My dear friends, we have just heard how Olaf Åsteson fell into a sleep that was to reveal to him the secrets of worlds that are hidden from the world of the senses and ordinary life on the physical plane. This legend brings us tidings of ancient knowledge and insight into the spiritual worlds, which we shall regain once more through what We call the spiritual-scientific world outlook.

You have often heard the words that are included in all proclamations concerning the human soul's entry into the spiritual world, namely, that man beholds the spiritual world only when he experiences the gates of death and then enters into the elements. This means that the elements of earth existence do not surround him in the way they do in ordinary life on the physical plane, in the form of earth, water, air and fire, but that he is lifted above this sensory exterior of the elements and enters into what these elements really are when you know their true nature, where beings exist that have a relationship with man's soul experience.

We could feel that Olaf Asteson experienced something of this descent into the elements when we come to the part where Olaf reaches the Gjallar Bridge and crosses over it on to the paths of the spiritual world that all led far away. What a vivid description we are given of his experience as he descends into the element of earth. It is described in such detail that he tells us he himself feels earth in his mouth like the dead who lie in their graves. And then there is a clear indication of his going through the element of water, and of all that can be experienced in the watery element when one also experiences its moral quality. Then he also indicates how man meets with the elements of fire and of air.

All this is described in a wonderfully graphic way and centred in the experience of the human soul meeting the secrets of the spiritual world. The legend was found at a later date; it was collected at the place where it lived orally among the people. Parts of the legend in their present form are no longer the same as in the original. No doubt the graphic description of the experiences in the earth realm originally came first and then the experiences in the realm of water. And the experiences in the realms of air and of fire were no doubt far more differentiated than they are in the feeble after-echo that we have today, and which was found centuries later.

The conclusion was undoubtedly also much more impressive and less sentimental, for in its present form it does not in the least remind us of the sublime language of olden times, nor of the capacity to raise one on to a superhuman plane that used to exist in folk legends. The present conclusion merely moves on on a human level, and the reason why it is moving is purely because of its connection with such deep secrets of the macrocosm and of human experience.

If we rightly understand the season of the year in which we now are, we have a strong urge to remember the fact that humanity used to possess a knowledge—even if it was less defined and clear-cut—that has been lost and which has to be regained. And the question can arise in us, that as we surely recognise today that that particular kind of knowledge has to return if mankind is to be made whole, then should we not consider it one of our most urgent tasks to do everything we can to bring knowledge like that into the culture of the present?

Many things will have to happen in order for this change to come about in the right way, in what I would like to call the feeling content of man's world conception. One thing will be particularly necessary—I say one, for it is one among many, but you can only take one at a time—it will be essential for human souls to acquire on the basis of our spiritual-scientific world conceptual stream, reverence and devotion for what was known in ancient times in the old manner about the deep secrets of existence. People must arrive at the feeling that during the materialistic age they have neglected the development of this reverence and devotion.

We must get the feeling of how dried-out and empty this materialistic age is, and how proud of our intellectual knowledge mankind was in the first centuries of the fifth post-Atlantean epoch, in face of the revelations of ancient religion and knowledge handed down from former times, which, when approached with the necessary reverence, truly give us the feeling that they contain the most profound wisdom. Fundamentally speaking we have no reverence for the Bible nowadays, either! Disregarding the kind of atrocious modern research that tears the whole Bible to shreds, we have merely to look at the dry and empty way we approach the Bible today armed, as it were, only with the knowledge of the senses and ordinary intellectual powers, and at the way we can no longer muster a feeling for the tremendous greatness of human perception that comes to meet us in some of its passages. I would like to refer to a passage from the second Book of Moses, chapter 33, verse 18:

And Moses said to God, ‘I beseech thee, shew me thy glory.’

And the Lord said, ‘I will make all my goodness pass before thee, and I will proclaim the name of the Lord before thee; and will be gracious to whom I will be gracious, and will shew mercy on whom I will shew mercy.’

But then the Lord said, ‘Thou canst not see my face: for there shall no man see me, and live.’

And the Lord said, ‘Behold, there is a place by me, and thou shalt stand upon a rock:

And it shall come to pass, while my glory passeth by, that I shall put thee in a clift of the rock, and will cover thee with my hand while I pass by:

And I will take away mine hand, and thou shalt see my back parts: but my face shall not be seen.’

If you gather together various things we have taken up in our hearts and souls during the years we have been working with spiritual science and then approach this passage, you can have the feeling that infinite wisdom is speaking to us there and how, in the materialistic age, human ears are so deaf that they hear nothing of the infinitely deep wisdom that comes to us from this passage. I would like to take this opportunity to refer you to a booklet that has been published under the title Worte Mosis by Bruns Publishing Co. in Minden, Westphalia, because certain things out of the five Books of Moses have been translated better in this booklet than in other editions. Dr. Hugo Bergmann, the publisher of Worte Mosis, has taken a lot of trouble over the interpretation.

The fact that man, if he wants to penetrate to the spiritual world, has to acquire a totally different relation to the world than that which he has to the sense world, has often been stressed. Man has the sense world all about him. He looks at the sense world and sees it in its colours and forms and hears its sounds. The sense world is there, and we are in the midst of it, feeling its influence, perceiving it and thinking about it. That is how we relate to the sense world. We are passive and the sense world, as it were, works its way into our souls. We think about the sense world and make mental images of it.

Our relationship is quite different when we penetrate into the spiritual world. One of the difficulties consists in getting the right idea of what a person experiences when he enters the spiritual world. I have attempted to characterise some of these difficulties in my booklet Die Schwelle der geistigen Welt (‘The Threshold of the Spiritual World’). We make mental images of the sense world and we think about it. If we go through all a person has to go through if he wants to follow the path of initiation, something occurs that can be described like this: We ourselves relate to the beings of the higher hierarchies in the same way as the things around us relate to us; they make a mental image of us, they think us. We think the objects around us, the minerals, plants and animals; they become our thoughts, whereas we are the conceptions, thoughts and perceptions of the spirits of the higher hierarchies. We become the thoughts of the Angeloi, Archangeloi, Archai and so on. They take us in, in the same way as we take in the plants, animals and human beings. And we must feel their sheltering protection when we say, ‘The beings of the higher hierarchies think us, they make mental images of us. These beings of the higher hierarchies take hold of us with their souls’. In fact we can actually picture that when Olaf Asteson fell asleep he became a mental image of the spirits of the higher hierarchies, and in the course of his sleep these beings of the higher hierarchies experienced what the beings of the earth spirit were experiencing (these are, of course, a plurality for us). And when Olaf Asteson sinks back into the physical world he remembers what the spirits of the higher hierarchies experienced in him.

Let us imagine for a moment that we are setting out on the path of initiation. How can we relate to the spiritual world, which is a host of spiritual beings of the higher hierarchies, into which we wish to enter? How can we relate to them? We can appeal to them and say ‘How can we enter into you, how do you reveal yourselves to us?’ And then, when we have acquired an understanding of the different kind of relationship the human soul has to the higher worlds, there will sound forth to us, as it were from the spiritual worlds, ‘You cannot perceive the spiritual world the same way as you perceive the sense world, the way the sense world appears before you and impinges on your senses. We must think you, and you must feel yourself in us. You must feel the kind of experience in you which a thought you think in the sense world would have if it could experience itself within you. You must surrender yourself to the spiritual world, then the beings of the higher hierarchies who can reveal themselves to you will enter into you. This will stream into your soul and live within it, bringing grace, in the same way as you live in your thoughts when you think about the sense world. If the spiritual world wishes to favour you and have compassion on you, it will fill you with its love!’

But you must not imagine that you can approach spiritual beings in the same way as you approach the sense world. Just as Moses had to creep into the cave, you must go into the cave of the spiritual world. You have to put yourself there. Like a thought lives in you, you must be taken up into the life of the spiritual beings. You yourself must live as a universal thought in the macrocosm. To have experiences there of your own accord is not possible during earthly life between birth and death, but only after you have passed through death. No one can experience the spiritual world in this way before he has died, yet the spiritual world can come close to you, bless you and fill you with its love. And if after, or whilst you are within the spiritual world, you develop your earthly consciousness, the spiritual world will shine into this consciousness.

Just as when an object is outside us we confront it, and when it enters our consciousness it is inside us, the soul of man is within the cave of the spiritual world. The spiritual world passes through him. Here, man confronts things. When man enters the spiritual world the beings of the higher hierarchies are behind him. There, he cannot see their face, just as a thought cannot see our face when it is within us. Our face is in front and the thoughts are behind, so they cannot see our face. The whole secret of initiation is concealed in the words Jehovah speaks to Moses.

And Moses said to God, ‘I beseech thee, shew me thy glory.’

And the Lord said, ‘I will make all my goodness pass before thee, and I will proclaim the name of the Lord before thee; and will be gracious to whom I will be gracious, and will shew mercy on whom I will shew mercy.’

But then the Lord said, ‘Thou canst not see my face; for there shall no man see me, and live.’—Initiation does indeed bring you to the Gate of Death.

And the Lord said, ‘Behold, there is a place by me, and thou shalt stand upon a rock:

And it shall come to pass, while my glory passeth by, that I shall put thee in a cleft of rock, and will cover thee with my hand while I pass by:

And I will take away mine hand, and thou shalt see my back parts: but my face shall not be seen.’

It is the opposite of the way we perceive the sense world. You must muster a lot of the spiritual-scientific effort you have developed over the years, in order to encounter a revelation like this with the right kind of reverence and devotion. Then human souls will gradually acquire more and more of this feeling of reverence towards these revelations; and this reverence, this devotion, is among the many things we need in order that the change we have been speaking of can come about in mankind's spiritual culture.

The time when the macrocosm sends down least influence to the earth, the days from Christmas over New Year until roughly the 6th of January, can be a suitable time not only for remembering the facts of spiritual knowledge, but also for remembering the feelings we have to develop as we take up spiritual science. We are really and truly taken up again into the life of the spirit of the earth, together with whom we form a whole, and in which ancient clairvoyant knowledge lived, as this legend of Olaf Åsteson shows us. Humanity in the materialistic age has in many ways lost this reverence and devotion for spiritual life. It is most essential to see to it that this reverence and devotion come back, for without them we shall not develop the mood to approach spiritual science in the right way. Unfortunately the mood with which spiritual science is spproached to start with is still the same mood we have for ordinary science. A thorough change will have to come about in this respect.

Having lost the understanding for the spiritual world, mankind has also lost the proper relation to the being of man, to humanity. The materialistic world conception produces chaotic feelings about universal existence. These chaotic feelings about the world and humanity were bound to come in the age of materialism. Think of a time—and this is our time, the first centuries of the fifth post-Atlantean cultural epoch—when people no longer had any real awareness that the being of man is threefold: a bodily nature, soul and spirit. For it really is like that. The threefold nature of man, which, to us, is one of the basic elements of spiritual science, was something that people did not have the slightest notion of from the first four centuries of the fifth post-Atlantean cultural epoch right into our time. Man was just man, and any talk of membering his being in the way we do into body, soul and spirit was considered complete nonsense.

You might imagine that these things are valuable only in the sphere of knowledge, but that is not so. They are important not only as knowledge, but for the whole manner in which man faces life. In the fourth century of modern times, or, as we say in our language, during the fifth post-Atlantean cultural period, three great words came to the fore in which people saw, or at least endeavoured to see, the essence of human striving on earth. Important though these words are, what made them significant was the fact that they appeared at a time when mankind knew nothing of the threefold nature of man. Everyone heard of liberty, equality and fraternity.

It was a profound necessity that these words were heard at a certain time in modern civilisation. People will only really understand these words when the threefold membering of the human being is understood, because until then they will not realise the significance these words can have with regard to man's real being. Whilst these words are being approached with the sort of chaotic feelings that are engendered by the thought that man is man, and the threefold membering of man is nonsense, human beings will find no guidance in these three words. For the three words, as they stand, cannot be directly applied to one and the same level of human experience. They cannot be. Simple considerations which do not perhaps occur to you because they seem too simple for such weighty matters, can go to show that if they are taken on the same level, what these three words mean can come into serious conflict.

Let us start by looking at the realm where we find fraternity in its most natural form. Take human blood relationship, the family, where there is no need to instil brotherly love because it is inborn, and just think how it warms the heart to see real genuine brotherhood among a family, to see everyone united in a brotherly way. And yet—without losing any of the wonderful feeling we can have about this brotherly love—let us have a look at what can happen to a family fraternity just because of this brotherliness. Brotherliness is justified within a family, yet a member of a family can be made unhappy by it, and can long to get away from it because he feels he cannot develop his own soul within the family fraternity and must leave it in order to develop in freedom. So we see that freedom, the unfolding in freedom of the life of the soul, can come into conflict with even the best-meant brotherliness.

Obviously a superficial person could maintain that it is not proper brotherliness if it does not agree with a person's freedom. But people can say anything they like. No doubt they can say that everything agrees with everything else. I recently saw a thesis in which one of the articles that had to be proved was that a triangle is a quadrangle. You can of course plead for a thing like that, you can even prove exactly that a triangle is a quadrangle! And you can also fully prove that fraternity and freedom are compatible. But that is not the point. The point is that for the sake of freedom many a realm of brotherliness has to be—and in fact is—forsaken. We could give further examples of this.

If we wanted to count up the discrepancies between fraternity and equality it would take us a long time. Obviously we can say in abstracto that everyone can be equal, and can show that fraternity and equality are compatible. But if we take life seriously it is not a question of abstractions but of looking at reality. The moment we realise that the human being has a bodily nature that lives on the physical plane, a soul nature that actually lives in the soul world, and a spiritual nature that lives in the spiritual world, we have the right perspective for the connection between these profound words. Brotherliness is the most important ideal for the physical world, freedom is for the soul world, and insofar as man enters into the realm of the soul we ought to speak of the freedom of the soul, that is, of the kind of social conditions that fully guarantee the soul its freedom. If we bear in mind that in order to develop the spirit and enter spirit land we, that is, each one of us, has to strive for spirit knowledge from our own point of view, we shall soon see where we would get with our spiritual conceptions if each one of us only went his own way and we all filled ourselves with a different content.

As human beings we can only find one another in life if we seek the spirit, each one for himself, yet can arrive at the same spiritual content. We can speak of the equality of spiritual life. We can speak of fraternity on the physical plane and with regard to everything that has to do with the laws of the physical plane and which affects the human soul from the physical plane; liberty with regard to all that comes to expression in the soul in the way of laws of the soul world; equality with regard to everything that comes to expression in the soul in the way of laws of the spirit land.

So you see, a Cosmic New Year must come about, where there will be a sun that will increase in power to give warmth and to radiate light: a sun that must bring light-filled warmth to many a thing that lived on during the age of darkness, yet was not understood. It is characteristic of our time that many a thing is striven for and expressed in words, yet is not understood.

This, too, can bring us to feel reverence and devotion for the spiritual world. For if we ponder on the fact that many people strove for fraternity, liberty and equality in the fourth century of the fifth post-Atlantean epoch and uttered these words without understanding them properly, it is possible for us to see an answer to the question, ‘Where did these words come from?’ The divine-spiritual universal order implanted them into the human soul at a time when we did not understand them, in order that key words of this kind might lead us on to true universal understanding. We can notice the wise guidance in world evolution even in things like this. We can observe this guidance everywhere, whether in past ages or in more recent times, observing that often we do not notice until afterwards that something we did previously was actually wiser than the wisdom we had at our command at the time. I drew attention to this at the very beginning of my book, The Spiritual Guidance of Man.

However, if you look, for instance, at the fact that in world evolution, in the evolution of man, a part is played by directional words that can only gradually be understood, you might be reminded of an image we can use when we want to characterise this period of the fifth post-Atlantean cultural epoch that is drawing to a close. In many respects it can really be compared with the season of Advent where the periods of daylight grow shorter and shorter. And now in our time, when we can begin to have knowledge of revelations of the spiritual worlds again, evolution is entering the phase that we can picture as the days growing longer and longer, and we can speak of this season really being comparable to the thirteen days and to the time of increasing daylight.

But it goes deeper than this. It would be absolutely wrong if we were only to find bad things to say of the materialistic age of the past four centuries. Modern times were ushered in by the great discoveries and inventions that are called ‘great’ in the materialistic age, sailing round the world, for instance, discovering lands that were not previously known and starting to colonise the earth. That was the beginning of materialistic civilisation. And then the time gradually came when people were almost stifled by materialistic civilisation. The time arrived when all our spiritual forces were applied to understanding and grasping material life. Insights, understanding and visions of the spiritual world existing in ancient knowledge were forgotten more and more, as we have seen.

Yet it is wrong to have nothing but bad things to say about this age. It would be far better to put it this way: ‘The human soul has been thinking materialistically and founding a materialistic science and culture in the part of it that is awake, but this human soul is a totality.’ If I wanted to put it schematically I could say that one part of the human soul founded materialistic civilisation. This part was inactive before that, and people knew nothing about external science and outer material life; at that time the spiritual part was more awake. (He did a drawing.) During the past four centuries the part of the soul was awake that founded materialistic civilisation, and the other part was asleep. And, in truth, during the age of materialistic culture, the seeds were being sown in the sleeping parts of the soul for the forces we can now develop in humanity to bring us to spirituality again. During these centuries mankind was really an Olaf Asteson as far as spiritual knowledge was concerned. That really was so. And humanity has not yet woken up! Spiritual science must awaken it. A time must come when both old and young must hear the words that are being spoken by the part of the human soul that was asleep in the age of darkness.

The human soul has slept long indeed, but world spirits will approach and call to it, ‘Awaken now, O Olaf Asteson!’—Only we have to prepare ourselves in the right way, so that it does not happen that we are faced with the call, ‘Awaken now, O Olaf Åsteson!’ and have not the ears to hear it. That is why we are engaged in spiritual science, so that we shall have the ears to hear, when the call to be spiritually awake sounds in human evolution.

It is a good thing if man remembers sometimes that he is a microcosm and that he can be receptive to certain experiences if he opens himself to the macrocosm. As we have seen, the present season is a good one. Let us try to make this New Year's Eve a symbol for the New Year's Eve that has to come to mankind in earth evolution, a New Year's Eve that will herald a new era bringing ever more light, soul light, vision, knowledge of what lives in the spirit and which can stream and flow into the human soul from out of the spirit. If we can bring the microcosm of our experience on this New Year's Eve into connection with the macrocosm of human experience over the whole earth, we shall then have the kind of feelings we ought to experience, sensing as we do the dawning of the great new Cosmic Day of the fifth post-Atlantean epoch, at whose beginning we stand, and the midnight of which we want to understand worthily.

The Dream Song: Draumkvaedet, see collection Norske Folkeviser, edited by Thorwald Lammers, Kristiania 1910, by Aschehoug & Co.

Rudolf Steiner spoke about the Norwegian Dream Song of Olaf Asteson on 1st January 1912, 7th January 1913 and 31st December 1914, and his talks were always accompanied by Marie Steiner-von Sivers reciting the Dream Song. These three lectures or addresses were put together as a volume and published in 1958 as an enlarged new edition of the lecture ‘Cosmic New Year’. Ingeborg Möller-Lindholm, the Norwegian poetess (1878–1964), drew Rudolf Steiner's attention to the old legend, and it is largely due to her initiative that this extraordinary folk epic has acquired such an important place in the anthroposophical movement. Through her help we are in a position to include in this edition the notes she made of her conversation with Rudolf Steiner. We have also included in the references, several points from a lecture Ingeborg Möller-Lindholm gave on the Dream Song of Olaf Asteson, which she kindly put at our disposal in translation, and which we have attributed accordingly.

---

Notes on the Dream Song by IngeborgMöller-Lindholm of Lillehammer

In June 1910 Dr Steiner held a cycle of lectures in Oslo entitled The Mission of the Individual Folk Souls in Relation to Teutonic Mythology. As I lived in Oslo and had a large room at my disposal, I invited to tea about forty anthroposophical friends who had come to Oslo for this occasion. Dr Steiner and Frau Marie Steiner had also agreed to come. I asked Dr Steiner the previous day whether he could tell us something about the unusual Norwegian folk epic, ‘The Dream Song of Olaf Åsteson’. Rudolf Steiner smiled amiably and said he would first have to have read or heard it. I saw the point of this. Then he himself made the suggestion that he should arrive the next day an hour before the other guests, so that I could read the song to him and make a rough translation. And that is what happened.

While I read it to him, Dr Steiner sat with his eyes closed and listened intently. He was obviously deeply affected by the unusual content of the song. After tea the Dream Song was read out in Norwegian by a member of the Society, whereupon Dr Steiner gave a short but moving lecture on the song. In particular he dwelt on the fact that these events took place during the time of the twelve holy nights when extraterrestrial influences are at their strongest. He also gave special mention to the name of Olaf Asteson. Olaf or Olcifr means the ‘one left behind’ after his predecessors have gone. He is the one who passes on the blood of the father of the generations. Ast means love; so he is ‘the Son of Love’.

Dr Steiner asked me to translate the song into German. He himself did not know Norwegian, let alone the old dialect in which the Dream Song had been written down, and which was difficult even for modern Norwegians. To begin with I made the excuse that I did not have a sufficient command of the German language to convey the wonderful musical rhythm. Dr Steiner said that did not matter, I should just translate the song literally word for word, so that he could get an exact picture of the content. I did this in the course of the autumn and sent him the translation, which was very prosaic and in many respects extremely inadequate. Later on Rudolf Steiner put the song into its own characteristic rhythms and gave several lectures on it. It was also used for eurythmic presentation, especially at Christmas time.

Dr Steiner told me in 1913 that I should not think that Olaf the Saint was the original Olaf Åsteson. (St. Olaf, a Norwegian king, died in 1035 at the battle of Stiklestad, championing the cause of Christendom.) There had been several people with the name of ‘Olaf Åsteson’, said Dr Steiner. It was a kind of mystery title.

Dr Steiner was in Norway again after the First World War, in 1921 and 1923. On these occasions he stayed with engineer Ingero. Mrs Ragnhild Ingero, who died a few years ago, told me that Dr Steiner had talked to her about the Dream Song. He had meanwhile gone into it further and discovered new things. One of these was that the song was much older than people believed. It originated about 400 AD. At that time there was a great Christian initiate in this country. He founded a mystery school in Southern Norway; the place was not mentioned. His mystery name was Olaf Asteson, and the song describes his initiation. Originally, so Dr Steiner says, the song was much longer and had twelve sections, one for each sign of the zodiac. The song describes Olaf Asteson's journey through the whole zodiac and what he saw and experienced there. Today we only have fragments of the original song. The aforesaid mystery school continued into the early Middle Ages. The leader was always called Olaf Åsteson

Dr Steiner said that in course of time he would publish these facts and other important things connected with the song. However he did not want to do this until he had found certain external proofs of his findings. He thought he would be able to find these . But the burning of the Goetheanum, excessive work and finally illness and death prevented this intention being realised. Now these indications are all we have.

I have given much thought to these findings of Dr Steiner's and have come to the conclusion that this mystery school was possibly in Skiringssal. This place is or rather was in Vestfold, a region in south-western Norway. In old legends it has always been described as a holy place. Vikings who died on foreign soil wished to be buried in Skiringssal. There was also a kaupang there (market). Archaeologists are excavating things at present which they assume to be remains of this market. Up to now, though, nobody has been able to prove conclusively where Skiringssal is. At the time of the mystery school it lay on the coast; however loam deposits have now ‘pushed’ the place further inland. Skiringssal means ‘The Hall of Purification’. Skim means baptism or purification (old Norwegian)

Where did the first Olaf Asteson come from? It has been historically proved that Irish-Scottish monks were in this country long before Christianity was officially introduced. According to legend, Joseph of Arimathea came to the British Isles as early as the first century AD, and began his missionary work there. There have been mystery centres in Ireland since very early times. The tribes on the neighbouring islands were heathen. The Irish-Scottish Church, also called the Culdee Church, arose as a result of the confluence of the work of the Christian missionaries and ancient Druid wisdom. It flourished in many places as early as 300 to 400 AD. There were churches, schools and monasteries, despite the fact that these were always under attack from powerful heathen tribes of the neighbourhood. Many priests and monks died a martyr's death. This Culdee Church was based in particular on the Gospel of St. John and the preaching of the apostle John. It was like the first communities of Christians and contrasted strongly with the Petrine or Roman Catholic Church. But the latter was victorious. The Culdee Church was destroyed and dissolved in the year 664 AD. It sent a lot of missionaries to various European countries both before and after being externally destroyed. This Church was definitely of an esoteric nature. Many things suggest that the first Olaf Asteson was a representative of this spiritual stream.

‘Among these Norwegian people, who still possess many things in their popular tongue that approach very closely the threshold of occult secrets, possibilities existed for souls to remain connected longer with everything living and working behind outer material phenomena,’ said Rudolf Steiner in his lecture on Olaf Asteson in Berlin on 7th January 1913, in Der Zusammenhang des Menschen mit der elementarischen Welt (Man's Connection with the Elemental World), GA 158, 1970.